1953:. Upon seeing the first image on the screen (a silhouette of Cuba), the crowd erupted into a raucous cry of "¡Viva, Cuba!" Following the film, and the standing ovation it received, Soderbergh appeared for a post program Q&A. During the sometimes contentious conversation with the audience, in which Soderbergh alternated between defensiveness and modesty, the director categorized Guevara as "a hard ass", to which one audience member yelled out, "Bullshit, he was a murderer!" The filmmaker settled down the crowd and explained, "It doesn't matter whether I agree with him or not—I was interested in Che as a warrior, Che as a guy who had an ideology, who picked up a gun and this was the result. He died the way you would have him die. He was executed the way you would say he executed other people". Soderbergh ended the 1 am Q&A session by noting that he was "agnostic" on Che's standing, but "loyal to the facts", which he insisted were all rigorously sourced.
1271:. Afraid that their multi-territory deals would fall apart, Bickford and Del Toro asked Steven Soderbergh, who was previously on board as producer, to direct. The filmmaker was drawn to the contrast of "engagement versus disengagement. Do we want to participate or observe? Once Che made the decision to engage, he engaged fully. Often people attribute that to a higher power, but as an atheist, he didn't have that. I found that very interesting". Furthermore, he remarked that Guevara was "great movie material" and "had one of the most fascinating lives" that he could "imagine in the last century". Bickford and Del Toro realized that there was no context for what made Guevara decide to go to Bolivia. They began looking for someone to rewrite the screenplay; Peter Buchman was recommended to them because he had a good reputation for writing about historical figures, based on a script he worked about
1509:, he wanted to show everyday tasks, "things that have meaning on a practical level and on an ideological level", as a "way of showing what it might have been like to be there". While addressing the issue after at the Toronto International Film Festival, Soderbergh remarked that he was trying to avoid what he felt were typical scenes for a biographical film and that he would tell screenwriter Peter Buchman, that he was "trying to find the scenes that would happen before or after the scene that you would typically see in a movie like this". Soderbergh was not interested in depicting Guevara's personal life because he felt that "everybody on these campaigns has a personal life, they all left families behind, that doesn't make him special and why should I go into his personal life and nobody else's?"
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point, nobody wanted to step up". The director defended his decision to shoot almost all of the film in
Spanish in an interview: "You can't make a film with any level of credibility in this case unless it's in Spanish. I hope we're reaching a time where you go make a movie in another culture, that you shoot in the language of that culture. I'm hoping the days of that sort of specific brand of cultural imperialism have ended". Both films were financed without any American money or distribution deal; Soderbergh remarked, "It was very frustrating to know that this is a zeitgeist movie and that some of the very people who told me how much they now regret passing on
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events. La Cabana was really turned into a Roman circus, where I think even the people in power look back on that as excessive. However, every regime, in order to retain power when it feels threatened, acts excessively ... This is what people do when they feel they need to act in an extreme way to secure themselves". The filmmaker noted as well that, "with a character this complicated, you're going to have a very polarized reaction". Furthermore, he was not interested in depicting
Guevara's life as "a bureaucrat", stating that he was making a
1222:, and with several guerrillas who fought alongside him in Cuba. While researching for both films, Soderbergh made a documentary of his interviews with many of the people who had fought alongside Guevara. In his encounters with people ranging from fellow guerrillas to Guevara's driver, Del Toro described the reaction as "always the same", stating that he was "blown away" by the "bucketful of love" they still harbored for Guevara. In an interview, Del Toro described Guevara as "a weird combination of an intellectual and an action figure,
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1318:, Urbano and Benigno—three men who met Guevara during the Cuban Revolution, followed him to Bolivia, and survived. They interviewed them individually and then Pombo and Benigno together about their experiences in Cuba and Bolivia. Urbano was an adviser while they were filming in Spain and the actors often consulted with him and the others about specific details, like how to hold their guns in a certain situation, and very specific tactical information.
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1902:, lamented that the film was shown, while declaring "we must not allow dissemination of this movie". When asked days later about the incident, Del Toro remarked that the ability to speak out was "part of what makes America great" while adding "I find it a little weird that they were protesting without having seen the film, but that's another matter". For his part, Soderbergh later stated that "you have to separate the
1860:, and Raúl Castro are still enmeshed. There will be plenty of time to argue about the film's (or films') political relevance or lack thereof, to call Soderbergh names for this or that historical omission, for this or that ideological error. He's made something that people will be eager to see and eager to talk about all over the world, something that feels strangely urgent, something messy and unfinished and amazing".
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728:, is captured at Muyupampa by the Bolivian Army along with two of Che's last contacts with the outside world. A Bolivian airstrike then occurs against Che's guerrillas on Day 219, driving them deeper into hiding. By this time, Che has split his forces; his best fighters travel with him in one column, while another column contains other personnel, including Tania, and carries much of the remaining supplies.
2326:. After dismounting the prize (which was a literal camel), Longoria remarked that "this is real, this is what Benicio and Steven tried to tell in the movie. It's right here, a people fighting a war for their dignity and their land. The principles of Che Guevara are very important to them." However, Longoria returned the live animal before departing, opting for a camel statuette.
1453:. I want it to look nice but simple. We'll work with a very small group: basically me, the producer Gregory Jacobs and the unit production manager". According to the director, the portion set in Cuba was written from the victor's perspective and as a result he adopted a more traditional look with classical compositions, vibrant color and a warm palette. With
2161:, Claudia Puig wrote, "With its lyrical beauty and strong performances, the film can be riveting. Its excessive length and rambling scenes also make it maddening. It is worth seeing for its attention to visual detail and ambitious filmmaking, but as a psychological portrait of a compelling historical figure, it is oddly bland and unrevealing".
685:, who subsequently drives into the mountains to meet his men. The film is organized by the number of days that he was in the country. On Day 26, there is solidarity among Guevara's men despite his status as a foreigner. By Day 67, Guevara, however, has been set up for betrayal. He tries to recruit some peasants only to be mistaken for a
1676:, it had grossed $ 164,142 in one weekend, at 35 locations in North America and $ 20 million from a half-dozen major markets around the world, led by Spain at $ 9.7 million. As of May 2009, it has grossed $ 1.4 million in North America and $ 29.8 million in the rest of the world for a worldwide total of $ 30 million. Eventually,
1502:) he could without sounding "stiff". Prior to shooting the film's final scenes that depict Guevara's time in Bolivia at the end of his life, Del Toro shed 35 pounds to show how ill Guevara had become. The actor shaved the top of his head rather than wear a bald cap for the scenes depicting Guevara's arrival in Bolivia in disguise.
1738:, wrote, "Perhaps it will even come to be seen as this director's flawed masterpiece: enthralling but structurally fractured—the second half is much clearer and more sure-footed than the first—and at times frustratingly reticent, unwilling to attempt any insight into Che's interior world". In his less favorable review for
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after the fact and, according to the director, "with a certain hindsight and perspective and a tone that comes from being victorious", while the
Bolivian diaries were "contemporaneous, and they're very isolated and have no perspective, at all. It's a much more tense read, because the outcome is totally unclear".
1468:. In filming the sequence, Soderbergh balked at the digital effects solution and managed to reallocate $ 500,000 from the overall $ 58 million budget to build a real set of tracks and a train powered by two V-8 car engines. To film the scene, they had six rehearsals, and could only shoot the scene once.
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is both action film and ongoing argument. Each new camera setup seeks to introduce a specific idea—about Che or his situation—and every choreographed battle sequence is a sort of algorithm where the camera attempts to inscribe the event that is being enacted". Hoberman compared
Soderbergh's directing
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opened in single theaters in N.Y.C. and L.A. where it made $ 60,100 with sellouts of both venues. Based on this success, IFC Films executives added two weekends of exclusive runs for the roadshow version, starting 24 December in N.Y.C. and 26 December in L.A. This successful run prompted IFC Films to
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Del Toro and
Soderbergh both attended the French premiere in late November 2008, where they took questions from the press. Del Toro remarked that the "legendary rebel" was still pertinent because "the things that he fought for in the late 1950s and mid 1960s are still relevant today", adding that "he
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with the idea of exploring
Guevara's attempts to start a revolution in Bolivia. Del Toro has said that he previously only thought of Guevara as a "bad guy". For his role, Del Toro spent seven years "obsessively researching" Guevara's life, which made him feel like he "earned his stripes" to interpret
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with better cigars". However, Dargis notes that "Mr. Soderbergh cagily evades Che's ugly side, notably his increasing commitment to violence and seemingly endless war, but the movie is without question political—even if it emphasizes romantic adventure over realpolitik—because, like all films, it is
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had problems with Del Toro's portrayal of
Guevara: "Del Toro—whose acting style often starts over the top and soars from there, like a hang-glider leaping from a skyscraper roof—is muted, yielding few emotional revelations, seemingly sedated here ... Che is defined less by his rigorous fighting
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were decorated with large posters of Del Toro in his role as the guerrilla fighter, unprecedented in the city's history. When questioned by the press on
Guevara's ideas and use of violence, Del Toro stated that if he had lived during the 1960s, he would have agreed with Guevara, and that although he
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Each half of the film focuses on a different revolution, both fundamentally the same in theory but vastly different in outcome, reflecting the
Marxist notion of dialectics. Soderbergh wanted the film's two parts to mimic the voice of the two diaries they were based on; the Cuban diaries were written
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Soderbergh replied to the criticism that he made an unconventional film: "I find it hilarious that most of the stuff being written about movies is how conventional they are, and then you have people ... upset that something's not conventional. The bottom line is we're just trying to give you a
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is depicted with
Guevara demonstrating his tactical skill as the guerrillas engage in street-to-street fighting and derail a train carrying Cuban soldiers and armaments. Near the film's end, they are victorious. With the Cuban Revolution now over, Guevara heads to Havana, remarking "we won the war,
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at the Cannes Film Festival for his performance, and in his acceptance speech dedicated the award "to the man himself, Che Guevara and I want to share this with Steven Soderbergh. He was there pushing it even when there and pushing all of us". Guevara's widow Aleida March, who is president of the
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observes that "throughout the movie Mr. Soderbergh mixes the wild beauty of his landscapes with images of Che heroically engaged in battle, thoughtfully scribbling and reading, and tending to ailing peasants and soldiers". According to Dargis, "Che wins, Che loses, but Che remains the same in what
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James Rocchi described the biopic as "expressive, innovative, striking, and exciting" as well as "bold, beautiful, bleak and brilliant". Rocchi went on to brand it "a work of art" that's "not just the story of a revolutionary" but "a revolution in and of itself". Columnist and critic Jeffrey Wells
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Del Toro and Bickford hired screenwriter Benjamin A. van der Veen to write the screenplay's first drafts, and their extensive research took them to Cuba where they met with several of the remaining members of Guevara's team in Bolivia as well as the revolutionary's wife and children. It was during
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originally worked on a screenplay limited to Guevara's attempts to start a revolution in Bolivia. When financing fell through, Malick left the project, and Soderbergh subsequently agreed to direct the film. He realized that there was no context for Guevara's actions in Bolivia and decided that his
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as part of the Latin American Film Festival. Benicio Del Toro, who was in attendance, referred to the film as "Cuban history", while remarking that "there's an audience in there ... that could be the most knowledgeable critics of the historical accuracy of the film". The official state paper
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on 28 May 1957. After that, they begin to win over the rural peasant population of Cuba and receive increasing support, while battling both the government and traitors in their midst. Gradually, however, the government loses control of most of the rural areas. Soon afterward, the 26 July Movement
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because "there is no amount of accumulated barbarity that would have satisfied the people who hate him". Soderbergh addressed the criticism for this omission in a post release interview where he stated: "I don't think anybody now, even in Cuba, is going to sit with a straight face and defend the
748:) emerges to interrogate Che, but without success. The Bolivian high command then phones and orders Guevara's execution (using the code 'Order 600'). He is shot to death by a half-drunk Bolivian army sergeant on 9 October 1967, and his corpse lashed to a helicopter's landing skids and flown out.
