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917:. Wordsworth, the leading Romantic poet, believed that Smith wrote "with true feeling for rural nature, at a time when nature was not much regarded by English Poets". He also stated in the 1830s that she was "a lady to whom English verse is under greater obligations than are likely to be either acknowledged or remembered." By the mid-19th century, however, Smith was largely forgotten. Smith was respected also for her ten novels, publishing works in a variety of genres. These include Gothic, revolutionary, educational, epistolary but always incorporating the novel of sensibility. Although they have yet to receive any "critical attention" today, Smith was famous for children's books she wrote in her writing period. Smith is noted as one of the most popular poets of her time. One of the first poets to receive a salary,
835:, who also wrote Gothic fiction, was among those friends. Along with praise, Smith also received backlash from other writers. "Jane Austen – though she ridiculed Smith's novels, actually borrowed plot, character, and incident from them." John Bennet (1792) wrote that "the little sonnets of Miss Charlotte Smith are soft, pensive, sentimental and pathetic, as a woman's productions should be. The muses, if I mistake not, will, in time, raise her to a considerable eminence. She has, as yet, stepped forth only in little things, with a diffidence that is characteristic of real genius in its first attempts. Her next public entre may be more in style, and more consequential." Smith is never too specific about her republicanism; her ideas rest on the scholars
896:." As time went on, Hayley Smith withdrew support from her in 1794 and corresponded with her only infrequently. Smith saw Hayley's actions as betrayal; he would often make claims that she was a "Lady of signal sorrows, signal woes." Even with her success as a writer and handful of accredited friends through her lifetime, Smith was "sadly isolated from other writers and literary friends." Although many believed in Hayley's statements, many saw Smith as a "woman of signal achievement, energy, ambition, devotion, and sacrifice. Her children and her literary career evoked from her best efforts, and did so in about equal measure."
932:. The inspiration she received in the 17th century from these writers helped her build an audience and dominate in certain genres. Smith was notorious for not only expressing her personal and emotional struggles but also for the anxiety and complications she faced when it came to meeting deadlines, mailing out completed volumes, and payment advancements. She was keen in persuading her publishers to work with her issues. Smith would submit final drafts in exchange for "food, lodging, and expenses for her children". Other publishers willing to negotiate with Smith throughout her career as a writer were
956:, and post-colonial studies" argued for her significance as a writer. They concluded that she helped to revitalise the English sonnet, a view found in Coleridge and others. Scott wrote that she "preserves in her landscapes the truth and precision of a painter" and poet. Barbauld claimed that Smith was the first to include sustained natural description in novels. In 2008, Smith's complete prose became available to the general public. The edition contains all her novels, the children's stories and rural walks.
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most influence on later writers." Oneț felt that Smith's work "rejected an identity defined exclusively by emotionality, matrimony, the family unit, and female sexuality." Overall Smith's career in writing was rejoiced, well perceived and popular until her later years of living. "Smith deserves to be read not simply as a writer whose work demonstrates changes in taste, but as one of the primary voices of her time and a worthy contemporary of the male romantic poets."
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811:), which made it increasingly difficult and painful for her to write. By the end of her life, it had almost paralysed her. She wrote to a friend that she was "literally vegetating, for I have very little locomotive powers beyond those that appertain to a cauliflower." On 23 February 1806, her husband died in a debtors' prison and Smith finally received some money he owed her, but she was too ill to do anything with it. She died at
442:. Smith's relations with her husband did not improve and on 15 April 1787 she left him after 22 years of marriage, writing that she might "have been contented to reside in the same house with him" had not "his temper been so capricious and often so cruel," so that her "life was not safe". When Charlotte left Benjamin, she did not secure a legal agreement to protect her profits – he would have access to them under English
222:, were born over the next five years. Smith received a typical girl's education in a wealthy, late 18th-century family. Her childhood was marked by her mother's early death (probably giving birth to Catherine) and her father's reckless spending. After losing his wife, Nicholas Turner travelled and the children were raised by Lucy Towers, their maternal aunt; when exactly their father returned is unknown.
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454:. All her works were published under her own name, "a daring decision" for a woman at the time. Her success as a poet allowed her to make this choice and she identified herself as a poet throughout her career. Although she published far more prose than poetry and her novels brought her more money and fame, she believed poetry would bring her respectability. As Sarah Zimmerman claimed in the
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on average, one work per year for twenty-two years, and a controversy that attached to her public profile" as she wrote on the French
Revolution. Both radical and conservative periodicals criticized her novels about the revolution. Her insistence on pursuing a lawsuit over Richard Smith's inheritance lost her several patrons. Her increasingly blunt prefaces made her less appealing.
