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Cheer Up! (Reel Big Fish album)

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402:; Barrett said of the situation: "We were waiting, we recorded a bunch of stuff and then we just waited, and waited, and nothing happened, and stuff got worse, and they got dropped from Universal and… We just went out on tour". He went as far as to wish that they were no longer on the label. Upon returning to the US from an overseas tour in September 2001, the band continued working on the album, until they went on another tour in October 2001. Sessions continued between December 2001 and January 2002; the following month, the band were recording cover versions of some songs, such as " 704:" (1949) as its B-sides, alongside the "Where Have You Been?" music video. Barrett said their label "decided was the single because there were no horns on it and they said horns were over". The video for the song opens with Barrett singing outside a cafΓ©, and later behind a display case, intermittently cutting to the band performing in a room with mannequins. A version of "Where Have You Been?" posted on the band's website included a spoken-word introduction that was left off the album version as Barrett felt it "would get old". 758:, and toured with Home Grown and Los City Angels. On June 14, 2003, Garza left the band to focus on his family and was replaced by Justin Ferreria, who previously played with Barrett in the Forces of Evil. Klopfenstein said Garza had become tired of music overall and the constant touring involved. Since this was in the middle of a tour, the band forgoed an audition process and simply asked him if he could play the drums and had a passport. Between June and August, the band embarked on a headlining North American tour; Zebrahead, 566:; it came about from Barrett trying to write a sequel to "Beer" after being asked to by Mojo. Someone had suggested to him that he swap the ska guitar part for picking to make it more distinct from "Beer". It initially had a horn section that was ultimately scrapped. The song's narrator discusses his girlfriend, who does not hang around with him often, with the narrator proclaiming she should "go to hell". "Suckers" includes percussion samples from Iki Levy, who would contribute the same for "Sayonara Senorita". 1769:) as saying that he was asked indirectly by the president of Jive as to why "all of his songs were so depressing." In response to this statement, Aaron claims he went into the president's office and played a version of "Cheer Up", replacing all negative words with positive words; "I've got a funny feeling, we're not born to lose, and I've got a funny feeling that this life is worth living through!" Apparently, the president said he understood why the songs were so pessimistic. 990:. Erlewine said the shift in sound "may distress some die-hard fans, but it actually results in a varied, infectious record that isn't just their most diverse album, it's their best". He added that while it did not "capture the zeitgeist like their debut, but there's more character here, and it's more consistent, too". Mongomery wrote that it was "much less caustic than previous attempts" as it weaves outside influences, such as Latin and reggae. Adrian Zupp of 675:
previously toured with Reel Big Fish in 1998. Jones talked to the Pilfers manager Randy Nichols, who in turn put him in contact with Reel Big Fish's manager, who informed him of the situation. He later explained that Barrett "once described to me as his mortal enemy". They embarked on a US tour throughout the month, however, Jones had to return home because of an illness in his family. In February and March 2002, they embarked on a mainland European tour with
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department". Punknews.org founder Aubin Paul wrote that as is the case with their previous releases, the lyrics were "always spot on, whether lyrically light, or painfully serious relationship deconstructions, and you can count on them to mix it up". Soundthesirens' Kamtin Mohager wrote that it "changes everybody's mood as they listen to this band create such happy and uplifting music, though sometimes the lyrics are bitter and harsh". Eric R. Danton of
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complimented the mix of styles, and called it a "forceful and imaginative enough album to make lot of folks sit up and take notice". Bushy said regardless of the shift, "this is still the same Reel Big Fish that so many people fell in love with. The horns are still there, there are a number of great
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had acquired Mojo Records; alongside this, it was reported that Reel Big Fish's next album would appear in early 2002. They said this move was part of a "push to diversify artist roster and beef up its catalog offerings". The following month, the band signed to Jive Records, a Zomba subsidiary; the
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Discussing the title, Jones said "if you are looking at lyrics in the album, they're really really sad and depressing, self-deprecating, you know, worse than any other album! I think Aaron was just in a weird kinda phase, kinda bummed out with the whole Mojo situation". In a 2015 interview, Barrett
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produced "Boss DJ", which was recorded by David Schiffman. Sullivan served as the main engineer throughout recording, while Joseph Zook, Josh Atkins, and Adam Samuels acted as secondary engineers, assisted by Pavan Grewall. Sullivan, Homme, Atkins and Barrett did some digital editing. Sullivan and
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They toured with Goldfinger in October 2001; for this trek, Steen covered for Reel Big Fish's drummer Carlos De La Garza. On October 15, 2001, Werts left the band, which they said was due to an internal conflict. The following month, Jones was announced as his replacement; Spring Heeled Jack had
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at Sterling Sound in New York City. In an interview after the album's release, Barrett described the process as: "2 years of on and off recording, moving from studio to studio, fighting for money and support from our label, fighting with a producer who did not understand our musical vision". The
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received generally favorable reviews from critics, some of which praised the inclusion of other styles and genres into the band's sound. It reached number 115 in the United States, number 46 in Australia and number 96 in the United Kingdom; "Where Have You Been?" peaked at number 76 in the UK.
