Charlotte Perkins Gilman - Knowledge (XXG)

4452: 518: 436: 1187:

businesses in the U.S., who challenges gender norms and roles, and who believed that women could provide the solution to the corruption in big business in society. Gilman chooses to have Diantha choose a career that is stereotypically not one a woman would have because in doing so, she is showing that the salaries and wages of traditional women's jobs are unfair. Diantha's choice to run a business allows her to come out of the shadows and join society. Gilman's works, especially her work with "What Diantha Did", are a call for change, a battle cry that would cause panic in men and power in women. Gilman used her work as a platform for a call to change, as a way to reach women and have them begin the movement toward freedom.

1215:

list of injuries to , greatly outnumbering the counter list." She proposed that those Black Americans who were not "self-supporting" or who were "actual criminals" (which she clearly distinguished from "the decent, self-supporting, progressive negroes") could be "enlisted" into a quasi-military state labour force, which she viewed as akin to conscription in certain countries. Such force would be deployed in "modern agriculture" and infrastructure, and those who had eventually acquired adequate skills and training "would be graduated with honor" – Gilman believed that any such conscription should be "compulsory at the bottom, perfectly free at the top."

463:, a neurologist, in the late 19th century. The treatment typically involved a strict regimen of bed rest, isolation from mental and physical stimulation, limited social interaction, and a highly regulated diet. Patients were often confined to bed for weeks or even months at a time, with minimal physical activity and intellectual stimulation. The treatment was controversial and had mixed results. While some patients reported improvement in their symptoms, others experienced worsening mental health and physical debilitation due to prolonged inactivity and social isolation. It is now considered outdated and potentially harmful in many cases. 1087: 570: 849: 749:

a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.

217: 805:). For the twenty weeks the magazine was printed, she was consumed in the satisfying accomplishment of contributing its poems, editorials, and other articles. The short-lived paper's printing came to an end as a result of a social bias against her lifestyle which included being an unconventional mother and a woman who had divorced a man. After a four-month-long lecture tour that ended in April 1897, Gilman began to think more deeply about sexual relationships and economics in American life, eventually completing the first draft of 358:, Gilman wrote that her mother showed affection only when she thought her young daughter was asleep. Although she lived a childhood of isolated, impoverished loneliness, she unknowingly prepared herself for the life that lay ahead by frequently visiting the public library and studying physics, literature, history (particularly ancient civilizations) on her own. Her father's love for literature influenced her, and years later he contacted her with a list of books he felt would be worthwhile for her to read. 675: 707:

illustrating how women's lack of autonomy is detrimental to their mental, emotional, and even physical wellbeing. This story was inspired by her treatment from her first husband. The narrator in the story must do as her husband (who is also her doctor) demands, although the treatment he prescribes contrasts directly with what she truly needs—mental stimulation and the freedom to escape the monotony of the room to which she is confined. "The Yellow Wallpaper" was essentially a response to the doctor (Dr.

538:, called "Delle". Cynthia J. Davis describes how the two women had a serious relationship. She writes that Gilman "believed that in Delle she had found a way to combine loving and living, and that with a woman as life mate she might more easily uphold that combination than she would in a conventional heterosexual marriage." The relationship ultimately came to an end. Following the separation from her husband, Gilman moved with her daughter to Pasadena, California, where she became active in 809:(1898). This book discussed the role of women in the home, arguing for changes in the practices of child-raising and housekeeping to alleviate pressures from women and potentially allow them to expand their work to the public sphere. The book was published in the following year and propelled Gilman into the international spotlight. In 1903, she addressed the International Congress of Women in Berlin. The next year, she toured in England, the Netherlands, Germany, Austria, and Hungary. 1162:, are good examples of Gilman focusing her work on how women are not just stay-at-home mothers they are expected to be; they are also people who have dreams, who are able to travel and work just as men do, and whose goals include a society where women are just as important as men. The world-building that is executed by Gilman, as well as the characters in these two stories and others, embody the change that was needed in the early 1900s in a way that is now commonly seen as feminism. 33: 1175:

they do not believe that human beings should be "claimed" by others. In this society, Gilman makes it to where women are focused on having leadership within the community, fulfilling roles that are stereotypically seen as being male roles, and running an entire community without the same attitudes that men have concerning their work and the community. However, the attitude men carried concerning women were degrading, especially by progressive women, like Gilman. Using

757:"Suffrage Songs and Verses" is a collection of poems and songs written by Charlotte Perkins Gilman, published during the suffrage movement in the early 20th century. In this collection, Gilman uses her poetic voice to advocate for women's rights, particularly the right to vote. Through verse, she expresses the frustrations of women who were denied political participation and calls for gender equality. The poems celebrate the strength, resilience, and determination of 1179:, Gilman challenged this stereotype, and made the society of Herland a type of paradise. Gilman uses this story to confirm the stereotypically devalued qualities of women are valuable, show strength, and shatters traditional utopian structure for future works. Essentially, Gilman creates Herland's society to have women hold all the power, showing more equality in this world, alluding to changes she wanted to see in her lifetime. 592:, Houghton and Charlotte exchanged letters and spent as much time as they could together before she left. In her diaries, she describes him as being "pleasurable" and it is clear that she was deeply interested in him. From their wedding in 1900 until 1922, they lived in New York City. Their marriage was very different from her first one. In 1922, Gilman moved from New York to Houghton's old homestead in 4471: 474:... Lie down an hour after each meal. Have but two hours' intellectual life a day. And never touch pen, brush or pencil as long as you live." She tried for a few months to follow Mitchell's advice, but her depression deepened, and Gilman came perilously close to a full emotional collapse. Her remaining sanity was on the line and she began to display 354:, educationalist. Her schooling was erratic: she attended seven different schools, for a cumulative total of just four years, ending when she was fifteen. Her mother was not affectionate with her children. To keep them from getting hurt as she had been, she forbade her children from making strong friendships or reading fiction. In her autobiography, 703:, and textbooks, though not always in its original form. For instance, many textbooks omit the phrase "in marriage" from a very important line in the beginning of story: "John laughs at me, of course, but one expects that in marriage." The reason for this omission is a mystery, as Gilman's views on marriage are made clear throughout the story. 1119:

her into her home, but she was also expected to like it, to be cheerful and gay, smiling and good-humored." When the sexual-economic relationship ceases to exist, life on the domestic front would certainly improve, as frustration in relationships often stems from the lack of social contact that the domestic wife has with the outside world.

1083:

motherhood by the toys that are marketed to them and the clothes designed for them. She argued that there should be no difference in the clothes that little girls and boys wear, the toys they play with, or the activities they do, and described tomboys as perfect humans who ran around and used their bodies freely and healthily.

786:(1893), a collection of satirical poems, that first brought her recognition. During the next two decades she gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction. Her lecture tours took her across the United States. 1142:

constructed. This would allow individuals to live singly and still have companionship and the comforts of a home. Both males and females would be totally economically independent in these living arrangements allowing for marriage to occur without either the male or the female's economic status having to change.

329:. She had only one brother, Thomas Adie, who was fourteen months older, because a physician advised Mary Perkins that she might die if she bore other children. During Charlotte's infancy, her father moved out and abandoned his wife and children, and the remainder of her childhood was spent in poverty. 426:

Letters between the two women chronicles their lives from 1883 to 1889 and contains over 50 letters, including correspondence, illustrations and manuscripts. They pursued their relationship until Luther ended the relationship in order to marry a man in 1881. Gilman was devastated and detested romance

4125:

After her divorce from Stetson, she began lecturing on Nationalism. She was inspired from Edward Bellamy's utopian socialist romance Looking Backward. Alys Eve Weinbaum, "Writing Feminist Genealogy: Charlotte Perkins Gilman, Racial Nationalism, and the Reproduction of Maternalist Feminism", Feminist

1226:

were surrendering their country to immigrants who were diluting the nation's racial purity. When asked about her stance on the matter during a trip to London she declared "I am an Anglo-Saxon before everything." In an effort to gain the vote for all women, she spoke out against literacy voting tests

1149:

Ultimately the restructuring of the home and manner of living will allow individuals, especially women, to become an "integral part of the social structure, in close, direct, permanent connection with the needs and uses of society." That would be a dramatic change for women, who generally considered

1145:

The structural arrangement of the home is also redefined by Gilman. She removes the kitchen from the home, leaving rooms to be arranged and extended in any form and freeing women from the provision of meals in the home. The home would become a true personal expression of the individual living in it.

748:

The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start

1174:

the supposedly superior sex becomes the inferior or disadvantaged ..." In this utopian world, the women reproduce asexually and consider it an honor to be mothers. Unlike the patriarchal society that exists outside of Herland, the women do not have surnames for themselves or their children, as

1118:

which argued, among other things, that women are subjugated by men, that motherhood should not preclude a woman from working outside the home, and that housekeeping, cooking, and child care, would be professionalized. "The ideal woman," Gilman wrote, "was not only assigned a social role that locked

731:

and argues for greater autonomy and fulfillment for women beyond domestic responsibilities. Gilman critiques the notion of the home as solely a woman's domain and advocates for social and economic reforms to empower women and improve their well-being. "The Home: Its Work and Influence" is a seminal

1272:

read, "The story could hardly, it would seem, give pleasure to any reader, and to many whose lives have been touched through the dearest ties by this dread disease, it must bring the keenest pain. To others, whose lives have become a struggle against heredity of mental derangement, such literature

1214:

would "need some scheme of race betterment" rather than vice versa. Gilman was unequivocal about the ills of slavery and the wrongs which many White Americans had done to Black Americans, stating that irrespective of any crimes committed by Black Americans, " were the original offender, and have a

1137:

Gilman argued that the home should be socially redefined. The home should shift from being an "economic entity" where a married couple live together because of the economic benefit or necessity, to a place where groups of men and groups of women can share in a "peaceful and permanent expression of

706:

The story is about a woman who suffers from mental illness after three months of being closeted in a room by her husband for the sake of her health. She becomes obsessed with the room's revolting yellow wallpaper. Gilman wrote this story to change people's minds about the role of women in society,

466:

Perkins-Gilman married Charles Stetson in 1884, and less than a year later gave birth to their daughter Katharine. Already susceptible to depression, her symptoms were exacerbated by marriage and motherhood. A good proportion of her diary entries from the time she gave birth to her daughter until

1304:

with which we still grapple; the origins of women's subjugation, the struggle to achieve both autonomy and intimacy in human relationships; the central role of work as a definition of self; new strategies for rearing and educating future generations to create a humane and nurturing environment."

1251:

Gilman addresses the ills of animal domestication related to inbreeding. In "When I Was a Witch", the narrator witnesses and intervenes in instances of animal use as she travels through New York, liberating work horses, cats, and lapdogs by rendering them "comfortably dead". One literary scholar

565:

In 1894, Gilman sent her daughter east to live with her former husband and his second wife, her friend Grace Ellery Channing. Gilman reported in her memoir that she was happy for the couple, since Katharine's "second mother was fully as good as the first, better in some ways." Gilman also held

1141:

Gilman believed having a comfortable and healthy lifestyle should not be restricted to married couples; all humans need a home that provides these amenities. She suggested that a communal type of housing open to both males and females, consisting of rooms, rooms of suites and houses, should be

1109:

culture. She believed that womankind was the underdeveloped half of humanity, and improvement was necessary to prevent the deterioration of the human race. Gilman believed economic independence is the only thing that could really bring freedom for women and make them equal to men. In 1898 she

1186:

in "What Diantha Did". One character in this story, Diantha, breaks through the traditional expectation of women, showing Gilman's desires for what a woman would be able to do in real-life society. Throughout the story, Gilman portrays Diantha as a character who strikes through the image of

1082:

Her main argument was that sex and domestic economics went hand in hand; for a woman to survive, she was reliant on her sexual assets to please her husband so that he would financially support his family. From childhood, young girls are forced into a social constraint that prepares them for

4259: 493:

Along with many women during the late 19th century, Perkins-Gilman dealt with the trauma of the rest cure treatment due to the lack of societal attitudes, limited understanding of mental health, and the authority of the medical profession. However, as awareness and understanding of

486:, away from Walter, and it was there where her depression began to lift. She writes of herself noticing positive changes in her attitude. She returned to Providence in September. She sold property that had been left to her in Connecticut, and went with a friend, Grace Channing, to 647:

magazine, her poem "Similar Cases" was a satirical review of people who resisted social change, and she received positive feedback from critics for it. Throughout that same year, 1890, she became inspired enough to write fifteen essays, poems, a novella, and the short story

296:

and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her works were primarily focused on gender, specifically gendered labor division in society, and the problem of male domination. She has been inducted into the

1169:

to demonstrate the equality that she longed to see. The women of Herland are the providers as there are no men in their society. This makes them appear to be the dominant sex, taking over the gender roles that are typically given to men. Elizabeth Keyser notes, "In

1205:

minority in America. Calling Black Americans "a large body of aliens" whose skin color made them "widely dissimilar and in many respects inferior," Gilman claimed that the economic and social situation of Black Americans was "to us a social injury" and noted that

510:, after initially declining his proposal because her intuition told her it was not the right thing for her. Their only child, Katharine Beecher Stetson (1885–1979), was born the following year on March 23, 1885. Charlotte Perkins Gilman suffered a serious bout of 865:, in which much of her fiction appeared. By presenting material in her magazine that would "stimulate thought", "arouse hope, courage and impatience", and "express ideas which need a special medium", she aimed to go against the mainstream media which was overly 3134:

Tuttle, Jennifer S. "Rewriting the West Cure: Charlotte Perkins Gilman, Owen Wister, and the Sexual Politics of Neurasthenia." The Mixed Legacy of Charlotte Perkins Gilman. Eds. Catherine J. Golden and Joanna Schneider Zangrando. Newark: U of Delaware P, 2000.

1078:

Gilman argued that male aggressiveness and maternal roles for women were artificial and no longer necessary for survival in post-prehistoric times. She wrote, "There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver."

761:

while critiquing the patriarchal society that oppresses women. "Suffrage Songs and Verses" serves as both a literary work and a rallying cry for the suffrage movement, capturing the spirit and passion of the activists who fought for women's enfranchisement.

1234:

Literary critic Susan S. Lanser says "The Yellow Wallpaper" should be interpreted by focusing on Gilman's racism. Other literary critics have built on Lanser's work to understand Gilman's ideas in relation to turn-of-the-century culture more broadly.

2972: 1074:

and argued that Darwin's theories of evolution presented only the male as the given in the process of human evolution, thus overlooking the origins of the female brain in society that rationally chose the best suited mate that they could find.

830:, proposing that women are oppressed in their home and that the environment in which they live needs to be modified in order to be healthy for their mental states. In between traveling and writing, her career as a literary figure was secured. 395:

During her time at the Rhode Island School of Design, Gilman met Martha Luther in about 1879 and was believed to be in a romantic relationship with Luther. Gilman described the close relationship she had with Luther in her autobiography:

2913:

Ganobcsik-Williams, Lisa. "The Intellectualism of Charlotte Perkins Gilman: Evolutionary Perspectives on Race, Ethnicity, and Gender." Charlotte Perkins Gilman: Optimist Reformer. Eds. Jill Rudd and Val Gough. Iowa City: U of Iowa P,

478:

that involved talk of pistols and chloroform, as recorded in her husband's diaries. By early summer the couple had decided that a divorce was necessary for her to regain sanity without affecting the lives of her husband and daughter.

517: 636: 3138:

Von Rosk, Nancy. "Women, Work and Cross-Class Alliances in the Fiction of Charlotte Perkins Gilman." Working Women in American Literature, 1865–1950. Miriam Gogol ed. New York: Rowman and Littlefield, 2018.

1126:, and family. Housework, she argued, should be equally shared by men and women, and that at an early age women should be encouraged to be independent. In many of her major works, including "The Home" (1903), 583:

After her mother died in 1893, Gilman decided to move back east for the first time in eight years. She contacted Houghton Gilman, her first cousin, whom she had not seen in roughly fifteen years, who was a

533:

from her husband—a rare occurrence in the late nineteenth century. They officially divorced in 1894. After their divorce, Stetson married Channing. During the year she left her husband, Charlotte met

8065: 4615: 1210:

meant that it was the responsibility of White Americans to alleviate this situation, observing that if White Americans "cannot so behave as to elevate and improve ", then it would be the case that

727:

book "The Home: Its Work and Influence". In this influential work, Gilman explores the role of the home in society and its impact on individuals, particularly women. She challenges traditional

7950: 5827: 656:, published in 1893. As a successful lecturer who relied on giving speeches as a source of income, her fame grew along with her social circle of similar-minded activists and writers of the 514:. This was an age in which women were seen as "hysterical" and "nervous" beings; thus, when a woman claimed to be seriously ill after giving birth, her claims were sometimes dismissed. 380:

Her natural intelligence and breadth of knowledge always impressed her teachers, who were nonetheless disappointed in her because she was a poor student. Her favorite subject was "

400:

We were closely together, increasingly happy together, for four of those long years of girlhood. She was nearer and dearer than any one up to that time. This was love, but not sex

8055: 1276:

Positive reviewers describe it as impressive because it is the most suggestive and graphic account of why women who live monotonous lives are susceptible to mental illness.

566:

progressive views about paternal rights and acknowledged that her ex-husband "had a right to some of society" and that Katharine "had a right to know and love her father."

893:

has been cited as being "perhaps the greatest literary accomplishment of her long career". After its seven years, she wrote hundreds of articles that were submitted to the

8030: 8025: 643:

movement which worked to "end capitalism's greed and distinctions between classes while promoting a peaceful, ethical, and truly progressive human race." Published in the

3527: 4608: 869:. Over seven years and two months the magazine produced eighty-six issues, each twenty eight pages long. The magazine had nearly 1,500 subscribers and featured such 435: 5820: 3486: 3124:

Scharnhorst, Gary, and Denise D. Knight. "Charlotte Perkins Gilman's Library: A Reconstruction." Resources for American Literary Studies 23:2 (1997): 181–219.

8015: 8010: 7965: 4601: 1228: 632: 715:" and who is mentioned in the story: "John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall." She sent him a copy of the story. 362: 8040: 8005: 7990: 7985: 7945: 547: 3067:

Reprinted in "The Yellow Wallpaper": Charlotte Perkins Gilman. Eds. Thomas L. Erskine and Connie L. Richards. New Brunswick: Rutgers UP, 1993. 225–256.