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869:, and Sarah Rose were people Smith saw as trusted friends. Having become famous for marrying into a great Irish home, Henrietta O'Neill, like Austen, provided Smith "with a poetic, sympathetic friendship and with literary connections," helping her gain an "entry into a fashionable, literary world to which she otherwise had little access; here she almost certainly met
513:(1798). Smith was beginning her novelist career at a time when women's fiction was expected to focus on romance and to focus on "a chaste and flawless heroine subjected to repeated melodramatic distresses until reinstated in society by the virtuous hero". Although Smith's novels employed this structure, they also included political commentary, notably support of the
350:, about 10 miles east of Winchester. Worried about Charlotte's future and that of his grandchildren and concerned that his son would continue his irresponsible ways, Richard Smith willed most of his property to Charlotte's children. However, he drew up the will himself and it contained legal problems. The inheritance, originally worth nearly £36,000, was tied up in
315:) and argued with her in-laws, whom she saw as unrefined and uneducated. They in turn mocked her for spending time reading, writing and drawing. Meanwhile Benjamin proved violent, unfaithful and profligate. Only her father-in-law, Richard, appreciated her writing abilities, although he wanted her to use them to further his business interests. Richard Smith owned
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her own struggles, including the deaths of several of her children. According to
Zimmerman, "Smith mourned most publicly for her daughter Anna Augusta, who married an émigré... and died aged twenty in 1795." Smith's prefaces placed her as a suffering sentimental heroine and as a vocal critic of laws that kept her and her children in poverty.
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Ultimately, "Smith's autobiographical incursions" bridge the old and the new, "older poetic forms and an emerging
Romantic voice." Smith was a skillful satirist and political commentator on the condition of England, and this is, I think, the most interesting aspect of her fiction and the one that had
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states, "Few exploited fiction's potential of self-representation with such determination as Smith." Her work is defined as "squarely in the cult of sensibility: she believed in the virtue of kindness, in generosity to those less fortunate, and in the cultivation of the finer feelings of sympathy and
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Smith's experiences led her to argue for legal reforms that would grant women more rights, making the case for these in her novels. Her stories showed the "legal, economic, and sexual exploitation" of women by marriage and property laws. Initially readers were swayed by her arguments; writers such as
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are portraits of
Charlotte and Benjamin. She suffered sorely throughout her life. Her mother died in childbirth when Charlotte was three. Charlotte's own first child died a day after her second child, Benjamin Berney, was born and Benjamin lived only ten years. The prefaces to Smith's novels told of
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Smith "clung to her own sense of herself as a gentlewoman of integrity". The negative sides that Smith claimed to have experienced during the publication process were perceived as self-pity by many publishers of her time, affecting her relationship and reputation with them. Smith's push to be taken
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Smith earned most money between 1787 and 1798, after which she was no longer so popular; several reasons have been given for the declining public interest, including "erosion of the quality of her work after so many years of literary labour, an eventual waning of readerly interest as she published,
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Nicholas Turner met with financial difficulties on his return to
England and had to sell some of the family's holdings. He married the wealthy Henrietta Meriton in 1765. His daughter entered society at the age of 12, leaving school and being tutored at home. His reckless spending then forced her to
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Stuart Curran, as editor of Smith's poems, has written that she is "the first poet in
England whom in retrospect we would call Romantic". She helped shape the "patterns of thought and conventions of style" for the period and was responsible for rekindling the sonnet form in England. She influenced
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began, which shocked the public, turning them against the revolutionaries. Like many radicals, Smith criticised the French, but retained the original ideals of the revolution. To support her family, Smith had to sell her works, and so was eventually forced, as Blank claims, to "tone down the
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Smith left her husband and began writing to support their children. Her struggles for legal independence as a woman affect her poetry, novels and autobiographical prefaces. She is credited with turning the sonnet into an expression of woeful sentiment and her early novels show development in
857:, a poet and contributor to the early Romanticist movement, also sympathised with Smith's hardships. He says, " she has done more and done better than other women writers, it has not been her whole employment — she is not looking out for admiration and talking to show off." In addition to
936:, Thomas Cadell the younger, and William Davies. Unfortunately she also struggled with disputes from "various booksellers over copyright, a printer's competence, or the quality of an engraving for an illustration. She would argue that the time was ripe for a second edition of a novel."