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Steininger felt that "without the ska, they seem two dimensional, but have enough sugary hooks to compensate and deliver an enjoyable treat". He mentioned that some of the songs "fall prey to their own saccharine ways and relying too much on the sweetness while falling short in the energy
522:, Barrett would start with a main thematic part and then work on it with the rest of the members through jamming. Klopfenstein said he had more involvement in the writing, with him and Barrett collaborating on some of the tracks. In addition to their regular roles, Klopfenstein played 662:. After one show, Barrett fell down a flight of stairs and injured his elbow, resulting in Valentine covering guitar duties again. They played a few shows in Hawaii and Japan with Zebrahead, prior to a European tour in August 2001. In September 2001, it was announced that the 518:
said of the release: "I don’t want to say this was a midlife crisis album, but it kind of was because we were trying to do different things and not repeat the exact same thing again". For previous releases, Barrett would write the majority of the tracks by himself; for
683:, a compilation of songs from their preceding albums, was released in Europe in March 2002. Barrett explained that they did not have a domestic release available in Europe, only import editions, so the label released the compilation to compensate. 462:
following year, Klopfenstein remarked that it was a "weird record to make you know. We were all in a very odd frame of mind, there was all sorts of label turmoil going on as well as personal turmoil not a fun process for us. It was very serious".
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radio stations on May 27, 2002, and in the following week, "Good Thing", "Ban the Tube Top", "What Are Friends For" were posted on the band's website. The European CD version of "Where Have You Been?" included "Average Man" and a cover of
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co-founder Alex Steininger said "Ban the Tube Top" is a "silly love song about an underage girl that turns them on because of the skintight tube top she is sporting". It is bookended by "Somebody Loved Me", which is in the vein of
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said they were "giving us the runaround" as they were low on money for recording. This situation prompted the band to start touring again "because that's where we pay our bills". The label had been dropped by their parent company
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in the UK; the band pulled out of the accompanying Leeds date due to delays and no other act letting them switch stage times with them. In September and October 2002, they embarked on a headlining US tour, with support from
30: 3662: 332:. They continued to tour across the US, as well as Australia and Japan until the end of the year; 2003 saw the band visit Europe and play a variety of US festivals, prior to a North American headlining tour. 780:
series. At the end of August, the band appeared at the Terremoto Festival. In November 2003, the band supported Zebrahead for a few shows in Japan, and then played a one-off show in Hawaii with the Matches.
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felt that the "tempos have slowed down a little, and they've spent more time crafting their songs, punching up the melody to the forefront, turning this into more of a pop album than a smirky rock album".
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and formerly of Spring Heeled Jack for the trek. Garza took a break from the band due to the death of a family member, resulting in Steen covering for him again. Following this, they appeared at the
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label re-released the band's previous two albums shortly afterwards. Barrett said "Mojo wanted more of a modern rock hit . But on Jive we were allowed to do things like 'Boss DJ' and 'Valerie
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writer Brooke Mongomery said it tackles the topic of heartbreak by "excorcising your rejection demons and embracing the 'loser' identity, and being much happier in the end" as a result.
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In January and February 2001, the band embarked on a tour of Europe. In April and May 2001, they then went on a short US tour, followed by a UK tour in June 2001. A Canadian tour with
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and the Starting Line; Reel Big Fish were once again joined by Rhodes for the trek. Between March and May 2003, the band headlined Skate and Surf Fest, appeared at the Ska Summit and
370:. The band were reported finishing up the album by July 2000; however, the band was still working on the album in November 2000. In the midst of this, the band went on tour with 3501: 549:
opens with "Good Thing", which features percussion from Ryland Steen of Square; Jones said it was Barrett's "first happy song", and that it referred to being in Reel Big Fish.
