452:, Koussevitzky, and Munch were broadcast nationally on the NBC Radio Network from 1948–1951. NBC carried portions of the Orchestra's performances from 1954–1957. Beginning in 1951, the BSO was broadcast over local radio stations in the Boston area. Starting in 1957, Boston Symphony performances under Munch and guest conductors were disseminated regionally, nationally, and internationally through the Boston Symphony Transcription Trust. Under Munch, the Boston Symphony appeared on television. The first BSO television broadcast was under Bernstein in 1949 at Carnegie Hall.
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414:. However, Munch's programs also regularly featured works by composers such as Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Brahms, and Wagner. His thirteen-year tenure in Boston included 39 world premieres and 58 American first performances, and offered audiences 168 contemporary works. Fourteen of these premieres were works commissioned by the Boston Symphony and the Koussevitzky Music Foundation to celebrate the Orchestra's 75th Anniversary in 1956. (A 15th commission was never completed.)
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of Munch's
Columbia and RCA Victor recordings including performances by the Boston Symphony Orchestra, New York Philharmonic, and Philadelphia Orchestra. Many of these had never been officially released on compact disc. In 2018, Warner Classics issued a comprehensive CD box set of Munch's recordings, drawn from their archives of the labels of the former EMI group. Eloquence Australia released a CD box set of Munch's complete DECCA recordings in 2020.
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in a multi-disc set, including all of their Munch recordings. BMG/Japan has issued two different editions of Munch's RCA Victor recordings on CD, 1998 and 2006. The latter was made up of 41 CDs and encompassed all but a handful of Munch recordings with the Boston
Symphony. in 2016, Sony released all
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He began making records in Paris before the war, for EMI. Munch then made a renowned series of Decca Full
Frequency Range Recordings (FFRR) in the late 1940s. After several recordings with the New York Philharmonic for Columbia, Munch began making recordings for RCA Victor soon after his arrival in
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broadcast throughout Japan the opening concert of the Boston
Symphony's tour of Japan in 1960. Munch also appeared on film or television with the Chicago Symphony Orchestra, the Czech Philharmonic, the Hungarian Radio and Television Orchestra, the Orchestre National de l'ORTF, and the Orchestre de
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and was made simultaneously in monaural and experimental stereophonic sound, although only the mono recording was released commercially. The stereo tape survives only fragmentarily. The monaural version of this recording was added to the
Library of Congress's national registry of sound. Among his
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Munch led the Boston
Symphony on its first transcontinental tour of the United States in 1953. He became the first conductor to take them on tour overseas: Europe in 1952 and 1956, and East Asia and Australia in 1960. During the 1956 tour, the Boston Symphony was the first American orchestra to
171:. Though most of his career was accomplished in France and in the United States, Munch considered that "as an Alsacian and as a musician, purely and profoundly German, but that a friend of many countries and first and foremost a musician and a conductor".
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464:. He was also named president of the Guilde française des artistes solistes. During the 1960s, Munch appeared regularly as a guest conductor throughout America, Europe, and Japan. In 1967, at the request of France's Minister of Culture,
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to guest conduct, record, and tour with the orchestra after an absence of more than 25 years. Under Munch, guest conductors became an integral part of the Boston
Symphony's programming, both in Boston and at Tanglewood.
323:, believing it best to maintain the morale of the French people. He refused conducting engagements in Germany and also refused to perform contemporary German works. He protected members of his orchestra from the
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148:. His father, Ernst, was a professor of organ at the Conservatoire and performed at the cathedral; he also directed an orchestra with his son Charles in the second violins.
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on 27 December 1946. He was its Music
Director from 1949 to 1962. Munch was also Director of the Berkshire Music Festival and Berkshire Music Center (
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At the age of 41, Munch made his conducting debut in Paris on 1 November 1932. Munch's fiancée, Geneviève Maury, granddaughter of a founder of the
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His first stereophonic recording with the Boston
Symphony, in Boston's Symphony Hall in February 1954, was devoted to a complete version of
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The Boston
Symphony appeared on television with Munch locally on WGBH-TV, Boston, and nationally through a syndicated series.