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The Smiths had twelve children. Their first, in 1766, died the next year just days after the birth of their second, Benjamin Berney (1767–1777). Their ten more children between 1767 and 1785 were
William Towers (born 1768), Charlotte Mary (born 1769), Braithwaite (born 1770),
1489:; Greenblatt, Stephen; Christ, Carol T; David, Alfred; Lewalski, Barbara K; Lipking, Lawrence; Logan, George M; Lynch, Deidre Shauna; Maus, Katharine Eisaman; Noggle, James; Ramazani, Jahan; Robson, Catherine; Simpson, James; Stallworthy, Jon; Stillinger, Jack, eds. (2012).
884:, a Dublin antiquarian and writer. "Walker handled her dealings with John Rice, who published Dublin editions of many of her works. She confided openly in Walker about literary and familial matters." Through publication of personal letters Smith sent to a close companion,
795:(1807) also appeared posthumously. Publishers paid less for these, however, and by 1803 Smith was poverty-stricken. She could barely afford food or coal. She even sold her beloved library of 500 books to pay off debts, but feared being sent to jail for the remaining £20.
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laws. Smith knew that her children's future rested on a successful settlement of the lawsuit over her father-in-law's will, and so made every effort to earn enough money to fund the suit and retain the family's genteel status.
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to avoid further creditors. Charlotte returned to negotiate with them, but failed to come to an agreement. She went back to France and in 1784 began translating works from French into
English. In 1787 she published
206:. Waning interest left her destitute by 1803. Barely able to hold a pen, she sold her book collection to pay debts and died in 1806. Largely forgotten by the mid-19th century, she has since been seen as a major
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through her male characters. At times, she challenged the typical romance plot by including "narratives of female desire" or "tales of females suffering despotism". Her novels contributed to the development of
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tells of a man journeying to revolutionary France and convinced of the rightness of the revolution. He contends that
England should be reformed as well. The novel was published in June 1792, a year before
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after his death in 1776 for almost 40 years. Smith and her children saw little of it. (It has been proposed that this may have inspired the famous fictional case of interminable legal proceedings,
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claimed Smith was " in two species of composition so different as the novel and the sonnet, and whose powers are so equally capable of charming the imagination, and awakening the passions."
276:. In a marriage on 23 February 1765 at the age of 15, which she later described as prostitution, she was given by her father to a violent, profligate man, Benjamin Smith, son of
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Smith's novels were read and assessed by friends who were also writers, as she would return the favour and they found it beneficial to improve and encourage each other's work.
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and wrote political novels of sensibility. Despite ten novels, four children's books and other works, she saw herself mainly as a poet and expected to be remembered for that.
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Smith's novels reappeared at the end of the 20th century, when critics "interested in the period's women poets and prose writers, the Gothic novel, the historical novel, the
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Charlotte Turner was born on 4 May 1749 in London and baptised on 12 June as the oldest child of well-to-do
Nicholas Turner and Anna Towers. Her two siblings, Nicholas and
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851:. "Charlotte Smith tried not to swim too strongly against the current of public view, because she needed to sell her novels in order to provide for her children."
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helped initiate a revival of the form and granted an aura of respectability to her later novels, as poetry was then considered the highest art. Smith revised
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patronised her. However, as years passed readers became exhausted by Smith's stories of struggle and inequality. The public shifted to the view of the poet
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After leaving her husband, Smith moved to a town near Chichester and decided to write novels, as they would make more money than poetry. Her first one,
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seriously and how she emerges as an essential figure of the "Age of Sensibility" is observed in her powerful use of vulnerability. Antje Blank of
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and learned dancing, drawing, music and acting. She loved to read and wrote poems, which her father encouraged. She even submitted a few to the
823:. The lawsuit over her father-in-law's estate was settled seven years later, on 22 April 1813, more than 36 years after Richard Smith's death.
892:, another friend of Smith's, was "liked, respected, influential" in their time, especially as he was offered the laureateship on the death of
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Smith's husband fled to France to escape his creditors. She joined him there until, thanks largely to her, he was able to return to England.