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awarded the film 3.5 out of 4 stars and addressed the film's length: "You may wonder if the film is too long. I think there's a good reason for its length. Guevara's experience in Cuba and especially Bolivia was not a series of events and anecdotes, but a trial of endurance that might almost be
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was going to be made in English and was met with a strong interest in financing; however, when the decision was made to make it in Spanish and break it up into two films, the studios' pay-TV deals, which were for English-language product only, "disappeared", according to Bickford, "and, at that
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in 1964. Buchman helped with the script's structure, which he gave three storylines: Guevara's life and the Cuban Revolution; his demise in Bolivia; and his trip to New York to speak at the U.N. Buchman found that the problem with containing all of these stories in one film was that he had to
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Todd McCarthy was more mixed in his reaction to the film in its present form, describing it as "too big a roll of the dice to pass off as an experiment, as it's got to meet high standards both commercially and artistically. The demanding running time forces comparison to such rare works as
1562:. The "special roadshow edition" in N.Y.C. and L.A. was initially planned as a one-week special engagement—complete with intermission and including a full-color printed program—but strong box-office results led to its re-opening for two weeks on 9 January 2009 as two separate films, titled
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has a 78% rating, based on 53 reviews, with an average rating of 6.7/10. The website's critical consensus states, "The second part of Soderbergh's biopic is a dark, hypnotic and sometimes frustrating portrait of a warrior in decline, with a terrific central performance from Del Toro.". On
1744:, Stephen Garrett criticized the film for failing to show Guevara's negative aspects, "the absence of darker, more contradictory revelations of his nature leaves Che bereft of complexity. All that remains is a South American superman: uncomplex, pure of heart, defiantly pious and boring".
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After Cannes, Soderbergh made a few minor adjustments to the film. This included adding a moment of Guevara and Fidel Castro shaking hands, tweaking a few transitions, and tacking on an overture and entr'acte to the limited "road show" version. Moreover, he removed the trial of guerrilla
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about two military campaigns, declaring the pictures "war films". Soderbergh said, "I'm sure some people will say, 'That's convenient because that's when he was at his worst.' Yeah, maybe—it just wasn't interesting to me. I was interested in making a procedural about guerrilla warfare".
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did not hide behind curtains ... he stood up for the forgotten ones". When asked why he made the film, Soderbergh stated, "I needed to make the film, and that is a different feeling. I felt like, if I am worth anything, I have to say yes. I can't say no". The following day, the
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community, the invitation-only screening was met with angry demonstrators. The organization Vigilia Mambisa, led by Miguel Saavedra, amassed an estimated 100 demonstrators to decry what they believed would be a favorable depiction of Guevara. Saavedra told reporters from the
1304:. We tried to go through all of it, we were overwhelmed with information. He means something different to everyone. At a certain point we had to decide for ourselves who Che was". The original source material for these scripts was Guevara's diary from the Cuban Revolution,
1814:, Keith Uhlich wrote, "The best to say about Del Toro's Cannes-honored performance is that it's exhausting—all exterior, no soul, like watching an android run a gauntlet (one that includes grueling physical exertions, tendentious political speechifying, and risible
1457:, he wanted a sense of foreboding with hand-held camerawork and a muted color palette. Soderbergh told his production designer Antxon Gomez that the first part would have green with a lot of yellow in it and the second part would have green with a lot of blue in it.
2224:" The director blamed piracy for the film's financial failure and felt that "It's a film that, to some extent, needs the support of people who write about films. If you'd had all these guys running around talking in accented English you'd your head taken off".
708:, Guevara's revolutionary contact has botched elaborate preparations and given away their identity. On Day 141, the guerrillas capture Bolivian soldiers that refuse to join the revolution and are free to return to their villages. Bolivian President and dictator
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had been in Bolivia as a journalist in 1966 working on a story about Che. Malick came on as director and worked on the screenplay with van der Veen and Del Toro, but after a year-and-a-half, the financing had not come together entirely and Malick left to make
1210:, one of Guevara's favorites, and the first book published and given out free after the Cuban Revolution. Del Toro then personally met with people from different stages of Guevara's life, including Guevara's younger brother and childhood friends, traveling to
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1199:. Actor Benicio del Toro and producer Laura Bickford optioned the film rights to Anderson's book. However, after two years they had not found a suitable writer and the rights expired. During this time, Del Toro and Bickford researched the events depicted in
1348:, a French production, distribution and foreign sales company put up 75% of the budget for the two films, tapping into a production and acquisition fund from financing and investment company Continental Entertainment Capitol, a subsidiary of the U.S.-based
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proclaimed the film "brilliant", "utterly believable", and "the most exciting and far-reaching film of the Cannes Film Festival". In further praise, Wells referred to the film as "politically vibrant and searing" while labeling it a "perfect dream movie".
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Guevara grows sick and by Day 280 can barely breathe as a result of his acute asthma. Nevertheless, he continues to lead his group towards the other column of revolutionaries. On Day 302, the Bolivian Army wipes out the other column, killing Tania Bunke,
736:, and several others in an ambush as they attempt to cross the Vado del Yeso after a local informant tells the Bolivian troops about the movements of the rebels. By Day 340, Guevara is trapped by the Bolivian Army in the Yuro Ravine near the village of
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in 1964 should also be depicted. Peter Buchman was hired to write the screenplay — the script was so long that Soderbergh decided to divide the film into two parts: one chronicling Cuba, the other depicting Bolivia. Soderbergh shot the installments
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Soderbergh described the Cuban Revolution as "the last analog revolution. I loved that we shot a period film about a type of war that can't be fought anymore". Soderbergh said he was open to making another film about Guevara's experiences in the
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condense time and this distorted history. Soderbergh found the draft Buchman submitted to him "unreadable" and after two weeks decided to split the script into two separate films. Buchman went back and with Del Toro expanded the Cuban story for
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1325:, with a movie tie-in cover. The book's aim was to compile all the original letters, diary excerpts, speeches and maps on which Soderbergh relied for the film. The text is interspersed with remarks by Benicio del Toro and Steven Soderbergh.
1376:'s embargo. Doubling Santa Clara proved to be difficult because it was a certain size and had a certain look. Soderbergh spent four to five months scouting for a suitable replacement, looking at towns in Veracruz/Yucatán before settling on
1753:, Andrew O'Hehir praised Soderbergh for making "something that people will be eager to see and eager to talk about all over the world, something that feels strangely urgent, something messy and unfinished and amazing. I'd be surprised if
2094:, wrote, "in this flawed work of austere beauty, the logistics of war and the language of revolution give way to something greater, a struggle that may be defined by politics but can't be contained by it". In her review for
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retains the air of a study exercise—of an interest brilliantly explored. How else to explain one's total flatness of feeling at the climax of each movie?" Taking a more positive stance, film critic Chris Barsanti compared
2006:, based on 142 reviews, and an average rating of 6.5/10. The website's critical consensus states, "Though lengthy and at times plodding, Soderbergh's vision and Benicio Del Toro's understated performance ensure that
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in December 2009. However, the release date was rescheduled to 19 January 2010. The two-disc Blu-ray Disc release features 1080p video and a Spanish DTS-HD Master Audio 5.1 soundtrack (with English subtitles).
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two-and-a-half stars out of four and wrote, "The problem is that, despite his desire to sidestep Hollywood bio-hooey, the director is unable to turn his chilly stance into an ideological perspective, like
1230:, wrapped in one". After the film's production concluded, Del Toro professed that "when you tell the story of Che, you're telling a story of the history of a country, so you have to be very careful".
1314:. From there, he drew on interviews with people who knew Guevara from both of those time periods and read every book available that pertained to both Cuba and Bolivia. Bickford and Del Toro met with
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seems to me almost the polar opposite of agitprop. It flat out does not ask for the kind of emotional engagement that more conventional epic biopics do, and that's a good thing". In his review for
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doesn't feel epic—just long". Anne Thompson wrote that Benicio del Toro "gives a great performance", but predicted that "it will not be released stateside as it was seen here". Glenn Kenny wrote, "
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1773:, which Chicago film critic Ben Kenigsberg found "regrettable", stating that it was "not only one of the film's most haunting scenes but a key hint at the darker side of Che's ideology".
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to the revolutionaries' base camp, which contained vast stockpiles of food, much-needed supplies, and intelligence identifying much of the group as Cubans. Much to Che's disappointment
2275:, Penn expressed his dismay stating, "The fact that there aren't crowns on Soderbergh's and Del Toro's heads right now, I don't understand ... that is such a sensational movie,
2104:, is to let go of words like 'film' and 'movie', words that somehow seem inadequate to the task of describing such a mesmerizing, fully immersive cinematic experience. By the end of
1494:, and he describes the project as a "very contemplative movie", shot chronologically. While filming outdoors, Soderbergh used natural light as much as possible. Del Toro, who speaks
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rather than 16 mm film because of its ability to replicate film stock digitally but initially, it was not going to be available on time. However, their Spanish work papers and
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moves from faith to impotence, which is certainly a valid reading of Communism in the 20th century. Yet as drama, that makes the second half of the film borderline deadly ...
1976:. The day prior Del Toro attended a screening of the film at a bullfighting ring-turned cultural center, where he was "mobbed by adoring fans". Del Toro then visited the state-run
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sense of what it was like to hang out around this person. That's really it. And the scenes were chosen strictly on the basis of, 'Yeah, what does that tell us about his character?
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1218:, who expressed that he was happy for the "serious" research being undertaken. Such research included collaborating with the three surviving guerrillas from Guevara's ill-fated
697:, refuse to support the armed struggle. On Day 100, there is a shortage of food and Guevara exercises discipline to resolve conflicts between his Cuban and Bolivian followers.
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magazine, Andrew O'Hehir wrote, "What Soderbergh has sought to capture here is a grand process of birth and extinguishment, one that produced a complicated legacy in which
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2108:, viewers will likely emerge as if from a trance, with indelibly vivid, if not more ambivalent feelings about Guevara, than the bumper-sticker image they walked in with".
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Theatrical distribution rights were pre-sold to distributors in several major territories, including France, the United Kingdom, Scandinavia, Italy, and Japan (Nikkatsu);
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is finally not epic but romance. It takes great care to be true to the factual record, but it is, nonetheless, a fairy tale". Sheri Linden, in her review for the
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March 1957. Guevara deals with debilitating bouts of asthma as his group of revolutionaries meet up with Castro's. Together, they attack an army barracks in the
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Soderbergh found the task of researching such a popular historical figure as Guevara a daunting one: "If you go to any bookstore, you'll find an entire wall of
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in 1956, looking out over the ocean, as the Cuban Revolution is about to begin. He sees the Castro brothers alone at the bow of the ship; Fidel is talking and
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benefits greatly from certain Soderberghian qualities that don't always serve his other films well, e.g., detachment, formalism, and intellectual curiosity".
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in Havana's Yara Cinema, Del Toro was treated to a 10-minute standing ovation from the 2,000+ strong audience, many of whom were involved in the revolution.