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A number of Munch's recordings have been available continuously since their original releases, among them Saint-Saëns's
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and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the
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while on an American tour with his new orchestra. His remains were returned to France where he is buried in the
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Boston as Music Director. These included memorable Berlioz, Honegger, Roussel, and Saint-Saëns tapings.
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and at his various European posts and guest conducting assignments on various labels, including English
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Boston Symphony Orchestra, Symphony Hall Centennial, From the Broadcast Archives 1943-2000, (Booklet)
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by Munch in a translation by Leonard Burkat. It was originally issued in 1954 in French as
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144:. Although his first ambition was to be a locomotive engineer, he studied violin at the
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1098:. More on the history of the Czech Philharmonic between the 1940s and the 1980s:
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296:(from 1937 to 1939). One of his pupils there was also Czech composer-conductor
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Munch remained in France conducting the Conservatoire Orchestra during the
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Munch, Charles, translation from the French by Leonard Burkat (1955).
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Orchestre National de France Principal Conductors and Music Directors
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Radio-Canada. Several of these performances have been issued on DVD.
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The Boston Symphony under Munch made a series of recordings for
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Orchestra. Munch also studied conducting with Czech conductor
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Munch returned to France and in 1963 became president of the
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Charles Munch, quoted by Bernard Gavoty in his preface for
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Upon Munch's return to Paris, he made Erato disks with the
1024:. Vol. LIV, 25, no. December 19. pp. 40–46.
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After receiving his diploma in 1912, Charles studied with
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He excelled in the modern French repertoire, especially
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Academic staff of the École Normale de Musique de Paris
514:. It was published by Oxford University Press in 2011.
488:, with this orchestra, and released them posthumously.
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final recordings in Boston was a 1962 performance of
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Orchestre de la Société des concerts du Conservatoire
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Munch's discography is extensive, both in Boston on
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Munch invited former Boston Symphony music director
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Charles Munch in the Hungarian Radio, 1966, Budapest
229:, who had fled Berlin during his tenure at Berlin's
307:Plaque at Place Émile Dreux, village de Voisins in
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822:Charles Munch: Un Chef d'orchestre dans le siecle
448:Selections from Boston Symphony rehearsals under
373:International Competition of Orchestra Conductors
260:(1937 to 1946). He became known as a champion of
221:Chocolate Company, rented the hall and hired the
174:In 1920, Munch became professor of violin at the
335:with the red ribbon in 1945 and the degree of
101:; 26 September 1891 – 6 November 1968) was an
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480:. EMI recorded his final sessions, including
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990:: CS1 maint: multiple names: authors list (
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379:. Munch also received honorary degrees from
236:Following this success, Munch conducted the
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496:In 1955, Oxford University Press published
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1020:Unattributed (1949). "There Will Be Joy".
957:: CS1 maint: location missing publisher (
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510:wrote Munch's first biography in English,
1136:Boston Symphony Orchestra Music Directors
897:Monteux, Fifi and Monteux, Doris (1962).
202:. He then served as concertmaster of the
140:and the cousin of conductor and composer
132:. The son of organist and choir director
66:Learn how and when to remove this message
945:Charles Munch: a Biography in Recordings
901:. New York: Farrar, Straus & Cudahy.
892:. New York: Farrar, Straus & Cudahy.
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29:This article includes a list of general
659:10.1093/gmo/9781561592630.article.19347
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327:and contributed from his income to the
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1063:Société des concerts du Conservatoire
970:. New York: Oxford University Press.
804:. New York: Oxford University Press.
367:. Among his pupils at Tanglewood was
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1556:German Army personnel of World War I
1033:. Boston: Boston Symphony Orchestra.
924:. New York: Oxford University Press.
437:sound and from 1954 to 1962 in both
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1400:Orchestre de Paris Music Directors
371:and the first prize winner of the
35:it lacks sufficient corresponding
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768:. Pompton Plains: Amadeus Press.