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in October 1998. By July 1999, the band were in pre-production for their next album, with the plan to start recording at the end of the year. Following this, they toured with
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was announced for release in two months' time. The following month, the band filmed a music video for "Where Have You Been". "Where Have You Been?" was released to
1954: 4287: 4280: 289:, the marketability of and interest in ska waned; despite this, Reel Big Fish continued to tour successfully and maintain a significant fan base while recording 247: 1765: 3531: 2909: 3140: 3584: 2798: 3113: 1020:; outside of the band's home country, it charted at number 47 in Australia and number 96 in the UK. "Where Have You Been?" reached number 76 in the 3821: 3742: 3715: 2339: 1886: 4122: 4242: 1377: 448:. Garay produced and recorded the majority of the album's songs. Barrett and Klopfenstein produced "New York, New York", which was recorded by 3247: 4402: 1752:
DVD, Aaron Barrett says that the song "Valerie" is, contrary to popular belief, not about a girl, but is in fact about the album's producer,
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was eventually released on June 25, 2002; the UK edition, which saw release on July 29, 2002, included "Rock It with I" and a cover of "
621:. The penultimate track, "Brand New Hero" also touches on alternative rock, while the closing song, "Drunk Again", takes influence from 3220: 2944: 2766: 2308: 3497: 3193: 3077: 2610: 795:(2006). "Good Thing", "Ban the Tube Top", "Where Have You Been?", and "Suckers" were included on the band's fourth compilation album 4075: 3421: 3051: 1734: 2081: 495:. Mark Bushy of Punktastic similarly said it was "not a pop-punk album in any sense of imagination". Kenneth Partridge in his book 3976: 1984: 275:. Released on June 25, 2002, the album was the band's first after the turn of the new millennium, following the release of 1998's 3358: 2459: 3769: 2650: 3024: 2515: 2028: 3952: 3554: 2243: 1716: 530:
solo on "Good Thing", lead vocals on "Drunk Again", and guitar on six of the album's songs, and trumpeter Tavis Werts played
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and Jim Goodwin. Barrett also produced "What Are Friends For" and "Valerie", both of which were recorded by Shawn Sullivan.
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could. The people behind the release were disappointed as they wanted something akin to the band's typical ska sound. The
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wrote that the "upbeat, energetic music mostly subverts the gloomy lyrics and only enhances the tongue-in-cheek songs".
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by one critic, but this has been disputed by another critic that said the band moved away from the genre in favor of
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tribute album, and did it in a cappella as Jones said it would have been "really hard" to perform it like a
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as bonus tracks. The latter had been previously available two years ago as part of a benefit album for the
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and percussion from Kyle Homme, and is followed by another ska song, "A Little Doubt Goes a Long Way". The
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playing guitar as frontman Aaron Barrett had broken his hand. In November 2000, they went on tour with
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fell out of marketability and out of the mainstream. Despite this, the band had been writing more
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until September 1999, and went on a headlining tour in November 1999. After the new millennium,
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genres, and tackles the theme of heartbreak. "Where Have You Been?" was released as the album's
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ska guitar riffs, and most importantly the sense of fun the band covey is still there".
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advocacy group. The cover art of the evil clown was drawn by Aaron Barrett's father.
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With the advent of the 2000s, and following the band's mainstream success during the
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Homme mixed the tracks at World Class Audio, before the album was mastered by
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was recorded across a variety of studios in California: World Class Audio in
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produced the majority of the tracks, with frontman Aaron Barrett, trumpeter
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In January and February 2003, Reel Big Fish went on a European tour with
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contributed trumpet to "What Are Friends For", "Valerie" and "Boss DJ".
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supported on select dates. One show on the tour was filmed as part of
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All songs written and arranged by Reel Big Fish, except where noted.
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from Shawn Sullivan. The band had been asked to record the song for
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and the Kicks. They ended the year touring Australia and Japan.
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in May 2002, which was promoted with an appeared on that year's
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across a number of different recording studios in California.