1275:. He spent a year reading every available book on Guevara in preparation for writing the script. The project was put on hold when Bickford and Del Toro made
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Many aspects of Guevara's personality and beliefs affected the filming process. For instance, close-ups of Del Toro were avoided due to Guevara's belief in
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forges alliances with other revolutionary movements in Cuba, and begin to assault towns and villages. Most fall to the rebels with little to no resistance.
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that "you cannot offend the sensitivities of the people", while describing the film as "a disgrace". A supporter of the demonstration, Miami Beach's mayor
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plays like a procedural about a charismatic leader, impossible missions and the pleasures of work and camaraderie", referring to the "historical epic" as "
2220:, Soderbergh has said that he now wishes that he had not made the film and remarked, "Literally I'd wake up and think, 'At least I'm not doing that today.
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were late and Del Toro and Soderbergh were grounded in Los Angeles for a week. The director was meanwhile informed that the prototype cameras were ready.
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1580:. The film was expanded to additional markets on 16 and 22 January both as a single film and as two separate films. IFC made the films available through
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gave Del Toro a glowing review, professing that he "personifies Che" in both his physical appearance and his "masterly interpretation". After unveiling
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where Del Toro met Guevara's widow, family, and "tons of people that loved this man". The visit included a five-minute encounter at a book fair with
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is taking notes. Guevara hands a peeled orange to one of his comrades and returns his gaze to the lone brothers before the scene fades to black.
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383:. Rather than follow a standard chronological order, the films offer an oblique series of interspersed moments along the overall timeline.
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1980:, a film production facility President Chávez launched to help Venezuela produce its own movies as an alternative to what Chávez calls
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2019:, the film has a collective weighted average score of 64 out of 100, based on 24 critics, indicating "generally favorable reviews".
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The second part begins on 3 November 1966 with Guevara arriving in La Paz, Bolivia disguised as a middle-aged representative of the
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Che Guevara Studies Center, sent a congratulatory note to Del Toro upon hearing the news of his award. Del Toro was awarded a 2009
2075:, Soderbergh makes a four-hour-plus biopic about a historical figure without providing a glimmer of charm or narrative coherence".
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after production had completed and released it on 12 December 2008 in New York City and Los Angeles in order to qualify it for the
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as the 22nd-best film of 2008 in their "Best Films of 2008" poll. Film critics Roger Ebert, and James Rocchi went further, naming
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reportedly running over four hours. Following this screening, Soderbergh cut 5–7 minutes from each half. It was shown at the 46th
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was shown in its entirety, commercial and trailer free with an intermission and limited edition program book at every screening.
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2279:." In reference to what Penn deemed a snub, he added "Maybe because it's in Spanish, maybe the length, maybe the politics".
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would describe Soderbergh's narrative as a "magisterial ... compelling experience", with Del Toro's performance as "
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being extended in NYC and LA, and later expanded into additional markets. It was released as two separate films, titled
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did not support violent revolution now, in the '60s he may "have been another person and in agreement with armed war".
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as "a Hollywood movie" shot in widescreen 'scope aspect ratio, with the camera either fixed or moving on a dolly or a
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the character. Preparation included looking at Guevara's photographs and reading his personal writings. Del Toro read
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542:, which holds all North American rights, initially released the combined film for one week on 12 December 2008 in
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is twice as long as it needs to be, but it is also only half the movie it should have been". James Verniere of
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one of the best films of 2008. The film appeared on several critics' top ten lists of the best films of 2008.
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gave the film a B−, describing the work as a new genre of "arthouse guerrilla nostalgia", while lamenting
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2084:, A.O. Scott writes, "Mr. Soderbergh once again offers a master class in filmmaking. As history, though,
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doesn't win the Palme d'Or ... but be that as it may, nobody who saw it here will ever forget it".
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on 21 January on all major cable and satellite providers in both standard and high definition versions.
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activity and to train the Bolivian Army. On Day 169, Guevara's visiting friend, the French intellectual
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who asks him if reform throughout Latin America might not blunt the "message of the Cuban Revolution".
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execution sentences of "suspected war criminals, traitors and informants" that Guevara reviewed at
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Early reviews were mixed, although there were several critics who spoke glowingly of the project.
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as "a totally Latin American movie" and stated that he had "a good meeting with the President".
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underwent major renovations, Del Toro and Soderbergh shot the scenes of Guevara speaking to the
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In December 2008, Ocean Press, in cooperation with the Che Guevara Publishing Project, released
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2386:—a 1968 documentary by Brian Moser who was in Bolivia looking for Che when Che was executed.
1968:, himself a socialist and admirer of Che Guevara, greeted Del Toro and co-star Bichir at the
1293:. Additional research included reading Guevara's diaries and declassified documents from the
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passed on this one too". Foreign pre-sales covered $ 54 million of the $ 58 million budget.
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gave a "B+" rating to the first half of the film and a "C−" rating to the second half, and
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show this version in nine additional markets on 16 January. For this theatrical promotion,
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2003:
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2146:. In Verniere's view, so much information was missing, that he recommended one first see
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2302:. Del Toro remarked that it was "an honor" to receive the award and thanked Soderbergh.
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2312:, whose ceremony took place during the spring of 2009 in the Wilaya of Dakhla at the
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72:
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Castañeda, Mireya (11 December 2008). "Benicio del Toro presents Soderbergh's Che".
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By Day 113, some of the guerrillas have deserted, and, upon capture, have led the
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Chavez, Juan Carlos (4 December 2008). "Cuban exiles protesting the showing of
6782:
6635:
5882:
5866:
5345:
4832:
2367:
2320:, attended to accept the award when Del Toro could not because of filming for
2291:
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2016:
1815:
1442:
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878:
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17:
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was awarded "The White Camel", the top award handed out at the sixth annual
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1880:
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909:
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1421:
Soderbergh shot the films back-to-back in the beginning of July 2007 with
1284:
Soderbergh wanted to incorporate Guevara's experiences in Cuba and at the
5523:
2298:. Named after a prolific Cuban filmmaker, the award was voted for by the
5816:
5805:
1464:, Soderbergh depicts Guevara's derailment of a freight train during the
1441:
was shot, according to Soderbergh, "in Super-16, 1.85:1. No dollies, no
586:
grossed US$ 40.9 million worldwide, against a budget of US$ 58 million.
5861:
4827:
4414:
3805:
3773:
3276:
Olsen, Mark (11 December 2008). "Benicio Del Toro leads the charge for
2722:
1973:
1522:
686:
682:
372:
5779:
The Young Castro Comes Alive Through Actor Demian Bichir's Performance
1749:
skills and seductive intellect than by his asthma". In his review for
6667:
4626:"The Importance of Being Ernesto: Soderbergh Unspools Four-Hour-Plus
2462:
606:
6359:
1554:
paid a low seven-figure sum to acquire all North American rights to
740:. Che is wounded and captured. The next day, a helicopter lands and
2862:
Axmaker, Sean (15 January 2009). "Interview: Steven Soderbergh and
1429:
shot in Puerto Rico and Mexico for 39 days. The director conceived
1352:. Spain's Telecinco/Moreno Films supplied the rest of the budget.
1237:
517:
6295:
6213:
2047:
style and "non-personalized" historical approach on the film to
1211:
503:
participation in the Cuban Revolution and his appearance at the
400:
6363:
5969:
2688:
2686:
1297:
about his trip to New York and memos from his time in Bolivia.
639:
in New York City, where he makes an impassioned speech against
628:. He listens to Castro's plans and signs on as a member of the
5965:
5769:
Behold the Man: Steven Soderbergh's Epic Film Biography of Che
4547:
2985:
2382:
Camera technology that was used in the film's production, and
2335:
2186:", calling it "an exceptionally good" war film, which rivaled
2032:"nothing if not the movie of the year". In his review for the
1482:
principles and then isolate him with close-ups." According to
3473:"Weekend Estimates: Fox Searchlight Having Great MLK Weekend"
6996:
Films featuring a Best Actor Goya Award-winning performance
635:
There is a return to 1964 for Guevara's address before the
5490:"Penn Surprised over Toro's Absence from Nominations List"
2366:, and a 20-page booklet featuring an essay by film critic
1619:, where it was considered the festival's "must-see" film.
4151:"First Look from Cannes: A Review of Steven Soderbergh's
3172:"Viva La Revolution: Steven Soderbergh Rebels Again with
2346:
was originally scheduled to release the film on Region 1
1906:
that is centered in Miami from the rest of the country".
1611:
with a 15-minute intermission and as two separate films,
1256:
this phase of development that the filmmakers discovered
1191:
was intended to be a much more traditional film based on
4018:"Why You Should Take an Interest in Steven Soderbergh's
1406:
with spherical lenses. Soderbergh wanted to use the new
1394:
because, according to the director, it needed "a bit of
1372:
in Cuba, but was prevented from travelling there by the
1368:
in 1964. The director wanted to shoot the first part of
744:
CIA agent Alejandro Ramírez (a fictionalized version of
654:
On 15 October 1958, the guerrillas approach the town of
2370:. There are also three short documentaries on Guevara:
2259:, remarked that he was surprised and disappointed that
1641:
in November 2008. To mark the occasion, the streets of
1949:
was screened at New York City's sold out 1,100 person
30:"Guerrilla movie" redirects here. For other uses, see
5376:"Steven Soderbergh: 'I can see the end of my career'"
2051:'s observational use of the moving camera, or one of
1550:
bought the Spanish theatrical and home video rights.
32:
Guerrilla (disambiguation) § Film and television
5959:
Benicio del Toro on Che Guevara: "He was not Tarzan"
2282:
On 31 July 2009, Del Toro was awarded the inaugural
419:
to Bolivia and his demise. Both parts are shot in a
6907:
6848:
6817:
6742:
6427:
6420:
6319:
6260:
6244:
6191:
6157:
6071:
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5126:
loses battle to get to the root of a revolutionary"
4664:Knegt, Peter; Eugene Hernandez (15 December 2008).
2286:prize at a Havana ceremony attended by U.S. actors
1803:predicated on getting, spending and making money".
349:
341:
331:
317:
297:
194:
156:
132:
122:
114:
104:
96:
84:
68:
58:
41:
5725:Che: The Inspiring Life of a Vibrant Revolutionary
3734:"Cinema of the World Brings Kaleidoscope of Drama"
2635:Thomas, William (August 2008). "The Big Preview".
2267:nominations. During his acceptance speech for the
2171:, wrote, "for all the movie's narrative momentum,
1538:made $ 100 million at the box office. It did not.
751:In a final flashback scene, Guevara is aboard the
5496:. Chennai, India. 8 February 2009. Archived from
2981:"Got 4 hours to kill? Steven Soderbergh can help"
2100:, Ann Hornaday wrote, "The best way to encounter
1490:, the cast "were improvising a lot" while making
538:, and the film received mostly positive reviews.
5671:by Amanda Mae Meyncke, Film.com, 15 January 2010
2435:
2433:
2431:
2429:
1398:but scruffier". He kept to his plan of shooting
1101:Carlos Acosta-Milian as Antonio Domínguez Flores
5403:Hernandez, Eugene; Brian Brooks (25 May 2008).
3665:
3663:
1498:, tried to speak the best Argentinean Spanish (
4083:"The Revolution By Night: Steven Soderbergh's
2947:"Soderbergh takes a revolutionary approach to
2913:
2911:
2342:for 60 days as per an agreement with IFC. The
1887:, which is home to the United States' largest
1721:and other biohistorical epics. Unfortunately,
6375:
5981:
5685:Movie Can Clarify Vision of Rebel Che Guevara
4624:Abelson, Max; Matt Haber (15 December 2008).