2433:"A Rational Position on Suffrage/At the Request of the New York Times, Mrs. Gilman Presents the Best Arguments Possible in Behalf of Votes for Women." 1252:

connected the regression of the female narrator in "The Yellow Wallpaper" to the parallel status of domesticated felines. She wrote in a letter to the

7955: 5813: 8070: 7910: 2907:

Deegan, Mary Jo. "Introduction." With Her in Ourland: Sequel to Herland. Eds. Mary Jo Deegan and Michael R. Hill. Westport, CT: Praeger, 1997. 1–57.

2869:

Carter-Sanborn, Kristin. "Restraining Order: The Imperialist Anti-Violence of Charlotte Perkins Gilman." Arizona Quarterly 56.2 (Summer 2000): 1–36.

4025:

Fama, Katherine A. (2017). "Domestic Data and Feminist Momentum: The Narrative Accounting of Helen Stuart Campbell and Charlotte Perkins Gilman".

1687:"The Widow's Might." Forerunner 2:1 (1911): 3–7. "The Yellow Wall-Paper" and Other Stories. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 139–147. 1289:, she seemed out of tune with her times. In her autobiography she admitted that "unfortunately my views on the sex question do not appeal to the 4547: 470:

After nine weeks, Gilman was sent home with Mitchell's instructions, "Live as domestic a life as possible. Have your child with you all the time

7980: 3149:

Weinbaum, Alys Eve. "Writing Feminist Genealogy: Charlotte Perkins Gilman, Racial Nationalism, and the Reproduction of Maternalist Feminism."

8050: 4587: 4583: 4490: 4242: 2843: 8020: 7970: 3322: 3189: 1314: 8035: 4624: 4509: 4410: 4388: 4233:

McKenna, Erin (2012). "Charlotte Perkins Gilman: Women, Animals, and Oppression". In Hamington, Maurice; Bardwell-Jones, Celia (eds.).

689:. She wrote it on June 6 and 7, 1890, in her home of Pasadena, and it was printed a year and a half later in the January 1892 issue of 332:

Since their mother was unable to support the family on her own, the Perkinses were often in the presence of her father's aunts, namely

8075: 8045: 7925: 4514: 4060:

Seitler, Dana (March 2003). "Unnatural Selection: Mothers, Eugenic Feminism, and Charlotte Perkins Gilman's Regeneration Narratives".

1293:

complex of today, nor are people satisfied with a presentation of religion as a help in our tremendous work of improving this world."

1086: 447:

treatment" was a medical treatment popular in the late 19th and early 20th centuries primarily for women suffering from symptoms like

7915: 4743: 4149: 3967: 3934: 3660: 2857: 1380:, 1st ed. Oakland: McCombs & Vaughn, 1893. London: T. Fisher Unwin, 1895. 2nd ed.; San Francisco: Press of James H. Barry, 1895. 2979:

Huber, Hannah, "‘The One End to Which Her Whole Organism Tended’: Social Evolution in Edith Wharton and Charlotte Perkins Gilman."

3045:---. "Introduction." Herland: A Lost Feminist Utopian Novel by Charlotte Perkins Gilman. 1915. Rpt. New York: Pantheon Books, 1979 615:. In both her autobiography and suicide note, she wrote that she "chose chloroform over cancer" and she died quickly and quietly. 5837: 298: 569: 7594: 7057: 4387:" section of Kim Well's website: Wells, Kim. Domestic Goddesses. August 23, 1999. Online. Internet. Accessed October 27, 2008. 3998:

Donaldson, Laura E. (March 1989). "The Eve of De-Struction: Charlotte Perkins Gilman and the Feminist Recreation of Paradise".

3535: 2003:

The majority of Gilman's dramas are inaccessible as they are only available from the originals. Some were printed/reprinted in

708: 652:. Her career was launched when she began lecturing on Nationalism and gained the public's eye with her first volume of poetry, 460: 4344:

Henry B. Blackwell, "Literary Notices: The Yellow Wall Paper," The Woman's Journal, June 17, 1899, p.187 in Julie Bates Dock,

3142:

Wegener, Frederick. "What a Comfort a Woman Doctor Is!’ Medical Women in the Life and Writing of Charlotte Perkins Gilman. In

498:

improved over time, the rest cure fell out of favor, recognized as an outdated and potentially harmful approach to treatment.

7975: 7940: 4972: 3716: 2611:"The Labor Movement." Alameda County Federation of Trades, 1893. Alameda County, CA Labor Union Meetings. September 2, 1892. 1158:

Gilman created a world in many of her stories with a feminist point of view. Two of her narratives, "What Diantha Did", and

8060: 8000: 7920: 1197: 539: 385: 2995:

Kessler, Carol Farley. "Dreaming Always of Lovely Things Beyond’: Living Toward Herland, Experiential foregrounding." in

7930: 7729: 7083: 6961: 2910:

Eldredge, Charles C. Charles Walter Stetson, Color, and Fantasy. Lawrence: Spencer Museum of Art, The U of Kansas, 1982.

1207: 4884: 1383: 1201:

in which she set out her views on what she perceived to be a "sociological problem" concerning the presence of a large

848: 216: 7995: 6670: 1924: 879: 1873:

7:6 (1916): 141–45. '"The Yellow Wall-Paper" and Other Stories. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 314–322.

3501: 1403:

Gilman published 186 short stories in magazines, newspapers, and many were published in her self-published monthly,

6278: 4926: 934:

Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution. (1898)

674: 588:

attorney. They began spending time together almost immediately and became romantically involved. While she went on

5653: 681:, one of Gilman's most popular works, originally published in 1892, before her marriage to George Houghton Gilman. 384:", especially what later would become known as physics. In 1878, the eighteen-year-old enrolled in classes at the 685:

In 1890, Gilman wrote her short story "The Yellow Wallpaper", which is now the all-time best selling book of the

576: 5714: 7007: 6911: 6610: 5052: 3184: 1243:

Gilman's feminist works often included stances and arguments for reforming the use of domesticated animals. In

691: 597: 370: 326: 7281: 5760: 5558: 3112:

Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science

5617: 3103:. "Charlotte Perkins Gilman v. Ambrose Bierce: The Literary Politics of Gender in Fin-de-Siècle California." 3061:, Vol. 15, No. 3, Feminist Reinterpretations/Reinterpretations of Feminism (Autumn, 1989), pp. 415–441. 1105:

Gilman argued that women's contributions to civilization, throughout history, have been halted because of an

7960: 7935: 7401: 7291: 7144: 6650: 6519: 5987: 5663: 5612: 5255: 4748: 4678: 4564: 3075:

Eds. Denise D. Knight and Cynthia J. David. New York: Modern Language Association of America, 2003. 125–132.

333: 4217:

Lawrence J. Oliver, "W. E. B. Du Bois, Charlotte Perkins Gilman, and 'A Suggestion on the Negro Problem',"

3088:

Oliver, Lawrence J. "W. E. B. Du Bois, Charlotte Perkins Gilman, and ‘A Suggestion on the Negro Problem.’"

2103:

Women and economics. A study of the economic relation between men and women as a factor in social evolution

2072:

Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution

7905: 7347: 6842: 6706: 6665: 6398: 6368: 5951: 5805: 5673: 5229: 5125: 4962: 1388:. New York: Charlton Co., 1911. Microfilm. New Haven: Research Publications, 1977, History of Women #6558. 1123: 916: 895: 507: 151: 5678: 2117: 2101: 1375: 7861: 7548: 7139: 7103: 6941: 6726: 6479: 6438: 6408: 6308: 6303: 6226: 6151: 5439: 5177: 5109: 4993: 4833: 4828: 4823: 4818: 4753: 4698: 4668: 2087: 1254: 843: 526: 511: 483: 341: 322: 302: 54: 6802: 5781: 5750: 5698: 4535: 4530: 3460: 2109: 1266:"The Yellow Wallpaper" was initially met with a mixed reception. One anonymous letter submitted to the 696: 5688: 4189:, Vol. 15, No. 3, Feminist Reinterpretations/Reinterpretations of Feminism (Autumn, 1989), pp. 415–441 3798:, 24(1), 72–92. Retrieved October 28, 2008, from GenderWatch (GW) database. (Document ID: 1298797291). 3100: 1357: 1333: 490:

where the recovery of her depression can be seen through the transformation of her intellectual life.

392:. She was a tutor, and encouraged others to expand their artistic creativity. She was also a painter. 7900: 7895: 7856: 7836: 7558: 7266: 7240: 7159: 6731: 6484: 5946: 5755: 5553: 5057: 4941: 4905: 4838: 4793: 4768: 4544: 3078:

Mitchell, S. Weir, M.D. "Camp Cure." Nurse and Patient, and Camp Cure. Philadelphia: Lippincott, 1877

3057:

Lanser, Susan S. "Feminist Criticism, 'The Yellow Wallpaper,' and the Politics of Color in America."

3022:---. "Introduction." Herland, `The Yellow Wall-Paper’ and Selected Writings. New York: Penguin, 1999. 2824:

New York and London: D. Appleton-Century Co., 1935; NY: Arno Press, 1972; and Harper & Row, 1975.

1096: 907: 678: 669: 593: 487: 346: 310: 306: 121: 71: 5693: 5668: 3731:

Charlotte Perkins Gilman's "The Yellow Wall-Paper" and the History of Its Publication and Reception,

3704:

Charlotte Perkins Gilman's "The Yellow Wall-Paper" and the History of Its Publication and Reception.

3211: 801:, a literary weekly that was published by the Pacific Coast Women's Press Association (formerly the 32: 7775: 7749: 7088: 7062: 6981: 6976: 6901: 6832: 6822: 6812: 6721: 6645: 6373: 6298: 6241: 6078: 6018: 6008: 5891: 5886: 5648: 5397: 5208: 5151: 4977: 4848: 4798: 4758: 4673: 4576: 4480: 2125: 2071: 1977: 1954: 1281: 1223: 870: 826: 733: 700: 558:), the Parents Association, and the State Council of Women, in addition to writing and editing the 361: 133: 5658: 4346:

Charlote Perkins Gilman's "The Yellow Wall-paper" and the History of Its Publication and Reception

4333:

Charlotte Perkins Gilman's "The Yellow Wallpaper" and the History of Its Publication and Reception

2973:

Dictionary of Literary Biography, Volume 381: Writers on Women's Rights and United States Suffrage

2092:. NY and London: Century Co., 1923; London: T. Fisher Unwin, 1924; Westport: Hyperion Press, 1976. 1347: 7734: 7685: 7660: 7589: 7533: 7487: 7426: 7411: 7327: 6827: 6777: 6762: 6655: 6625: 6554: 6524: 6509: 6504: 6428: 6358: 6343: 6293: 6273: 6141: 6099: 5607: 5602: 5501: 5330: 5314: 5234: 5224: 5078: 4853: 4279: 4077: 4042: 3681: 2988:

Karpinski, Joanne B., "The Economic Conundrum in the Lifewriting of Charlotte Perkins Gilman. in

2926:---. "`Written to Drive Nails With’: Recalling the Early Poetry of Charlotte Perkins Gilman." in 1473: 381: 373:. What friends she had were mainly male, and she was unashamed, for her time, to call herself a " 6857: 5683: 3676: 3333: 3179: 2133: 388:

with the monetary help of her absent father, and subsequently supported herself as an artist of

2999:

Eds. Catherine J. Golden and Joanna Schneider Zangrando. Newark: U of Delaware P, 2000. 89–103.

2862:

Berman, Jeffrey. "The Unrestful Cure: Charlotte Perkins Gilman and 'The Yellow Wallpaper.'" In

7831: 7795: 7765: 7604: 7416: 7195: 7124: 7108: 7067: 7052: 7022: 6936: 6696: 6680: 6489: 6474: 6257: 5941: 5936: 5719: 5597: 5260: 5099: 4808: 4763: 4738: 4693: 4683: 4447: 4238: 4216: 4145: 3963: 3959: 3930: 3926: 3656: 3461:"Channing, Grace Ellery, 1862–1937. Papers of Grace Ellery Channing, 1806–1973: A Finding Aid" 2853: 2839: 1268: 1202: 901: 657: 640: 555: 456: 351: 88: 4434: 4298: 2981: 1472:

5 (1892): 647–56; Boston: Small, Maynard & Co., 1899; NY: Feminist Press, 1973 Afterword

984:

His Religion and Hers: A Study of the Faith of Our Fathers and the Work of Our Mothers (1923)

7670: 7553: 7538: 7446: 7436: 7396: 7332: 7312: 7149: 7093: 7037: 6956: 6906: 6792: 6716: 6574: 6443: 6393: 6328: 6323: 6288: 6236: 6167: 5956: 5876: 5387: 5156: 5083: 4900: 4778: 4723: 4703: 4653: 4593: 4456: 4271: 4069: 4034: 4007: 3650: 611:

for the terminally ill, Gilman died by suicide on August 17, 1935, by taking an overdose of

530: 231: 1258:

that the automobile would eliminate the cruelty to horses used to pull carriages and cars.

7866: 7739: 7724: 7675: 7518: 7492: 7431: 7296: 7256: 7215: 7210: 7134: 7129: 7017: 6991: 6926: 6862: 6837: 6807: 6741: 6701: 6640: 6635: 6630: 6539: 6514: 6388: 6363: 6283: 6083: 6062: 6057: 5911: 5871: 5786: 5522: 5418: 5413: 5366: 5361: 5304: 5146: 5047: 4957: 4874: 4869: 4813: 4803: 4713: 4663: 4551: 4438: 4414: 4392: 1965: 885: 127: 99: 7665: 1273:

contains deadly peril. Should such stories be allowed to pass without severest censure?"

2881:"Chloroformed: Anesthetic Utopianism and Eugenic Feminism in Charlotte Perkins Gilman's 7846: 7841: 7805: 7680: 7599: 7584: 7543: 7467: 7421: 7230: 7179: 7154: 7047: 7027: 6931: 6787: 6782: 6736: 6620: 6615: 6605: 6595: 6579: 6564: 6559: 6544: 6534: 6529: 6433: 6418: 6413: 6338: 6333: 6231: 5961: 5921: 5916: 5745: 5543: 5491: 5423: 5335: 5309: 5265: 5239: 5198: 5130: 4910: 4733: 3004:

Charlotte Perkins Gilman: A Study of the Short Fiction, Twayne Studies in Short Fiction

2695:"Women and Social Service." Warren: National American Woman Suffrage Association, 1907. 2583:

There are 90 reports of the lectures that Gilman gave in The United States and Europe.

866: 854: 737: 686: 408:... We were not only extremely fond of each other, but we had fun together, deliciously 3429: 3110:

Palmeri, Ann. "Charlotte Perkins Gilman: Forerunner of a Feminist Social Science." in

1247:, Gilman's utopian society excludes all domesticated animals, including livestock. In 525:

Gilman moved to Southern California with her daughter Katherine and lived with friend

7889: 7821: 7790: 7744: 7640: 7609: 7579: 7563: 7528: 7523: 7497: 7441: 7357: 7352: 7286: 7276: 7235: 7220: 7205: 7200: 7174: 7042: 6852: 6847: 6817: 6746: 6711: 6675: 6569: 6549: 6469: 6403: 6313: 6104: 5982: 5977: 5901: 5896: 5724: 5632: 5527: 5496: 5475: 5444: 5392: 5340: 5182: 5008: 4998: 4967: 4931: 4879: 4283: 4081: 4046: 3952: 3919: 1290: 1106: 628: 604: 551: 535: 495: 282: 4560: 2902:

Charlotte Perkins Gilman and Her Contemporaries: Literary and Intellectual Contexts.

7851: 7826: 7770: 7645: 7624: 7619: 7614: 7502: 7482: 7477: 7406: 7342: 7337: 7322: 7317: 7012: 6986: 6971: 6946: 6921: 6767: 6600: 6499: 6423: 6378: 6187: 6182: 6172: 6125: 6120: 6003: 5931: 5906: 5881: 5465: 5382: 5356: 5172: 5104: 4843: 4788: 4554: 4538: 4429: 3859:

Carl N. Degler, "Charlotte Perkins Gilman on the Theory and Practice of Feminism",

2674:"Woman and Work/ Popular Fallacy that They are a Leisure Class, Says Mrs. Gilman." 695:. Since its original printing, it has been anthologized in numerous collections of 624: 589: 4011: 3083:---. Wear and Tear, or Hints for the Overworked. 1887. New York: Arno Press, 1973. 2811:

2 Vols. Ed. Denise D. Knight. Charlottesville: University Press of Virginia, 1994.

1150:

themselves restricted by family life built upon their economic dependence on men.

4139: 2046: 1911: 1404: 1352: 1328: 7800: 7472: 7271: 7261: 7098: 7032: 6966: 6660: 6459: 6348: 6318: 5926: 5866: 5776: 5729: 5627: 5548: 5517: 5470: 5449: 5003: 4718: 4658: 4185:

Susan S. Lanser, "The Yellow Wallpaper," and the Politics of Color in America,"

2949:

Hill, Mary Armfield. "Charlotte Perkins Gilman and the Journey From Within." in

1989: 1634: 1286: 758: 728: 724: 585: 389: 4407: 4384: 3114:. Eds. Sandra Harding and Merrill B. Hintikka. Dordrecht: Reidel, 1983. 97–120. 3028: 2965:

Wild Unrest: Charlotte Perkins Gilman and the Making of "The Yellow Wall-Paper"

2836:

The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism

2803:

A Journey from Within: The Love Letters of Charlotte Perkins Gilman, 1897–1900.

7655: 7650: 7462: 7164: 6951: 6797: 6772: 6464: 6383: 6177: 6146: 6013: 5622: 5203: 5073: 4936: 4773: 4688: 4096: 2992:

Ed. Catherine J. Golden and Joanne S. Zangrando. U of Delaware P, 2000. 35–46.

1067: 612: 608: 600:

in 1934, Gilman moved back to Pasadena, California, where her daughter lived.

337: 4563:, Rare Books, Special Collections, and Preservation, River Campus Libraries, 4520: 4443: 2935:

Gough, Val. "`In the Twinkling of an Eye’: Gilman's Utopian Imagination." in

2880: 1994:

Ed. Catherine J. Golden and Denise D. Knight. New York: Feminist Press, 1997.

1122:

Gilman became a spokesperson on topics such as women's perspectives on work,

7785: 7169: 6916: 6353: 4783: 4728: 4486: 2866:

edited by Catherine Golden. New York: Feminist Press, 1992, pp. 211–41.

2850:

Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism

1071: 861:

From 1909 to 1916 Gilman single-handedly wrote and edited her own magazine,

712: 543: 444: 4348:, (University Park, PA: The Pennsylvania State University Press, 1998) 107. 4335:, (University Park, PA: The Pennsylvania State University Press, 1998) 103. 2951:

A Very Different Story: Studies on the Fiction of Charlotte Perkins Gilman.