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version of "Boss DJ", where Johnson servers as the titular
3299:(sleeve). Reel Big Fish. Mojo/Jive Records. 2002. 9270132. 3498:"Reel Big Fish hit Europe with guest member Chris Rhodes" 444:; Grand Masters in Hollywood; and Brando's Paradise in 3908:"Reel Big Fish fights gloom with big dose of laughter" 3327:
Reel Big Fish - Where Have You Been (Music Video 2002)
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and a UK tour with Goldfinger. As a stop-gap release,
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and includes a string arrangement from Nic. tenBroek.
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Cavallo, Debbie; Zietz, Jessica (October 26, 2002).
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Between June and August 2002, the group went on the
4354: 4318: 4232: 1945:"The 10 best Reel Big Fish songs, by Aaron Barrett" 1058: 1044: 215: 184: 163: 147: 116: 66: 58: 50: 37: 23: 613:instrumental "Sayonara Senorita" is followed by a 3977:"Australiancharts.com – Reel Big Fish – Cheer Up" 3555:"Finalized Skate and Surf Fest lineup announced" 2910:"Reel Big Fish, Goldfinger Join Forces For Tour" 2524:. Archived from the original on December 8, 2005 2479: 2477: 2365: 2363: 2361: 2359: 2357: 2273: 2271: 2269: 2267: 2265: 2263: 2261: 2206: 2204: 1854:that similarly saw the reduction of ska elements 340:Reel Big Fish released their third studio album 3888:: CS1 maint: others in cite AV media (notes) ( 3860:: CS1 maint: others in cite AV media (notes) ( 3309:: CS1 maint: others in cite AV media (notes) ( 3103: 3101: 3099: 2799:"Reel Big Fish: Cheer Up! : Music Reviews" 2436:: CS1 maint: others in cite AV media (notes) ( 2302: 2300: 986:was met with generally favourable reviews from 3071: 3069: 2767:"Reel Big Fish Nevermind the Flames; Cheer Up" 2734: 2732: 2730: 2728: 2726: 2724: 2722: 2720: 2449: 2447: 1938: 1936: 1934: 1932: 1930: 951: 917: 835: 707:Originally planned for release in April 2002, 4116: 4063:Hell of a Hat: The Rise of '90s Ska and Swing 3979:. Hung Medien. Retrieved September 10, 2022. 2636: 2634: 2632: 2630: 2628: 2010: 2008: 2006: 1766:Our Live Album Is Better than Your Live Album 497:Hell of a Hat: The Rise of '90s Ska and Swing 8: 3901: 3899: 3630: 3628: 3393:. Reel Big Fish. May 7, 2000. Archived from 2676: 2674: 2672: 2670: 2668: 2410: 2408: 2406: 2404: 2402: 2400: 2398: 2396: 2394: 2392: 883: 558:, and "Cheer Up", which recalls the work of 4288:Monkeys for Nothin' and the Chimps for Free 3972: 3970: 3688:Kelly, Liz; Mermer, Bobby (July 17, 2003). 2792: 2790: 2788: 2692: 2690: 2688: 2686: 2597: 2595: 2593: 2591: 2563: 2561: 2559: 2557: 2555: 2553: 2509: 2507: 1978: 1976: 1974: 1972: 1636:Josh Atkins – 2nd engineer, digital editing 646:, where they were supported by Home Grown, 4123: 4109: 4101: 3989: 3987: 3985: 3937: 3935: 1777: 810: 642:was followed by a co-headlining tour with 29: 20: 4097:at YouTube (streamed copy where licensed) 3521: 3519: 1985:"Reel Big Fish - 'Cheer Up!' (Jive/Mojo)" 1735:Learn how and when to remove this message 687:Eventual release and subsequent promotion 3137:"RBF adopt member of Spring Heeled Jack" 2643:"Reel Big Fish Cheer Up! (Jive Records)" 1035: 3583:. MTV. January 23, 2003. Archived from 3528:"Reel Big Fish on the road this summer" 1869: 1445:– trumpet, backing vocals, lead vocals 316:has been described as belonging to the 267:is the fourth studio album by American 73:World Class Audio (Anaheim, California) 3955:from the original on December 11, 2021 3881: 3853: 3302: 3076:Kochanski, Jennifer (August 2, 2002). 