3134:
3132:
3130:
3128:
3126:
2300:National Union of Writers and Artists of Cuba
1883:Festival. Taking place only a few miles from
512:starting at the beginning of July 2007, with
8:
5438:"Che's Widow Congratulates P. Rican Actor".
5342:"Metacritic: 2008 Film Critic Top Ten Lists"
3946:
3944:
2374:—a documentary about the film's production,
1307:Reminiscences of the Cuban Revolutionary War
1245:helmed the project before departing to make
524:shot in Puerto Rico and Mexico for 39 days.
423:style, but each has different approaches to
5705:Soderbergh Brings his Guevara Epic to Miami
5641:
5639:
5637:
5537:A Desert Film Festival Complete With Camels
4961:"Saluting the Rebel Underneath the T-Shirt"
4884:
4882:
4183:"Soderbergh and Tarantino: Warrior Auteurs"
3297:
3295:
3293:
3050:
3048:
2652:
2650:
2648:
554:. Strong box office performance led to the
6424:
6382:
6368:
6360:
5988:
5974:
5966:
5869:
5369:
5367:
4619:
4617:
4615:
3091:
3089:
3087:
3085:
3083:
2857:
2855:
929:Andrés Manuel Munar as José Iglesias Leyva
530:was screened as a single film at the 2008
47:
38:
7156:English-language biographical drama films
4438:
4436:
4244:
4242:
4240:
3586:"New York Film Festival Announces Lineup"
3014:
3012:
3010:
3008:
2919:"Che: The Diaries of Ernesto Che Guevara"
2501:
2499:
2497:
2495:
2493:
2491:
2489:
2487:
2485:
2483:
2216:Looking back at the experience of making
1879:'s Byron Carlyle Theatre, as part of the
1077:Pablo Durán as Alberto "Pancho" Fernández
566:, and further distribution followed. The
5484:
5482:
5455:"Camino Leads Goya Awards with Six Nods"
5025:: A Vivid Portrait of a Charismatic Man"
4659:
4657:
4532:
4530:
4251:"Revolutionary Hero, Relentless Heroine"
3923:"What Is Really The Story on Moneyball?"
2940:
2938:
2936:
2806:
2804:
2802:
2630:
2628:
2626:
2585:
2583:
2581:
2579:
2577:
2575:
2573:
2571:
2569:
2567:
2316:of 30,000 residents. Executive producer
1143:Giraldo Moisés as Israel "Braulio" Reyes
920:Kahlil Mendez as Leonardo "Urbano" Núñez
720:advisers arrive in Bolivia to supervise
399:, Guevara, and other revolutionaries in
7071:Films with screenplays by Peter Buchman
6182:Episodes of the Cuban Revolutionary War
5646:Che: The Criterion Collection (Blu-ray)
5252:. January–February 2009. Archived from
4588:"Benicio Del Toro: Viva la revolution!"
4338:Croce, Fernando F (26 September 2008).
3139:Kenigsberg, Ben (13–19 November 2008).
2693:Carpenter, Cassie (19 November 2008). "
2508:"Guerrilla Filmmaking on an Epic Scale"
2425:
1833:did in his demythologized portraits of
1323:Che: The Diaries of Ernesto Che Guevara
1122:James D. Dever as Ralph "Pappy" Shelton
1119:Roberto San Martín as Gary Prado Salmon
947:Norman Santiago as Carlos "Tuma" Coello
712:calls upon the United States for help.
3694:
3692:
3615:"Toronto fest adds 20 films to lineup"
3500:"IFC Films announces release plan for
3239:"Edgar Ramirez talks about working on
3237:Weintreub, Steven (10 February 2008).
2975:
2973:
2750:"Soderbergh plans Guevara double bill"
2506:Taubin, Amy (September–October 2008).
2263:and Del Toro were not also up for any
1637:was screened in Guevara's homeland of
1380:, which had the elements they needed.
5928:video interview with Benicio Del Toro
5561:gets close theater, VOD, DVD release"
3445:McClintock, Pamela (8 January 2009).
3302:Jeffries, Stuart (16 December 2008).
3205:Phillips, Michael (22 January 2009).
2813:"New York Film Festival Dispatch #2:
2777:Johnston, Sheila (29 December 2008).
1116:Aaron Vega as José "Ricardo" Martínez
995:as U.N. interpreter and film narrator
417:Guevara's attempt to bring revolution
7:
5908:CNN video interview: "Soderbergh on
4738:"Benicio del Toro meets Hugo Chávez"
4711:"Benicio del Toro meets Hugo Chávez"
4681:"Roadshow" Plays To Sold Out Crowds"
4586:Sullivan, Chris (12 December 2008).
3447:"Che' motors to extended run at IFC"
3372:Thompson, Anne (10 September 2008).
3331:Jones, Michael (29 September 2008).
3170:Kaufman, Anthony (5 December 2008).
3096:Guillen, Michael (17 January 2009).
2712:Amodio, Joseph V (11 January 2009).
2657:Johnston, Sheila (8 December 2008).
2545:doesn't make Apologies for its Hero"
2192:in its "you-are-there sensibility".
1512:Soderbergh decided to omit the post-
1425:shot first in Spain for 39 days and
6991:Films directed by Steven Soderbergh
5587:"IFC, Criterion pact for homevideo"
5585:DeBruge, Peter (1 September 2009).
5088:Verniere, James (16 January 2009).
5051:Gleiberman, Owen (7 January 2009).
3559:"A Cannes of worms for indie films"
2539:Rodriguez, Rene (21 January 2009).
1623:made its sold-out L.A. premiere at
1605:Toronto International Film Festival
1595:was screened on 21 May at the 2008
6971:American nonlinear narrative films
5555:Ault, Susanne (19 December 2008).
5308:Rocchi, James (17 December 2008).
5180:Barsanti, Chris (9 January 2009).
4987:Linden, Sheri (12 December 2008).
4926:White, Armond (10 December 2008).
4858:Foundas, Scott (29 October 2008).
4503:"The Revolutionary, The Filmmaker"
4373:O'Hehir, Andrew (6 October 2008).
4249:Dargis, Manohla (2 October 2008).
3710:. 19 November 2008. Archived from
3021:"Degraded Dupes Steven Soderbergh"
2892:. 13 February 2007. Archived from
2334:The film was released on Region 1
2310:Sahara International Film Festival
1732:Peter Bradshaw, in his review for
1627:on 1 November 2008 as part of the
173:(Germany, Austria and Netherlands)
25:
7131:Spanish nonlinear narrative films
6981:Epic films based on actual events
5453:Rolfe, Pamela (1 February 2009).
5019:Hornaday, Ann (16 January 2009).
4537:Neill, Morgan (9 December 2008).
4501:Taylor, Kate (15 February 2009).
4417:. 6 December 2008. Archived from
3925:. Movie City News. Archived from
3795:DiOrio, Carl (19 December 2008).
3759:DiOrio, Carl (14 December 2008).
3613:Thompson, Anne (13 August 2008).
3557:Goldstein, Gregg (31 July 2008).
3106:Interview with Steven Soderbergh"
2886:– Interview of Steven Soderbergh"
2364:Che Guevara: A Revolutionary Life
2338:in January 2009 exclusively from
1652:Dubai International Film Festival
1197:Che Guevara: A Revolutionary Life
407:'s dictatorship two years later.
7111:Spanish biographical drama films
7096:French nonlinear narrative films
7006:Films scored by Alberto Iglesias
7001:Films released in separate parts
6342:
6341:
6062:
5945:Behind the Scenes on the Set of
5519:Havana Ceremony Honours Del Toro
5275:Ebert, Roger (5 December 2008).
5206:Ebert, Roger (14 January 2008).
5152:Lane, Anthony (9 January 2009).
5120:Puig, Claudia (9 January 2009).
4464:DiOrio, Carl (7 December 2008).
4303:Uhlich, Keith (2 October 2008).
4181:Corliss, Richard (22 May 2008).
4149:Garrett, Stephen (22 May 2008).
4016:Billington, Alex (26 May 2008).
3862:McNary, Dave (30 January 2009).
3670:Olsen, Mark (14 November 2008).
3639:Howell, Peter (30 August 2008).
3529:Wells, Jeffrey (28 April 2008).
3471:Knegt, Peter (18 January 2009).
2845:CNN Video Report by Phil Black:
2714:"Fast Chat: Benicio Del Toro in
2444:Worldwide Gross = US$ 33,222,381
1806:Film critic Glenn Kenny wrote, "
1310:, and from his time in Bolivia,
937:Roberto "El Vaquerito" Rodríguez
403:to their successful toppling of
7076:French biographical drama films
5310:"James Rocchi's Picks for 2008"
4959:Scott, A.O (12 December 2008).
4889:Hoberman, J (9 December 2008).
4674:Lead Parade of Oscar Hopefuls,
4630:to Cheers, Cries of 'Murderer'"
4277:Kenny, Glenn (2 October 2008).
4214:O'Hehir, Andrew (22 May 2008).
4116:Bradshaw, Peter (22 May 2008).
3827:Knegt, Peter (8 January 2009).
2945:Olsen, Mark (31 October 2008).
2921:. Powell's Books. December 2008
2811:Alter, Ethan (2 October 2008).
2451:Worldwide Gross = US$ 7,720,750
2354:Additional supplements include
2010:always fascinates." Meanwhile,
1383:The original intention was for
679:Organization of American States
637:United Nations General Assembly
7121:English-language Spanish films
6976:American political drama films
5903:photo gallery: Del Toro as Che
5374:Barnes, Henry (14 July 2009).
4046:McCarthy, Todd (21 May 2008).
3951:Thompson, Anne (21 May 2008).
3921:Poland, David (21 June 2009).
3055:Thompson, Anne (19 May 2008).
2376:Che and the Digital Revolution
2120:wrote, "As political theater,
1957:Venezuela and President Chávez
1787:, based on a screening at the
1505:Soderbergh has said that with
431:and the visual look. It stars
27:2008 film by Steven Soderbergh
1:
7086:English-language French films
6956:2008 biographical drama films
5934:Benicio Del Toro Takes On Che
5755:Benicio del Toro Talks About
3986:Rocchi, James (21 May 2008).
3864:"Rough road for Soderbergh's
2989:. 23 May 2008. Archived from
2414:List of Spanish films of 2009
2002:has a 68% approval rating at
6951:2000s Spanish-language films
6941:2000s English-language films
6612:And Everything Is Going Fine
5735:Che, Cannes and Hi-Def Video
5715:Revolution in Shades of Gray
5094:: Guerrilla Monkey Business"
4736:Brooks, Xan (5 March 2008).
4572:Digital Granma Internacional
4543:Film gets Thumbs Up in Cuba"
4375:"Doc Hudson vs. Che Guevara"
4081:Kenny, Glenn (22 May 2008).
3672:"Argentina Screens Che Film"
2779:"Benicio Del Toro interview"
2401:Media related to Che Guevara
1360:In 2006, shortly before the
663:the revolution starts now."
7056:Films shot in New York City
6966:American multilingual films
5789:Che's Revolutionary Example
3531:"Lawrence of Latin America"
2152:to fill in the background.
2055:'s "serene" documentaries.
