245:, and was forced to leave France. She went to Switzerland, then Germany and, finally, Italy. In Florence, her talent was soon recognized. The sculptor, Antonio Canova, once referred to her as the "Raphael of flowers". At this time, she also created some mosaics. Joseph-Marie Vien, Director of the French Academy in Rome, arranged for her return to France. She settled with Alexandre-Charles-Emmanuel de Crussol—who she referred to as her "nephew" although they were not related and he was only one year younger—at his château in Épinay-sur-Seine, where she practiced horticulture as well as painting. After his death, she began to give large sums to charity in his name.
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It is not known how many works by the
Marquise de Grollier survive today, since she did not exhibit or sell her art during her lifetime; instead, she gave almost all of her works to her immediate family. There is also some evidence that she gave art as gifts to those in her immediate social circle,
291:, painted in 1780, which was initially bequeathed to her daughter. It remained with her family until it was sold through Galerie Canesso in Paris in 2021. The painting is due to go on view at the museum in 2023, as part of its Skylights Project renovation.
199:. Le Brun would often mention Grollier in her diaries, describing her as “always simple and natural, and never showed any pretension, nor an ounce of pedantry.” The Marquise was attracted to the gardens at Versailles and later created one of her own in
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in the château's park to provide clean drinking water for the local villagers. The work lasted for three years. In recognition for her efforts, she was named one of the founding members of the "Société d'Horticulture". She died shortly after, aged 86.
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In 1793, de
Fuligny-Damas lost her husband to the guillotine and was forced to leave France. She went to Switzerland, then Germany and, finally, Italy. In Florence, her talent was soon recognized. The sculptor,
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414:"Who Was the Marquise de Grollier? A Work by the 18th-Century Woman Once Called 'the Raphael of Flower Painting' Just Entered the Met's Collection"
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334:"Still Life with a Vase of Flowers, Melon, Peaches, and Grapes, 1780, Charlotte Eustache Sophie de Fuligny Damas, marquise de Grollier French"
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and Deputy of the
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386:"L'art au féminin | Galerie Canesso Paris | Fairs & Exhibitions - Detail"
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361:"Une amie de Vigée Le Brun : la marquise de Grollier | Gazette Drouot"
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The Los
Angeles Country Museum of Art has another work in its collection,
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Her father was Henry Anne de
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438:"Still life. An Homage to Van Spaendonck | LACMA Collections"
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Still Life with a Vase of
Flowers, Melon, Peaches, and Grapes
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of flowers". At this time, she also created some mosaics.
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