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Smith moved frequently due to financial concerns and declining health. In the last 20 years of her life, she lived in: Chichester,
539:, "few exploited fiction's potential of self-representation with such determination as Smith." For example, Mr and Mrs Stafford in
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Goodman, Kevis (Fall 2014). "Conjectures on Beachy Head: Charlotte Smith's Geological Poetics and the Ground of the Present".
672:(1810). As a successful novelist and poet, Smith communicated with famous artists and thinkers of the day, including musician
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Pascoe, Judith (1994). "Female Botanists and the Poetry of Charlotte Smith". In Wilson, Carol Shiner; Haefner, Joel (eds.).
650:, which allowed her to discuss democratic reform without directly addressing the French situation. However, her last novel,
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To continue earning money, Smith began writing in less politically charged genres. This included a collection of tales,
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654:(1798), was a final piece of "outspoken radical fiction". Her protagonist leaves Britain for a more hopeful America.
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Conversations Introducing Poetry: chiefly on subjects of Natural Science. For the use of Children and Young Persons
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Conversations Introducing Poetry: chiefly on subjects of Natural Science. For the use of Children and Young Persons
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Smith claimed the position of gentlewoman, signing herself "Charlotte Smith of Bignor Park" on the title page of
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888:, readers are shown a more positive and joyful side to Smith. Although today his writing is seen as mediocre,
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is "frequently deemed best" novel for its sentimental themes and development of minor characters. Novelist
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375:, in December 1783. Smith moved in with him and it was there that she wrote and published her first work.
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Benjamin's sister Mary was married twice. Her first husband's family name was Berney, her second's Dyer.
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Jacqueline Labbe (Warwick University) talks about the life and works of Charlotte Turner Smith (Part 3)
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Jacqueline Labbe (Warwick University) talks about the life and works of Charlotte Turner Smith (Part 2)
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Jacqueline Labbe (Warwick University) talks about the life and works of Charlotte Turner Smith (Part 1)
233:. Two years later, she, her aunt and her sister moved to London, where she attended a girls' school in
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469:(1788), was a success, selling 1500 copies within months. She wrote nine more in the next ten years:
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300:(1778–1842), Harriet (born c. 1782), and George (born c. 1785). Six of their children survived her.
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381:(1784) achieved instant success, allowing Charlotte to pay for their release from prison. Smith's
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Scarth, Kate (2014). "Elite Metropolitan Culture, Women, and Greater London in Charlotte Smith's
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178:(1784) contributed to the revival of the form in England. She also helped to set conventions for
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1558:. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan.
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and adopt more oblique techniques to express her libertarian ideals". She set her next novel,
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while living in Brighton in 1791–1793. Like them, she supported the French Revolution and its
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567:, who called Smith "vain" and "indelicate" for exposing her husband to "public contempt".
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Smith is known for striving to produce her writing at the same level and expectation as
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Charlotte Smith and the Sonnet Form: Place and Tradition in the Late Eighteenth Century
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2000:"The Spirit of the Age: The Imaginary of Gender and Romance in Charlotte Turner Smith"
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Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës
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In fact, Benjamin illegally spent at least a third of the legacy and ended up in
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characters and events. While a common device at the time, Antje Blank writes in
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Smith believed that her poetry, not her novels, granted her respectability.
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After Benjamin Smith was released from prison, the entire family moved to
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767:(1799, attributed). Her most successful foray was into children's books:
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a few months later, on 28 October 1806, and was buried at Stoke Church,
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British Women Writers and the French Revolution – Citizens of the World
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Women Writers and the English Nation in the 1790s: Romantic Belongings
785:(1804). She also wrote two volumes of a history of England (1806) and
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several times over the years, eventually creating a two-volume work.
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Kelley, Theresa M (2004). "Romantic Histories: Charlotte Smith and
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Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen
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One of Smith's longest friends and respected mentors was Reverend
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was Smith's last novel and a piece of "outspoken radical fiction".
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The Smith marriage was unhappy. She detested living in commercial
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Charlotte Smith: Romanticism, Poetry, and the Culture of Gender
1883:"The Obligations of Form: Social Practice in Charlotte Smith's
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Partial Answers: Journal of Literature and the History of Ideas
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Hart, Monica Smith (2010). "Charlotte Smith's Exilic Persona".
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Sentimental Memorials: Women and the Novel in Literary History
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421:'s trials. She was forced to withdraw her other translation,
704:. An array of periodicals reviewed her works, including the
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2013:
Re-Visioning Romanticism: British Women Writers, 1776–1837
1699:. Twayne's English authors series. Vol. 528. Twayne.