1864:Miami screening and protest
869:as Dariel "Benigno" Ramírez
851:Benjamín Benítez as Rodolfo
620:In 1955, at a gathering in
7172:
7126:Spanish multilingual films
7031:Films set in South America
7026:Films set in New York City
5773:Virginian Quarterly Review
4279:"Caring versus Not Caring"
4216:"Soderbergh's spectacular
3019:Taubin, Amy (March 2007).
2602:Festival de Cannes program
2273:Screen Actors Guild Awards
2142:'s iconic 1960 photograph
1603:and was shown at the 33rd
1097:Jorge Vázquez "Loro" Viaña
1083:as David "Dario" Ardiazola
670:
598:
556:"special roadshow edition"
550:to qualify for the year's
278:27 February 2009
233:12 December 2008
218:5 September 2008
29:
7101:Guerrilla warfare in film
7091:French multilingual films
7061:Films shot in Puerto Rico
6915:Section Eight Productions
6873:The Girlfriend Experience
6596:The Girlfriend Experience
6397:
6337:
6207:Che (Part 1 & Part 2)
6060:
4928:"On a Revolutionary Road"
4511:. Toronto. Archived from
4466:"Benicio Del Toro brings
3801:extending theatrical run"
3769:solid in limited release"
2758:. London. 31 October 2006
2378:—a documentary about the
2065:, wrote, "Out-perversing
1625:Grauman's Chinese Theatre
1564:Che Part 1: The Argentine
1171:
999:
875:as Manuel "Miguel" Osorio
847:Juan Vitalio "Vilo" Acuña
771:
560:Che Part 1: The Argentine
259:27 January 2009
150:Section Eight Productions
76:Benjamin A. van der Veen
46:
7021:Films set in Mexico City
6444:Sex, Lies, and Videotape
6221:The Hands of Che Guevara
5695:Dammit, This Guy is Cool
5277:"The Best Films of 2008"
4596:. London. Archived from
3141:"Guerrillas in the Mist"
2847:"Che Guevara, Superstar"
2667:. London. Archived from
2358:on both films featuring
2180:to a "guerrilla take on
2059:, in his review for the
899:Roberto Luis Santana as
691:Bolivian Communist Party
568:Independent Film Channel
244:7 January 2009
6986:Films about Che Guevara
6946:2008 multilingual films
6716:Magic Mike's Last Dance
5759:: The Man And The Movie
5651:21 January 2010 at the
3641:"TIFF's must-see films"
3304:"Rebel Without a Pause"
3211:with Steven Soderbergh"
2439:Box Office Mojo links:
2138:as the film version of
1904:Cuban nationalist lobby
816:Catalina Sandino Moreno
570:released the films via
7136:Telecinco Cinema films
7041:Films set in the 1960s
7036:Films set in the 1950s
6200:The Motorcycle Diaries
6168:The Motorcycle Diaries
6124:Harry "Pombo" Villegas
5697:by Simon Hattenstone,
5669:DVD Review: Che Shines
5460:The Hollywood Reporter
4797:"Che: Part Two (2008)"
4766:"Che: Part One (2009)"
4475:The Hollywood Reporter
3564:The Hollywood Reporter
3247:for Steven Soderbergh"
3207:"Behind the scenes of
2604:. 2008. Archived from
2407:The Motorcycle Diaries
2232:Del Toro received the
2149:The Motorcycle Diaries
1789:New York Film Festival
1601:New York Film Festival
1316:Harry "Pombo" Villegas
1252:
1158:Cristhian Esquivel as
1091:Eliseo "Rolando" Reyes
1068:as Guido Peredo Liegue
986:Michael Countryman as
943:Harry "Pombo" Villegas
718:US Army Special Forces
624:, Guevara first meets
7106:Historical epic films
7046:Films shot in Bolivia
6767:Welcome to Collinwood
6652:Behind the Candelabra
6144:Canek Sánchez Guevara
6034:Battle of Santa Clara
6029:26th of July Movement
5655:by Christopher Long,
5612:"Criterion Announces
4891:"Steven Soderbergh's
4635:The New York Observer
3957:Meets Mixed Response"
3410:(30 September 2008).
3333:"NYFF: Soderbergh on
2314:Sahrawi refugee camps
2189:The Battle of Algiers
2042:wrote, "At its best,
2022:Scott Foundas of the
1987:. Del Toro described
1945:On 12 December 2008,
1680:made good profit for
1568:Che Part 2: Guerrilla
1548:Twentieth Century Fox
1466:Battle of Santa Clara
1366:U.N. General Assembly
1356:Principal photography
1295:U.S. State Department
1241:
1139:Alfredo Ovando Candía
784:Ernesto "Che" Guevara
660:Battle of Santa Clara
595:Part 1: The Argentine
578:DVD exclusively from
564:Che Part 2: Guerrilla
377:Ernesto "Che" Guevara
203:21 May 2008
177:Warner Bros. Pictures
7141:2000s American films
7051:Films shot in Mexico
7011:Films set in Bolivia
6044:Cuban Missile Crisis
6039:Bay of Pigs Invasion
5887:Criterion Collection
5791:by Stuart Munckton,
5749:The Austin Chronicle
5729:The Socialist Worker
5409:Wins the Palme d'Or"
5244:"Best Films of 2008"
5062:Entertainment Weekly
3388:on 19 September 2008
3057:"Buyers waiting for
2849:Aired on 29 May 2008
2344:Criterion Collection
2284:Tomas Gutierrez Alea
2241:as the best Spanish
2165:, in his review for
2113:Entertainment Weekly
1985:cultural imperialism
1963:Venezuelan President
1914:On 7 December 2008,
1868:On 4 December 2008,
1597:Cannes Film Festival
1572:Francis Ford Coppola
1496:Puerto Rican Spanish
1402:anamorphically, and
1302:Che-related material
1047:as Alejandro Ramírez
1027:Lou Diamond Phillips
1012:Tamara "Tania" Bunke
1002:Introduced in Part 2
774:Introduced in Part 1
706:Tamara "Tania" Bunke
641:American imperialism
532:Cannes Film Festival
469:Lou Diamond Phillips
435:as Guevara, with an
395:from the landing of
371:about the Argentine
241: (United States)
7151:2000s Spanish films
7066:Films shot in Spain
6961:American epic films
6412:Unrealized projects
6269:Guerrillero Heroico
6119:Simeon Cuba Sarabia
5783:The Huffington Post
5775:, Winter 2009 Issue
5763:The Huffington Post
5761:by Peter Kornbluh,
5717:by Andrew O'Hehir,
5689:Baltimore Chronicle
5405:"Laurent Cantent's
5322:on 18 December 2008
5289:on 20 February 2013
5030:The Washington Post
4940:on 15 December 2008
4907:on 11 December 2008
4691:on 17 December 2008
4600:on 12 December 2008
4407:"Angry protests at
4354:on 13 December 2008
3929:on 21 February 2014
3536:The Huffington Post
3508:IndependentFilm.com
3151:on 14 February 2009
2784:The Daily Telegraph
2664:The Daily Telegraph
2396:Che Guevara in film
2384:End of a Revolution
2269:Best Actor's trophy
2144:Guerrillero Heroico
2097:The Washington Post
1970:Presidential Palace
1941:New York City debut
1900:Matti Herrera Bower
1500:Rioplatense Spanish
1273:Alexander the Great
1269:Jamestown, Virginia
1137:Tomás del Estal as
1111:Juan Carlos Vellido
1107:as Carlos Fernández
1105:Antonio de la Torre
958:Richard C. Hottelet
941:Othello Rensoli as
901:Juan Almeida Bosque
534:. Del Toro won the
391:and focuses on the
364:is a two-part 2008
7146:2000s French films
7116:Spanish epic films
6281:In popular culture
6228:Che: Rise and Fall
5932:NPR audio report:
5739:Los Angeles Weekly
5737:by Scott Foundas,
5731:, 15 December 2008
5721:, 12 December 2008
5701:, 29 November 2008
5691:, 15 February 2008
5542:The New York Times
5539:by Andy Isaacson,
5467:on 5 February 2009
5419:on 10 October 2008
5352:on 27 January 2009
5256:on 22 January 2009
5224:on 19 January 2009
5182:"Guerrilla Patton"
4966:The New York Times
4865:Los Angeles Weekly
4860:"AFI Fest: A to W"
4508:The Globe and Mail
4482:on 9 December 2008
4421:on 7 December 2008
4256:The New York Times
3967:on 9 November 2014
3740:. 20 November 2008
3714:on 4 December 2008
3510:. 14 November 2008
3186:on 8 December 2008
2730:on 8 February 2009
2520:on 23 January 2013
2356:audio commentaries
2155:In her review for
2081:The New York Times
2078:In his review for
2053:Roberto Rossellini
1848:In his review for
1831:Roberto Rossellini
1784:The New York Times
1781:In her review for
1712:Lawrence of Arabia
1518:La Cabana Fortress
1445:, it's all either
1253:
1195:'s 1997 biography
1134:as Joaquín Zenteno
1051:Marc-André Grondin
1036:Joaquim de Almeida
988:Adlai Stevenson II
923:Marise Álvarez as
917:as Rogelio Acevedo
894:Alfredo De Quesada
689:smuggler, and the
630:July 26th Movement
613:is interviewed by
489:Alfredo De Quesada
473:Joaquim de Almeida
465:Marc-André Grondin
53:Promotional poster
7081:French epic films
7016:Films set in Cuba
6923:
6922:
6849:Television series
6844:
6843:
6692:Let Them All Talk
6391:Steven Soderbergh
6357:
6356:
6175:Guerrilla Warfare
6109:Camilo Cienfuegos
6054:Bolivian Campaign
5957:video interview:
5795:, 25 October 2009
5781:by Brad Balfour,
5765:, 2 February 2009
5751:, 23 January 2009
5741:, 14 January 2009
5711:, 9 December 2008
5659:, 16 January 2010
5622:. 16 October 2009
5282:Chicago Sun-Times
5217:Chicago Sun-Times
4998:Los Angeles Times
4319:on 5 October 2008
4283:Some Came Running
3833:Back on the Road"
3700:"Del Toro Brings
3426:on 2 October 2008
3416:Release Strategy"
3408:Longworth, Karina
3283:Los Angeles Times
3110:The Evening Class
3104:The Evening Class
2956:Los Angeles Times
2827:on 4 October 2008
2131:The Boston Herald
2091:Los Angeles Times
1961:On 3 March 2009,
1924:Karl Marx Theater
1387:to be shot using
1362:U.N. Headquarters
1281:with Soderbergh.