3027:from the original on November 23, 2021 2769:. In Your Ear Magazine. Archived from 2535: 2429: 1748:On the commentary for Reel Big Fish's 18:2002 studio album by Reel Big Fish 4281:We're Not Happy 'til You're Not Happy 2162:from the original on October 18, 2000 816: 534:on ten of the tracks. Tyler Jones of 385:Unbeknownst to the band, their label 248:We're Not Happy 'til You're Not Happy 102:Grand Masters (Hollywood, California) 7: 4047:from the original on August 25, 2022 3776:from the original on August 25, 2022 3665:. MTV. June 17, 2003. Archived from 3643:from the original on August 25, 2022 3534:from the original on August 25, 2022 3504:from the original on August 25, 2022 3451:from the original on August 25, 2022 3443:Heisel, Scott (September 18, 2002). 3334:from the original on August 25, 2022 3116:from the original on August 13, 2022 3054:from the original on August 13, 2022 2947:from the original on August 13, 2022 2576:from the original on August 25, 2022 2462:from the original on August 25, 2022 1957:from the original on August 13, 2022 1717:adding citations to reliable sources 1672:Mark Mediana – art direction, design 1618:Kyle Homme – mixing, digital editing 1489:(tracks 1–4, 6, 8, 9, 13, 15 and 16) 562:. "Where Have You Been?" borders on 440:in Hollywood; Sony Music Studios in 393:about a potential merger; trumpeter 4001:from the original on April 15, 2012 3743:"Reel Big Fish's Show Must Go Off!" 3359:"Reel Big Fish - New album details" 3324:ReelBigFishVideos (April 2, 2022). 3110:"Spring Heeled Jack member updates" 2311:. Rec Room Magazine. Archived from 2246:from the original on August 4, 2019 1943:Barrett, Aaron (October 25, 2015). 1889:from the original on August 6, 2022 1850:– the 2003 album by contemporaries 1551:Nic. tenBroek – string arrangement 1433:Aaron Barrett – lead vocals, guitar 953: 919: 837: 766:appeared on all of the shows while 4025:Mongomery, Brooke (July 8, 2002). 3876:A Best of Us... For the Rest of Us 3416:D'Angelo, Joe (January 30, 2002). 3046:White, Adam (September 27, 2001). 3019:White, Adam (September 26, 2001). 2653:from the original on June 18, 2022 2613:from the original on June 28, 2021 2454:Bushy, Mark (September 12, 2002). 1651:Alex Feliscian – studio technician 1642:Pavan Grewall – assistant engineer 1575:(tracks 1–6, 8, 9, 11, 13, 15, 16) 1571:(tracks 1–6, 8, 9, 11, 13, 15, 16) 797:A Best of Us... For the Rest of Us 14: 4066:. University Park, Pennsylvania: 3906:Danton, Eric R. (July 16, 2002). 3561:from the original on May 17, 2018 3496:White, Adam (November 17, 2002). 3277:from the original on May 14, 2020 3250:from the original on May 14, 2020 3223:from the original on May 13, 2020 3196:from the original on May 13, 2020 3143:from the original on May 13, 2020 3108:White, Adam (February 14, 2002). 2342:from the original on May 13, 2020 2336:"RBF to Release Out of Print Ska" 2334:White, Adam (February 21, 2002). 2189:from the original on July 3, 2019 2181:White, Adam (December 10, 2000). 2084:from the original on July 3, 2019 2076:White, Adam (November 18, 2000). 2057:from the original on July 3, 2019 2031:from the original on July 3, 2019 1645:Ross Garfield – studio technician 1615:, chief engineer, digital editing 885: 730:, where they were accompanied by 3357:Appleby, Tessa (June 13, 2002). 