2221:. Johnson, St Paul's Churchyard, London. Stanford 195269.
2198:. Johnson, St Paul's Churchyard, London. Stanford 195269.
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Romantic Theatricality: Gender, Poetry, and Spectatorship
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radicalism that had characterised the authorial voice in
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28 October 1806) was an English novelist and poet of the
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Commentary: William Wordsworth on Charlotte Smith (1835)
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https://www.krishnamurticentre.org.uk/centre/grounds.php
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British Authors Before 1800: A Biographical Dictionary
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In 1785, the family returned to England and moved to
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and lived with him from 1774 until 1783 at Lys Farm,
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1983:. The Enlightenment World. Vol. 5. Routledge.
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1809:. Cambridge Studies in Romanticism. Vol. 44.
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1541:English Writing and Culture of the Romantic Period
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1859:Clandestine Marriage: Botany and Romantic Culture
980:On Being Cautioned Against Walking on an Headland
875:A View of Society and Manners in Italy and Zeluco
945:tenderness for those who suffered needlessly."
225:At the age of six, Charlotte went to school in
338:She persuaded Richard to set Benjamin up as a
243:for publication, but they were not accepted.
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1686:Biographical Memoirs. Cadell. pp. 3–47.
2500:at the British Women Romantic Poets Project
2491:at the British Women Romantic Poets Project
2072:The Critical Opinions of William Wordsworth
2059:The critical opinions of William Wordsworth
2403:Complete Poetical Works of Charlotte Smith
1492:The Norton Anthology of English Literature
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789:(1807, posthumous). Her return to poetry,
229:and took drawing lessons from the painter
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2128:. Liverpool: Liverpool University Press.
1535:; Cook, Daniel; Robinson, Daniel (eds.).
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664:labelled it as such, and poet and critic
417:, consisting of translated selections on
255:Smith signed herself "Charlotte Smith of
2322:Eighteenth-Century Poetry Archive (ECPA)
2252:The Collected Letters of Charlotte Smith
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457:Oxford Dictionary of National Biography
2249:Stanton, Judith Phillips, ed. (2003).
1981:Charlotte Smith in British Romanticism
1652:. Pickering & Chatto / Routledge.
1602:The Works of Charlotte Smith (14 vols)
1581:. Women Writers in English 1350–1850.
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1025:Ethelinde; or the Recluse of the Lake
1018:Emmeline; or The Orphan of the Castle
27:English poet and novelist (1749–1806)
7:
2484:British Women Romantic Poets Project
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2696:People from the Borough of Waverley
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996:Written on a port on a dark evening
613:Smith became involved with English
2656:19th-century English women writers
2646:18th-century British women writers
2159:(5). Taylor and Francis: 629–648.
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2473:University of Nebraska at Lincoln
2336:Works by or about Charlotte Smith
1979:Labbe, Jacqueline M, ed. (2008).
1933:Labbe, Jacqueline M, ed. (2002).
1910:; Haycraft, Howard, eds. (1952).
1547:from the original on 13 Oct 2003.
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2069:Peacock, Markham Lovick (1969).
2057:Peacock, Markham Lovick (1950).
1610:Volume Editors: Adriana Craciun,
1122:Conversations Introducing Poetry
928:and famous political economist,
783:Conversations Introducing Poetry
2327:Works by Charlotte Turner Smith
2661:19th-century English novelists
2651:18th-century English novelists
2572:(1791, second edition), Vol. 1
2517:Letters of a Solitary Wanderer
2511:A Celebration of Women Writers
1941:. Charlotte Smith. Broadview.
1516:. Vol. 11. Philadelphia:
1116:Letters Of A Solitary Wanderer
900:Legacy and critical reputation
807:for many years (it was likely
761:Letters of a Solitary Wanderer
631:France and Britain went to war
247:Marriage and first publication
1:
2540:(1789, third edition), Vol. 1
2496:Beachy Head; With Other Poems
2113:Radcliffe, David Hill (ed.).
1834:Nineteenth-Century Literature
1782:Hoeveler, Diane Long (1998).
1353:, Introduction p. 17, note 3.
2459:Resources in other libraries
2435:Resources in other libraries
2303:UK public library membership
2165:10.1080/10509585.2014.938230
1956:Labbe, Jacqueline M (2003).
1600:Curran, Stuart, ed. (2005).