1220:Bolivian campaign
1175:
1174:
1167:as Father Schwarz
1128:as George A. Roth
1095:Ezequiel Díaz as
1062:as Ciro Algarañaz
953:as Eligio Mendoza
811:Camilo Cienfuegos
673:Bolivian Campaign
667:Part 2: Guerrilla
520:for 39 days, and
405:Fulgencio Batista
381:Steven Soderbergh
369:biographical film
357:
356:
63:Steven Soderbergh
16:(Redirected from
7163:
6908:Related articles
6676:High Flying Bird
6580:Ocean's Thirteen
6460:King of the Hill
6425:
6384:
6377:
6370:
6361:
6345:
6344:
6066:
6016:Cuban Revolution
5990:
5983:
5976:
5967:
5873:
5771:by J. Hoberman,
5747:by Marc Savlov,
5707:by Tim Elfrink,
5672:
5666:
5660:
5643:
5632:
5631:
5629:
5627:
5608:
5602:
5601:
5599:
5597:
5582:
5576:
5575:
5573:
5571:
5552:
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5534:
5528:
5516:
5510:
5509:
5507:
5505:
5486:
5477:
5476:
5474:
5472:
5463:. Archived from
5450:
5444:
5443:
5435:
5429:
5428:
5426:
5424:
5415:. Archived from
5400:
5394:
5393:
5391:
5389:
5371:
5362:
5361:
5359:
5357:
5348:. Archived from
5338:
5332:
5331:
5329:
5327:
5318:. Archived from
5305:
5299:
5298:
5296:
5294:
5285:. Archived from
5272:
5266:
5265:
5263:
5261:
5240:
5234:
5233:
5231:
5229:
5220:. Archived from
5203:
5197:
5196:
5194:
5192:
5177:
5171:
5170:
5168:
5166:
5149:
5143:
5142:
5140:
5138:
5117:
5111:
5110:
5108:
5106:
5085:
5079:
5078:
5076:
5074:
5065:. Archived from
5048:
5042:
5041:
5039:
5037:
5016:
5010:
5009:
5007:
5005:
4984:
4978:
4977:
4975:
4973:
4956:
4950:
4949:
4947:
4945:
4936:. Archived from
4923:
4917:
4916:
4914:
4912:
4903:. Archived from
4886:
4877:
4876:
4874:
4872:
4855:
4849:
4848:
4846:
4844:
4824:
4818:
4817:
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4813:
4793:
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4782:
4762:
4756:
4755:
4753:
4751:
4733:
4727:
4726:
4724:
4722:
4715:Associated Press
4707:
4701:
4700:
4698:
4696:
4687:. Archived from
4680:
4661:
4652:
4651:
4649:
4647:
4638:. Archived from
4621:
4610:
4609:
4607:
4605:
4583:
4577:
4576:
4566:
4560:
4559:
4557:
4555:
4534:
4525:
4524:
4522:
4520:
4515:on 19 April 2009
4498:
4492:
4491:
4489:
4487:
4478:. Archived from
4461:
4455:
4454:
4440:
4431:
4430:
4428:
4426:
4403:
4397:
4396:
4394:
4392:
4383:. Archived from
4370:
4364:
4363:
4361:
4359:
4350:. Archived from
4335:
4329:
4328:
4326:
4324:
4315:. Archived from
4300:
4294:
4293:
4291:
4289:
4274:
4268:
4267:
4265:
4263:
4246:
4235:
4234:
4232:
4230:
4211:
4205:
4204:
4202:
4200:
4191:. Archived from
4178:
4172:
4171:
4169:
4167:
4146:
4140:
4139:
4137:
4135:
4113:
4107:
4106:
4104:
4102:
4093:. Archived from
4078:
4072:
4071:
4069:
4067:
4058:. Archived from
4043:
4037:
4036:
4034:
4032:
4026:FirstShowing.net
4013:
4007:
4006:
4004:
4002:
3988:"Cannes Review:
3983:
3977:
3976:
3974:
3972:
3963:. Archived from
3948:
3939:
3938:
3936:
3934:
3918:
3912:
3911:
3909:
3907:
3889:
3883:
3882:
3880:
3878:
3859:
3853:
3852:
3850:
3848:
3839:. Archived from
3824:
3818:
3817:
3815:
3813:
3792:
3786:
3785:
3783:
3781:
3756:
3750:
3749:
3747:
3745:
3730:
3724:
3723:
3721:
3719:
3696:
3687:
3686:
3684:
3682:
3667:
3658:
3657:
3655:
3653:
3636:
3630:
3629:
3627:
3625:
3610:
3604:
3603:
3601:
3599:
3594:. 13 August 2008
3591:The New York Sun
3582:
3576:
3575:
3573:
3571:
3554:
3548:
3547:
3545:
3543:
3526:
3520:
3519:
3517:
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3496:
3490:
3489:
3487:
3485:
3468:
3462:
3461:
3459:
3457:
3442:
3436:
3435:
3433:
3431:
3422:. Archived from
3404:
3398:
3397:
3395:
3393:
3384:. Archived from
3374:"Toronto Watch:
3369:
3363:
3358:
3352:
3351:
3349:
3347:
3328:
3322:
3321:
3319:
3317:
3299:
3288:
3287:
3273:
3267:
3266:
3264:
3262:
3253:. Archived from
3234:
3228:
3227:
3225:
3223:
3202:
3196:
3195:
3193:
3191:
3182:. Archived from
3167:
3161:
3160:
3158:
3156:
3147:. Archived from
3145:Time Out Chicago
3136:
3121:
3120:
3118:
3116:
3093:
3078:
3077:
3075:
3073:
3052:
3043:
3042:
3040:
3038:
3029:. Archived from
3016:
3003:
3002:
3000:
2998:
2977:
2968:
2967:
2965:
2963:
2942:
2931:
2930:
2928:
2926:
2915:
2906:
2905:
2903:
2901:
2878:
2872:
2871:
2859:
2850:
2843:
2837:
2836:
2834:
2832:
2823:. Archived from
2808:
2797:
2796:
2794:
2792:
2774:
2768:
2767:
2765:
2763:
2746:
2740:
2739:
2737:
2735:
2726:. Archived from
2709:
2703:
2702:
2690:
2681:
2680:
2678:
2676:
2671:on 21 April 2013
2654:
2643:
2642:
2632:
2621:
2620:
2618:
2616:
2610:
2599:
2587:
2562:
2561:
2559:
2557:
2541:"Two-Part Movie
2536:
2530:
2529:
2527:
2525:
2516:. Archived from
2503:
2478:
2477:
2475:
2473:
2459:
2453:
2437:
2360:Jon Lee Anderson
2253:for his role in
2234:Best Actor Award
2223:
1951:Ziegfeld Theater
1910:Cuban homecoming
1764:
1703:
1193:Jon Lee Anderson
1149:as Andrés Selich
1087:Rubén Ochandiano
1066:Cristian Mercado
1060:Eduard Fernández
980:Javier Ortiz as
974:Joksan Ramos as
968:Jon De Vries as
863:as Colonel Rojas
843:Jorge Perugorría
807:Santiago Cabrera
780:Benicio del Toro
769:
768:
734:Juan Acuña Ñunez
601:Cuban Revolution
536:Best Actor Award
449:Santiago Cabrera
433:Benicio del Toro
425:linear narrative
393:Cuban Revolution
353:US$ 42.8 million
285:
283:
266:
264:
251:
249:
240:
238:
225:
223:
210:
208:
190:
182:
174:
168:
163:20th Century Fox
142:Telecinco Cinema
127:Alberto Iglesias
100:Benicio del Toro
91:Benicio del Toro
51:
39:
21:
7171:
7170:
7166:
7165:
7164:
7162:
7161:
7160:
6926:
6925:
6924:
6919:
6903:
6840:
6813:
6751:The Daytrippers
6738:
6572:The Good German
6508:Erin Brockovich
6416:
6393:
6388:
6358:
6353:
6333:
6315:
6311:Jim Fitzpatrick
6256:
6240:
6187:
6153:
6139:Orlando Borrego
6134:Félix Rodríguez
6079:Alberto Granado
6067:
6058:
6011:Guatemalan Coup
5999:
5994:
5856:Rotten Tomatoes
5845:Rotten Tomatoes
5834:Box Office Mojo
5802:
5709:Miami New Times
5687:by Gary Olson,
5681:
5676:
5675:
5667:
5663:
5653:Wayback Machine
5644:
5635:
5625:
5623:
5620:High Def Digest
5610:
5609:
5605:
5595:
5593:
5584:
5583:
5579:
5569:
5567:
5554:
5553:
5549:
5535:
5531:
5517:
5513:
5503:
5501:
5488:
5487:
5480:
5470:
5468:
5452:
5451:
5447:
5437:
5436:
5432:
5422:
5420:
5402:
5401:
5397:
5387:
5385:
5373:
5372:
5365:
5355:
5353:
5340:
5339:
5335:
5325:
5323:
5307:
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5292:
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5269:
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5225:
5205:
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5200:
5190:
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5151:
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5136:
5134:
5119:
5118:
5114:
5104:
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5087:
5086:
5082:
5072:
5070:
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5049:
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5018:
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5013:
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5001:
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4981:
4971:
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4958:
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4953:
4943:
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4925:
4924:
4920:
4910:
4908:
4888:
4887:
4880:
4870:
4868:
4857:
4856:
4852:
4842:
4840:
4838:CBS Interactive
4826:
4825:
4821:
4811:
4809:
4802:Rotten Tomatoes
4795:
4794:
4790:
4780:
4778:
4771:Rotten Tomatoes
4764:
4763:
4759:
4749:
4747:
4735:
4734:
4730:
4720:
4718:
4709:
4708:
4704:
4694:
4692:
4678:
4663:
4662:
4655:
4645:
4643:
4623:
4622:
4613:
4603:
4601:
4593:The Independent
4585:
4584:
4580:
4568:
4567:
4563:
4553:
4551:
4536:
4535:
4528:
4518:
4516:
4500:
4499:
4495:
4485:
4483:
4463:
4462:
4458:
4450:El Nuevo Herald
4442:
4441:
4434:
4424:
4422:
4405:
4404:
4400:
4390:
4388:
4372:
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4332:
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4213:
4212:
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4165:
4163:
4148:
4147:
4143:
4133:
4131:
4115:
4114:
4110:
4100:
4098:
4097:on 24 July 2008
4080:
4079:
4075:
4065:
4063:
4062:on 28 July 2008
4045:
4044:
4040:
4030:
4028:
4015:
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4010:
4000:
3998:
3985:
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3597:
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3579:
3569:
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3556:
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3551:
3541:
3539:
3528:
3527:
3523:
3513:
3511:
3498:
3497:
3493:
3483:
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3470:
3469:
3465:
3455:
3453:
3444:
3443:
3439:
3429:
3427:
3406:
3405:
3401:
3391:
3389:
3371:
3370:
3366:
3359:
3355:
3345:
3343:
3330:
3329:
3325:
3315:
3313:
3301:
3300:
3291:
3275:
3274:
3270:
3260:
3258:
3257:on 1 March 2014
3236:
3235:
3231:
3221:
3219:
3216:Chicago Tribune
3204:
3203:
3199:
3189:
3187:
3169:
3168:
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3154:
3152:
3138:
3137:
3124:
3114:
3112:
3095:
3094:
3081:
3071:
3069:
3054:
3053:
3046:
3036:
3034:
3026:Sight and Sound
3018:
3017:
3006:
2996:
2994:
2979:
2978:
2971:
2961:
2959:
2944:
2943:
2934:
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2828:
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2800:
2790:
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2776:
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2771:
2761:
2759:
2748:
2747:
2743:
2733:
2731:
2711:
2710:
2706:
2692:
2691:
2684:
2674:
2672:
2659:"Viva Benicio!"