2937:

A Very Different Story: Studies on the Fiction of Charlotte Perkins Gilman.

736:

and continues to be studied for its insights into gender, society, and the

467:

several years later describe the oncoming depression that she was to face.

4275: 4038: 7780: 7225: 4465: 4073: 3706:

University Park, PA: The Pennsylvania State University Press, 1998; p. 6.

2542:. Eds V. F. Calverton and S. D. Schmalhausen. NY: Macaulay, 1929. 109–23. 1219: 1115: 1091: 1063: 631:

movements. As a delegate, she represented California in 1896 at both the

293: 286: 278: 270: 266: 4200: 3755:

Charlotte Perkins Gilman, "Women and Economics" in Alice S. Rossi, ed.,

3066: 261:; July 3, 1860 – August 17, 1935), also known by her first married name 4500: 4201:

Denise D. Knight, "Charlotte Perkins Gilman and the Shadow of Racism,"

4184: 4124: 3312:

Kate Bolick, "The Equivocal Legacy of Charlotte Perkins Gilman" (2019).

2318:. Ed Margaret Sangster. Philadelphia: Booklovers Library, 1901. 93–101. 475: 452: 448: 290: 3487:"Love and Economics: Charlotte Perkins Gilman on "The Woman Question"" 3146:. Eds. Jill Rudd & Val Gough. Iowa City: U of Iowa P, 1999. 45–73. 3073:

MLA Approaches to Teaching Gilman's The Yellow Wall-Paper and Herland.

2897:(Stanford University Press; 2010) 568 pages; major scholarly biography 1279:

Although Gilman had gained international fame with the publication of

3794:

Sari Edelstein, "Charlotte Perkins Gilman and the Yellow Newspaper".

2946:

Ed. Sheryl L. Meyering. Ann Arbor: UMI Research Press, 1989. 191–201.

2930:. Eds. Jill Rudd and Val Gough. Iowa City: U of Iowa P, 1999. 243-66. 1301: 562:, a journal published by one of the earlier-mentioned organizations. 521:

Gilman (right) with her daughter, Katherine Beecher Stetson, ca. 1897

374: 274: 3252:, (Charlottesville, VA: University Press of Virginia: 1994), p. xiv. 2939:

Eds. Val Gough and Jill Rudd. Liverpool: Liverpool UP, 1998. 129–43.

4461: 4260:"Marking Her Territory: Feline Behavior in "The Yellow Wall-Paper"" 2011:"Dame Nature Interviewed on the Woman Question as It Looks to Her" 1611:

1 (1909–11); NY: Charlton Co., 1910; London: T. Fisher Unwin, 1912.

1421:. Ed. Robert Shulman. Oxford: Oxford University Press, 1995. 32–38. 3950:

Gilman, Charlotte Perkins (2005). Kolmar & Bartkowski (eds.).

3917:

Gilman, Charlotte Perkins (2005). Kolmar & Bartkowski (eds.).

3323:"Charlotte Perkins Gilman: The Lost Letters to Martha Luther Lane" 2953:

Eds. Val Gough and Jill Rudd. Liverpool: Liverpool UP, 1998. 8–23.

1085: 1066:

and believed the domestic environment oppressed women through the

847: 673: 568: 516: 434: 360: 4476: 2090:: A Study of the Faith of Our Fathers and the Work of Our Mothers 1673:"The Crux.A NOVEL." Forerunner 2 (1910); NY: Charlton Co., 1911; 1134:(1911), Gilman also advocated women working outside of the home. 482:

During the summer of 1888, Charlotte and Katharine spent time in

4504: 4495: 1070:

beliefs upheld by society. Gilman embraced the theory of reform

1048:

Suffrage Songs and Verses New York: The Charlton Company. (1911)

989:

The Living of Charlotte Perkins Gilman: An Autobiography. (1935)

7706: 7378: 6883: 6208: 6039: 5848: 5809: 5579: 5286: 5029: 4635: 4597: 627:. After moving to Pasadena, Gilman became active in organizing 2664:. Ed Countess of Aberdeen. London: T. Unwin Fisher, 1900. 109. 2594:"Our Place Today", Los Angeles Woman's Club, January 21, 1891. 820:

In 1903 she wrote one of her most critically acclaimed books,

249: 3050:

To Herland and Beyond: The Life of Charlotte Perkins Gilman.

2864:

The Captive Imagination: A Casebook on The Yellow Wallpaper,

3038:---. "The Fictional World of Charlotte Perkins Gilman." in 2958:

Charlotte Perkins Gilman: The Making of a Radical Feminist.

2919:

he Captive Imagination: A Casebook on The Yellow Wallpaper.

2797:

Charlotte Perkins Gilman: The Making of a Radical Feminist.

16:

American feminist, writer, artist, and lecturer (1860–1935)

3011:---. "Charlotte Perkins Gilman and the Shadow of Racism." 2799:

Mary A. Hill. Philadelphia: Temple University Press, 1980.

1409:. Many literary critics have ignored these short stories. 4417:

Women Writers.net, August 23, 1999. www.womenwriters.net/

2822:

The Living of Charlotte Perkins Gilman: An Autobiography.

2575:

Seven volumes, 1909–16. Microfiche. NY: Greenwood, 1968.

711:) who had tried to cure her of her depression through a " 240: 237: 2942:

Gubar, Susan. "She in Herland: Feminism as Fantasy." in

2782:"Fiction of America Being Melting Pot Unmasked by CPG." 2535:. Ed. Baker Brownell. NY: D. Van Nostrand, 1929. 115–42. 3596: 3594: 3592: 3382: 3380: 1866:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 304–313. 1855:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 277–285. 1837:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 286–294. 1826:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 295–303. 1815:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 269–276. 1804:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 262–268. 1775:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 253–261. 1764:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 218–226. 1742:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 226–234. 1731:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 235–243. 1720:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 200–209. 1709:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 191–199. 1698:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 182–191. 1684:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 148–158. 1680:"The Jumping-off Place." Forerunner 2:4 (1911): 87–93. 1659:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 182–190. 1648:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 159–171. 1622:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 130–138. 1604:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 107–121. 1593:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 122–129. 1476:; Oxford: Oxford UP, 1995. Introduction Robert Shulman. 623:

At one point, Gilman supported herself by selling soap

8066:

National American Woman Suffrage Association activists

3652:

A Study Guide for Charlotte Perkins Gilman's "Herland"

3096:, www.jstor.org/stable/10.5406/amerlitereal.48.1.0025. 3071:

Long, Lisa A. "Herland and the Gender of Science." in

2976:, edited by George P. Anderson. Gale, pp. 140–52. 2549:. Ed. S. D. Schmalhausen. NY: Liveright, 1931. 110–26. 1571:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 98–106. 954:

The Man-Made World; or, Our Andocentric Culture (1911)

1891:

7 (1916); Westport: Greenwood Publishing Group, 1997.

1753:

Ed. Robert Shulman. Oxford: Oxford UP, 1995. 210–217.

1582:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 92–97. 1560:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 73–77. 1549:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 87–91. 1538:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 83–86. 1527:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 78–82. 1516:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 69–72. 1505:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 62–65. 1498:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 66–68. 1487:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 51–61. 1465:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 39–47. 1454:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 48–50. 1443:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 25–31. 1432:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 20–24. 1300:

that "Gilman offered perspectives on major issues of

773:

Art Gems for the Home and Fireside"/ "This Our World"

603:

In January 1932, Gilman was diagnosed with incurable

4383:

The bibliographic information is accredited to the "

4126:

Studies, Vol. 27, No. 4 (Summer, 2001), pp. 271–302.

3985:

Looking Backward: From Herland to Gulliver's Travels

2335:"The Passing of the Home in Great American Cities." 782:(1888); however, it was her first volume of poetry, 243: 7814: 7758: 7717: 7633: 7572: 7511: 7455: 7389: 7305: 7249: 7188: 7117: 7076: 7000: 6894: 6755: 6689: 6588: 6452: 6266: 6250: 6219: 6160: 6134: 6113: 6092: 6071: 6050: 5996: 5970: 5859: 5769: 5738: 5707: 5641: 5590: 5536: 5510: 5484: 5458: 5432: 5406: 5375: 5349: 5323: 5297: 5248: 5217: 5191: 5165: 5139: 5118: 5092: 5066: 5040: 4986: 4950: 4919: 4893: 4862: 4646: 1887:"With Her in Ourland: Sequel to Herland. A NOVEL." 1501:"Deserted." San Francisco Call July 17, 1893: 1–2. 797:In 1894–95 Gilman served as editor of the magazine 246: 234: 209: 201: 140: 116: 108: 78: 61: 39: 23: 7951:American women science fiction and fantasy writers 4331:, April 8, 1892, p.6, col.2. in Julie Bates Dock, 4095:Gilman, Charlotte Perkins (July 1908 – May 1909). 3951: 3918: 3655:. Gale, Cengage Learning. p. Introduction 5. 3398: 3396: 3308: 3306: 2056:"The Ceaseless Struggle of Sex: A Dramatic View." 915:, which she began to write in 1925, was published 2985:, edited by Myrto Drizou, Salem Press, pp. 48–62. 2944:Charlotte Perkins Gilman: The Woman and Her Work. 1058:Reform Darwinism and the role of women in society 778:In 1888 Perkins-Gilman published her first book, 3613:Polly Wynn Allen, Building Domestic Liberty, 54. 3131:Ed. Mary A. Hill. Philadelphia: Temple UP, 1985. 1045:Oakland, California: McCombs & Vaughn (1893) 4435:Works by Charlotte Perkins Gilman in eBook form 4374:. (Newark: University of Delaware P, 2000) 211. 3874:Charlotte Perkins Gilman and Her Contemporaries 2805:Ed. Mary A. Hill. Lewisburg: Bucknill UP, 1995. 2135:The Man-Made World or, Our Androcentric Culture 2130:. New York: McClure, Phillips, & Co., 1904. 2122:. New York: McClure, Phillips, & Co., 1903. 1677:. Ed. Ann J. Lane. NY: Pantheon, 1980. 116–122. 1670:. Ed. Ann J. Lane. NY: Pantheon, 1980. 178–188. 1394:Newark, DE: University of Delaware Press, 1996. 1094:by Gilman and a photo of her as printed in the 550:, the Woman's Alliance, the Economic Club, the 398: 3757:The Feminist Papers: From Adams to de Beauvoir 3129:Endure: The Diaries of Charles Walter Stetson. 3121:Boston: Twayne, 1985. Studies Gilman as writer 2904:Tuscaloosa: University of Alabama Press, 2004. 2874:Charlotte Perkins Gilman: A Nonfiction Reader. 2688:"Straight Talk by Mrs. Gilman is Looked For." 2286:"Causes and Uses of the Subjection of Women." 1793:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 639:in London. In 1890, she was introduced to the 5821: 4609: 3850:(Boston, MA: Small, Maynard & Co., 1898). 2997:The Mixed Legacy of Charlotte Perkins Gilman, 2990:The Mixed Legacy of Charlotte Perkins Gilman. 2384:"How Home Conditions React Upon the Family." 1884:. Ed. Ann J. Lane. NY: Pantheon, 1980. 39–45. 1782:5 (1914); NY: Such and Such Publishing, 1998. 1392:The Later Poetry of Charlotte Perkins Gilman. 723:In 1903 Charlotte Perkins Gilman published a 8: 4582:2 short radio episodes of Gilman's writing, 4545:Charlotte Perkins Gilman Digital Collection. 4515:"Charlotte Perkins Gilman: Domestic Goddess" 4372:The Mixed Legacy of Charlotte Perkins Gilman 4370:Golden, Catherine J., and Joanna Zangrando. 4205:, Vol. 32, No. 2 (Winter, 2000), pp. 159–169 3174: 3172: 3170: 3168: 3166: 2656:"Scientific Training of Domestic Servants." 1229:National American Woman Suffrage Association 633:National American Woman Suffrage Association 4297:Stetson, Charlotte Perkins (June 3, 1899). 3528:"The Evolution of Charlotte Perkins Gilman" 3494:ATQ (The American Transcendental Quarterly) 3144:Charlotte Perkins Gilman: Optimist Reformer 2970:Huber, Hannah, "Charlotte Perkins Gilman." 2928:Charlotte Perkins Gilman: Optimist Reformer 2791:Diaries, journals, biographies, and letters 2712:"Warless World When Women's Slavery Ends." 1718:"The Yellow Wall-Paper" and Other Stories'' 596:. Following Houghton's sudden death from a 7714: 7703: 7386: 7375: 6891: 6880: 6216: 6205: 6047: 6036: 5856: 5845: 5828: 5814: 5806: 5587: 5576: 5294: 5283: 5037: 5026: 4643: 4632: 4616: 4602: 4594: 4557:, Radcliffe Institute, Harvard University. 4541:, Radcliffe Institute, Harvard University. 4453:Works by or about Charlotte Perkins Gilman 4402: 4400: 3042:Ed. Ann J. Lane. New York: Pantheon, 1980. 3027:Lane, Ann J. "Gilman, Charlotte Perkins"; 2967:(New York: Oxford University Press, 2010). 2733:"Adam the Real Rib, Mrs. Gilman Insists." 2164:Ed. Freda Kirchway. NY: Boni, 1930. 53–66. 1751:"The Yellow Wall-Paper" and Other Stories. 1182:Gilman's feministic approach differs from 637:International Socialist and Labor Congress 427:and love until she met her first husband. 309:", which she wrote after a severe bout of 31: 20: 8031:20th-century American short story writers 8026:19th-century American short story writers 2604:"Safeguards Suggested for Social Evils." 2552:"Birth Control, Religion and the Unfit." 2114:. Boston: Small, Maynard & Co., 1900. 1864:"The Yellow Wall-Paper" and Other Stories 1853:"The Yellow Wall-Paper" and Other Stories 1835:"The Yellow Wall-Paper" and Other Stories 1824:"The Yellow Wall-Paper" and Other Stories 1813:"The Yellow Wall-Paper" and Other Stories 1802:"The Yellow Wall-Paper" and Other Stories 1791:"The Yellow Wall-Paper" and Other Stories 1773:"The Yellow Wall-Paper" and Other Stories 1762:"The Yellow Wall-Paper" and Other Stories 1740:"The Yellow Wall-Paper" and Other Stories 1729:"The Yellow Wall-Paper" and Other Stories 1707:"The Yellow Wall-Paper" and Other Stories 1696:"The Yellow Wall-Paper" and Other Stories 1682:"The Yellow Wall-Paper" and Other Stories 1657:"The Yellow Wall-Paper" and Other Stories 1646:"The Yellow Wall-Paper" and Other Stories 1620:"The Yellow Wall-Paper" and Other Stories 1602:"The Yellow Wall-Paper" and Other Stories 1591:"The Yellow Wall-Paper" and Other Stories 1580:"The Yellow Wall-Paper" and Other Stories 1569:"The Yellow Wall-Paper" and Other Stories 1558:"The Yellow Wall-Paper" and Other Stories 1547:"The Yellow Wall-Paper" and Other Stories 1536:"The Yellow Wall-Paper" and Other Stories 1525:"The Yellow Wall-Paper" and Other Stories 1514:"The Yellow Wall-Paper" and Other Stories 1503:"The Yellow Wall-Paper" and Other Stories 1496:"The Yellow Wall-Paper" and Other Stories 1485:"The Yellow Wall-Paper" and Other Stories 1463:"The Yellow Wall-Paper" and Other Stories 1452:"The Yellow Wall-Paper" and Other Stories 1441:"The Yellow Wall-Paper" and Other Stories 1430:"The Yellow Wall-Paper" and Other Stories 1419:"The Yellow Wall-Paper" and Other Stories 365:Charlotte Perkins Gilman as a child, 1868 2900:Davis, Cynthia J. and Denise D. Knight. 2809:The Diaries of Charlotte Perkins Gilman, 2447:"The Housekeeper and the Food Problem." 2223:"A Lady on the Cap and Apron Question." 2106:. Boston, Small, Maynard & Co., 1899 1195:In 1908, Gilman wrote an article in the 944:The Home: Its Work and Influence. (1903) 635:convention in Washington, D.C., and the 404:... With Martha I knew perfect happiness 301:. Her best remembered work today is her 8056:Pacific Coast Women's Press Association 4221:, Vol. 48, No. 1 (Fall 2015), pp. 25–39 3987:. G.K. Hall & Company. p. 160. 3250:The Diaries of Charlotte Perkins Gilman 3162: 2761:"Mrs. Gilman Urges Hired Mother Idea." 2662:International Congress of Women of 1899 2258:"Official Report of Woman's Congress." 2181:"Why Women Do Not Reform Their Dress." 2098:Providence: J. A. and R. A. Reid, 1888. 2076:Boston: Small, Maynard & Co., 1898. 548:Pacific Coast Women's Press Association 193: 1900; died 1934) 4483:, with 107 library catalog records 2698:"Higher Marriage Mrs. Gilman's Plea." 2363:"Why Cooperative Housekeeping Fails." 2328:"Fortschritte der Frauen in Amerika." 2096:Gems of Art for the Home and Fireside. 913:The Living of Charlotte Perkins Gilman 439:Portrait of Gilman at age 24, ca. 1884 419:The Living of Charlotte Perkins Gilman 356:The Living of Charlotte Perkins Gilman 4491:Internet Speculative Fiction Database 4141:Charlotte Perkins Gilman: A Biography 3907:Degler, "Theory and Practice," 27–35. 3015:, vol. 32, no. 2, 2000, pp. 159–169. 2895:Charlotte Perkins Gilman: A Biography 2852:, University of Massachusetts Press, 2709:, December 7, 1909: 1:1–2 and 14:5–6. 2681:"A New Light on the Woman Question." 2412:"How to Lighten the Labor of Women." 2377:"A Suggestion on the Negro Problem." 459:. The rest cure was developed by Dr. 7: 3534:. Harvard University. Archived from 3040:The Charlotte Perkins Gilman Reader. 2786:, February 15, 1926: 9:7–8 and 15:8. 2316:Child Stude For Mothers and Teachers 1552:"The Misleading of Pendleton Oaks." 959:Our Brains and What Ails Them (1912) 873:works as "What Diantha Did" (1910), 369:Much of Gilman's youth was spent in 321:Gilman was born on July 3, 1860, in 112:Rhode Island School of Design (1878) 8016:19th-century American women writers 8011:20th-century American women writers 7966:Drug-related suicides in California 4097:"A Suggestion on the Negro Problem" 3863:, Vol. 8, No. 1 (Spring, 1956), 26. 3092:, vol. 48, no. 1, 2015, pp. 25–39. 2195:"The Providence Ladies Gymnasium." 1882:The Charlotte Perkins Gilman Reader 1844:6 (1915); NY: Pantheon Books, 1979. 1675:The Charlotte Perkins Gilman Reader 1668:The Charlotte Perkins Gilman Reader 1631:The Charlotte Perkins Gilman Reader 1218:Gilman's racism led her to espouse 8041:American women non-fiction writers 8006:American women short story writers 7991:20th-century American philosophers 7986:19th-century American philosophers 7946:Writers from Hartford, Connecticut 4501:Essays by Charlotte Perkins Gilman 4237:. New York: Routledge Publishing. 3898:Degler, "Theory and Practice," 27. 3287:Gilman, "Autobiography", Chapter 5 3192:from the original on June 23, 2018 3030:American National Biography Online 2754:"Great Duty for Women After War." 2517:"Progress through Birth Control." 2230:"The Reactive Lies of Gallantry." 1666:2 (1911); NY: Charlton Co., 1911; 1000:"The Yellow Wallpaper" 5 , (1892). 780:Art Gems for the Home and Fireside 719:"The Home: Its Work and Influence" 14: 5988:Mildred "Babe" Didrikson Zaharias 4744:Katharine Martha Houghton Hepburn 4462:Works by Charlotte Perkins Gilman 4444:Works by Charlotte Perkins Gilman 4101:The American Journal of Sociology 3434:MacDowell studios (macdowell.org) 2545:"Parasitism and Civilized Vice." 2251:"The Business League for Women." 815:The Home: Its Work and Influence" 7956:American science fiction writers 4625:Connecticut Women's Hall of Fame 4536:Charlotte Perkins Gilman Papers. 4510:"A Guide for Research Materials" 4469: 4430:Charlotte Perkins Gilman Society 4235:Contemporary Feminist Pragmatism 3958:. Boston: McGraw Hill. pp. 3759:(1997), section 1 only, 572–576. 3485:Davis, Cynthia (December 2005). 3019:, www.jstor.org/stable/27746975. 2982:Critical Insights: Edith Wharton 2960:(Temple University Press, 1980). 2719:"Lecture Given by Mrs. Gilman." 2531:"Feminism and Social Progress." 2461:"The Socializing of Education." 2356:"Some Light on the 'Problem.'" 2293:"The Automobile as a Reformer." 2188:"A Protest Against Petticoats." 2119:The Home. Its Work and Influence 1778:"Begnina Machiavelli. A NOVEL." 1154:Feminism in stories and novellas 822:The Home: Its Work and Influence 506:In 1884, she married the artist 230: 215: 167: 8071:American women magazine editors 7911:20th-century American novelists 7058:Harriet Williams Russell Strong 4590:from California Legacy Project. 4561:Charlotte Perkins Gilman Papers 4258:Golden, Catherine (Fall 2007). 3925:. Boston: McGraw Hill. p. 3649:Gale, Cengage Learning (2016). 2921:New York: Feminist Press, 1992. 2838:, University of Chicago Press, 2482:"Cross-Examining Santa Claus." 2475:"Making Towns Fit to Live In." 2174:"On Advertising for Marriage." 190: 163: 6737:Ernestine Louise Potowski Rose 4027:Studies in American Naturalism 3526:Harrison, Pat (July 3, 2013). 2705:"Three Women Leaders in Hub." 2621:"All the Comforts of a Home." 2449:Annals of the American Academy 2142:Our Brains and What Ails Them. 2138:. New York: Charton Co., 1911. 1450:, September 23, 1891:199–200. 1165:Gilman uses world-building in 431:Overcoming personal challenges 1: 7981:Philosophers from Connecticut 5838:National Women's Hall of Fame 4144:. Stanford University Press. 4012:10.1080/00497878.1989.9978776 3216:National Women's Hall of Fame 2768:"Eulogize Susan B. Anthony." 2765:, September 23, 1919: 36:1–2. 2628:"The Washington Convention." 2524:"Divorce and Birth Control." 2512:New York Jewish Daily Forward 2489:"Is America Too Hospitable?" 2442:Boston Sunday Herald Magazine 2405:"Should Women Use Violence?" 2386:American Journal of Sociology 2379:American Journal of Sociology 2372:American Journal of Sociology 2349:"The Home and the Hospital." 2216:"Are Women Better Than Men?" 1607:"What Diantha Did. A NOVEL". 1413:"Circumstances Alter Cases." 1198:American Journal of Sociology 386:Rhode Island School of Design 325:, to Mary Fitch Westcott and 299:National Women's Hall of Fame 8051:American socialist feminists 7084:Paulina Kellogg Wright Davis 4299:"The Automobile as Reformer" 3500:(4): 242–248. Archived from 2876:New York: Columbia UP, 1991. 2740:"Advocates a 'World City.'" 2726:"Mrs. Gilman Assorts Sins." 2642:"Bellamy Memorial Meeting." 2632:, February 15, 1896: 49–50. 2556:, January 27, 1932: 108–109. 2244:"The Saloon and Its Annex." 2169:Short and serial non-fiction 1876:"The Girl in the Pink Hat." 1637:. NY: Pantheon, 1980. 21–31. 1358:Resources in other libraries 1334:Resources in other libraries 8021:20th-century American poets 7971:American women sociologists 7267:Martha Coffin Pelham Wright 6671:Josephine St. Pierre Ruffin 4579:, Suspense, CBS radio, 1948 4468:(public domain audiobooks) 4385:Guide to Research Materials 3430:"Katharine Beecher Stetson" 3212:"Gilman, Charlotte Perkins" 2963:Horowitz, Helen Lefkowitz, 2772:, February 16, 1920: 15:6. 2649:"An Evening With Kipling." 2528:, January 25, 1928: 130–31. 2314:"Ideals of Child Culture." 2272:"The American Government." 1512:, September 13, 1893: 166. 1342:By Charlotte Perkins Gilman 1231:convention in New Orleans. 1004:The Yellow Wallpaper (1899) 753:"Suffrage Songs and Verses" 8092: 8036:Novelists from Connecticut 6823:Katharine Dexter McCormick 6121:Mary "Mother" Harris Jones 5715:Cora Lee Bentley Radcliffe 4927:Elizabeth Hart Jarvis Colt 4550:September 1, 2017, at the 4521:"Charlotte Perkins Gilman" 4128:Accessed November 3, 2008. 3983:Keyser, Elizabeth (1992). 