3215:White, Adam (January 29, 2002). 3135:White, Adam (November 7, 2001). 2996:. Supersonic Mag. Archived from 1987:. Soundthesirens. Archived from 1693: 1188:"A Little Doubt Goes a Long Way" 972: 967: 962: 957: 952: 938: 933: 928: 923: 918: 904: 899: 894: 889: 884: 856: 851: 846: 841: 836: 3824:. Reel Big Fish. Archived from 3798:. Reel Big Fish. Archived from 3741:Heisel, Scott (June 20, 2003). 3718:. Reel Big Fish. Archived from 3635:Heisel, Scott (June 14, 2003). 3609:. Reel Big Fish. Archived from 3553:Heisel, Scott (April 3, 2003). 3473:. Reel Big Fish. Archived from 3165:. Reel Big Fish. Archived from 2969:. Reel Big Fish. Archived from 2885:. Reel Big Fish. Archived from 2859:. Reel Big Fish. Archived from 2833:. Reel Big Fish. Archived from 2514:Servos, Steve (June 25, 2002). 2373:. Reel Big Fish. Archived from 2281:. Reel Big Fish. Archived from 2132:. Reel Big Fish. Archived from 2106:. Reel Big Fish. Archived from 1911:. Reel Big Fish. Archived from 1763:(the concert DVD included with 1704:needs additional citations for 1013:peaked at number 115 on the US 4035:. Vol. 72, no. 770. 3745:. Punknews.org. Archived from 3526:Heisel, Scott (May 21, 2003). 3271:"RBF single / video / website" 3269:White, Adam (April 28, 2002). 3078:"Interview with Reel Big Fish" 2908:D'Angelo, Joe (May 16, 2001). 2797:Zupp, Adrian (June 25, 2002). 2765:Rabiega, Greer (Spring 2003). 2486:"Interview With Reel Big Fish" 2213:"Interview With Reel Big Fish" 2053:. Punknews.org. July 8, 2000. 2027:. Punknews.org. May 18, 2000. 1586:Scott Klopfenstein – producer 1545:Iki Levy – percussion samples 1045: 1040:standard edition track listing 1: 4295:Fame, Fortune and Fornication 3768:White, Adam (July 26, 2003). 3242:White, Adam (April 5, 2002). 2939:White, Adam (July 22, 2001). 2697:Bushy, Mark (July 18, 2002). 2568:Paul, Aubin (June 25, 2002). 1451:(tracks 1, 2, 4, 5, 9 and 15) 577:song "Rock 'n Roll Is Bitchin 487:; it has also been tagged as 4403:Albums produced by Val Garay 3244:"Next RBF release this June" 3188:Heisel (February 14, 2002). 2701:. Punktastic. Archived from 2238:Brine (September 12, 2001). 1803: 1648:Tom Ames – studio technician 1627:David Schiffman – recording 702:There Is Nothing Like a Dame 4068:Penn State University Press 4060:Partridge, Kenneth (2021). 3692:. Punctuate. Archived from 3080:. UnEarthed. Archived from 2992:Melanie (October 2, 2001). 2699:"Reel Big Fish - Cheer Up!" 1761:You're All In This Together 1759:Aaron Barrett is quoted on 1639:Adam Samuels – 2nd engineer 1607:Shawn Sullivan – recording 736:the Mighty Mighty Bosstones 4424: 3796:"Reel Big Fish Tour Dates" 3607:"Reel Big Fish Tour Dates" 2570:"Reel Big Fish - Cheer Up" 2488:. Europunk. Archived from 2418:(booklet). Reel Big Fish. 2215:. Europunk. Archived from 1669:Robert Barrett – cover art 1633:Joseph Zook – 2nd engineer 1621:Gordie Johnson – producer 789:Live at the House of Blues 4309:Life Sucks...Let's Dance! 4267:Why Do They Rock So Hard? 4138: 3637:"Reel Big drummer switch" 2742:. Punk-It. Archived from 2542:: CS1 maint: unfit URL ( 2051:"Fish hooked on the bait" 1823: 1808: 1796: 1789: 1786: 1579:Aaron Barrett – producer 1368: 1351: 1322: 1305: 1256: 1239:"Rock 'n' Roll Is Bitchin 1235: 1218: 1201: 1184: 1167: 1150: 1133: 1116: 1099: 1082: 1063: 1055: 1052: 1049: 824: 821: 343:Why Do They Rock So Hard? 278:Why Do They Rock So Hard? 230:Why Do They Rock So Hard? 223: 28: 2603:Erlewine, Stephen Thomas 1601:Jim Goodwin – recording 1372:"Drunk Again" (includes 336:Background and recording 305:producing select songs. 