2656:
2655:
2646:
2634:
2633:
2624:
2614:
2612:
2611:on 14 June 2011
2608:
2597:
2589:
2588:
2565:
2555:
2553:
2538:
2537:
2533:
2523:
2521:
2505:
2504:
2481:
2471:
2469:
2461:
2460:
2456:
2438:
2427:
2422:
2392:
2332:
2318:Alvaro Longoria
2230:
2221:
2118:Owen Gleiberman
2004:Rotten Tomatoes
1997:
1995:General reviews
1959:
1943:
1912:
1895:El Nuevo Herald
1866:
1779:
1762:
1746:Richard Corliss
1701:
1695:
1693:Cannes reaction
1690:
1590:
1582:video on demand
1544:
1486:, who portrays
1374:U.S. government
1358:
1331:
1267:, a film about
1258:Terrence Malick
1243:Terrence Malick
1236:
1185:
1180:
1155:as Carlos Pérez
1132:Pedro Casablanc
1113:as Hernán Plata
1074:as Mario Vargas
1040:René Barrientos
1004:
970:Eugene McCarthy
896:as Israel Pardo
857:as Ciro Redondo
798:Rodrigo Santoro
776:
767:
746:Félix Rodríguez
710:René Barrientos
675:
669:
603:
597:
592:
572:video on demand
500:Terrence Malick
445:Rodrigo Santoro
415:and focuses on
336:
326:
324:
322:
309:
304:
300:
293:
281:
279:
274:
262:
260:
247:
245:
236:
234:
221:
219:
206:
204:
197:
189:(United States)
188:
187:
183:
180:
179:
175:
172:
171:
169:
166:
165:
161:
152:
148:
144:
137:
135:
118:Pablo Zumárraga
89:
79:Terrence Malick
77:
75:
54:
35:
28:
23:
22:
15:
12:
11:
5:
7169:
7167:
7159:
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6998:
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6763:
6755:
6746:
6744:
6740:
6739:
6737:
6736:
6728:
6720:
6712:
6704:
6700:No Sudden Move
6696:
6688:
6684:The Laundromat
6680:
6672:
6664:
6656:
6648:
6640:
6632:
6624:
6616:
6608:
6604:The Informant!
6600:
6592:
6584:
6576:
6568:
6560:
6556:Ocean's Twelve
6552:
6544:
6536:
6528:
6524:Ocean's Eleven
6520:
6512:
6504:
6496:
6488:
6484:Gray's Anatomy
6480:
6472:
6468:The Underneath
6464:
6456:
6448:
6440:
6431:
6429:
6422:
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6417:
6415:
6414:
6409:
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6146:
6141:
6136:
6131:
6126:
6121:
6116:
6111:
6106:
6101:
6096:
6094:Aleida Guevara
6091:
6086:
6081:
6075:
6073:
6069:
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5920:
5906:
5890:
5889:
5874:
5858:
5847:
5836:
5825:
5814:
5801:
5800:External links
5798:
5797:
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5786:
5776:
5766:
5752:
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5732:
5722:
5712:
5702:
5692:
5680:
5677:
5674:
5673:
5661:
5633:
5603:
5577:
5565:Video Business
5547:
5545:, 28 July 2009
5529:
5527:, 31 July 2009
5511:
5500:on 4 July 2009
5478:
5445:
5442:. 29 May 2008.
5430:
5395:
5363:
5333:
5300:
5267:
5235:
5198:
5172:
5159:The New Yorker
5144:
5112:
5080:
5069:on 7 July 2009
5043:
5011:
4979:
4951:
4933:New York Press
4918:
4878:
4850:
4819:
4807:Fandango Media
4788:
4776:Fandango Media
4757:
4728:
4717:. 5 March 2008
4702:
4653:
4642:on 5 July 2009
4611:
4578:
4561:
4526:
4493:
4456:
4432:
4398:
4387:on 5 July 2009
4365:
4330:
4295:
4269:
4236:
4206:
4195:on 25 May 2008
4173:
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4073:
4038:
4008:
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3913:
3884:
3854:
3843:on 7 July 2009
3819:
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3364:
3353:
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3289:
3268:
3229:
3197:
3162:
3122:
3079:
3044:
3004:
2993:on 26 May 2008
2969:
2932:
2907:
2896:on 20 May 2008
2873:
2851:
2838:
2798:
2769:
2741:
2704:
2682:
2644:
2641:. p. 104.
2622:
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2531:
2479:
2454:
2424:
2423:
2421:
2418:
2417:
2416:
2411:
2403:
2398:
2391:
2388:
2331:
2328:
2229:
2226:
2168:The New Yorker
2062:New York Press
2049:Otto Preminger
1996:
1993:
1978:Villa del Cine
1958:
1955:
1942:
1939:
1922:5,000+ person
1911:
1908:
1889:Cuban American
1865:
1862:
1821:Slant Magazine
1799:Ocean's Eleven
1793:Manohla Dargis
1778:
1775:
1694:
1691:
1689:
1686:
1589:
1586:
1577:Apocalypse Now
1560:Academy Awards
1543:
1540:
1460:At the end of
1357:
1354:
1330:
1327:
1312:Bolivian Diary
1286:United Nations
1235:
1232:
1184:
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1176:
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1069:
1063:
1057:
1048:
1042:
1033:
1024:
1023:(el Argentino)
1014:
1008:Franka Potente
1003:
1000:
998:
997:
996:
990:
984:
978:
972:
966:
963:Stephen Mailer
960:
956:Jay Potter as
954:
951:Pedro Telemaco
948:
945:
939:
930:
927:
921:
918:
912:
903:
897:
891:
885:Elvira Mínguez
882:
881:as Jorge Sotús
876:
873:Néstor Rodulfo
870:
867:Armando Riesco
864:
858:
852:
849:
840:
831:
822:
813:
804:
795:
786:
775:
772:
766:
763:
742:Cuban American
722:anti-insurgent
668:
665:
648:Sierra Maestra
596:
593:
591:
588:
582:. As a whole,
552:Academy Awards
505:United Nations
453:Franka Potente
439:that includes
379:, directed by
375:revolutionary
355:
354:
351:
347:
346:
345:US$ 58 million
343:
339:
338:
333:
329:
328:
319:
315:
314:
301:
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294:
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275:
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272:
267: (France:
257:
252: (France:
242:
231:
216:
200:
198:
195:
192:
191:
158:
157:Distributed by
154:
153:
140:
138:
133:
130:
129:
124:
120:
119:
116:
112:
111:
106:
105:Cinematography
102:
101:
98:
94:
93:
88:Laura Bickford
86:
82:
81:
70:
66:
65:
60:
56:
55:
52:
44:
43:
26:
24:
14:
13:
10:
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6:
4:
3:
2:
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6785:
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6764:
6761:
6760:
6759:Pleasantville
6756:
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5851:Che: Part Two
5848:
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5840:Che: Part One
5837:
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5826:
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5820:
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5818:Che: Part Two
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5807:Che: Part One
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4900:Village Voice
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4828:"Che Reviews"
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3361:War is swell?
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3241:The Argentine
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3033:on 8 May 2008
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2288:Robert Duvall
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2265:Academy Award
2262:
2258:
2257:
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2249:, who won an
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2240:
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2198:
2197:called mad".
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2140:Alberto Korda
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2035:Village Voice
2031:
2027:
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2020:
2018:
2013:
2009:
2005:
2001:
1994:
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1990:
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1983:
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1967:
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1918:premiered at
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1885:Little Havana
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1777:NYFF reaction
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1771:Lalo Sardiñas
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1672:According to
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1492:The Argentine
1489:
1485:
1484:Edgar Ramirez
1481:
1478:
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1469:
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1463:
1462:The Argentine
1458:
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1428:
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1424:
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1400:The Argentine
1397:
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1370:The Argentine
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1291:The Argentine
1287:
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1266:
1265:
1264:The New World
1259:
1250:
1249:
1248:The New World
1244:
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1228:Steve McQueen
1225:
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1081:Óscar Jaenada
1079:
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965:as Paul Niven
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889:Celia Sánchez
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855:Édgar Ramírez
853:
850:
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838:Ramiro Valdés
835:
834:Vladimir Cruz
832:
830:
826:
823:
821:
817:
814:
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808:
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799:
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790:
789:Demián Bichir
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702:Bolivian Army
698:
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681:hailing from
680:
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544:New York City
541:
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533:
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525:
523:
522:The Argentine
519:
515:
511:
506:
501:
496:
494:
490:
486:
482:
478:
477:Édgar Ramírez
474:
470:
466:
462:
461:Vladimir Cruz
458:
454:
450:
446:
442:
441:Demián Bichir
438:
437:ensemble cast
434:
430:
426:
422:
421:cinéma vérité
418:
414:
410:
406:
402:
398:
394:
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389:The Argentine
386:
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374:
370:
367:
363:
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352:
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344:
340:
334:
330:
327:United States
320:
316:
313:: 135 minutes
312:
308:: 132 minutes
307:
302:
296:
289:
286: (Spain:
277:
276:
270:
258:
255:
254:The Argentine
243:
232:
229:
228:The Argentine
226: (Spain:
217:
214:
202:
201:
199:
196:Release dates
193:
186:
178:
164:
159:
155:
151:
147:
143:
139:
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128:
125:
121:
117:
113:
110:
109:Peter Andrews
107:
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99:
95:
92:
87:
83:
80:
74:
73:Peter Buchman
71:
67:
64:
61:
57:
50:
45:
40:
37:
33:
19:
18:Che: Part Two
6895:
6887:
6879:
6871:
6863:
6855:
6832:
6824:
6805:
6797:
6791:Solitary Man
6789:
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6757:
6749:
6730:
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6714:
6706:
6698:
6690:
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6674:
6666:
6658:
6650:
6644:Side Effects
6642:
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6610:
6602:
6594:
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6578:
6570:
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6532:Full Frontal
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6506:
6498:
6492:Out of Sight
6490:
6482:
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6466:
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6450:
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6407:Bibliography
6346:
6328:Vida del Che
6326:
6268:
6233:
6226:
6219:
6212:
6206:
6205:
6199:
6180:
6174:
6167:
6129:Régis Debray
6114:Tamara Bunke
6104:Fidel Castro
6089:Aleida March
6049:Congo Crisis
6021:
5963:
5954:The Guardian
5952:
5946:
5938:
5923:
5909:
5898:
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5748:
5745:Becoming Che
5738:
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5699:The Guardian
5698:
5688:
5679:Bibliography
5664:
5656:
5624:. Retrieved
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2348:Blu-ray Disc
2333:
2323:The Wolf Man
2321:
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2011:
2007:
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1988:
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1858:Barack Obama
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1542:Distribution
1535:
1534:but only if
1528:
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1491:
1488:Ciro Redondo
1473:collectivism
1470:
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1224:Gregory Peck
1216:Fidel Castro
1205:
1200:
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1187:Originally,
1186:
1153:Enrique Arce
1147:David Selvas
1055:Régis Debray
1017:Gastón Pauls
982:Felipe Pazos
915:Victor Rasuk
861:Bruno Bichir
825:Julia Ormond
820:Aleida March
793:Fidel Castro
752:
750:
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726:Régis Debray
699:
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653:
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626:Fidel Castro
619:
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510:back-to-back
497:
457:Julia Ormond
412:
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397:Fidel Castro
388:
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360:
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358:
310:
305:
299:Running time
287:
268:
253:
227:
160:Morena Films
36:
6889:Full Circle
6660:Logan Lucky
6476:Schizopolis
6402:Filmography
6252:Che'r Cycle
6235:Chevolution
6149:Mario Terán
6099:Raúl Castro
6084:Hilda Gadea
5997:Che Guevara
5924:Morning Joe
5596:4 September
5504:14 February
5326:19 December
5186:Pop Matters
5154:"Che's Way"
5004:13 December
4972:12 December
4944:12 December
4911:12 December
4871:19 December
4695:16 December
4646:19 December
4604:16 December
4554:16 December
4486:10 December
4425:14 December
4391:20 February
3996:Cinematical
3901:The Numbers
3829:"IFC Takes
3812:19 December
3780:16 December
3744:29 November
3718:29 November
3681:29 November
3316:16 December
3261:11 February
3155:12 November
2925:19 February
2791:20 February
2675:19 December
2615:6 September
2524:5 September
2362:—author of
2340:Blockbuster
2296:Bill Murray
2194:Roger Ebert
2040:J. Hoberman
2028:proclaimed
1982:Hollywood's
1966:Hugo Chávez
1877:Miami Beach
1854:John McCain
1699:Cinematical
1477:egalitarian
1396:Bruckheimer
1333:Initially,
1207:Don Quixote
1183:Development
1160:Mario Terán
1126:Mark Umbers
1072:Jordi Mollà
1045:Yul Vazquez
1031:Mario Monje
1021:Ciro Bustos
993:Oscar Isaac
976:Raúl Chibás
933:Unax Ugalde
925:Vilma Espín
906:Sam Robards
829:Lisa Howard
802:Raúl Castro
695:Mario Monje
622:Mexico City
615:Lisa Howard
611:Che Guevara
580:Blockbuster
548:Los Angeles
493:Oscar Isaac
485:Unax Ugalde
481:Yul Vazquez
303:267 minutes
85:Produced by
59:Directed by
6936:2008 films
6930:Categories
6826:Nightwatch
6807:The Report
6783:The Jacket
6636:Magic Mike
6286:In fashion
5893:Multimedia
5883:Amy Taubin
5867:Metacritic
5793:Green Left
5626:21 October
5570:2 February
5471:1 February
5356:11 January
5346:Metacritic
5293:7 December
5228:26 January
5165:12 January
5036:8 February
4833:Metacritic
4220:-volution"
3971:8 November
3877:2 February
3704:to France"
3514:3 December
3484:9 February
3456:9 February
3222:7 February
3190:7 December
3115:9 February
2962:2 November
2890:ScreenRush
2556:28 January
2420:References
2372:Making Che
2368:Amy Taubin
2330:Home media
2292:James Caan
2243:Lead Actor
2239:Goya Award
2017:Metacritic
1818:cameos)".