3846:Charlotte Perkins Gilman, 3717:"Charlotte Perkins Gilman" 3465:Harvard University Library 3180:"Charlotte Perkins Gilman" 3006:(Twayne Publishers, 1997). 2848:Allen, Polly Wynn (1988). 2723:, November 15, 1911: 7:3. 2639:, November 10, 1897: 8:1. 2458:, June 22, 1918: 478, 483. 2265:"John Smith and Armenia." 2237:"The Vegetable Chinaman." 1567:, February 16, 1895: 4–5. 1545:, December 29, 1894: 4–5. 1034:With Her in Ourland (1916) 1024:Benigna Machiavelli (1916) 1014:Moving the Mountain (1911) 939:Concerning Children (1900) 841: 667: 546:organizations such as the 8076:American magazine editors 8046:Writers of Gothic fiction 7926:American feminist writers 7713: 7702: 7385: 7374: 6890: 6879: 6681:Hannah Greenebaum Solomon 6215: 6204: 6046: 6035: 5855: 5844: 5586: 5575: 5293: 5282: 5036: 5025: 4679:Evelyn Longman Batchelder 4642: 4631: 4531:Suffrage Songs and Verses 4329:Boston Evening Transcript 4264:American Literary Realism 4219:American Literary Realism 4207:, accessed March 9, 2019. 4203:American Literary Realism 4173:Building Domestic Liberty 3822:Building Domestic Liberty 3263:Building Domestic Liberty 3153:27 (Summer 2001): 271–30. 3127:Stetson, Charles Walter. 3119:Charlotte Perkins Gilman. 3090:American Literary Realism 3052:New York: Pantheon, 1990. 3013:American Literary Realism 2758:, February 26, 1918: 2:7. 2744:, January 6, 1915: 15:5. 2737:, February 19, 1914: 9:3. 2716:, November 14, 1910: 4:1. 2702:, December 29, 1908: 2:3. 2678:, February 26, 1903: 7:1. 2671:, December 11, 1902: 8:4. 2667:"Society and the Child." 2658:Women and Industrial Life 2635:"Woman Suffrage League." 2538:"Sex and Race Progress." 2426:"Gum Chewing in Public." 2419:"What 'Love' Really Is." 2342:"The Beauty of a Block." 2290:, December 24, 1898: 410. 2209:"Altering Human Nature." 2202:"How Much Must We Read?" 2022:(November 10, 1894): 4–5. 1847:"Mrs. Merrill's Duties." 1578:, January 12, 1895: 4–5. 1574:"An Unpatented Process." 1523:, October 13, 1894: 4–5. 1481:Worthington's Illustrated 1468:"The Yellow Wall-paper." 1385:Suffrage Songs and Verses 1353:Resources in your library 1329:Resources in your library 1053:Social views and theories 577:Frances Benjamin Johnston 263:Charlotte Perkins Stetson 214: 30: 7916:American women novelists 6912:Marjory Stoneman Douglas 6722:Wilhelmina Cole Holladay 6495:Charlotte Perkins Gilman 5761:Regina Winters-Toussaint 5559:Elizabeth George Plouffe 5053:Adrianne Baughns-Wallace 4709:Charlotte Perkins Gilman 4487:Charlotte Perkins Gilman 4477:Charlotte Perkins Gilman 4413:August 12, 2013, at the 4391:August 12, 2013, at the 4327:M.D., "Perlious Stuff," 4223:, accessed March 5, 2019 3185:Encyclopaedia Britannica 3099:Oliver, Lawrence J. and 2751:, April 14, 1917: 14:1. 2685:, April 25, 1904: 76–77. 2597:"With Women Who Write." 2533:Problems of Civilization 2500:, June 11, 1924: 671–73. 2465:, April 5, 1919: 348–49. 2367:41 (July 1907): 625–629. 2279:"When Socialism Began." 2269:, January 12, 1895: 2–3. 2178:11, September 1, 1885: 7 2058:Kate Field's Washington. 1585:"According to Solomon." 1556:, October 6, 1894: 4–5. 1417:, July 23, 1890: 55–56. 1366:Gilman's works include: 1320:Charlotte Perkins Gilman 1062:Gilman called herself a 979:Growth and Combat (1916) 974:The Dress of Women(1915) 692:The New England Magazine 573:Charlotte Perkins Gilman 371:Providence, Rhode Island 327:Frederic Beecher Perkins 226:Charlotte Perkins Gilman 25:Charlotte Perkins Gilman 7402:Dorothy Harrison Eustis 7292:Catherine Filene Shouse 7145:Patricia Roberts Harris 6783:Mary Steichen Calderone 6651:Lillian Moller Gilbreth 6520:Frances Wisebart Jacobs 6324:Martha Wright Griffiths 5618:Clara Hill (suffragist) 5613:Sarah Lee Brown Fleming 5256:Martha Minerva Franklin 4749:Isabella Beecher Hooker 4565:University of Rochester 3677:"The Yellow Wall-paper" 2775:"Walt Whitman Dinner." 2608:, April 24, 1892: 12:4. 2444:, September 3, 1916: 7. 2437:, March 7, 1915: 14–15. 2435:New York Times Magazine 2391:"Children's Clothing." 2346:, July 14, 1904: 67–72. 2185:, October 9, 1886: 338. 2047:"Something to Vote For" 2036:, November 24, 1894: 5. 2029:, November 17, 1894: 5. 2013:Kate Field's Washington 1807:"Mr. Peebles's Heart." 1662:"Moving the Mountain." 1596:"Three Thanksgivings." 1563:"An Unnatural Mother." 1534:, December 1, 1894: 5. 1510:Kate Field's Washington 1448:Kate Field's Washington 1439:, May 21, 1890: 335–6. 1437:Kate Field's Washington 1415:Kate Field's Washington 1285:in 1898, by the end of 1222:beliefs, claiming that 1009:What Diantha Did (1910) 923:Works by Perkins-Gilman 734:early feminist movement 334:Isabella Beecher Hooker 7348:Rebecca Talbot Perkins 6843:Eunice Kennedy Shriver 6707:Frances Xavier Cabrini 6621:Elizabeth Hanford Dole 6399:Ellen Swallow Richards 6369:Constance Baker Motley 6019:Elizabeth Bayley Seton 5952:Elizabeth Cady Stanton 5664:Khalilah L. Brown-Dean 5230:Patricia Goldman-Rakic 5126:Dotha Bushnell Hillyer 4963:Constance Baker Motley 4191:Accessed March 5, 2019 2834:Allen, Judith (2009). 2779:, June 1, 1921: 16:7. 2714:San Francisco Examiner 2692:, July 16, 1905: 33:2. 2653:, March 14, 1899: 4:2. 2623:San Francisco Examiner 2599:San Francisco Examiner 2454:"Concerning Clothes." 2307:"Esthetic Dyspepsia." 2211:California Nationalist 2192:, January 8, 1887: 60. 2162:Our Changing Morality. 2060:April 9, 1890, 239–40. 2032:"The Story Guessers", 1756:"Mrs. Hines's Money." 1655:2:12 (1911): 311–315. 1625:"When I Was a Witch." 1457:"The Giant Wistaria." 1296:Ann J. Lane writes in 1102: 858: 824:, which expanded upon 682: 664:"The Yellow Wallpaper" 580: 522: 508:Charles Walter Stetson 440: 424: 366: 152:Charles Walter Stetson 7976:American sociologists 7941:American LGBT writers 7862:Anna Wessels Williams 7549:Carlotta Walls LaNier 7282:Elisabeth Kübler-Ross 7140:Martha Matilda Harper 7104:Mary Engle Pennington 6942:Frances Oldham Kelsey 6727:Anne Morrow Lindbergh 6480:Jane Cunningham Croly 6409:Katherine Siva Saubel 6304:Marian Wright Edelman 6227:Margaret Bourke-White 6152:Harriet Beecher Stowe 5440:Margaret Bourke-White 5178:Mary Townsend Seymour 5110:Miriam Therese Winter 4994:Jane Hamilton-Merritt 4834:Harriet Beecher Stowe 4829:Hilda Crosby Standish 4824:Smiths of Glastonbury 4819:Virginia Thrall Smith 4754:Emeline Roberts Jones 4699:Katharine Seymour Day 4669:Beatrice Fox Auerbach 4408:"Domestic Goddesses," 4303:Saturday Evening Post 4276:10.1353/alr.2008.0017 4039:10.1353/san.2017.0006 3835:To Herland and Beyond 2879:Class, Claire Marie. 2547:Woman's Coming of Age 2519:North American Review 2510:"American Radicals." 2416:40 (1912): 14–15, 77. 2409:14 (1912): 11, 78–79. 2321:"Should Wives Work?" 2311:, August 4, 1900: 12. 2309:Saturday Evening Post 2304:, April 7, 1900: 105. 2300:"Superfluous Women." 2295:Saturday Evening Post 2088:His Religion and Hers 1840:"Herland. A NOVEL. " 1833:6:5 (1915): 113–117. 1818:"Dr. Clair's Place." 1738:4:7 (1913): 169–173. 1727:4:8 (1913): 197–201. 1716:3:12 (1912): 309–14. 1701:"Mrs. Elder's Idea." 1479:"The Rocking-Chair." 1428:, May 17, 1890: 158. 1255:Saturday Evening Post 1089: 911:. Her autobiography, 851: 844:Forerunner (magazine) 677: 572: 529:. In 1888, Charlotte 527:Grace Ellery Channing 520: 512:postpartum depression 484:Bristol, Rhode Island 438: 417:Charlotte P. Gilman, 364: 342:Harriet Beecher Stowe 323:Hartford, Connecticut 303:semi-autobiographical 55:Hartford, Connecticut 8061:American eugenicists 8001:American suffragists 7921:American women poets 7559:Mary Harriman Rumsey 7397:St. Katharine Drexel 7241:Mary Burnett Talbert 7236:Blanche Stuart Scott 7221:Mother Marianne Cope 7201:Ruth Fulton Benedict 7160:Mildred Robbins Leet 6858:Angelina Grimké Weld 6732:Maria Goeppert Mayer 6702:Charlotte Anne Bunch 6279:Antoinette Blackwell 6258:Gertrude Belle Elion 6188:Ida B. Wells-Barnett 5957:Helen Brooke Taussig 5947:Margaret Chase Smith 5674:Callie Gale Heilmann 5084:Maria Miller Stewart 5058:Mary Goodrich Jenson 4942:Laura Wheeler Waring 4839:Gladys Tantaquidgeon 4794:Theodate Pope Riddle 4769:Rachel Taylor Milton 4577:The Yellow Wallpaper 4074:10.1353/aq.2003.0001 3538:on November 25, 2018 3339:on February 14, 2020 3330:betweenthecovers.com 2917:Golden, Catherine. T 2872:Ceplair, Larry, ed. 2591:, June 21, 1890: 6. 2559:"The Right to Die." 2486:105 (1922): 169–174. 2479:102 (1921): 361–366. 2440:"What is Feminism?" 2430:, May 20, 1914:12:5. 2370:"Social Darwinism." 2297:, June 3, 1899: 778. 2239:Housekeeper's Weekly 1862:7:5 (1916): 113–18. 1822:6:6 (1915): 141–45. 1811:5:9 (1914): 225–29. 1771:5:6 (1914): 141–45. 1723:"A Council of War." 1694:2:9 (1911): 227–32. 1644:2:7 (1911): 171–77. 1519:"A Day's Berryin.'" 1494:, July 10, 1893: 1. 1470:New England Magazine 1459:New England Magazine 1446:"An Extinct Angel." 1097:Atlanta Constitution 969:Social Ethics (1914) 908:Buffalo Evening News 792:Women and Economics" 679:The Yellow Wallpaper 670:The Yellow Wallpaper 650:The Yellow Wallpaper 594:Norwich, Connecticut 311:postpartum psychosis 307:The Yellow Wallpaper 166: 1884; 122:The Yellow Wallpaper 72:Pasadena, California 7931:American socialists 7776:Rebecca S. Halstead 7750:Mary Church Terrell 7437:Barbara A. Mikulski 7165:Patsy Takemoto Mink 7150:Stephanie L. Kwolek 7089:Ruth Bader Ginsburg 7063:Emily Howell Warner 7008:Dorothy H. Andersen 6982:Annie Dodge Wauneka 6977:Mary Edwards Walker 6902:Faye Glenn Abdellah 6833:Edith Nourse Rogers 6813:Shirley Ann Jackson 6788:Mary Ann Shadd Cary 6666:Sandra Day O'Connor 6646:Matilda Joslyn Gage 6242:Florence B. Seibert 6079:Carrie Chapman Catt 6009:Juliette Gordon Low 5892:Elizabeth Blackwell 5887:Mary McLeod Bethune 5679:Jerimarie Liesegang 5398:Augusta Lewis Troup 5209:Glenna Collett-Vare 5152:Helen Frankenthaler 4978:Mabel Osgood Wright 4885:María Colón Sánchez 4849:Hannah Bunce Watson 4799:Edna Negron Rosario 4759:Barbara B. Kennelly 4674:Emma Fielding Baker 4584:"California Colors" 4555:Schlesinger Library 4539:Schlesinger Library 4481:Library of Congress 3887:Women and Economics 3848:Women and Economics 3719:. October 26, 2021. 3117:Scharnhorst, Gary. 3107:(July 1993): 52–60. 3105:Journal of the West 2890:41.1 (2024): 75-98. 2784:Dallas Morning News 2730:, June 3, 1913: 3:8 2625:, May 22, 1895: 9. 2601:, March 1891, 3:3. 2563:94 (1935): 297–300. 2540:Sex in Civilization 2521:224 (1927): 622–29. 2503:"The Nobler Male." 2496:"Toward Monogamy." 2493:70 (1923): 1983–89. 2468:"A Woman's Party." 2388:14 (1909): 592–605. 2360:62 (1906): 4270428. 2241:, June 24, 1893: 3. 2213:, May 10, 1890: 10. 2111:Concerning Children 1978:With Her in Ourland 1955:Benigna Machiavelli 1925:Moving the Mountain 1896:Novels and novellas 1869:"Joan's Defender." 1858:"A Surplus Woman." 1851:6:3 (1915): 57–61. 1796:"If I Were a Man." 1789:5:3 (1914): 57–61. 1760:4:4 (1913): 85–89. 1749:4:2 (1913): 29–33. 1705:3:2 (1912): 29–32. 1651:"Making a Change." 1424:"That Rare Jewel." 1282:Women and Economics 1249:Moving the Mountain 1224:Old Stock Americans 1112:Women and Economics 880:Moving the Mountain 827:Women and Economics 807:Women and Economics 766:Other notable works 709:Silas Weir Mitchell 701:American literature 598:cerebral hemorrhage 461:Silas Weir Mitchell 134:Women and Economics 7996:Utopian socialists 7735:Barbara Rose Johns 7686:Flossie Wong-Staal 7661:Nicole Malachowski 7590:Lorraine Hansberry 7534:Marcia Greenberger 7488:Mary Joseph Rogers 7427:Coretta Scott King 7412:Abby Kelley Foster 7328:Susan Kelly-Dreiss 7216:Rita Rossi Colwell 6992:Frances E. Willard 6828:Rozanne L. Ridgway 6778:Lydia Moss Bradley 6763:Madeleine Albright 6656:Nannerl O. Keohane 6626:Anne Dallas Dudley 6555:Betty Bone Schiess 6525:Susette La Flesche 6510:Zora Neale Hurston 6505:Helen LaKelly Hunt 6429:Madam C. J. Walker 6344:Mary Putnam Jacobi 6294:Jacqueline Cochran 6274:Ethel Percy Andrus 6142:Barbara McClintock 5608:Catherine Flanagan 5603:Frances Ellen Burr 5502:Regina Rush-Kittle 5331:Isabelle M. Kelley 5315:Maggie Wilderotter 5235:Barbara McClintock 5225:Jewel Plummer Cobb 5079:Catherine Roraback 4854:Chase G. Woodhouse 4496:The Feminist Press 4138:Davis, C. (2010). 4062:American Quarterly 3872:Davis and Knight, 3861:American Quarterly 3702:Julie Bates Dock, 3682:The Feminist Press 3532:Radcliffe Magazine 3261:Polly Wynn Allen, 3248:Denise D. Knight, 3002:Knight, Denise D. 2893:Davis, Cynthia J. 2721:San Francisco Call 2690:San Francisco Call 2606:San Francisco Call 2589:Weekly Nationalist 2451:74 (1917): 123–40. 2423:14 (1913): 11, 57. 2374:12 (1907): 713–14. 2339:38 (1904): 137–47. 2276:, June 6, 1896: 3. 2227:, June 6, 1891: 3. 2197:Providence Journal 1829:"Girls and Land." 1800:32 (1914): 31–34. 1618:1:10 (1910): 1–5. 1614:"The Cottagette." 1492:San Francisco Call 1483:1 (1893): 453–59. 1461:4 (1891): 480–85. 1435:"The Unexpected." 1370:Poetry collections 1298:Herland and Beyond 1262:Critical reception 1132:The Man-Made World 1103: 859: 697:women's literature 683: 581: 523: 441: 382:natural philosophy 367: 265:, was an American 7883: 7882: 7879: 7878: 7875: 7874: 7837:Kimberlé Crenshaw 7832:Elouise P. Cobell 7796:Katherine Johnson 7766:Octavia E. Butler 7698: 7697: 7694: 7693: 7605:Clare Boothe Luce 7417:Helen Murray Free 7370: 7369: 7366: 7365: 7231:Patricia A. Locke 7196:Florence E. Allen 7180:Sheila E. Widnall 7125:Linda G. Alvarado 7109:Mercy Otis Warren 7068:Victoria Woodhull 7053:Barbara Holdridge 7048:Beatrice A. Hicks 7023:Lydia Maria Child 6937:Leontine T. Kelly 6875: 6874: 6871: 6870: 6697:Louisa May Alcott 6611:Mary Breckinridge 6490:Geraldine Ferraro 6475:Annie Jump Cannon 6200: 6199: 6196: 6195: 6031: 6030: 6027: 6026: 5937:Eleanor Roosevelt 5836:Inductees to the 5803: 5802: 5799: 5798: 5795: 5794: 5782:Melissa Bernstein 5751:Laura Cruickshank 5720:Jennifer Rizzotti 5699:Teresa C. Younger 5598:Josephine Bennett 5571: 5570: 5567: 5566: 5278: 5277: 5274: 5273: 5261:Carolyn M. Mazure 5100:Florence Griswold 5021: 5020: 5017: 5016: 4906:Madeleine L'Engle 4809:Susan Saint James 4764:Clare Boothe Luce 4739:Katharine Hepburn 4694:Prudence Crandall 4684:Catharine Beecher 4525:Books and Writers 4519:Petri Liukkonen. 4448:Project Gutenberg 4244:978-0-203-12232-7 3507:on August 9, 2017 2885:and Other Works." 2844:978-0-226-01463-0 2749:Boston Transcript 2637:Boston Advertiser 2579:Selected lectures 2568:Self-publications 2507:74 (1925): 19–21. 2381:14 (1908): 78–85. 2358:American Magazine 2351:Good Housekeeping 2330:Neues Frauenleben 2025:"Story Studies", 1880:7 (1916): 39–46. 1767:"A Partnership." 1640:"In Two Houses." 1377:In This Our World 1315:Library resources 1269:Boston Transcript 1101:December 10, 1916 949:Human Work.