397:New England Conservatory of Music
184:Strasbourg Philharmonic Orchestra
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783:Collard, Georges; Clough, E.F.;
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1511:French people of German descent
1054:Works by or about Charles Munch
254:Société Philharmonique de Paris
1521:French male conductors (music)
650:Münch [Munch], Charles
355:Munch made his début with the
246:Orchestre Symphonique de Paris
1:
1541:Conservatoire de Paris alumni
426:perform in the Soviet Union.
252:Orchestra (Summer 1933), the
966:Sadie, Stanley, Ed. (1980).
869:. Boston: Houghton Mifflin.
844:Kupferberg, Herbert (1976).
819:Honegger, Genevieve (1992).
787:(1962–63). "Charles Munch".
747:. Boston: Houghton Mifflin.
331:. For this, he received the
204:Leipzig Gewandhaus Orchestra
1536:People from Alsace-Lorraine
1311:(principal conductor, 1947)
1305:(principal conductor, 1944)
1299:(principal conductor, 1934)
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1526:French classical musicians
1086:František Sláma (musician)
1038:Wooldridge, David (1970).
741:Baker-Carr, Janet (1977).
714:"A Tribute to Seiji Ozawa"
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124:Munch was born in 1891 in
1506:Musicians from Strasbourg
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1297:Désiré-Emile Inghelbrecht
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863:Leinsdorf, Erich (1976).
848:. New York: McGraw-Hill.
800:Holoman, D. Kern (2011).
789:Audio & Record Review
613:Charles Munch discography
524:Charles Munch discography
478:Cimetière de Louveciennes
357:Boston Symphony Orchestra
343:Boston Symphony Orchestra
114:Boston Symphony Orchestra
1005:. Boston: Beacon Press.
943:Olivier, Pierre (1987).
683:Je suis chef d'orchestre
502:Je suis chef d'orchestre
462:École Normale de Musique
294:École Normale de Musique
256:(1935 to 1938), and the
223:Walther Straram Concerts
176:Strasbourg Conservatoire
146:Strasbourg Conservatoire
884:Monteux, Doris (1965).
762:Canarina, John (2003).
647:Cooper, Martin (2001).
50:more precise citations.
1441:Christoph von Dohnányi
1359:(music director, 2020)
1353:(music director, 2017)
1347:(music director, 2008)
1341:(music director, 2002)
1335:(music director, 1991)
1329:(music director, 1988)
1323:(music director, 1968)
1317:(music director, 1960)
999:Snyder, Louis (1979).
600:Munch Conducts Berlioz
562:The Damnation of Faust
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290:Les Enfants du Paradis
161:Conservatoire de Paris
82:
1081:Bach Cantatas website
888:It's All in the Music
795:(9): 16–18 and 83–86.
765:Pierre Monteux Maitre
594:Symphony and Ravel's
433:from 1949 to 1953 in
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90:French pronunciation:
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1531:Grammy Award winners
1447:Christoph Eschenbach
1042:. New York: Praeger.
298:Vítězslava Kaprálová
1417:Herbert von Karajan
1207:Sergei Koussevitzky
899:Everyone is Someone
744:Evening at Symphony
694:Holoman, 2011, p.47
585:Orchestre Lamoureux
486:Piano Concerto in G
389:Brandeis University
242:Lamoureux Orchestra
214:from 1926 to 1933.
208:Wilhelm Furtwängler
196:Gürzenich Orchestra
1094:2019-09-14 at the
1002:Community of Sound
596:Daphnis and Chloe.
577:Le chasseur maudit
574:'s symphonic poem
474:Richmond, Virginia
470:Orchestre de Paris
456:Orchestre de Paris
393:Harvard University
365:Serge Koussevitzky
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282:Joseph Guy Ropartz
278:Jean Roger-Ducasse
188:Joseph Guy Ropartz
94:[ʃaʁlmynʃ]
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703:Munch, 1955, p.32
668:978-1-56159-263-0
450:Leonard Bernstein
385:Boston University
329:French Resistance
321:German occupation
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