1816:Matt Damon
1588:Screenings
1514:revolution
1392:16 mm film
1389:anamorphic
1346:Wild Bunch
1234:Screenplay
1178:Production
1165:Matt Damon
879:Jsu Garcia
738:La Higuera
671:See also:
656:Las Villas
599:See also:
498:Filmmaker
429:camerawork
411:is titled
387:is titled
350:Box office
282:2009-02-27
263:2009-01-27
248:2009-01-07
237:2008-12-12
222:2008-09-05
207:2008-05-21
170:Wild Bunch
146:Wild Bunch
134:Production
69:Written by
6897:Command Z
6876:(2016–21)
6868:(2014–15)
6865:The Knick
6799:Ocean's 8
6732:Black Bag
6620:Contagion
6500:The Limey
6301:Mausoleum
6291:Guevarism
5719:Salon.com
5494:The Hindu
5413:indieWIRE
5407:The Class
5260:9 January
5191:9 January
5137:9 January
5131:USA Today
5105:8 January
5073:8 January
4685:indieWIRE
4411:premiere"
4380:Salon.com
4358:6 October
4323:6 October
4288:6 October
4262:3 October
4224:Salon.com
4091:indieWIRE
3961:Indiewire
3953:"Cannes:
3847:9 January
3837:indieWIRE
3652:30 August
3624:14 August
3598:13 August
3478:indieWire
3430:1 October
3420:SpoutBlog
3245:Guerrilla
3180:indieWIRE
2699:Backstage
2467:IFC Films
2449:Guerrilla
2247:Sean Penn
2158:USA Today
2025:LA Weekly
1881:Art Basel
1873:premiered
1850:Salon.com
1839:Garibaldi
1835:Louis XIV
1751:Salon.com
1688:Reception
1682:IFC Films
1656:blue-chip
1639:Argentina
1617:Guerrilla
1552:IFC Films
1480:socialist
1455:Guerrilla
1439:Guerrilla
1435:Steadicam
1423:Guerrilla
1404:Guerrilla
1350:Citigroup
1329:Financing
1201:Guerrilla
910:Tad Szulc
693:, led by
609:in 1964,
540:IFC Films
516:first in
514:Guerrilla
413:Guerrilla
332:Languages
318:Countries
288:Guerrilla
269:Guerrilla
185:IFC Films
136:companies
115:Edited by
6857:K Street
6834:Criminal
6775:Criminal
6743:Produced
6724:Presence
6436:9012Live
6428:Directed
6348:Category
5922:MSNBC's
5878:Why Che?
5657:DVD Town
5649:Archived
5524:BBC News
5384:. London
4843:16 March
4812:13 March
4781:13 March
4746:. London
4519:25 March
4130:. London
3933:18 April
3312:. London
2831:2 August
2787:. London
2697:Lives".
2472:21 April
2390:See also
2245:. Actor
2012:Part Two
2000:Part One
1920:Havana's
1447:handheld
1378:Campeche
1251:instead.
576:Region 1
409:Part Two
385:Part One
181:(France)
123:Music by
97:Starring
6818:Written
6628:Haywire
6540:Solaris
6516:Traffic
6245:Theatre
5885:at the
5591:Variety
5557:"IFC's
5388:15 July
4750:6 March
4721:6 March
4415:Reuters
4309:Review"
4160:Esquire
4056:Variety
3906:24 June
3872:Variety
3806:Reuters
3774:Reuters
3619:Variety
3570:31 July
3451:Variety
3382:Variety
3341:Variety
3066:Variety
2734:15 July
2723:Newsday
2380:Red One
2271:at the
2205:ranked
1974:Caracas
1741:Esquire
1674:Variety
1523:diptych
1451:tripods
1408:RED One
1341:Traffic
1278:Traffic
687:cocaine
683:Uruguay
574:and on
373:Marxist
337:English
335:Spanish
323:Germany
280: (
261: (
246: (
235: (
220: (
205: (
167:(Spain)
6900:(2023)
6892:(2023)
6884:(2018)
6881:Mosaic
6860:(2003)
6837:(2004)
6829:(1997)
6810:(2019)
6802:(2018)
6794:(2009)
6786:(2005)
6778:(2004)
6770:(2002)
6762:(1998)
6754:(1996)
6735:(2025)
6727:(2024)
6719:(2023)
6711:(2022)
6703:(2021)
6695:(2020)
6687:(2019)
6679:(2019)
6671:(2018)
6668:Unsane
6663:(2017)
6655:(2013)
6647:(2013)
6639:(2012)
6631:(2011)
6623:(2011)
6615:(2010)
6607:(2009)
6599:(2009)
6591:(2008)
6583:(2007)
6575:(2006)
6567:(2005)
6564:Bubble
6559:(2004)
6551:(2004)
6543:(2002)
6535:(2002)
6527:(2001)
6519:(2000)
6511:(2000)
6503:(1999)
6495:(1998)
6487:(1996)
6479:(1996)
6471:(1995)
6463:(1993)
6455:(1991)
6447:(1989)
6439:(1985)
6320:Comics
6276:Legacy
6072:People
6024:Voyage
6022:Granma
6004:Events
5918:Part 2
5914:Part 1
5423:25 May
4679:'s
4668:Torino
4229:22 May
4199:22 May
4166:22 May
4134:22 May
4101:22 May
4066:22 May
4031:22 May
4001:22 May
3763:Torino
3072:21 May
2997:22 May
2638:Empire
2409:(film)
2294:, and
2228:Awards
2183:Patton
1930:Granma
1843:Pascal
1702:'s
1631:Fest.
1443:cranes
754:Granma
658:. The
607:Havana
491:, and
342:Budget
325:France
311:Part 2
306:Part 1
213:Cannes
211: (
6452:Kafka
6421:Films
6271:photo
6192:Films
6159:Books
4672:Doubt
4470:home"
4348:Slant
3738:Zawya
3542:5 May
3037:6 May
2900:6 May
2821:Giant
2762:6 May
2609:(PDF)
2598:(PDF)
2463:"Che"
2251:Oscar
1824:gave
1532:Congo
1412:visas
518:Spain
321:Spain
6708:Kimi
6548:Eros
6296:Foco
6261:Icon
6214:Che!
5940:Time
5912:" →
5823:IMDb
5812:IMDb
5628:2009
5598:2009
5572:2009
5506:2009
5473:2009
5425:2008
5390:2009
5358:2009
5328:2008
5295:2008
5262:2009
5230:2009
5193:2009
5167:2009
5139:2009
5107:2009
5075:2009
5038:2009
5006:2008
4974:2008
4946:2008
4913:2008
4873:2008
4845:2018
4814:2021
4783:2021
4752:2009
4723:2009
4697:2008
4648:2008
4606:2008
4556:2008
4521:2009
4488:2008
4427:2008
4393:2009
4360:2008
4325:2008
4290:2008
4264:2008
4231:2008
4201:2008
4188:Time
4168:2008
4136:2008
4103:2008
4068:2008
4033:2008
4003:2008
3973:2014
3935:2019
3908:2009
3879:2009
3849:2009
3814:2008
3782:2008
3765:and
3746:2008
3720:2008
3683:2008
3654:2008
3626:2008
3600:2008
3572:2008
3544:2008
3516:2008
3486:2009
3458:2009
3432:2008
3394:2008
3348:2008
3318:2008
3263:2008
3243:and
3224:2009
3192:2008
3157:2008
3117:2009
3074:2008
3039:2008
2999:2008
2964:2008
2927:2009
2902:2008
2833:2008
2817:Day"
2793:2009
2764:2008
2736:2009
2677:2008
2617:2008
2558:2009
2526:2008
2474:2023
2256:Milk
2072:Milk
1841:and
1718:Reds
1615:and
1566:and
1226:and
1212:Cuba
765:Cast
759:Raúl
716:and
590:Plot
562:and
546:and
401:Cuba
366:epic
6588:Che
5947:Che
5910:Che
5865:at
5862:Che
5854:at
5843:at
5832:at
5829:Che
5821:at
5810:at
5757:Che
5727:by
5614:Che
5559:Che
5521:by
5315:AMC
5210:Che
5124:Che
5092:Che
5055:Che
5023:Che
4991:Che
4893:Che
4676:Che
4628:Che
4548:CNN
4541:Che
4468:Che
4447:".
4445:Che
4409:Che
4342:Che
4313:UGO
4307:Che
4218:Che
4153:Che
4120:Che
4085:Che
4050:Che
4020:Che
3990:Che
3955:Che
3895:Che
3866:Che
3831:Che
3799:Che
3767:Che
3708:ITN
3702:Che
3502:Che
3414:Che
3376:Che
3335:Che
3280:".
3278:Che
3209:Che
3174:Che
3100:CHE
3059:Che
2986:CNN
2949:Che
2884:Che
2866:".
2864:Che
2815:Che
2716:Che
2695:Che
2593:Che
2543:Che
2336:DVD
2306:Che
2277:Che
2261:Che
2218:Che
2211:Che
2207:Che
2178:Che
2173:Che
2136:Che
2126:Che
2122:Che
2106:Che
2102:Che
2086:Che
2069:'s
2044:Che
2030:Che
2008:Che
1989:Che
1972:in
1947:Che
1935:Che
1916:Che
1875:at
1870:Che
1845:".
1826:Che
1812:UGO
1808:Che
1765:".
1755:Che
1727:Che
1723:Che
1678:Che
1667:Che
1662:Che
1658:".
1635:Che
1629:AFI
1621:Che
1609:Che
1607:as
1593:Che
1574:'s
1556:Che
1536:Che
1507:Che
1449:or
1335:Che
1189:Che
1089:as
1053:as
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