(1904) 902:The Baltimore Sun 896:Louisville Herald 784:In This Our World 658:feminist movement 654:In This Our World 641:Nationalist Clubs 607:. An advocate of 556:Adrian John Ebell 476:suicidal behavior 352:Catharine Beecher 347:Uncle Tom's Cabin 223: 222: 89:commercial artist 43:Charlotte Perkins 8083: 7715: 7704: 7671:Louise Slaughter 7595:Victoria Jackson 7554:Philippa Marrack 7539:Barbara Iglewski 7447:Kathrine Switzer 7442:Donna E. Shalala 7387: 7376: 7333:Allie B. Latimer 7313:Louise Bourgeois 7287:Judith L. Pipher 7094:Katharine Graham 7038:Marian de Forest 6957:Anna Howard Shaw 6907:Emma Smith DeVoe 6892: 6881: 6793:Joan Ganz Cooney 6717:Oveta Culp Hobby 6712:Mary A. Hallaren 6575:Sarah Winnemucca 6444:Gloria Yerkovich 6439:Rosalyn S. Yalow 6394:Jeannette Rankin 6374:Georgia O'Keeffe 6329:Fannie Lou Hamer 6289:Shirley Chisholm 6237:Billie Jean King 6217: 6206: 6168:Gwendolyn Brooks 6048: 6037: 5877:Susan B. Anthony 5857: 5846: 5830: 5823: 5816: 5807: 5689:Marilyn Ondrasik 5588: 5577: 5388:Barbara Franklin 5295: 5284: 5157:Rosalind Russell 5038: 5027: 4901:Edythe J. Gaines 4779:Ellen Ash Peters 4724:Estelle Griswold 4704:Fidelia Fielding 4654:Mary Jobe Akeley 4644: 4633: 4618: 4611: 4604: 4595: 4473: 4472: 4457:Internet Archive 4418: 4404: 4395: 4381: 4375: 4368: 4362: 4355: 4349: 4342: 4336: 4325: 4319: 4318: 4316: 4314: 4294: 4288: 4287: 4255: 4249: 4248: 4230: 4224: 4214: 4208: 4198: 4192: 4187:Feminist Studies 4182: 4176: 4169: 4163: 4162: 4160: 4158: 4135: 4129: 4122: 4116: 4115: 4113: 4111: 4092: 4086: 4085: 4057: 4051: 4050: 4022: 4016: 4015: 3995: 3989: 3988: 3980: 3974: 3973: 3957: 3947: 3941: 3940: 3924: 3914: 3908: 3905: 3899: 3896: 3890: 3883: 3877: 3870: 3864: 3857: 3851: 3844: 3838: 3831: 3825: 3818: 3812: 3805: 3799: 3792: 3786: 3779: 3773: 3766: 3760: 3753: 3747: 3740: 3734: 3727: 3721: 3720: 3713: 3707: 3700: 3694: 3693: 3691: 3689: 3673: 3667: 3666: 3646: 3640: 3633: 3627: 3620: 3614: 3611: 3605: 3598: 3587: 3580: 3574: 3567: 3561: 3554: 3548: 3547: 3545: 3543: 3523: 3517: 3516: 3514: 3512: 3506: 3491: 3482: 3476: 3475: 3473: 3471: 3457: 3451: 3444: 3438: 3437: 3426: 3420: 3413: 3407: 3400: 3391: 3384: 3375: 3368: 3362: 3355: 3349: 3348: 3346: 3344: 3338: 3332:. Archived from 3327: 3319: 3313: 3310: 3301: 3294: 3288: 3285: 3279: 3272: 3266: 3265:, (1988), p. 30. 3259: 3253: 3246: 3240: 3233: 3227: 3226: 3224: 3222: 3208: 3202: 3201: 3199: 3197: 3176: 3151:Feminist Studies 3101:Gary Scharnhorst 3059:Feminist Studies 2829:Academic studies 2747:"The Listener." 2676:New York Tribune 2614:"Announcement." 2421:Pictorial Review 2407:Pictorial Review 2402:2 (1911): 206–9. 2332:1:1 (1903): 2–5. 2234:2 (1892): 205–8. 2206:1 (1889): 43–44. 2053:2 (1911) 143–53. 2018:"The Twilight." 1902:What Diantha Did 1798:Physical Culture 1600:1 (1909): 5–12. 1589:1:2 (1909):1–5. 1508:"Through This." 1490:"An Elopement." 1138:personal life." 1114:, a theoretical 1019:The Crux. (1911) 964:Humanness (1913) 473: 422: 411: 407: 403: 256: 255: 252: 251: 248: 245: 242: 239: 236: 219: 194: 192: 171: 169: 165: 68: 51: 49: 35: 21: 8091: 8090: 8086: 8085: 8084: 8082: 8081: 8080: 7886: 7885: 7884: 7871: 7867:Serena Williams 7810: 7754: 7740:Henrietta Lacks 7730:Barbara Hillary 7725:Aretha Franklin 7709: 7690: 7676:Sonia Sotomayor 7629: 7568: 7519:Tenley Albright 7507: 7493:Bernice Sandler 7451: 7432:Lilly Ledbetter 7407:Loretta C. Ford 7381: 7362: 7301: 7297:Henrietta Szold 7257:Eleanor K. Baum 7245: 7211:Hillary Clinton 7184: 7135:Gertrude Ederle 7130:Donna de Varona 7113: 7072: 7018:Rosalynn Carter 6996: 6972:Wilma L. Vaught 6927:Crystal Eastman 6922:Sylvia A. Earle 6886: 6867: 6863:Chien-Shiung Wu 6838:Felice Schwartz 6808:Julia Ward Howe 6751: 6742:Maria Tallchief 6685: 6641:Margaret Fuller 6636:Ella Fitzgerald 6631:Mary Baker Eddy 6584: 6540:Antonia Novello 6515:Anne Hutchinson 6448: 6389:Esther Peterson 6364:Wilma Mankiller 6284:Emily Blackwell 6262: 6246: 6211: 6192: 6156: 6130: 6109: 6088: 6084:Frances Perkins 6067: 6063:Sojourner Truth 6058:Margaret Sanger 6042: 6023: 5992: 5966: 5912:Emily Dickinson 5872:Marian Anderson 5851: 5840: 5834: 5804: 5791: 5787:Barbara Summers 5765: 5756:Carla Squatrito 5734: 5703: 5637: 5582: 5563: 5554:Martha Langevin 5532: 5523:Anika Noni Rose 5506: 5480: 5454: 5428: 5419:Jennifer Lawton 5414:Beatrix Farrand 5402: 5371: 5367:Faith Middleton 5362:Annie Leibovitz 5345: 5319: 5305:Anne M. Mulcahy 5289: 5270: 5244: 5213: 5187: 5161: 5147:Martha Coolidge 5135: 5114: 5088: 5062: 5048:Emily Barringer 5032: 5013: 4982: 4958:Dorrit Hoffleit 4946: 4915: 4889: 4875:Caroline Hewins 4870:Helen M. Feeney 4858: 4814:Lydia Sigourney 4804:Margaret Rudkin 4714:Dorothy Goodwin 4664:Marian Anderson 4638: 4627: 4622: 4573: 4552:Wayback Machine 4470: 4439:Standard Ebooks 4426: 4421: 4415:Wayback Machine 4405: 4398: 4393:Wayback Machine 4382: 4378: 4369: 4365: 4356: 4352: 4343: 4339: 4326: 4322: 4312: 4310: 4296: 4295: 4291: 4257: 4256: 4252: 4245: 4232: 4231: 4227: 4215: 4211: 4199: 4195: 4183: 4179: 4170: 4166: 4156: 4154: 4152: 4137: 4136: 4132: 4123: 4119: 4109: 4107: 4094: 4093: 4089: 4059: 4058: 4054: 4024: 4023: 4019: 4000:Women's Studies 3997: 3996: 3992: 3982: 3981: 3977: 3970: 3954:Feminist Theory 3949: 3948: 3944: 3937: 3921:Feminist Theory 3916: 3915: 3911: 3906: 3902: 3897: 3893: 3884: 3880: 3871: 3867: 3858: 3854: 3845: 3841: 3832: 3828: 3819: 3815: 3806: 3802: 3793: 3789: 3780: 3776: 3767: 3763: 3754: 3750: 3741: 3737: 3728: 3724: 3715: 3714: 3710: 3701: 3697: 3687: 3685: 3675: 3674: 3670: 3663: 3648: 3647: 3643: 3634: 3630: 3621: 3617: 3612: 3608: 3599: 3590: 3581: 3577: 3568: 3564: 3555: 3551: 3541: 3539: 3525: 3524: 3520: 3510: 3508: 3504: 3489: 3484: 3483: 3479: 3469: 3467: 3459: 3458: 3454: 3445: 3441: 3428: 3427: 3423: 3414: 3410: 3401: 3394: 3385: 3378: 3369: 3365: 3356: 3352: 3342: 3340: 3336: 3325: 3321: 3320: 3316: 3311: 3304: 3295: 3291: 3286: 3282: 3273: 3269: 3260: 3256: 3247: 3243: 3234: 3230: 3220: 3218: 3210: 3209: 3205: 3195: 3193: 3178: 3177: 3164: 3160: 2831: 2818: 2793: 2683:Woman's Journal 2644:American Fabian 2630:Woman's Journal 2581: 2573:The Forerunner. 2570: 2393:Harper's Bazaar 2365:Harper's Bazaar 2302:Women's Journal 2288:Woman's Journal 2281:American Fabian 2220:3 (1891): 9–11. 2218:Pacific Monthly 2204:Pacific Monthly 2190:Woman's Journal 2183:Woman's Journal 2171: 2083: 2067: 2039:"Three Women." 2015:(1890): 138–40. 2001: 1999:Drama/dialogues 1898: 1712:"Their House." 1629:1 (1910): 1–6. 1541:"One Way Out." 1426:Women's Journal 1401: 1372: 1364: 1363: 1362: 1339: 1338: 1323: 1322: 1318: 1311: 1264: 1241: 1212:White Americans 1193: 1156: 1090:Articles about 1060: 1055: 1042: 997: 930: 925: 846: 840: 818: 795: 776: 768: 755: 746: 738:domestic sphere 721: 672: 666: 621: 574: 504: 471: 433: 423: 416: 409: 405: 401: 319: 281:, advocate for 233: 229: 197: 196: 188: 184: 181: 180:Houghton Gilman 173: 170: 1894) 161: 157: 154: 131: 125: 104: 100:social reformer 93:magazine editor 70: 66: 65:August 17, 1935 53: 47: 45: 44: 26: 17: 12: 11: 5: 8089: 8087: 8079: 8078: 8073: 8068: 8063: 8058: 8053: 8048: 8043: 8038: 8033: 8028: 8023: 8018: 8013: 8008: 8003: 7998: 7993: 7988: 7983: 7978: 7973: 7968: 7963: 7961:Beecher family 7958: 7953: 7948: 7943: 7938: 7936:LGBT feminists 7933: 7928: 7923: 7918: 7913: 7908: 7903: 7898: 7888: 7887: 7881: 7880: 7877: 7876: 7873: 7872: 7870: 7869: 7864: 7859: 7854: 7849: 7847:Judith Plaskow 7844: 7842:Peggy McIntosh 7839: 7834: 7829: 7824: 7818: 7816: 7812: 7811: 7809: 7808: 7806:Michelle Obama 7803: 7798: 7793: 7788: 7783: 7778: 7773: 7768: 7762: 7760: 7756: 7755: 7753: 7752: 7747: 7742: 7737: 7732: 7727: 7721: 7719: 7711: 7710: 7707: 7700: 7699: 7696: 7695: 7692: 7691: 7689: 7688: 7683: 7681:Laurie Spiegel 7678: 7673: 7668: 7663: 7658: 7653: 7648: 7643: 7637: 7635: 7631: 7630: 7628: 7627: 7622: 7617: 7612: 7607: 7602: 7600:Sherry Lansing 7597: 7592: 7587: 7585:Temple Grandin 7582: 7576: 7574: 7570: 7569: 7567: 7566: 7561: 7556: 7551: 7546: 7544:Jean Kilbourne 7541: 7536: 7531: 7526: 7521: 7515: 7513: 7509: 7508: 7506: 7505: 7500: 7495: 7490: 7485: 7480: 7475: 7470: 7468:Ina May Gaskin 7465: 7459: 7457: 7453: 7452: 7450: 7449: 7444: 7439: 7434: 7429: 7424: 7422:Billie Holiday 7419: 7414: 7409: 7404: 7399: 7393: 7391: 7383: 7382: 7379: 7372: 7371: 7368: 7367: 7364: 7363: 7361: 7360: 7355: 7350: 7345: 7340: 7335: 7330: 7325: 7320: 7315: 7309: 7307: 7303: 7302: 7300: 7299: 7294: 7289: 7284: 7279: 7274: 7269: 7264: 7259: 7253: 7251: 7247: 7246: 7244: 7243: 7238: 7233: 7228: 7223: 7218: 7213: 7208: 7203: 7198: 7192: 7190: 7186: 7185: 7183: 7182: 7177: 7172: 7167: 7162: 7157: 7155:Dorothea Lange 7152: 7147: 7142: 7137: 7132: 7127: 7121: 7119: 7115: 7114: 7112: 7111: 7106: 7101: 7096: 7091: 7086: 7080: 7078: 7074: 7073: 7071: 7070: 7065: 7060: 7055: 7050: 7045: 7040: 7035: 7030: 7028:Bessie Coleman 7025: 7020: 7015: 7010: 7004: 7002: 6998: 6997: 6995: 6994: 6989: 6984: 6979: 6974: 6969: 6964: 6959: 6954: 6949: 6944: 6939: 6934: 6929: 6924: 6919: 6914: 6909: 6904: 6898: 6896: 6888: 6887: 6884: 6877: 6876: 6873: 6872: 6869: 6868: 6866: 6865: 6860: 6855: 6850: 6845: 6840: 6835: 6830: 6825: 6820: 6815: 6810: 6805: 6800: 6795: 6790: 6785: 6780: 6775: 6770: 6765: 6759: 6757: 6753: 6752: 6750: 6749: 6744: 6739: 6734: 6729: 6724: 6719: 6714: 6709: 6704: 6699: 6693: 6691: 6687: 6686: 6684: 6683: 6678: 6673: 6668: 6663: 6658: 6653: 6648: 6643: 6638: 6633: 6628: 6623: 6618: 6616:Eileen Collins 6613: 6608: 6606:Amelia Bloomer 6603: 6598: 6596:Virginia Apgar 6592: 6590: 6586: 6585: 6583: 6582: 6577: 6572: 6567: 6565:Nettie Stevens 6562: 6560:Muriel Siebert 6557: 6552: 6547: 6545:Linda Richards 6542: 6537: 6535:Maria Mitchell 6532: 6530:Louise McManus 6527: 6522: 6517: 6512: 6507: 6502: 6497: 6492: 6487: 6485:Catherine East 6482: 6477: 6472: 6467: 6462: 6456: 6454: 6450: 6449: 6447: 6446: 6441: 6436: 6434:Faye Wattleton 6431: 6426: 6421: 6419:Helen Stephens 6416: 6414:Gloria Steinem 6411: 6406: 6401: 6396: 6391: 6386: 6381: 6376: 6371: 6366: 6361: 6356: 6351: 6346: 6341: 6339:Dolores Huerta 6336: 6334:Dorothy Height 6331: 6326: 6321: 6316: 6311: 6306: 6301: 6296: 6291: 6286: 6281: 6276: 6270: 6268: 6264: 6263: 6261: 6260: 6254: 6252: 6248: 6247: 6245: 6244: 6239: 6234: 6232:Barbara Jordan 6229: 6223: 6221: 6213: 6212: 6209: 6202: 6201: 6198: 6197: 6194: 6193: 6191: 6190: 6185: 6180: 6175: 6170: 6164: 6162: 6158: 6157: 6155: 6154: 6149: 6144: 6138: 6136: 6132: 6131: 6129: 6128: 6123: 6117: 6115: 6111: 6110: 6108: 6107: 6102: 6100:Belva Lockwood 6096: 6094: 6090: 6089: 6087: 6086: 6081: 6075: 6073: 6069: 6068: 6066: 6065: 6060: 6054: 6052: 6044: 6043: 6040: 6033: 6032: 6029: 6028: 6025: 6024: 6022: 6021: 6016: 6011: 6006: 6000: 5998: 5994: 5993: 5991: 5990: 5985: 5980: 5974: 5972: 5968: 5967: 5965: 5964: 5962:Harriet Tubman 5959: 5954: 5949: 5944: 5942:Florence Sabin 5939: 5934: 5929: 5924: 5922:Alice Hamilton 5919: 5917:Amelia Earhart 5914: 5909: 5904: 5899: 5894: 5889: 5884: 5879: 5874: 5869: 5863: 5861: 5853: 5852: 5849: 5842: 5841: 5835: 5833: 5832: 5825: 5818: 5810: 5801: 5800: 5797: 5796: 5793: 5792: 5790: 5789: 5784: 5779: 5773: 5771: 5767: 5766: 5764: 5763: 5758: 5753: 5748: 5742: 5740: 5736: 5735: 5733: 5732: 5727: 5722: 5717: 5711: 5709: 5705: 5704: 5702: 5701: 5696: 5694:Pamela Selders 5691: 5686: 5681: 5676: 5671: 5669:Glynda C. Carr 5666: 5661: 5656: 5654:Patricia Baker 5651: 5645: 5643: 5639: 5638: 5636: 5635: 5630: 5625: 5620: 5615: 5610: 5605: 5600: 5594: 5592: 5584: 5583: 5580: 5573: 5572: 5569: 5568: 5565: 5564: 5562: 5561: 5556: 5551: 5546: 5544:Marian Chertow 5540: 5538: 5534: 5533: 5531: 5530: 5525: 5520: 5514: 5512: 5508: 5507: 5505: 5504: 5499: 5494: 5492:Kristen Griest 5488: 5486: 5482: 5481: 5479: 5478: 5473: 5468: 5462: 5460: 5456: 5455: 5453: 5452: 5447: 5442: 5436: 5434: 5430: 5429: 5427: 5426: 5424:Marian Salzman 5421: 5416: 5410: 5408: 5404: 5403: 5401: 5400: 5395: 5390: 5385: 5379: 5377: 5373: 5372: 5370: 5369: 5364: 5359: 5353: 5351: 5347: 5346: 5344: 5343: 5338: 5336:Denise Nappier 5333: 5327: 5325: 5321: 5320: 5318: 5317: 5312: 5310:Martha Parsons 5307: 5301: 5299: 5291: 5290: 5287: 5280: 5279: 5276: 5275: 5272: 5271: 5269: 5268: 5266:Helen L. Smits 5263: 5258: 5252: 5250: 5246: 5245: 5243: 5242: 5240:Joan A. Steitz 5237: 5232: 5227: 5221: 5219: 5215: 5214: 5212: 5211: 5206: 5201: 5199:Dorothy Hamill 5195: 5193: 5189: 5188: 5186: 5185: 5180: 5175: 5169: 5167: 5163: 5162: 5160: 5159: 5154: 5149: 5143: 5141: 5137: 5136: 5134: 5133: 5131:Clarice McLean 5128: 5122: 5120: 5116: 5115: 5113: 5112: 5107: 5102: 5096: 5094: 5090: 5089: 5087: 5086: 5081: 5076: 5070: 5068: 5064: 5063: 5061: 5060: 5055: 5050: 5044: 5042: 5034: 5033: 5030: 5023: 5022: 5019: 5018: 5015: 5014: 5012: 5011: 5006: 5001: 4996: 4990: 4988: 4984: 4983: 4981: 4980: 4975: 4973:Lillian Vernon 4970: 4965: 4960: 4954: 4952: 4948: 4947: 4945: 4944: 4939: 4934: 4929: 4923: 4921: 4917: 4916: 4914: 4913: 4911:Susanne Langer 4908: 4903: 4897: 4895: 4891: 4890: 4888: 4887: 4882: 4877: 4872: 4866: 4864: 4860: 4859: 4857: 4856: 4851: 4846: 4841: 4836: 4831: 4826: 4821: 4816: 4811: 4806: 4801: 4796: 4791: 4786: 4781: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4741: 4736: 4734:Alice Hamilton 4731: 4726: 4721: 4716: 4711: 4706: 4701: 4696: 4691: 4686: 4681: 4676: 4671: 4666: 4661: 4656: 4650: 4648: 4640: 4639: 4636: 4629: 4628: 4623: 4621: 4620: 4613: 4606: 4598: 4592: 4591: 4580: 4572: 4569: 4568: 4567: 4558: 4542: 4533: 4528: 4517: 4512: 4507: 4505:Quotidiana.org 4498: 4493: 4484: 4474: 4459: 4450: 4441: 4432: 4425: 4424:External links 4422: 4420: 4419: 4396: 4376: 4363: 4350: 4337: 4320: 4289: 4250: 4243: 4225: 4209: 4193: 4177: 4164: 4150: 4130: 4117: 4087: 4052: 4017: 3990: 3975: 3968: 3942: 3935: 3909: 3900: 3891: 3878: 3865: 3852: 3839: 3826: 3813: 3800: 3787: 3774: 3761: 3748: 3735: 3722: 3708: 3695: 3668: 3661: 3641: 3628: 3615: 3606: 3588: 3575: 3562: 3549: 3518: 3477: 3452: 3439: 3421: 3408: 3392: 3376: 3363: 3350: 3314: 3302: 3289: 3280: 3267: 3254: 3241: 3228: 3203: 3161: 3159: 3156: 3155: 3154: 3147: 3140: 3136: 3132: 3125: 3122: 3115: 3108: 3097: 3085: 3084: 3080: 3079: 3076: 3069: 3054: 3053: 3046: 3043: 3035: 3034: 3024: 3023: 3020: 3008: 3007: 3000: 2993: 2986: 2977: 2968: 2961: 2956:Hill, Mary A. 2954: 2947: 2940: 2932: 2931: 2923: 2922: 2915: 2911: 2908: 2905: 2898: 2891: 2877: 2870: 2867: 2860: 2846: 2830: 2827: 2826: 2825: 2817: 2814: 2813: 2812: 2806: 2800: 2792: 2789: 2788: 2787: 2780: 2777:New York Times 2773: 2770:New York Times 2766: 2763:New York Times 2759: 2752: 2745: 2742:New York Times 2738: 2735:New York Times 2731: 2728:New York Times 2724: 2717: 2710: 2703: 2700:New York Times 2696: 2693: 2686: 2679: 2672: 2669:Brooklyn Eagle 2665: 2654: 2647: 2640: 2633: 2626: 2619: 2612: 2609: 2602: 2595: 2592: 2580: 2577: 2569: 2566: 2565: 2564: 2557: 2550: 2543: 2536: 2529: 2522: 2515: 2508: 2501: 2494: 2487: 2480: 2473: 2472:8 (1920): 8–9. 