347:, the front of which was based on a postcard titled "End of the Trail", photographed by Adrian Atwater and featuring Wallace Irving Robertson. The cover of the first US pressings showed the band's name written in block capital letters. Subsequent US pressings used a faux-oriental style font, which was then replaced with the more ornate faux-oriental style font used on the UK release. The original American issue of the album also retitled "All the Young Punks" as "That's No Way to Spend Your Youth". This was revised on later editions. "
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413:"Safe European Home" describes Strummer's and Jones uneasy writing trip to Jamaica. Jones later commented on the trip by saying, "we went down to the docks and I think we only survived because they mistook us for sailors." The song also contains references of Jamaican culture and buildings like the
792:
as a poised, unpretentious record of "straight
English punk with a grip on the future" and "accessible hard rock" showcasing the Clash's unyielding, humorous "vision of public life": "The band's vision of a world strangling on its own contradictions hasn't changed, but their idea of their place in
42:
816:, and even the band's ruminations on the star as culture hero become more resonant as you hear them over and over again. This isn't among the greatest rock albums ever, but it is among the finest of the year." He named it the fourth best album of 1978 in his list for the
389:
The band continued to include contemporary subjects in their lyrics on the album; "Tommy Gun" deals with Middle
Eastern terrorism, specifically the hi-jacking of aircraft, while "Julie's Been Working for the Drug Squad" is a commentary on the infamous
410:" in the opening line, "It's Lucy in the sky and all kinds of apple pie". "Drug-Stabbing Time" is strongly anti-drug and describes the paranoia of being caught despite the band's (specifically Mick Jones's) drug usage.
811:
that the album's pessimistic mood and a couple of bad songs or moments made it less listenable than the band's debut studio album, but concluded that most of the songs were "effective melodically as anything on
799:
praised Jones as "an excellent lead guitarist, both melodic and savage in his playing," dismissed "Last Gang in Town" as "a plodding bore," and lamented the "absence of ... roots reggae stylings."
1853:
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440:, who produced the original album, was not a big fan of Joe Strummer's voice, to the point that he ensured the drums were mixed louder than the Strummer's vocals on the entire album.
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355:" were released as the album's singles, either side of Christmas 1978. They entered the UK charts at numbers 19 and 25, respectively.
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455:", "Ooh Baby Ooh (It's Not Over)" (AKA "Rusted Chrome", later reworked and released as "Gates of the West") and "RAF 1810."
1076:"All the Young Punks (New Boots and Contracts)" (known as "That's No Way to Spend Your Youth" on original American release)
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331:") and "Guns on the Roof", which is credited to all four band members, being Headon, Jones, Strummer, and bassist
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included the record in their "100 Best Punk Albums" list, and wrote in retrospect that it was "no more punk than
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948:"Julie's Been Working for the Drug Squad" (known as "Julie's in the Drug Squad" on original American release)
853:" and "shined of quality", and "their drumming problems were over with the arrival of jazz-trained Headon."
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Silverton, Peter (17 June 1978). "The Clash: The 'Serious In-Depth
Interview' You've Been Waiting For!".
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287:. The album was well received by critics and fans, peaking at number two in the United Kingdom
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750) for shooting racing pigeons with an air-gun from the roof of their rehearsal building.
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304:(1982) for being the highest-charting album for the Clash in their native United Kingdom.
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451:", "1-2 Crush on You" and "The Prisoner". Four more songs were recorded: "One Emotion", "
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283:. It was their first album released in the United States, preceding the US version of
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Though the opening track of side two, "Guns on the Roof", is ostensibly about global
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402:, dismantled by an undercover police operation. The song also makes a reference to
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362:, war and corruption, it was partly inspired by an incident that resulted in the
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2247:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 65.
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guitar needed to be taken in for repairs, so he played a hired semi-hollow
315:. Most of the tracks, as with the prior album, were written by guitarists
17:
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2209:"The 100 Best Punk Albums of All Time – The Clash: Give 'Em Enough Rope".
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482:
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2085:
Hilburn, Robert (17 December 1978). "Not for Punks Only". Calendar.
1553:
Entertainment; Dorismo; Uptown Films. Event occurs at 41:00–45:00.
2347:"British album certifications – The Clash – Give 'Em Enough Rope"
1732:"The Uncut Crap – Over 56 Things You Never Knew About The Clash".