1577:The Poems of Charlotte Smith
648:American War of Independence
602:. She eventually settled at
2706:18th-century English people
2691:Writers of the Romantic era
2443:By Charlotte Smith (writer)
2351:(public domain audiobooks)
2282:Zimmerman, Sarah M (2007).
2119:. English Poetry 1579–1830.
1003:Beachy Head and Other Poems
792:Beachy Head and Other Poems
668:chose it for her anthology
307:(the family later moved to
2727:
2701:18th-century English women
1998:Oneț, Alina-Elena (2015).
1857:Kelley, Theresa M (2012).
787:A Natural History of Birds
202:praised the ideals of the
2686:Writers of Gothic fiction
2454:Resources in your library
2430:Resources in your library
2226:Sodeman, Melissa (2014).
1850:10.1525/ncl.2004.59.3.281
1680:Miscellaneous Prose Works
1552:Craciun, Adriana (2005).
1537:The Literary Encyclopedia
1510:Bennet, John (Jan 1792).
1055:The Wanderings of Warwick
942:The Literary Encyclopedia
763:(1801–1802) and the play
698:Richard Brinsley Sheridan
536:The Literary Encyclopedia
493:The Wanderings of Warwick
419:François Gayot de Pitaval
41:
2421:Charlotte Smith (writer)
2345:Works by Charlotte Smith
2153:European Romantic Review
2124:Roberts, Bethan (2019).
1880:Klekar, Cynthia (2007).
1691:Fry, Carrol Lee (1996).
1495:(9th ed.). Norton.
877:) and Lady Londonderry.
415:The Romance of Real Life
2666:English women novelists
2533:at the Internet Archive
2469:Selected works of Smith
2034:Pascoe, Judith (1997).
1908:Kunitz, Stanley Jasspon
1573:Curran, Stuart (1993).
1513:Letters to a young Lady
934:Thomas Cadell the elder
682:Samuel Taylor Coleridge
529:Smith's novels include
317:plantations in Barbados
263:, claiming the role of
259:" on the title page of
190:. Later novels such as
2489:"The Emigrants" (1793)
2479:Elegiac Sonnets (1827)
2296:10.1093/ref:odnb/25790
1892:Philological Quarterly
1805:Keane, Angela (2001).
1539:. Vol. 1.2.1.06:
666:Anna Laetitia Barbauld
555:
402:
284:and a director of the
268:
18:Charlotte Turner Smith
2618:The Young Philosopher
2591:Wanderings of Warwick
2090:Pinch, Adela (1997).
2067:, later published as
1734:10.1353/elh.2014.0033
1525:Blank, Antje (2003).
1083:The Young Philosopher
909:of her time such as,
688:, lawyer and radical
684:, scientist and poet
670:The British Novelists
652:The Young Philosopher
552:The Young Philosopher
550:
511:The Young Philosopher
400:
356:Jarndyce and Jarndyce
254:
170:School of Sensibility
2019:. pp. 193–209.
2004:Revista Transilvania
1487:Abrams, Meyer Howard
954:social problem novel
882:Joseph Cooper Walker
867:Joseph Cooper Walker
809:rheumatoid arthritis
803:Smith complained of
737:Gentleman's Magazine
282:West Indian merchant
2711:Writers from London
2671:English women poets
2613:at Internet Archive
2604:at Internet Archive
2595:at Internet Archive
2586:at Internet Archive
2565:at Internet Archive
2505:The Old Manor House
2397:Library of Congress
1937:The Old Manor House
1338:13 May 2018 at the
1048:The Old Manor House
725:The Critical Review
707:Anti-Jacobin Review
658:The Old Manor House
644:The Old Manor House
488:The Old Manor House
369:King's Bench Prison
326:The Old Manor House
199:The Old Manor House
2405:at Delphi Classics
1767:10.1353/pan.0.0183
1198:Abrams et al. 2012
911:William Wordsworth
749:Universal Magazine
556:
403:
286:East India Company
269:
2416:Library resources
2331:Project Gutenberg
2301:(Subscription or
2284:Smith , Charlotte
2135:978-1-78962-017-7
2082:978-0-374-96327-9
2075:. Octagon Books.
