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A scholarship in her memory was founded at the Royal
Academy of Music. Her voice was of moderate power and of fine quality, but it was her dignified and artistic style that gave her the high place she held for so many years both in oratorio and ballads.
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in 1860, and in 1870 she retired from the career of a public singer, but two years afterwards started a vocal academy in London. She made various successful attempts as a composer, and the
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London on 6 April 1854 and again for the premiere of his Sacred
Cantata The Woman of Samaria at the Birmingham Musical Festival in 1867.
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157:(1885), enjoyed considerable success. Her last public appearance was at her husband's farewell concert in June 1883.
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being her principal singing-master. In 1837 she was elected to a King's scholarship, and first appeared at a
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to Samuel Dolby and
Charlotte Niven. Her father died when she was 10 years old. She studied at the
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was written for her voice, but she did not appear in that work until the performance at
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She died on the 18th
February 1885 and was buried on the western side of
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She was a principal soloist in the first
English performance of Bach's
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This article incorporates text from a publication now in the
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62:(17 May 1821 – 18 February 1885), was an English
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Warrack, John. "Dolby, Charlotte Helen
Sainton- (1821–1885)".
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90:concert in 1841. In October 1845 she sang at the
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264:(online ed.). Oxford University Press.
27:English contralto and composer (1821 - 1885)
240:"Sainton, Prosper Philippe Catherine"
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261:Oxford Dictionary of National Biography
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381:Alumni of the Royal Academy of Music
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44:Grave of Charlotte Sainton-Dolby in
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74:Charlotte Helen Dolby was born in
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250:Dictionary of National Biography
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66:, singing teacher and composer.
55:Charlotte Dolby by Henry Hering
406:19th-century English musicians
401:19th-century British composers
237:Legge, Robin Humphrey (1897).
224:Sainton-Dolby, Charlotte Helen
164:, near the Terrace Catacombs.
151:The Story of the Faithful Soul
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108:. The contralto music in his
60:Charlotte Helen Sainton-Dolby
411:19th-century women composers
361:Burials at Highgate Cemetery
278:UK public library membership
98:, through the influence of
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416:British opera singer stubs
371:Women of the Victorian era
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138:She married the violinist
88:Royal Philharmonic Society
147:The Legend of St Dorothea
129:William Sterndale Bennett
386:British music educators
229:Encyclopædia Britannica
270:10.1093/ref:odnb/24521
80:Royal Academy of Music
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36:Charlotte Dolby, 1860
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133:Hanover Square Rooms
376:Singers from London
82:from 1832 to 1837,
366:English contraltos
124:St Matthew Passion
118:on 16 April 1847.
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396:English composers
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245:Lee, Sidney
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100:Mendelssohn
345:Categories
280:required.)
200:References
92:Gewandhaus
64:contralto
155:Florimel
149:(1876),
144:cantatas
105:St. Paul
247:(ed.).
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131:at the
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111:Elijah
76:London
243:. In
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70:Life
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