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were arrested and charged with criminal damage (and later fined
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Other songs recorded during the sessions included the single "
395:
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on "Julie's Been
Working for the Drug Squad" (uncredited)
1499:
The Clash > Charts & Awards > Billboard Albums
1962:. No. 159. London. December 1999. pp. 152–33.
307:
The album marked the first album appearance of drummer
2280:"Swedishcharts.com – The Clash – Give 'Em Enough Rope"
1855:
Christgau's Record Guide: Rock Albums of the
Seventies
1783:"Nobody's scoffing now at the importance of the Clash"
1608:"english civil war | full Official Chart History"
327:" (a reworking of the traditional American folk song "
311:, who joined the band shortly after the recording of
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2213:(special ed.). London. May 2002. p. 135.
2036:. No. 114. London. December 1999. p. 88.
2401:Passion Is a Fashion: The Real Story of The Clash
837:was named the 87th greatest album of all time in
2553:(2nd ed.). Richmond: Reynolds & Hearn.
2434:(5th revised ed.). London: Helter Skelter.
2459:A Riot of Our Own: Night and Day with The Clash
1416:Shipments figures based on certification alone.
1242:Hugh Brown – concept designer, cover photograph
2268:"Charts.nz – The Clash – Give 'Em Enough Rope"
1892:"The Clash – Give Em Enough Rope album review"
1583:"tommy gun | full Official Chart History"
820:, an annual poll of American critics in which
608:
525:
487:
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2222:
2220:
1666:"Drug-Stabbing Time by The Clash – Songfacts"
8:
1134:, backing vocals, lead vocals on "Stay Free"
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919:Traditional; arranged by Jones and Strummer
2618:
2604:
2596:
2432:The Clash: Return of the Last Gang in Town
2282:. Hung Medien. Retrieved August 20, 2024.
2270:. Hung Medien. Retrieved August 20, 2024.
1458:
1456:
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830:magazine named it the year's best record.
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271:is the second studio album by the English
40:
31:
2520:Joe Strummer and the Legend of the Clash
2330:"Official Scottish Albums Chart Top 100"
975:
872:
1951:
1949:
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398:production ring in the world, based in
279:, released on 10 November 1978 through
2165:"The 1978 Pazz & Jop Critics Poll"
1637:"We were the soundtrack to a punch-up"
343:The album's cover art was designed by
3237:Joe Strummer: The Future Is Unwritten
2457:Green, Johnny; Garry Barker (2003) .
2198:. London. 2 October 1993. p. 29.
1086:
468:
7:
1183:on "Drug Stabbing Time" (uncredited)
3457:Hard rock albums by English artists
1956:"The Clash: Give 'Em Enough Rope".
610:
527:
489:
2137:"Pazz & Jop 1978: Dean's List"
1890:Rowley, Scott (19 February 2016).
1754:"Give 'Em Enough Rope – The Clash"
464:Retrospective professional ratings
80:March–April, August–September 1978
29:1978 studio album by the Clash
25:
3467:Albums produced by Sandy Pearlman
3321:The Good, the Bad & the Queen
2940:(White Man) In Hammersmith Palais
2491:(3rd ed.). London: Omnibus.
2378:The Clash: The Music That Matters
2228:The Clash: The Music That Matters
1991:The New Rolling Stone Album Guide
1925:The Encyclopedia of Popular Music
1814:"The Clash: Give 'Em Enough Rope"
1480:from the original on 29 June 2007
724:
686:
648:
641:The Encyclopedia of Popular Music
560:
445:(White Man) In Hammersmith Palais
394:" drug bust that saw the largest
3421:
3420:
2797:The Story of the Clash, Volume 1
1879:– via robertchristgau.com.
1230:Kevin Dallimore – sound engineer
1224:Dennis Ferrante – sound engineer
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2461:(3rd ed.). London: Orion.
2292:"Official Albums Chart Top 100"
2245:Australian Chart Book 1970–1992
2192:"Greatest Albums of All Time".
424:During recording of the album,
329:When Johnny Comes Marching Home
1162:Al Fields,"The Village Legend"
982:
879:
1:
2351:British Phonographic Industry
2336:. Retrieved August 20, 2024.
2320:. Retrieved August 20, 2024.
2298:. Retrieved August 20, 2024.