1676:"Charlotte Smith"
1668:Dorset, Catherine
1634:Jacqueline Labbe,
1604:. Vol. Part
1528:"Charlotte Smith"
1090:Educational works
930:Francis Edgeworth
863:Henrietta O'Neill
799:Illness and death
731:European Magazine
713:Analytical Review
522:and the novel of
515:French Revolution
393:Novelist and poet
323:in works such as
321:criticize slavery
204:French Revolution
143:
142:
108:Poet and novelist
16:(Redirected from
2718:
2555:Internet Archive
2523:Internet Archive
2384:
2373:
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2356:
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2340:Internet Archive
2306:
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2262:. Archived from
2257:
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2204:Smith, Charlotte
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1061:The Banished Man
743:Monthly Magazine
623:epistolary novel
621:principles. Her
531:autobiographical
497:The Banished Man
432:Woolbeding House
340:gentleman farmer
167:
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2017:Pennsylvania UP
2010:
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1695:Charlotte Smith
1690:
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1650:Kristina Straub
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1165:Wordsworth 1835
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1104:Rambles Farther
1092:
1013:
972:Elegiac Sonnets
967:
962:
919:Henry James Pye
902:
829:
827:Literary circle
801:
775:Rambles Farther
635:Reign of Terror
633:and before the
452:Elegiac Sonnets
395:
378:Elegiac Sonnets
373:debtor's prison
358:, in Dickens's
294:Nicholas Hankey
261:Elegiac Sonnets
249:
240:Lady's Magazine
216:
175:Elegiac Sonnets
163:
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146:Charlotte Smith
128:Elegiac Sonnets
93:
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88:28 October 1806
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49:Charlotte Smith
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2269:on 23 Nov 2020
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2105:978-0804725484
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1706:978-0805770469
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1659:978-1851967896
1658:
1646:Judith Stanton
1643:Judith Pascoe,
1637:D L Macdonald,
1631:Harriet Guest,
1625:Michael Gamer,
1613:Stuart Curran,
1597:
1592:978-0195083583
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855:Robert Southey
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719:British Critic
702:Robert Southey
690:Thomas Erskine
686:Erasmus Darwin
678:Frances Burney
674:Charles Burney
646:(1793) in the
561:William Cowper
520:Gothic fiction
410:Dieppe, France
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160:4 May 1749 –
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121:Notable works
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2449:Online books
2442:
2420:
2283:
2271:. Retrieved
2264:the original
2251:
2227:
2217:
2215:. Vol.
2208:
2203:
2194:
2192:. Vol.
2185:
2180:
2156:
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2125:
2115:
2091:
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2035:
2012:
2003:
1980:
1957:
1936:
1913:
1895:
1891:
1884:
1858:
1837:
1833:
1829:
1806:
1783:
1754:
1750:
1728:: 983–1006.
1721:
1715:
1694:
1682:. Vol.
1679:
1640:A A Markley,
1616:Kate Davies,
1608:: vols 1–5.
1601:
1576:
1554:
1540:
1536:
1512:
1490:
1479:Bibliography
1461:
1449:
1437:
1393:
1386:Stanton 2003
1346:
1327:
1193:
1186:Roberts 2019
1181:
1161:Peacock 1969
1121:
1115:
1110:Minor Morals
1109:
1103:
1095:
1082:
1074:
1066:
1060:
1054:
1046:
1038:
1030:
1024:
1016:
1001:
995:
987:
970:
951:
947:
941:
938:
923:
903:
879:
874:
853:
830:
802:
790:
786:
782:
781:(1798), and
779:Minor Morals
778:
774:
768:
765:What Is She?
764:
760:
758:
754:
747:
741:
735:
729:
723:
717:
711:
705:
669:
662:Walter Scott
657:
656:
651:
643:
639:
625:
612:
569:
557:
551:
540:
534:
528:
510:
509:(1796), and
504:
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270:
260:
238:
231:George Smith
224:
217:
197:
192:
184:
173:
149:
145:
144:
133:
126:
90:(1806-10-28)
48:
29:
2641:1806 deaths
2636:1749 births
2529:Rural Walks
2232:Stanford UP
2096:Stanford UP
2006:(5): 71–74.
1844:: 281–314.
1830:Beachy Head
1761:: 305–323.
1628:M O Grenby,
1622:Ina Ferris,
1533:Todd, Janet
1470:Smith 1804b
1466:Smith 1804a
1454:Curran 2005
1442:Curran 1993
1398:Bennet 1792
1097:Rural Walks
873:(author of
865:, Reverend
859:Jane Austen
845:Montesquieu
770:Rural Walks
700:, and poet
692:, novelist
676:(father of
576:Storrington
565:Anna Seward
524:sensibility
361:Bleak House
332:Beachy Head
329:(1793) and
274:marry early
265:gentlewoman
257:Bignor Park
210:precursor.