2466: 2459: 2452: 2445: 2438: 2431: 2428:New York Times 2424: 2417: 2410: 2403: 2396: 2395:44 (1910): 24. 2389: 2382: 2375: 2368: 2361: 2354: 2347: 2340: 2333: 2326: 2325:5 (1902): 139. 2319: 2312: 2305: 2298: 2291: 2284: 2283:3 (1897): 1–2. 2277: 2274:Woman's Column 2270: 2263: 2256: 2249: 2242: 2235: 2228: 2221: 2214: 2207: 2200: 2193: 2186: 2179: 2170: 2167: 2166: 2165: 2159: 2154:Serialized in 2152:Social Ethics. 2149: 2144:Serialized in 2139: 2131: 2123: 2115: 2107: 2099: 2093: 2082: 2079: 2078: 2077: 2066: 2063: 2062: 2061: 2054: 2044: 2043:2 (1911): 134. 2037: 2030: 2023: 2016: 2000: 1997: 1996: 1995: 1986: 1974: 1962: 1951: 1942: 1933: 1921: 1909: 1897: 1894: 1893: 1892: 1885: 1874: 1867: 1856: 1845: 1838: 1827: 1816: 1805: 1794: 1785:"Fulfilment." 1783: 1776: 1765: 1754: 1745:"Her Beauty." 1743: 1732: 1721: 1710: 1699: 1688: 1685: 1678: 1671: 1660: 1649: 1638: 1623: 1612: 1605: 1594: 1583: 1572: 1561: 1550: 1539: 1530:"Five Girls." 1528: 1517: 1506: 1499: 1488: 1477: 1466: 1455: 1444: 1433: 1422: 1406:The Forerunner 1400: 1397: 1396: 1395: 1389: 1381: 1371: 1368: 1361: 1360: 1355: 1350: 1344: 1340: 1337: 1336: 1331: 1325: 1324: 1313: 1312: 1310: 1307: 1263: 1260: 1240: 1237: 1203:Black American 1192: 1189: 1155: 1152: 1059: 1056: 1054: 1051: 1050: 1049: 1046: 1041: 1038: 1037: 1036: 1031: 1029:Herland (1915) 1026: 1021: 1016: 1011: 1006: 1001: 996: 993: 992: 991: 986: 981: 976: 971: 966: 961: 956: 951: 946: 941: 936: 929: 926: 924: 921: 863:The Forerunner 855:The Forerunner 852:1913 issue of 842:Main article: 839: 836:The Forerunner 832: 817: 811: 794: 788: 775: 769: 767: 764: 754: 751: 745: 742: 720: 717: 687:Feminist Press 668:Main article: 665: 662: 620: 617: 575:Photograph by 503: 500: 432: 429: 414: 318: 315: 221: 220: 212: 211: 207: 206: 203: 199: 198: 186: 182: 179: 178: 177: 176: 159: 155: 150: 149: 148: 147: 144: 142: 138: 137: 118: 114: 113: 110: 106: 105: 103: 102: 97: 94: 91: 86: 82: 80: 76: 75: 69:(aged 75) 63: 59: 58: 41: 37: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 8088: 8077: 8074: 8072: 8069: 8067: 8064: 8062: 8059: 8057: 8054: 8052: 8049: 8047: 8044: 8042: 8039: 8037: 8034: 8032: 8029: 8027: 8024: 8022: 8019: 8017: 8014: 8012: 8009: 8007: 8004: 8002: 7999: 7997: 7994: 7992: 7989: 7987: 7984: 7982: 7979: 7977: 7974: 7972: 7969: 7967: 7964: 7962: 7959: 7957: 7954: 7952: 7949: 7947: 7944: 7942: 7939: 7937: 7934: 7932: 7929: 7927: 7924: 7922: 7919: 7917: 7914: 7912: 7909: 7907: 7906:1935 suicides 7904: 7902: 7899: 7897: 7894: 7893: 7891: 7868: 7865: 7863: 7860: 7858: 7855: 7853: 7850: 7848: 7845: 7843: 7840: 7838: 7835: 7833: 7830: 7828: 7825: 7823: 7822:Patricia Bath 7820: 7819: 7817: 7813: 7807: 7804: 7802: 7799: 7797: 7794: 7792: 7791:Emily Howland 7789: 7787: 7784: 7782: 7779: 7777: 7774: 7772: 7769: 7767: 7764: 7763: 7761: 7757: 7751: 7748: 7746: 7745:Toni Morrison 7743: 7741: 7738: 7736: 7733: 7731: 7728: 7726: 7723: 7722: 7720: 7716: 7712: 7705: 7701: 7687: 7684: 7682: 7679: 7677: 7674: 7672: 7669: 7667: 7664: 7662: 7659: 7657: 7654: 7652: 7649: 7647: 7644: 7642: 7641:Gloria Allred 7639: 7638: 7636: 7632: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7610:Aimee Mullins 7608: 7606: 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7580:Matilda Cuomo 7578: 7577: 7575: 7571: 7565: 7564:Eleanor Smeal 7562: 7560: 7557: 7555: 7552: 7550: 7547: 7545: 7542: 7540: 7537: 7535: 7532: 7530: 7529:Martha Graham 7527: 7525: 7524:Nancy Brinker 7522: 7520: 7517: 7516: 7514: 7510: 7504: 7501: 7499: 7498:Anna Schwartz 7496: 7494: 7491: 7489: 7486: 7484: 7481: 7479: 7476: 7474: 7471: 7469: 7466: 7464: 7461: 7460: 7458: 7454: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7425: 7423: 7420: 7418: 7415: 7413: 7410: 7408: 7405: 7403: 7400: 7398: 7395: 7394: 7392: 7388: 7384: 7377: 7373: 7359: 7358:Kate Stoneman 7356: 7354: 7353:Susan Solomon 7351: 7349: 7346: 7344: 7341: 7339: 7336: 7334: 7331: 7329: 7326: 7324: 7321: 7319: 7316: 7314: 7311: 7310: 7308: 7304: 7298: 7295: 7293: 7290: 7288: 7285: 7283: 7280: 7278: 7277:Winona LaDuke 7275: 7273: 7270: 7268: 7265: 7263: 7260: 7258: 7255: 7254: 7252: 7248: 7242: 7239: 7237: 7234: 7232: 7229: 7227: 7224: 7222: 7219: 7217: 7214: 7212: 7209: 7207: 7206:Betty Bumpers 7204: 7202: 7199: 7197: 7194: 7193: 7191: 7187: 7181: 7178: 7176: 7175:Anne Sullivan 7173: 7171: 7168: 7166: 7163: 7161: 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7122: 7120: 7116: 7110: 7107: 7105: 7102: 7100: 7097: 7095: 7092: 7090: 7087: 7085: 7082: 7081: 7079: 7075: 7069: 7066: 7064: 7061: 7059: 7056: 7054: 7051: 7049: 7046: 7044: 7043:Althea Gibson 7041: 7039: 7036: 7034: 7031: 7029: 7026: 7024: 7021: 7019: 7016: 7014: 7011: 7009: 7006: 7005: 7003: 6999: 6993: 6990: 6988: 6985: 6983: 6980: 6978: 6975: 6973: 6970: 6968: 6965: 6963: 6960: 6958: 6955: 6953: 6950: 6948: 6945: 6943: 6940: 6938: 6935: 6933: 6930: 6928: 6925: 6923: 6920: 6918: 6915: 6913: 6910: 6908: 6905: 6903: 6900: 6899: 6897: 6893: 6889: 6882: 6878: 6864: 6861: 6859: 6856: 6854: 6853:Florence Wald 6851: 6849: 6848:Beverly Sills 6846: 6844: 6841: 6839: 6836: 6834: 6831: 6829: 6826: 6824: 6821: 6819: 6818:Shannon Lucid 6816: 6814: 6811: 6809: 6806: 6804: 6801: 6799: 6796: 6794: 6791: 6789: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6760: 6758: 6754: 6748: 6747:Edith Wharton 6745: 6743: 6740: 6738: 6735: 6733: 6730: 6728: 6725: 6723: 6720: 6718: 6715: 6713: 6710: 6708: 6705: 6703: 6700: 6698: 6695: 6694: 6692: 6688: 6682: 6679: 6677: 6676:Pat Schroeder 6674: 6672: 6669: 6667: 6664: 6662: 6659: 6657: 6654: 6652: 6649: 6647: 6644: 6642: 6639: 6637: 6634: 6632: 6629: 6627: 6624: 6622: 6619: 6617: 6614: 6612: 6609: 6607: 6604: 6602: 6599: 6597: 6594: 6593: 6591: 6587: 6581: 6578: 6576: 6573: 6571: 6570:Oprah Winfrey 6568: 6566: 6563: 6561: 6558: 6556: 6553: 6551: 6550:Wilma Rudolph 6548: 6546: 6543: 6541: 6538: 6536: 6533: 6531: 6528: 6526: 6523: 6521: 6518: 6516: 6513: 6511: 6508: 6506: 6503: 6501: 6498: 6496: 6493: 6491: 6488: 6486: 6483: 6481: 6478: 6476: 6473: 6471: 6470:Myra Bradwell 6468: 6466: 6463: 6461: 6458: 6457: 6455: 6451: 6445: 6442: 6440: 6437: 6435: 6432: 6430: 6427: 6425: 6422: 6420: 6417: 6415: 6412: 6410: 6407: 6405: 6404:Elaine Roulet 6402: 6400: 6397: 6395: 6392: 6390: 6387: 6385: 6382: 6380: 6377: 6375: 6372: 6370: 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6335: 6332: 6330: 6327: 6325: 6322: 6320: 6317: 6315: 6314:Betty Friedan 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6280: 6277: 6275: 6272: 6271: 6269: 6265: 6259: 6256: 6255: 6253: 6249: 6243: 6240: 6238: 6235: 6233: 6230: 6228: 6225: 6224: 6222: 6218: 6214: 6207: 6203: 6189: 6186: 6184: 6181: 6179: 6176: 6174: 6171: 6169: 6166: 6165: 6163: 6159: 6153: 6150: 6148: 6145: 6143: 6140: 6139: 6137: 6133: 6127: 6124: 6122: 6119: 6118: 6116: 6112: 6106: 6105:Lucretia Mott 6103: 6101: 6098: 6097: 6095: 6091: 6085: 6082: 6080: 6077: 6076: 6074: 6070: 6064: 6061: 6059: 6056: 6055: 6053: 6049: 6045: 6038: 6034: 6020: 6017: 6015: 6012: 6010: 6007: 6005: 6002: 6001: 5999: 5995: 5989: 5986: 5984: 5983:Margaret Mead 5981: 5979: 5978:Abigail Adams 5976: 5975: 5973: 5969: 5963: 5960: 5958: 5955: 5953: 5950: 5948: 5945: 5943: 5940: 5938: 5935: 5933: 5930: 5928: 5925: 5923: 5920: 5918: 5915: 5913: 5910: 5908: 5905: 5903: 5902:Rachel Carson 5900: 5898: 5897:Pearl S. Buck 5895: 5893: 5890: 5888: 5885: 5883: 5880: 5878: 5875: 5873: 5870: 5868: 5865: 5864: 5862: 5858: 5854: 5847: 5843: 5839: 5831: 5826: 5824: 5819: 5817: 5812: 5811: 5808: 5788: 5785: 5783: 5780: 5778: 5775: 5774: 5772: 5768: 5762: 5759: 5757: 5754: 5752: 5749: 5747: 5744: 5743: 5741: 5737: 5731: 5728: 5726: 5725:Lhakpa Sherpa 5723: 5721: 5718: 5716: 5713: 5712: 5710: 5706: 5700: 5697: 5695: 5692: 5690: 5687: 5685: 5682: 5680: 5677: 5675: 5672: 5670: 5667: 5665: 5662: 5660: 5657: 5655: 5652: 5650: 5649:Enola G. Aird 5647: 5646: 5644: 5640: 5634: 5633:Emily Pierson 5631: 5629: 5626: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5595: 5593: 5589: 5585: 5578: 5574: 5560: 5557: 5555: 5552: 5550: 5547: 5545: 5542: 5541: 5539: 5535: 5529: 5528:Tina Weymouth 5526: 5524: 5521: 5519: 5516: 5515: 5513: 5509: 5503: 5500: 5498: 5497:Ruth A. Lucas 5495: 5493: 5490: 5489: 5487: 5483: 5477: 5476:Joyce Yerwood 5474: 5472: 5469: 5467: 5464: 5463: 5461: 5457: 5451: 5448: 5446: 5445:Carolyn Miles 5443: 5441: 5438: 5437: 5435: 5431: 5425: 5422: 5420: 5417: 5415: 5412: 5411: 5409: 5405: 5399: 5396: 5394: 5393:Linda Lorimer 5391: 5389: 5386: 5384: 5381: 5380: 5378: 5374: 5368: 5365: 5363: 5360: 5358: 5355: 5354: 5352: 5348: 5342: 5341:Patricia Wald 5339: 5337: 5334: 5332: 5329: 5328: 5326: 5322: 5316: 5313: 5311: 5308: 5306: 5303: 5302: 5300: 5296: 5292: 5285: 5281: 5267: 5264: 5262: 5259: 5257: 5254: 5253: 5251: 5247: 5241: 5238: 5236: 5233: 5231: 5228: 5226: 5223: 5222: 5220: 5216: 5210: 5207: 5205: 5202: 5200: 5197: 5196: 5194: 5190: 5184: 5183:Anne Stanback 5181: 5179: 5176: 5174: 5171: 5170: 5168: 5164: 5158: 5155: 5153: 5150: 5148: 5145: 5144: 5142: 5138: 5132: 5129: 5127: 5124: 5123: 5121: 5117: 5111: 5108: 5106: 5103: 5101: 5098: 5097: 5095: 5091: 5085: 5082: 5080: 5077: 5075: 5072: 5071: 5069: 5065: 5059: 5056: 5054: 5051: 5049: 5046: 5045: 5043: 5039: 5035: 5028: 5024: 5010: 5009:Florence Wald 5007: 5005: 5002: 5000: 4999:Sophie Tucker 4997: 4995: 4992: 4991: 4989: 4985: 4979: 4976: 4974: 4971: 4969: 4968:Rosa Ponselle 4966: 4964: 4961: 4959: 4956: 4955: 4953: 4949: 4943: 4940: 4938: 4935: 4933: 4932:Annie Dillard 4930: 4928: 4925: 4924: 4922: 4918: 4912: 4909: 4907: 4904: 4902: 4899: 4898: 4896: 4892: 4886: 4883: 4881: 4880:Donna Lopiano 4878: 4876: 4873: 4871: 4868: 4867: 4865: 4861: 4855: 4852: 4850: 4847: 4845: 4842: 4840: 4837: 4835: 4832: 4830: 4827: 4825: 4822: 4820: 4817: 4815: 4812: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4790: 4787: 4785: 4782: 4780: 4777: 4775: 4772: 4770: 4767: 4765: 4762: 4760: 4757: 4755: 4752: 4750: 4747: 4745: 4742: 4740: 4737: 4735: 4732: 4730: 4727: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4690: 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4670: 4667: 4665: 4662: 4660: 4657: 4655: 4652: 4651: 4649: 4645: 4641: 4634: 4630: 4626: 4619: 4614: 4612: 4607: 4605: 4600: 4599: 4596: 4589: 4585: 4581: 4578: 4575: 4574: 4570: 4566: 4562: 4559: 4556: 4553: 4549: 4546: 4543: 4540: 4537: 4534: 4532: 4529: 4526: 4522: 4518: 4516: 4513: 4511: 4508: 4506: 4502: 4499: 4497: 4494: 4492: 4488: 4485: 4482: 4478: 4475: 4467: 4463: 4460: 4458: 4454: 4451: 4449: 4445: 4442: 4440: 4436: 4433: 4431: 4428: 4427: 4423: 4416: 4412: 4409: 4403: 4401: 4397: 4394: 4390: 4386: 4380: 4377: 4373: 4367: 4364: 4360: 4354: 4351: 4347: 4341: 4338: 4334: 4330: 4324: 4321: 4308: 4304: 4300: 4293: 4290: 4285: 4281: 4277: 4273: 4269: 4265: 4261: 4254: 4251: 4246: 4240: 4236: 4229: 4226: 4222: 4220: 4213: 4210: 4206: 4204: 4197: 4194: 4190: 4188: 4181: 4178: 4174: 4168: 4165: 4153: 4151:9780804738897 4147: 4143: 4142: 4134: 4131: 4127: 4121: 4118: 4106: 4102: 4098: 4091: 4088: 4083: 4079: 4075: 4071: 4067: 4063: 4056: 4053: 4048: 4044: 4040: 4036: 4032: 4028: 4021: 4018: 4013: 4009: 4005: 4001: 3994: 3991: 3986: 3979: 3976: 3971: 3969:9780072826722 3965: 3961: 3956: 3955: 3946: 3943: 3938: 3936:9780072826722 3932: 3928: 3923: 3922: 3913: 3910: 3904: 3901: 3895: 3892: 3888: 3882: 3879: 3875: 3869: 3866: 3862: 3856: 3853: 3849: 3843: 3840: 3836: 3833:Ann J. Lane, 3830: 3827: 3823: 3817: 3814: 3810: 3804: 3801: 3797: 3791: 3788: 3784: 3778: 3775: 3771: 3765: 3762: 3758: 3752: 3749: 3745: 3739: 3736: 3732: 3726: 3723: 3718: 3712: 3709: 3705: 3699: 3696: 3684: 3683: 3678: 3672: 3669: 3664: 3662:9781410348029 3658: 3654: 3653: 3645: 3642: 3638: 3632: 3629: 3625: 3624:Autobiography 3619: 3616: 3610: 3607: 3603: 3597: 3595: 3593: 3589: 3585: 3579: 3576: 3572: 3566: 3563: 3559: 3553: 3550: 3537: 3533: 3529: 3522: 3519: 3503: 3499: 3495: 3488: 3481: 3478: 3466: 3462: 3456: 3453: 3449: 3448:Autobiography 3443: 3440: 3435: 3431: 3425: 3422: 3418: 3417:Autobiography 3412: 3409: 3405: 3399: 3397: 3393: 3389: 3383: 3381: 3377: 3373: 3372:Autobiography 3367: 3364: 3360: 3354: 3351: 3335: 3331: 3324: 3318: 3315: 3309: 3307: 3303: 3299: 3298:Autobiography 3293: 3290: 3284: 3281: 3277: 3276:Autobiography 3271: 3268: 3264: 3258: 3255: 3251: 3245: 3242: 3238: 3232: 3229: 3217: 3213: 3207: 3204: 3191: 3187: 3186: 3181: 3175: 3173: 3171: 3169: 3167: 3163: 3157: 3152: 3148: 3145: 3141: 3137: 3133: 3130: 3126: 3123: 3120: 3116: 3113: 3109: 3106: 3102: 3098: 3095: 3091: 3087: 3086: 3082: 3081: 3077: 3074: 3070: 3068: 3064: 3060: 3056: 3055: 3051: 3047: 3044: 3041: 3037: 3036: 3032: 3031: 3026: 3025: 3021: 3018: 3014: 3010: 3009: 3005: 3001: 2998: 2994: 2991: 2987: 2984: 2983: 2978: 2975: 2974: 2969: 2966: 2962: 2959: 2955: 2952: 2948: 2945: 2941: 2938: 2934: 2933: 2929: 2925: 2924: 2920: 2916: 2912: 2909: 2906: 2903: 2899: 2896: 2892: 2889: 2886: 2884: 2878: 2875: 2871: 2868: 2865: 2861: 2859: 2858:0-87023-627-X 2855: 2851: 2847: 2845: 2841: 2837: 2833: 2832: 2828: 2823: 2820: 2819: 2816:Autobiography 2815: 2810: 2807: 2804: 2801: 2798: 2795: 2794: 2790: 2785: 2781: 2778: 2774: 2771: 2767: 2764: 2760: 2757: 2753: 2750: 2746: 2743: 2739: 2736: 2732: 2729: 2725: 2722: 2718: 2715: 2711: 2708: 2704: 2701: 2697: 2694: 2691: 2687: 2684: 2680: 2677: 2673: 2670: 2666: 2663: 2659: 2655: 2652: 2648: 2646:4: (1898): 3. 2645: 2641: 2638: 2634: 2631: 2627: 2624: 2620: 2618:1 (1894): 2. 2617: 2613: 2610: 2607: 2603: 2600: 2596: 2593: 2590: 2587:"Club News." 2586: 2585: 2584: 2578: 2576: 2574: 2567: 2562: 2558: 2555: 2551: 2548: 2544: 2541: 2537: 2534: 2530: 2527: 2523: 2520: 2516: 2513: 2509: 2506: 2502: 2499: 2495: 2492: 2488: 2485: 2481: 2478: 2474: 2471: 2467: 2464: 2460: 2457: 2453: 2450: 2446: 2443: 2439: 2436: 2432: 2429: 2425: 2422: 2418: 2415: 2411: 2408: 2404: 2401: 2397: 2394: 2390: 2387: 2383: 2380: 2376: 2373: 2369: 2366: 2362: 2359: 2355: 2353:40 (1905): 9. 2352: 2348: 2345: 2341: 2338: 2334: 2331: 2327: 2324: 2320: 2317: 2313: 2310: 2306: 2303: 2299: 2296: 2292: 2289: 2285: 2282: 2278: 2275: 2271: 2268: 2264: 2261: 2257: 2254: 2250: 2247: 2246:Stockton Mail 2243: 2240: 2236: 2233: 2229: 2226: 2222: 2219: 2215: 2212: 2208: 2205: 2201: 2198: 2194: 2191: 2187: 2184: 2180: 2177: 2173: 2172: 2168: 2163: 2160: 2157: 2153: 2150: 2147: 2143: 2140: 2137: 2136: 2132: 2129: 2128: 2124: 2121: 2120: 2116: 2113: 2112: 2108: 2105: 2104: 2100: 2097: 2094: 2091: 2089: 2085: 2084: 2080: 2075: 2073: 2069: 2068: 2064: 2059: 2055: 2052: 2048: 2045: 2042: 2038: 2035: 2031: 2028: 2024: 2021: 2017: 2014: 2010: 2009: 2008: 2006: 1998: 1993: 1991: 1987: 1984: 1981: 1979: 1975: 1972: 1969: 1967: 1963: 1960: 1957: 1956: 1952: 1949: 1946: 1943: 1940: 1937: 1936:Mag-Marjorie. 