2057:Spin Alternative Record Guide
1549:(Documentary). New York, NY:
1227:Gregg Caruso – sound engineer
778:In a contemporary review for
767:Spin Alternative Record Guide
717:The Rolling Stone Album Guide
408:Lucy in the Sky with Diamonds
3038:Should I Stay or Should I Go
2105:"Christgau's Consumer Guide"
1505:. Retrieved 26 October 2008.
1364:
1329:
1315:
1300:
1288:
1276:
1233:Chris Mingo – sound engineer
285:the self-titled studio album
3343:The Joe Strummer Foundation
2765:From Here to Eternity: Live
2173:. New York. 22 January 1979
1337:2017 chart performance for
1193:on "Stay Free" (uncredited)
3483:
2487:; Chris Salewicz (2004) .
2308:"The Clash Chart History (
1822:. New York. Archived from
1476:. No. 283. New York.
862:All tracks are written by
436:for most of the sessions.
370:squad raiding the Clash's
252:Released: 23 February 1979
239:Released: 24 November 1978
65:10 November 1978
3416:
3301:The Latino Rockabilly War
3105:I'm So Bored with the USA
2633:
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323:, with the exception of "
298:. The album is tied with
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174:
39:
2826:Super Black Market Clash
2585:Give 'Em Enough Rope
2403:(4th ed.). London:
2376:Fletcher, Tony (2012) .
1928:(5th concise ed.).
1750:Erlewine, Stephen Thomas
1738:. London. 16 March 1991.
591:Christgau's Record Guide
313:their first studio album
291:, and number 128 in the
3154:Lost in the Supermarket
2334:Official Charts Company
2296:Official Charts Company
2054:; Marks, Craig (eds.).
447:", as well as B-sides "
2430:Gray, Marcus (2005) .
2399:Gilbert, Pat (2005) .
1691:"ShieldSquare Captcha"
1468:"Give 'Em Enough Rope"
1252:Chart performance for
824:also finished fourth.
3223:Concert for Kampuchea
3017:The Magnificent Seven
793:that world has." The
221:Give 'Em Enough Rope
3230:Westway to the World
3084:Career Opportunities
2772:Live at Shea Stadium
2719:Give 'Em Enough Rope
2103:(25 December 1978).
2050:(1995). "Clash". In
1996:Simon & Schuster
1546:Westway to the World
1379:Give 'Em Enough Rope
1339:Give 'Em Enough Rope
1282:New Zealand Albums (
1254:Give 'Em Enough Rope
1034:"Drug-Stabbing Time"
898:"Safe European Home"
835:Give 'Em Enough Rope
822:Give 'Em Enough Rope
790:Give 'Em Enough Rope
268:Give 'Em Enough Rope
190:Give 'Em Enough Rope
35:Give 'Em Enough Rope
3462:Epic Records albums
3338:Rock Against Racism
3332:Spirit of St. Louis
3196:Overpowered by Funk
3024:This Is Radio Clash
2862:The Clash Hits Back
2833:The Essential Clash
2517:(25 January 2005).
2135:(22 January 1979).
1781:(27 January 2000).
1635:(3 November 2006).
1466:(25 January 1979).
1381:
1377:Certifications for
1341:
1270:Australian Albums (
1256:
1218:Paul Stubblebine –
1175:Stan Bronstein (of
978:
962:"Last Gang in Town"
875:
465:
364:Metropolitan Police
3291:Big Audio Dynamite
3189:Washington Bullets
3140:Brand New Cadillac
3126:Police and Thieves
2933:Clash City Rockers
2894:The Cost of Living
2869:5 Album Studio Set
2790:Black Market Clash
2592:(list of releases)
2551:The Complete Clash
2523:. London: Plexus.
2064:. pp. 84–85.
2030:"Clash Reissues".
1860:Ticknor and Fields
1812:(21 August 2007).
1612:Officialcharts.com
1587:Officialcharts.com
1439:"UK Chart Archive"
1376:
1336:
1260:Chart (1978–1979)
1251:
1220:mastering engineer
1001:"Guns on the Roof"
976:
873:
463:
459:Critical reception
3434:
3433:
3133:Jail Guitar Doors
3091:Capital Radio One
3066:Return to Brixton
2954:English Civil War
2811:Clash on Broadway
2170:The Village Voice
2142:The Village Voice
2133:Christgau, Robert
2110:The Village Voice
2101:Christgau, Robert
2087:Los Angeles Times
1939:978-0-85712-595-8
1922:(2011). "Clash".
