Knowledge (XXG)

Charles Othon Frédéric Jean-Baptiste de Clarac

Source 📝

22: 242: 254: 142:, who had in his "Essay on the Geography of Plants" demanded that artists go to the New World and paint the richness of its vegetation, bought the work due to "its organic sense of the detail emanating from the totality of nature". It was acquired by the Louvre's "département des Arts graphiques" in 2004, and in 2005 a special exhibition was centred on it. 174: 58:
Having served for some time in the army of prince Conde, and afterward entered a Russian regiment. After that he returned to France, and then to Naples in 1808. During his stay there he superintended the excavations at Pompeii, the results of which he described in his book,
123:, and once he was back in Europe worked them up into a large watercolour of the untouched and primitive forest interior of Brazil. The resulting work (also the result of minute study of tropical plants cultivated in the greenhouses of prince 246: 258: 171:"Charles Othon Frédéric Jean-Baptiste de Clarac", in Marie-Nicolas Bouillet and Alexis Chassang (dir.), Dictionnaire universel d'histoire et de géographie, 1878 324: 162:, 1826–1855, 6 volumes in-8, with plates in-4, a magnficient publication which used up his fortune and which he was unable to finish before his death. 334: 309: 314: 329: 299: 135:
of 1819. From its vegetal profusion emanates an organic luxuriance which several photographers later tried to emulate and reproduce.
124: 304: 289: 284: 110: 95: 319: 294: 82:, he travelled round Europe, finding success in drawing and archaeology. He became tutor to the children of 139: 67:
in his embassy to Brazil. On his return to Paris he was appointed successor to Visconti as keeper of the
47:) was a French artist, scholar and archaeologist. He published a catalogue of the Musée du Louvre, and a 279: 274: 21: 94:, and was made conservator of antiquities at the Louvre in 1818. In 1838 he was admitted to the 221: 102: 79: 201: 91: 114: 268: 132: 83: 106: 86:, king of Naples, and was charged by Murat with showing them round the ruins of 241: 64: 253: 101:
Highly talented at drawing, he accompanied the diplomatic mission of the
223:
The New American Cyclopaedia: a Popular Dictionary of General Knowledge
119: 87: 29: 109:, to Brazil. On the shores of the Paraîbo do Sul, in the woods of 44: 40: 203:
Description historique et graphique du Louvre et des Tuileries
28:, by Charles Othon Frédéric Jean-Baptiste de Clarac, 1819 ( 51:
and also that which is considered his best work: the
37:
Charles Othon Frédéric Jean-Baptiste, Comte de Clarac
259:Charles Othon Frédéric Jean-Baptiste de Clarac 247:Charles Othon Frédéric Jean-Baptiste de Clarac 215: 213: 8: 63:He soon left Italy and followed the duke of 206:. Imprimerie impériale. pp. vii–xii. 55:, 1826–1852, completed after his death. 20: 16:French artist, scholar and archaeologist 220:George Ripley, Charles A. Dana (1864). 195: 193: 191: 187: 160:Musée de sculpture antique et moderne 53:Musée de sculpture antique et moderne 7: 105:, extraordinary ambassador to king 158:, 1847, 3 volumes in-12, he wrote 90:. He returned to France under the 14: 325:Botanists active in South America 226:. Chartreuse-Cougar. p. 281. 252: 240: 335:French male non-fiction writers 310:19th-century French naturalists 200:Maury, Frédéric Clarac (1853). 1: 315:French botanical illustrators 156:Manuel de l'histoire de l'art 49:Manuel de l'Histoire de l'art 152:Catalogue du musée du Louvre 351: 330:Natural history of Brazil 300:French classical scholars 117:, he made several signed 61:Fouilles Faites a Pompei. 96:Académie des Beaux-Arts 175:Forêt vierge du Brésil 140:Alexander von Humboldt 138:The famous naturalist 129:Forêt vierge du Brésil 33: 26:Forêt vierge du Brésil 305:French art historians 290:French archaeologists 24: 261:at Wikimedia Commons 131:, was shown at the 69:Musee des Antiques. 43:– 20 January 1847, 285:French draughtsmen 177:- Louvre catalogue 125:Maximilien zu Wied 98:as a free member. 78:Emigrating on the 34: 257:Media related to 245:Works related to 103:Duke of Luxemburg 342: 320:Counts of France 256: 244: 228: 227: 217: 208: 207: 197: 113:to the north of 350: 349: 345: 344: 343: 341: 340: 339: 295:French curators 265: 264: 237: 232: 231: 219: 218: 211: 199: 198: 189: 184: 168: 148: 76: 39:(24 June 1777, 17: 12: 11: 5: 348: 346: 338: 337: 332: 327: 322: 317: 312: 307: 302: 297: 292: 287: 282: 277: 267: 266: 263: 262: 250: 236: 235:External links 233: 230: 229: 209: 186: 185: 183: 180: 179: 178: 172: 167: 164: 147: 144: 115:Rio de Janeiro 75: 72: 15: 13: 10: 9: 6: 4: 3: 2: 347: 336: 333: 331: 328: 326: 323: 321: 318: 316: 313: 311: 308: 306: 303: 301: 298: 296: 293: 291: 288: 286: 283: 281: 278: 276: 273: 272: 270: 260: 255: 251: 249:at Wikisource 248: 243: 239: 238: 234: 225: 224: 216: 214: 210: 205: 204: 196: 194: 192: 188: 181: 176: 173: 170: 169: 165: 163: 161: 157: 153: 145: 143: 141: 136: 134: 130: 127:'s château), 126: 122: 121: 116: 112: 108: 104: 99: 97: 93: 89: 85: 84:Joachim Murat 81: 73: 71: 70: 66: 62: 56: 54: 50: 46: 42: 38: 31: 27: 23: 19: 222: 202: 159: 155: 151: 149: 137: 128: 118: 100: 77: 68: 60: 57: 52: 48: 36: 35: 25: 18: 280:1847 deaths 275:1777 births 107:Louis XVIII 269:Categories 182:References 150:Besides a 111:Rio Bonito 80:Revolution 65:Luxembourg 92:Consulate 166:Sources 120:croquis 88:Pompeii 154:and a 30:Louvre 146:Works 133:Salon 45:Paris 41:Paris 74:Life 271:: 212:^ 190:^ 32:).

Index


Louvre
Paris
Paris
Luxembourg
Revolution
Joachim Murat
Pompeii
Consulate
Académie des Beaux-Arts
Duke of Luxemburg
Louis XVIII
Rio Bonito
Rio de Janeiro
croquis
Maximilien zu Wied
Salon
Alexander von Humboldt
Forêt vierge du Brésil



Description historique et graphique du Louvre et des Tuileries


The New American Cyclopaedia: a Popular Dictionary of General Knowledge

Charles Othon Frédéric Jean-Baptiste de Clarac

Charles Othon Frédéric Jean-Baptiste de Clarac

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.