1934: 1931: 1927: 1926: 1922: 1919: 1915: 1914: 1910: 1907: 1903: 1900: 1899: 1895: 1890: 1886: 1883: 1879: 1875: 1872: 1868: 1865: 1861: 1857: 1854: 1850: 1846: 1843: 1839: 1836: 1832: 1828: 1825: 1821: 1817: 1814: 1810: 1806: 1803: 1799: 1795: 1792: 1788: 1784: 1781: 1777: 1774: 1770: 1766: 1763: 1759: 1755: 1752: 1748: 1744: 1741: 1737: 1733: 1730: 1726: 1722: 1719: 1715: 1711: 1708: 1704: 1700: 1697: 1693: 1689: 1686: 1683: 1679: 1676: 1672: 1669: 1665: 1661: 1658: 1654: 1650: 1647: 1643: 1639: 1636: 1632: 1628: 1624: 1621: 1617: 1613: 1610: 1606: 1603: 1599: 1595: 1592: 1588: 1584: 1581: 1577: 1573: 1570: 1566: 1562: 1559: 1555: 1551: 1548: 1544: 1540: 1537: 1533: 1529: 1526: 1522: 1518: 1515: 1511: 1507: 1504: 1500: 1497: 1493: 1489: 1486: 1482: 1478: 1475: 1474:Elaine Hedges 1471: 1467: 1464: 1460: 1456: 1453: 1449: 1445: 1442: 1438: 1434: 1431: 1427: 1423: 1420: 1416: 1412: 1411: 1410: 1408: 1407: 1399:Short stories 1398: 1393: 1390: 1387: 1386: 1382: 1379: 1378: 1374: 1373: 1369: 1367: 1359: 1356: 1354: 1351: 1349: 1346: 1345: 1343: 1335: 1332: 1330: 1327: 1326: 1321: 1316: 1308: 1306: 1303: 1299: 1294: 1292: 1288: 1284: 1283: 1277: 1274: 1271: 1270: 1261: 1259: 1257: 1256: 1250: 1246: 1238: 1236: 1232: 1230: 1225: 1221: 1216: 1213: 1209: 1204: 1200: 1199: 1190: 1188: 1185: 1180: 1178: 1173: 1168: 1163: 1161: 1153: 1151: 1147: 1143: 1139: 1135: 1133: 1129: 1125: 1120: 1117: 1113: 1108: 1100: 1098: 1093: 1088: 1084: 1080: 1076: 1073: 1069: 1065: 1057: 1052: 1047: 1044: 1043: 1039: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 999: 998: 994: 990: 987: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 955: 952: 950: 947: 945: 942: 940: 937: 935: 932: 931: 927: 922: 920: 918: 914: 910: 909: 904: 903: 898: 897: 892: 888: 887: 882: 881: 876: 872: 868: 864: 857: 856: 850: 845: 837: 833: 831: 829: 828: 823: 816: 812: 810: 808: 804: 800: 793: 789: 787: 785: 781: 774: 770: 765: 763: 760: 752: 750: 743: 741: 739: 735: 730: 726: 718: 716: 714: 710: 704: 702: 698: 694: 693: 688: 680: 676: 671: 663: 661: 659: 655: 651: 646: 642: 638: 634: 630: 629:social reform 626: 618: 616: 614: 610: 606: 605:breast cancer 601: 599: 595: 591: 590:lecture tours 587: 578: 571: 567: 563: 561: 557: 554:(named after 553: 552:Ebell Society 549: 545: 541: 537: 536:Adeline Knapp 532: 528: 519: 515: 513: 509: 501: 499: 497: 496:mental health 491: 489: 485: 480: 477: 468: 464: 462: 458: 454: 450: 446: 437: 430: 428: 420: 413: 397: 393: 391: 387: 383: 378: 376: 372: 363: 359: 357: 353: 349: 348: 343: 339: 335: 330: 328: 324: 316: 314: 312: 308: 305:short story " 304: 300: 295: 292: 288: 284: 283:social reform 280: 276: 272: 268: 264: 260: 254: 227: 218: 213: 208: 204: 200: 175: 174: 153: 146: 145: 143: 139: 136: 135: 130: 129: 123: 119: 117:Notable works 115: 111: 107: 101: 98: 95: 92: 90: 87: 84: 83: 81: 77: 73: 64: 60: 56: 42: 38: 34: 29: 22: 19: 7852:Loretta Ross 7827:Ruby Bridges 7771:Judy Chicago 7666:Rose O'Neill 7646:Angela Davis 7625:Alice Waters 7620:Janet Rowley 7615:Carol Mutter 7503:Emma Willard 7483:Nancy Pelosi 7478:Kate Millett 7343:Ruth Patrick 7338:Emma Lazarus 7323:Karen DeCrow 7318:Mildred Cohn 7013:Lucille Ball 6987:Eudora Welty 6962:Sophia Smith 6947:Kate Mullany 6803:Sarah Grimké 6768:Maya Angelou 6601:Ann Bancroft 6580:Fanny Wright 6500:Grace Hopper 6494: 6424:Lillian Wald 6379:Annie Oakley 6359:Mary Mahoney 6183:Mary Risteau 6173:Willa Cather 6126:Bessie Smith 6004:Dorothea Dix 5932:Helen Keller 5907:Mary Cassatt 5882:Clara Barton 5659:Donna Berman 5466:Rebecca Lobo 5383:Rosa DeLauro 5357:Anne Garrels 5173:Helen Keller 5105:Eileen Kraus 4844:Betty Tianti 4789:Sarah Porter 4708: 4588:"Matriatism" 4524: 4379: 4371: 4366: 4358: 4353: 4345: 4340: 4332: 4328: 4323: 4311:. Retrieved 4306: 4302: 4292: 4267: 4263: 4253: 4234: 4228: 4218: 4212: 4202: 4196: 4186: 4180: 4172: 4167: 4157:November 15, 4155:. Retrieved 4140: 4133: 4120: 4108:. Retrieved 4104: 4100: 4090: 4065: 4061: 4055: 4030: 4026: 4020: 4006:(3/4): 378. 4003: 3999: 3993: 3984: 3978: 3953: 3945: 3920: 3912: 3903: 3894: 3886: 3881: 3873: 3868: 3860: 3855: 3847: 3842: 3834: 3829: 3821: 3816: 3808: 3803: 3795: 3790: 3782: 3777: 3769: 3764: 3756: 3751: 3743: 3738: 3730: 3725: 3711: 3703: 3698: 3686:. Retrieved 3680: 3671: 3651: 3644: 3636: 3631: 3623: 3618: 3609: 3601: 3583: 3578: 3570: 3565: 3557: 3552: 3542:November 25, 3540:. Retrieved 3536:the original 3531: 3521: 3511:November 25, 3509:. Retrieved 3502:the original 3497: 3493: 3480: 3468:. Retrieved 3464: 3455: 3447: 3442: 3433: 3424: 3416: 3411: 3403: 3387: 3371: 3366: 3358: 3353: 3343:February 13, 3341:. Retrieved 3334:the original 3329: 3317: 3297: 3292: 3283: 3275: 3270: 3262: 3257: 3249: 3244: 3236: 3231: 3219:. Retrieved 3215: 3206: 3194:. Retrieved 3183: 3150: 3143: 3128: 3118: 3111: 3104: 3093: 3089: 3072: 3062: 3058: 3049: 3039: 3029: 3016: 3012: 3003: 2996: 2989: 2980: 2971: 2964: 2957: 2950: 2943: 2936: 2927: 2918: 2901: 2894: 2887: 2882: 2873: 2863: 2849: 2835: 2821: 2808: 2802: 2796: 2783: 2776: 2769: 2762: 2755: 2748: 2741: 2734: 2727: 2720: 2713: 2706: 2699: 2689: 2682: 2675: 2668: 2661: 2660:, Vol. 6 of 2657: 2650: 2643: 2636: 2629: 2622: 2615: 2605: 2598: 2588: 2582: 2572: 2571: 2560: 2553: 2546: 2539: 2532: 2525: 2518: 2514:1 (1926): 1. 2511: 2504: 2497: 2490: 2483: 2476: 2469: 2462: 2455: 2448: 2441: 2434: 2427: 2420: 2413: 2406: 2399: 2392: 2385: 2378: 2371: 2364: 2357: 2350: 2343: 2337:Cosmopolitan 2336: 2329: 2322: 2315: 2308: 2301: 2294: 2287: 2280: 2273: 2266: 2262:1 (1894): 3. 2259: 2255:1 (1894): 2. 2252: 2248:4 (1893): 4. 2245: 2238: 2232:Belford's ns 2231: 2224: 2217: 2210: 2203: 2199:8 (1888): 2. 2196: 2189: 2182: 2175: 2161: 2155: 2151: 2145: 2141: 2134: 2126: 2118: 2110: 2102: 2095: 2086: 2070: 2057: 2050: 2040: 2033: 2026: 2019: 2012: 2004: 2002: 1988: 1982: 1976: 1970: 1964: 1958: 1953: 1947: 1944: 1938: 1935: 1929: 1923: 1917: 1912: 1905: 1901: 1888: 1881: 1877: 1870: 1863: 1859: 1852: 1848: 1841: 1834: 1830: 1823: 1819: 1812: 1808: 1801: 1797: 1790: 1786: 1779: 1772: 1768: 1761: 1757: 1750: 1746: 1739: 1735: 1734:"Bee Wise." 1728: 1724: 1717: 1713: 1706: 1702: 1695: 1691: 1681: 1674: 1667: 1663: 1656: 1652: 1645: 1641: 1630: 1626: 1619: 1615: 1608: 1601: 1597: 1590: 1586: 1579: 1575: 1568: 1564: 1557: 1553: 1546: 1542: 1535: 1531: 1524: 1520: 1513: 1509: 1502: 1495: 1491: 1484: 1480: 1469: 1462: 1458: 1451: 1447: 1440: 1436: 1429: 1425: 1418: 1414: 1405: 1402: 1391: 1384: 1376: 1365: 1348:Online books 1341: 1319: 1309:Bibliography 1297: 1295: 1280: 1278: 1275: 1267: 1265: 1253: 1248: 1244: 1242: 1233: 1227:at the 1903 1217: 1211: 1196: 1194: 1183: 1181: 1176: 1171: 1166: 1164: 1159: 1157: 1148: 1144: 1140: 1136: 1131: 1130:(1904), and 1127: 1124:dress reform 1121: 1111: 1107:androcentric 1104: 1095: 1081: 1077: 1061: 1033: 1028: 1023: 1018: 1013: 1008: 1003: 988: 983: 978: 973: 968: 963: 958: 953: 948: 943: 938: 933: 917:posthumously 912: 906: 900: 894: 890: 889:(1915). The 884: 883:(1911), and 878: 874: 862: 860: 853: 835: 825: 821: 819: 814: 806: 802: 798: 796: 791: 783: 779: 777: 772: 756: 747: 732:text in the 729:gender roles 722: 705: 690: 684: 653: 649: 644: 625:door to door 622: 602: 582: 564: 559: 524: 505: 492: 481: 469: 465: 442: 425: 418: 399: 394: 379: 368: 355: 345: 344:, author of 331: 320: 289:. She was a 262: 258: 225: 224: 132: 126: 67:(1935-08-17) 52:July 3, 1860 18: 7901:1935 deaths 7896:1860 births 7857:Sandy Stone 7801:Indra Nooyi 7473:Julie Krone 7272:Swanee Hunt 7262:Julia Child 7226:Maya Y. Lin 7099:Bertha Holt 7033:Dorothy Day 6967:Ida Tarbell 6932:Jeanne Holm 6661:Maggie Kuhn 6460:Bella Abzug 6349:Mae Jemison 6319:Ella Grasso 6309:Alice Evans 6299:Ruth Colvin 5927:Helen Hayes 5867:Jane Addams 5777:Sara Bronin 5746:Lisa Cortés 5730:Suzy Whaley 5628:Helena Hill 5549:Nell Newman 5518:Lucia Chase 5471:Jane Pauley 5450:Indra Nooyi 5004:Ann Uccello 4719:Ella Grasso 4659:Anni Albers 4571:Audio files 4406:Kim Wells, 2756:Boston Post 2707:Boston Post 2651:Daily Argus 2456:Independent 2398:"On Dogs." 2344:Independent 2156:Forerunner. 2146:Forerunner. 2081:Book-length 2065:Non-fiction 2007:, however. 1983:Forerunner. 1971:Forerunner. 1959:Forerunner. 1948:Forerunner. 1939:Forerunner. 1930:Forerunner. 1918:Forerunner. 1635:Ann J. Lane 1287:World War I 1068:patriarchal 928:Non-fiction 867:sensational 799:The Impress 759:suffragists 725:non-fiction 645:Nationalist 586:Wall Street 390:trade cards 7890:Categories 7656:Jane Fonda 7651:Sarah Deer 7463:Betty Ford 6952:Janet Reno 6798:Gerty Cori 6773:Nellie Bly 6465:Ella Baker 6384:Rosa Parks 6178:Sally Ride 6147:Lucy Stone 6014:Alice Paul 5684:Kica Matos 5623:Elsie Hill 5204:Joan Joyce 5074:Laura Nyro 4937:Margo Rose 4774:Alice Paul 4689:Jody Cohen 4033:(1): 319. 3733:pp. 23–24. 3688:August 26, 3586:, 648–666. 3361:, 323–385. 3196:August 21, 2470:Suffragist 2400:Forerunner 2127:Human Work 2051:Forerunner 2041:Forerunner 2005:Forerunner 1990:Unpunished 1908:. 1909–10. 1906:Forerunner 1889:Forerunner 1878:Forerunner 1871:Forerunner 1860:Forerunner 1849:Forerunner 1842:Forerunner 1831:Forerunner 1820:Forerunner 1809:Forerunner 1787:Forerunner 1780:Forerunner 1769:Forerunner 1758:Forerunner 1747:Forerunner 1736:Forerunner 1725:Forerunner 1714:Forerunner 1703:Forerunner 1692:Forerunner 1690:"Turned." 1664:Forerunner 1653:Forerunner 1642:Forerunner 1627:Forerunner 1616:Forerunner 1609:Forerunner 1598:Forerunner 1587:Forerunner 1220:eugenicist 1128:Human Work 1110:published 905:, and the 891:Forerunner 871:serialized 744:"The Crux" 613:chloroform 609:euthanasia 457:depression 338:suffragist 317:Early life 287:eugenicist 79:Occupation 48:1860-07-03 7786:Joy Harjo 7708:2020–2029 7380:2010–2019 7170:Sacagawea 6917:Mary Dyer 6885:2000–2009 6354:Mary Lyon 6210:1990–1999 6041:1980–1989 5850:1970–1979 4784:Ann Petry 4729:Mary Hall 4313:March 14, 4309:(49): 778 4284:161505591 4270:: 16–31. 4110:April 24, 4082:143831741 4068:(1): 63. 4047:148635798 3626:187, 198. 3604:, p. 813. 3470:March 24, 3221:April 30, 3158:Footnotes 2176:The Alpha 1072:Darwinism 919:in 1935. 713:rest cure 579:(c. 1900) 544:reformist 531:separated 502:Adulthood 445:Rest cure 210:Signature 109:Education 7781:Mia Hamm 4548:Archived 4466:LibriVox 4411:Archived 4389:Archived 4357:Gilman, 3885:Gilman, 3807:Knight, 3781:Knight, 3768:Knight, 3742:Knight, 3635:Knight, 3622:Gilman, 3600:Knight, 3582:Knight, 3569:Knight, 3556:Knight, 3446:Gilman, 3415:Gilman, 3402:Knight, 3386:Knight, 3370:Gilman, 3357:Knight, 3300:, p. 29. 3296:Gilman, 3278:, p. 26. 3274:Gilman, 3239:, p. 10. 3235:Gilman, 3190:Archived 3135:103–121. 2414:McCall's 1945:Won Over 1913:The Crux 1291:Freudian 1116:treatise 1092:feminism 1064:humanist 877:(1911), 875:The Crux 803:Bulletin 560:Bulletin 540:feminist 488:Pasadena 415:— 294:feminist 279:lecturer 271:novelist 267:humanist 202:Children 96:lecturer 4489:at the 4455:at the 4171:Allen, 3960:110–114 3820:Allen, 3809:Diaries 3783:Diaries 3770:Diaries 3744:Diaries 3637:Diaries 3602:Diaries 3584:Diaries 3571:Diaries 3558:Diaries 3404:Diaries 3388:Diaries 3359:Diaries 3033:, 2000. 2883:Herland 2616:Impress 2526:Outlook 2484:Century 2477:Century 2323:Success 2267:Impress 2260:Impress 2253:Impress 2034:Impress 2027:Impress 2020:Impress 1966:Herland 1576:Impress 1565:Impress 1554:Impress 1543:Impress 1532:Impress 1521:Impress 1245:Herland 1239:Animals 1208:slavery 1184:Herland 1177:Herland 1172:Herland 1167:Herland 1160:Herland 995:Fiction 886:Herland 453:anxiety 449:fatigue 291:utopian 259:Perkins 195: 187: 183: 172: 160: 156: 128:Herland 4359:Living 4282: 4241: 4148: 4080: 4045: 3966: 3933: 3876:, 206. 3837:, 230. 3811:, 812. 3796:Legacy 3785:, 811. 3772:, 681. 3729:Dock, 3659: 3639:, 409. 3573:, 163. 3560:, 525. 3390:, 408. 3237:Living 3139:69–91. 2888:Legacy 2856: 2842: 2554:Nation 2498:Nation 2463:Public 1633:. Ed. 1317:about 1302:gender 1040:Poetry 619:Career 472: 455:, and 421:(1935) 410: 406: 402: 375:tomboy 350:; and 285:, and 275:writer 257:; née 141:Spouse 85:Writer 74:, U.S. 57:, U.S. 5581:2020s 5288:2010s 5031:2000s 4637:1990s 4361:, 184 4280:S2CID 4175:, 52. 4078:S2CID 4043:S2CID 3824:, 30. 3746:, 601 3505:(PDF) 3490:(PDF) 3450:, 90. 3419:, 82. 3374:, 96. 3337:(PDF) 3326:(PDF) 3094:JSTOR 3063:JSTOR 3048:---. 3017:JSTOR 2914:1999. 2561:Forum 2505:Forum 2491:Forum 2158:1914. 2148:1912. 1985:1916. 1973:1915. 1961:1914. 1950:1913. 1941:1912. 1932:1911. 1920:1911. 189:( 185: 162:( 158: 7815:2024 7759:2022 7718:2020 7634:2019 7573:2017 7512:2015 7456:2013 7390:2011 7306:2009 7250:2007 7189:2005 7118:2003 7077:2002 7001:2001 6895:2000 6756:1998 6690:1996 6589:1995 6453:1994 6267:1993 6251:1991 6220:1990 6161:1988 6135:1986 6114:1984 6093:1983 6072:1982 6051:1981 5997:1979 5971:1976 5860:1973 5770:2024 5739:2023 5708:2022 5642:2021 5591:2020 5537:2019 5511:2018 5485:2017 5459:2016 5433:2015 5407:2014 5376:2013 5350:2012 5324:2011 5298:2010 5249:2009 5218:2008 5192:2007 5166:2006 5140:2005 5119:2003 5093:2002 5067:2001 5041:2000 4987:1999 4951:1998 4920:1997 4894:1996 4863:1995 4647:1994 4586:and 4315:2021 4239:ISBN 4159:2014 4146:ISBN 4112:2019 3964:ISBN 3931:ISBN 3690:2018 3657:ISBN 3544:2018 3513:2018 3472:2018 3345:2020 3223:2022 3198:2018 2854:ISBN 2840:ISBN 2225:Wasp 1191:Race 542:and 336:, a 168:div. 62:Died 40:Born 4503:at 4479:at 4464:at 4446:at 4437:at 4307:171 4272:doi 4070:doi 4035:doi 4008:doi 3927:114 412:... 377:". 7892:: 4523:. 4399:^ 4305:. 4301:. 4278:. 4268:40 4266:. 4262:. 4105:14 4103:. 4099:. 4076:. 4066:55 4064:. 4041:. 4031:12 4029:. 4004:16 4002:. 3962:. 3929:. 3679:. 3591:^ 3530:. 3498:19 3496:. 3492:. 3463:. 3432:. 3395:^ 3379:^ 3328:. 3305:^ 3214:. 3188:. 3182:. 3165:^ 3065:, 2049:, 1928:. 1916:. 1904:. 899:, 838:," 740:. 699:, 660:. 451:, 340:; 313:. 277:, 273:, 269:, 250:ən 191:m. 164:m. 5829:e 5822:t 5815:v 4617:e 4610:t 4603:v 4527:. 4317:. 4286:. 4274:: 4247:. 4161:. 4114:. 4084:. 4072:: 4049:. 4037:: 4014:. 4010:: 3972:. 3939:. 3889:. 3692:. 3665:. 3546:. 3515:. 3474:. 3436:. 3406:. 3347:. 3225:. 3200:. 2074:. 1992:. 1980:. 1968:. 1099:, 834:" 813:" 790:" 771:" 443:" 253:/ 247:m 244:l 241:ɪ 238:ɡ 235:ˈ 232:/ 228:( 205:1 124:" 120:" 50:) 46:(

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index