1846:Christgau, Robert
1788:The Baltimore Sun
1422:
1421:
1417:
1369:
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1334:
1333:
1296:Sverigetopplistan
1272:Kent Music Report
1177:Elephant's Memory
1096:
1095:
972:
971:
914:English Civil War
808:The Village Voice
796:Los Angeles Times
776:
775:
520:The Baltimore Sun
430:Fender Telecaster
353:English Civil War
325:English Civil War
264:
263:
247:English Civil War
207:
206:
16:(Redirected from
3474:
3452:The Clash albums
3424:
3423:
3286:Public Image Ltd
3254:Related articles
3168:Rudie Can't Fail
3119:London's Burning
3052:Straight to Hell
3031:Know Your Rights
2961:I Fought the Law
2926:Complete Control
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1994:(4th ed.).
1986:Hoard, Christian
1982:Brackett, Nathan
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1441:. everyHit.co.uk
1435:
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1399:United Kingdom (
1382:
1342:
1294:Swedish Albums (
1257:
1239:– cover designer
1212:Corky Stasiak –
1144:, backing vocals
1089:
984:
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803:Robert Christgau
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3388:Norman Watt-Roy
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3161:Revolution Rock
3071:
3059:This Is England
3045:Rock the Casbah
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2369:Further reading
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2084:
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2079:
2072:
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2029:
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2024:
2014:
2012:
2010:
1972:
1971:
1967:
1955:
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1940:
1918:
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1913:
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1576:
1561:
1538:, Rick Elgood,
1514:
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1509:
1497:
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1483:
1481:
1462:
1461:
1454:
1444:
1442:
1437:
1436:
1432:
1427:
1392:Certified units
1374:
1356:Scottish Albums
1349:
1264:
1249:
1102:
1097:
1087:
1023:
973:
859:
744:
739:
734:
729:
706:
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658:
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630:
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580:
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542:
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532:
509:
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494:
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392:Operation Julie
341:
256:
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244:
243:
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231:
230:
202:
193:
184:
126:
122:
121:
99:(San Francisco)
68:
66:
57:
30:
23:
22:
15:
12:
11:
5:
3480:
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3428:
3417:
3414:
3413:
3411:
3410:
3405:
3400:
3395:
3390:
3385:
3383:Mick Gallagher
3380:
3375:
3370:
3368:Sandy Pearlman
3365:
3360:
3355:
3350:
3348:Bernard Rhodes
3345:
3340:
3335:
3328:
3323:
3318:
3316:Carbon/Silicon
3313:
3311:The Mescaleros
3308:
3303:
3298:
3293:
3288:
3283:
3278:
3273:
3268:
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3257:
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3209:
3203:
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3200:
3199:
3192:
3185:
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3164:
3157:
3150:
3147:Death or Glory
3143:
3136:
3129:
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3108:
3101:
3094:
3087:
3079:
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3073:
3072:
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3041:
3034:
3027:
3020:
3013:
3010:Hitsville U.K.
3006:
2999:
2992:
2985:
2978:
2975:London Calling
2971:
2964:
2957:
2950:
2943:
2936:
2929:
2922:
2919:Remote Control
2915:
2907:
2905:
2901:
2900:
2898:
2897:
2890:
2882:
2880:
2879:Extended plays
2876:
2875:
2873:
2872:
2865:
2858:
2851:
2843:
2836:
2829:
2822:
2814:
2807:
2804:1977 Revisited
2800:
2793:
2785:
2783:
2779:
2778:
2776:
2775:
2768:
2760:
2758:
2754:
2753:
2751:
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2736:
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2726:London Calling
2722:
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2707:
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2701:
2700:
2698:
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2630:
2625:
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2615:
2608:
2600:
2594:
2593:
2579:
2578:External links
2576:
2574:
2573:
2559:
2547:Topping, Keith
2543:
2529:
2511:
2497:
2481:
2467:
2454:
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2427:
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2396:
2391:978-1780383033
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2201:
2184:
2156:
2124:
2092:
2089:. p. 146.