135:Beachy Head
113:Nationality
2681:Sonneteers
2630:Categories
2600:Montalbert
2305:required.)
2260:Indiana UP
2061:(Thesis).
2040:Cornell UP
1918:. Wilson.
1902:: 269–289.
1351:Labbe 2002
1320:Blank 2003
1174:References
1163:, quoting
1068:Montalbert
915:John Keats
886:Sarah Rose
849:John Locke
817:Stoke Park
746:, and the
619:republican
594:, London,
501:Montalbert
235:Kensington
227:Chichester
214:Early life
164:1806-10-28
156:1749-05-04
105:Occupation
72:4 May 1749
68:1749-05-04
2609:Marchmont
2570:Celestina
2561:Ethelinde
2206:(1804b).
2183:(1804a).
2173:145513731
2149:Celestina
1775:144555993
1742:161287287
1430:Oneț 2015
1076:Marchmont
1032:Celestina
871:Dr. Moore
843:Diderot,
821:Guildford
694:Mary Hays
506:Marchmont
476:Celestina
471:Ethelinde
344:Hampshire
313:Tottenham
309:Southgate
305:Cheapside
2538:Emmeline
2349:LibriVox
2145:Emmeline
1885:Emmeline
1674:(1827).
1545:Archived
1413:Fry 1996
1336:Archived
982:" (1797)
905:popular
841:Voltaire
837:Rousseau
777:(1796),
773:(1795),
680:), poet
615:radicals
588:Weymouth
572:Brighton
541:Emmeline
503:(1795),
499:(1794),
495:(1794),
491:(1793),
485:(1792),
479:(1791),
473:(1789),
466:Emmeline
436:Midhurst
352:chancery
348:Bramdean
335:(1807).
208:Romantic
2521:at the
2482:at the
2471:at the
2388:YouTube
2377:YouTube
2366:YouTube
2338:at the
2320:at the
1900:Iowa UP
1040:Desmond
975:(1784)
819:, near
813:Tilford
640:Desmond
626:Desmond
604:Tilford
600:Elstead
584:Exmouth
482:Desmond
383:sonnets
193:Desmond
116:English
95:Tilford
2620:(1798)
2611:(1796)
2602:(1795)
2593:(1794)
2582:, and
2580:Vol. 3
2576:Vol. 2
2563:(1789)
2551:Vol. 4
2549:, and
2547:Vol. 3
2544:Vol. 2
2519:(1802)
2507:(1793)
2498:(1807)
2418:about
2238:
2171:
2132:
2102:
2079:
2046:
2023:
1987:
1968:
1945:
1922:
1869:
1817:
1794:
1773:
1740:
1703:
1656:
1648:&
1589:
1562:
1499:
1124:(1804)
1118:(1800)
1112:(1798)
1106:(1796)
1100:(1795)
1085:(1798)
1079:(1796)
1071:(1795)
1063:(1794)
1057:(1794)
1051:(1793)
1043:(1792)
1035:(1791)
1027:(1789)
1021:(1788)
1011:Novels
1006:(1807)
998:(1800)
992:(1793)
965:Poetry
847:, and
740:, the
734:, the
728:, the
716:, the
710:, the
608:Surrey
598:, and
592:Oxford
440:Sussex
298:Lionel
172:whose
150:Turner
75:London
2584:Vol.4
2531:(1795
2410:Works
2273:8 Jan
2267:(PDF)
2256:(PDF)
2213:(PDF)
2190:(PDF)
2169:S2CID
1898:(3).
1840:(3).
1771:S2CID
1757:(2).
1738:S2CID
1724:(3).
1531:. In
1129:Notes
596:Frant
434:near
148:(née
2275:2020
2236:ISBN
2147:and
2130:ISBN
2100:ISBN
2077:ISBN
2063:JHUP
2044:ISBN
2021:ISBN
1985:ISBN
1966:ISBN
1943:ISBN
1920:ISBN
1867:ISBN
1863:JHUP
1815:ISBN
1792:ISBN
1759:JHUP
1726:JHUP
1701:ISBN
1654:ISBN
1587:ISBN
1560:ISBN
1497:ISBN
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580:Bath
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311:and
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