2077:
2070:
2052:Weisbard, Eric
2048:Sheffield, Rob
2039:
2022:
2008:
1974:Sheffield, Rob
1965:
1945:
1938:
1911:
1882:
1868:
1837:
1826:on 2 July 2009
1801:
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1420:
1419:
1411:
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1407:
1404:
1396:
1395:
1389:
1386:
1373:
1372:Certifications
1370:
1367:
1366:
1363:
1352:
1351:
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1328:
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1317:
1314:
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1204:Sandy Pearlman
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818:Pazz & Jop
774:
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749:
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674:
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644:
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438:Sandy Pearlman
415:Sheraton hotel
340:
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241:
227:
224:
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213:
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199:London Calling
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172:
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161:Sandy Pearlman
158:
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119:
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37:
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28:
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14:
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9:
6:
4:
3:
2:
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3389:
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3374:
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3369:
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3363:Caroline Coon
3361:
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3208:
3204:
3197:
3193:
3190:
3186:
3183:
3182:Junco Partner
3179:
3176:
3175:Spanish Bombs
3172:
3169:
3165:
3162:
3158:
3155:
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3148:
3144:
3141:
3137:
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3109:
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3028:
3025:
3021:
3018:
3014:
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3007:
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3000:
2997:
2993:
2990:
2989:Train in Vain
2986:
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2916:
2913:
2909:
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2902:
2896:
2895:
2891:
2889:
2888:
2887:Capital Radio
2884:
2883:
2881:
2877:
2871:
2870:
2866:
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2728:
2727:
2723:
2721:
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2716:
2714:
2713:
2709:
2708:
2706:
2704:Studio albums
2702:
2696:
2693:
2691:
2690:Nick Sheppard
2688:
2686:
2683:
2681:
2678:
2676:
2673:
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2660:Topper Headon
2657:
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2602:
2601:
2598:
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2582:
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2570:
2566:
2562:
2560:1-903111-70-6
2556:
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2548:
2544:
2540:
2536:
2532:
2530:0-85965-348-X
2526:
2522:
2521:
2516:
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2508:
2504:
2500:
2498:1-903399-34-3
2494:
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2478:
2474:
2470:
2468:0-7528-5843-2
2464:
2460:
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2447:
2443:
2441:1-905139-10-1
2437:
2433:
2428:
2424:
2420:
2416:
2414:1-84513-113-4
2410:
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2402:
2397:
2393:
2387:
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2382:Omnibus Press
2379:
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2254:0-646-11917-6
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2102:
2096:
2093:
2088:
2081:
2078:
2073:
2071:0-679-75574-8
2067:
2063:
2062:Vintage Books
2059:
2058:
2053:
2049:
2043:
2040:
2035:
2034:
2026:
2023:
2011:
2009:0-7432-0169-8
2005:
2001:
1997:
1993:
1992:
1987:
1983:
1979:
1975:
1969:
1966:
1961:
1960:
1952:
1950:
1946:
1941:
1935:
1931:
1930:Omnibus Press
1927:
1926:
1921:
1920:Larkin, Colin
1915:
1912:
1899:
1898:
1893:
1886:
1883:
1871:
1869:0-89919-026-X
1865:
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1810:Wolk, Douglas
1805:
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1696:
1695:songfacts.com
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1670:songfacts.com
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1560:0-7389-0082-6
1556:
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1533:
1532:Topper Headon
1529:
1525:
1521:
1517:
1511:
1508:
1504:
1500:
1495:
1492:
1479:
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1473:Rolling Stone
1469:
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1464:Marcus, Greil
1459:
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1434:
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1424:
1418:
1408:
1405:
1402:
1397:
1393:
1388:Certification
1383:
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1371:
1361:
1357:
1353:
1345:Chart (2017)
1343:
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1148:Topper Headon
1146:
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1139:
1136:
1133:
1129:
1126:
1124:
1123:rhythm guitar
1120:
1116:
1112:
1109:
1108:
1107:
1106:
1099:
1091:
1088:Total length:
1081:
1078:
1075:
1071:
1067:
1064:
1062:"Cheapskates"
1061:
1057:
1053:
1050:
1047:
1043:
1039:
1036:
1033:
1029:
1025:
1019:
1017:
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1011:
1009:
1008:Topper Headon
1006:
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980:
967:
964:
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925:
921:
918:
915:
911:
907:
903:
900:
897:
893:
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871:
869:
865:
857:Track listing
856:
854:
852:
848:
847:
842:
841:
836:
831:
829:
828:
823:
819:
815:
810:
809:
804:
800:
798:
797:
791:
787:
783:
782:
781:Rolling Stone
771:
769:
768:
764:
763:
759:
757:
756:
752:
751:
721:
719:
718:
714:
713:
683:
681:
680:
676:
675:
645:
643:
642:
638:
637:
607:
605:
604:
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593:
592:
588:
587:
557:
555:
554:
550:
549:
524:
522:
521:
517:
516:
486:
484:
481:
480:
472:
469:Review scores
467:
458:
456:
454:
450:
449:Pressure Drop
446:
441:
439:
435:
434:Gibson ES-345
431:
428:'s trademark
427:
422:
420:
416:
411:
409:
405:
401:
397:
393:
387:
385:
381:
380:Topper Headon
377:
373:
372:Camden Market
369:
365:
361:
356:
354:
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346:
338:
336:
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330:
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309:Topper Headon
305:
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297:
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286:
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120:
116:
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104:
98:
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92:
91:Basing Street
89:
88:
87:
83:
79:
75:
64:
60:
56:
51:
47:
43:
38:
33:
27:
19:
3330:
3271:Band members
3242:
3235:
3228:
3221:
3214:
2968:Groovy Times
2892:
2885:
2867:
2860:
2855:Sound System
2853:
2845:
2838:
2831:
2824:
2816:
2809:
2802:
2795:
2788:
2782:Compilations
2770:
2763:
2747:Cut the Crap
2745:
2738:
2731:
2724:
2718:
2717:
2710:
2675:Keith Levene
2667:Terry Chimes
2665:
2658:
2653:Paul Simonon
2651:
2644:
2639:Joe Strummer
2637:
2583:
2550:
2519:
2488:
2458:
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2400:
2377:
2354:. Retrieved
2341:
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2147:. Retrieved
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2117:10 September
2115:. Retrieved
2108:
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2056:
2042:
2031:
2025:
2015:24 September
2013:. Retrieved
1990:
1968:
1957:
1924:
1914:
1902:. Retrieved
1897:Classic Rock
1895:
1885:
1873:. Retrieved
1854:
1840:
1828:. Retrieved
1824:the original
1817:
1804:
1792:. Retrieved
1786:
1773:
1763:13 September
1761:. Retrieved
1744:
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1727:
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1710:
1698:. Retrieved
1694:
1685:
1673:. Retrieved
1669:
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1647:. Retrieved
1642:The Guardian
1640:
1627:
1615:. Retrieved
1611:
1602:
1590:. Retrieved
1586:
1577:
1543:
1536:Terry Chimes
1528:Paul Simonon
1520:Joe Strummer
1510:
1494:
1482:. Retrieved
1471:
1443:. Retrieved
1433:
1414:
1378:
1338:
1323:
1253:
1197:
1196:
1166:Allen Lanier
1156:
1138:Paul Simonon
1111:Joe Strummer
1104:
1103:
1016:Paul Simonon
864:Joe Strummer
861:
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786:Greil Marcus
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603:Classic Rock
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453:Groovy Times
442:
426:Joe Strummer
423:
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388:
376:Paul Simonon
357:
342:
333:Paul Simonon
317:Joe Strummer
306:
299:
293:
289:Albums Chart
267:
266:
265:
220:
197:
189:
188:
179:
97:The Automatt
50:Studio album
26:
3447:1978 albums
3408:Futura 2000
3403:Ellen Foley
3398:Mikey Dread
3378:Kosmo Vinyl
3373:Guy Stevens
3358:Alex Michon
3261:Discography
3244:London Town
3112:Janie Jones
3076:Other songs
3003:The Call Up
2847:The Singles
2840:Singles Box
2818:The Singles
2757:Live albums
2740:Combat Rock
2733:Sandinista!
2695:Vince White
2685:Pete Howard
2515:Needs, Kris
2405:Aurum Press
2241:Kent, David
2226:(Fletcher:
1998:. pp.
1978:"The Clash"
1875:24 February
1794:10 November
1664:Songfacts.
1544:The Clash,
1445:17 February
1187:Bob Andrews
1142:bass guitar
1132:lead guitar
1048:"Stay Free"
404:the Beatles
301:Combat Rock
281:CBS Records
18:Cheapskates
3441:Categories
3393:Tymon Dogg
3306:The Pogues
3296:Havana 3am
3276:The 101ers
3098:Garageland
2996:Bankrobber
2912:White Riot
2680:Rob Harper
2646:Mick Jones
2485:Gruen, Bob
2380:. London:
2356:25 October
2177:25 October
2149:25 October
2145:. New York
2113:. New York
1904:25 October
1649:25 October
1551:Sony Music
1524:Mick Jones
1484:20 January
1425:References
1237:Gene Greif
1198:Production
1128:Mick Jones
868:Mick Jones
843:magazine.
345:Gene Greif
339:Background
321:Mick Jones
170:chronology
69:1978-11-10
3353:Don Letts
3281:London SS
2982:Clampdown
2947:Tommy Gun
2712:The Clash
2627:The Clash
2549:(2004) .
2489:The Clash
2317:Billboard
2310:Billboard
1830:31 August
1721:. London.
1540:The Clash
1516:Letts Don
1350:position
1324:Billboard
1307:UK Albums
1265:position
1191:keyboards
1181:saxophone
1105:The Clash
1100:Personnel
990:Writer(s)
932:Tommy Gun
887:Writer(s)
833:In 1993,
814:The Clash
805:wrote in
366:'s armed
360:terrorism
349:Tommy Gun
294:Billboard
277:the Clash
273:punk rock
234:Tommy Gun
181:The Clash
168:The Clash
112:Punk rock
55:the Clash
3426:Category
3326:Gorillaz
3216:Rude Boy
2569:63129186
2539:53155325
2507:69241279
2477:52990890
2450:60668626
2423:61177239
2243:(1993).
1988:(eds.).
1976:(2004).
1848:(1981).
1758:AllMusic
1645:. London
1569:49798077
1542:(2001).
1503:AllMusic
1478:Archived
1409:100,000
1214:engineer
1208:producer
1121:vocals,
1020:Strummer
977:Side two
874:Side one
483:AllMusic
419:Kingston
406:' song "
156:Producer
93:(London)
77:Recorded
62:Released
52: by
2904:Singles
2590:Discogs
1819:Blender
1394:/sales
1385:Region
1119:backing
851:Blondie
788:hailed
553:Blender
351:" and "
217:Singles
203:(1979)
194:(1978)
185:(1977)
67: (
2850:(2007)
2821:(1991)
2567:
2557:
2537:
2527:
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2495:
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2465:
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2421:
2411:
2388:
2251:
2068:
2033:Select
2006:
2000:167–68
1936:
1900:. Bath
1866:
1718:Sounds
1700:5 June
1675:5 June
1617:17 May
1592:17 May
1567:
1557:
1247:Charts
1157:with:
1079:
1065:
1051:
1037:
993:Length
965:
951:
937:
901:
890:Length
827:Sounds
755:Select
477:Rating
474:Source
374:base.
118:Length
85:Studio
3266:Songs
3207:Films
2312:200)"
1980:. In
1406:Gold
1170:piano
1152:drums
1092:36:57
1012:Jones
987:Title
884:Title
400:Wales
275:band
219:from
135:Label
107:Genre
2565:OCLC
2555:ISBN
2535:OCLC
2525:ISBN
2503:OCLC
2493:ISBN
2473:OCLC
2463:ISBN
2446:OCLC
2436:ISBN
2419:OCLC
2409:ISBN
2386:ISBN
2358:2020
2249:ISBN
2179:2020
2151:2020
2119:2015
2066:ISBN
2017:2011
2004:ISBN
1934:ISBN
1906:2020
1877:2019
1864:ISBN
1832:2016
1796:2020
1765:2004
1702:2022
1677:2022
1651:2020
1619:2022
1594:2022
1565:OCLC
1555:ISBN
1486:2007
1447:2008
1348:Peak
1330:128
1284:RMNZ
1263:Peak
1179:) –
1117:and
1115:lead
1082:4:55
1068:3:25
1054:3:40
1040:3:43
1026:3:15
968:5:14
954:3:03
940:3:17
922:2:35
904:3:50
866:and
772:7/10
378:and
319:and
147:Epic
2588:at
2195:NME
1850:"C"
1735:NME
1501:at
1401:BPI
1365:58
1360:OCC
1326:200
1321:US
1311:OCC
1301:36
1289:15
1277:79
1164:or
983:No.
880:No.
840:NME
760:4/5
417:in
396:LSD
296:200
142:CBS
3443::
2563:.
2533:.
2501:.
2471:.
2444:.
2417:.
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2167:.
2139:.
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2002:.
1984:;
1948:^
1932:.
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1816:.
1785:.
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1526:,
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1470:.
1455:^
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1286:)
1274:)
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1168:–
1150:–
1140:–
1130:–
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1059:4.
1045:3.
1031:2.
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