97:Santa Monica, California 3995:"The Rabble Army – RZA" 3848:Greatest Hit...And More 3163:"Reel Big Fish on Tour" 2484:Tom (August 28, 2003). 2211:Tom (August 24, 2002). 1814:Official Charts Company 1484:Tavis Werts – trumpet, 1474:Matt Wong – bass guitar 1419:Personnel per booklet. 793:Greatest Hit...And More 787:video album, subtitled 505:Stephen Thomas Erlewine 107:San Gabriel, California 92:(Hollywood, California) 79:(Hollywood, California) 3297:"Where Have You Been?" 3190:"That's Sum Big Fish!" 2994:"Reel Big Fish - Matt" 2426:. 2002. 01241-44235-2. 1779:Chart performance for 1171:"What Are Friends For" 1137:"Where Have You Been?" 479:has been described as 466:Composition and lyrics 4331:The Littlest Man Band 3420:. MTV. Archived from 3217:"Favorite Noise Site" 2941:"Accident Prone Fish" 2680:Mongomery 2002, p. 12 2014:Partridge 2021, p. 47 1750:The Show Must Go Off! 1581:(tracks 7, 10 and 12) 1561:Production and design 1498:(tracks 7, 10 and 14) 777:The Show Must Go Off! 634:Pre-release promotion 593:cover, is done in an 581:" evokes the work of 4398:Reel Big Fish albums 4032:CMJ New Music Report 3920:on December 20, 2002 3828:on November 18, 2004 3822:"Reel Big Fish News" 3722:on December 21, 2004 3716:"Reel Big Fish News" 3696:on September 1, 2003 1991:on December 17, 2002 1713:improve this article 1479:Additional musicians 812:Professional ratings 785:The Show Must Go Off 511:CMJ New Music Report 4408:Mojo Records albums 4393:Jive Records albums 3884:cite AV media notes 3856:cite AV media notes 3802:on October 11, 2003 3305:cite AV media notes 3169:on October 31, 2001 3084:on November 9, 2007 2837:on January 24, 2001 2773:on January 13, 2005 2705:on January 13, 2003 2432:cite AV media notes 2377:on December 9, 2002 2285:on February 7, 2002 2136:on November 9, 2000 1797:Australian Albums ( 1783: 1663:Richard Harbaugh – 1439:– drums, percussion 1309:"Sayonara Senorita" 1086:"Somebody Loved Me" 1041: 813: 389:were in talks with 105:Brando's Paradise ( 4326:The Forces of Evil 4255:Turn the Radio Off 4200:Carlos de la Garza 4181:Scott Klopfenstein 3749:on August 25, 2022 3669:on August 25, 2022 3587:on August 25, 2022 3048:"RBF Release Date" 3000:on August 19, 2002 2920:on August 25, 2022 2811:on August 14, 2002 2641:Steininger, Alex. 2315:on August 14, 2005 2110:on October 7, 2000 2078:"Broken Fish Legs" 1915:on August 15, 2001 1778: 1520:Kyle Homme – drum 1443:Scott Klopfenstein 1437:Carlos de la Garza 1294:Scott Klopfenstein 1262:New York, New York 1103:"Ban the Tube Top" 1036: 811: 756:Download Festivals 691:On April 5, 2002, 587:New York, New York 536:Spring Heeled Jack 395:Scott Klopfenstein 299:Scott Klopfenstein 202:Scott Klopfenstein 4375: 4374: 4336:Jeffries Fan Club 4302:Candy Coated Fury 4158:John Christianson 3477:on August 2, 2003 3424:on April 15, 2015 2973:on August 1, 2001 2863:on April 11, 2001 2746:on August 2, 2003 2647:In Music We Trust 2492:on March 26, 2008 2219:on March 26, 2008 1983:Mohager, Kamtin. 1837: 1836: 1745: 1744: 1737: 1681: 1680: 1630: 1624: 1610: 1609:(tracks 7 and 10) 1604: 1598: 1589: 1583:, digital editing 1582: 1576: 1572: 1554: 1548: 1547:(tracks 6 and 13) 1542: 1530: 1526: 1517: 1511:Shawn Sullivan – 1508: 1499: 1490: 1464: 1452: 1448: 1411: 1410: 1398:("Give It to Me") 1382:the J. Geils Band 1205:"Dateless Losers" 981: 980: 867:In Music We Trust 745:the Starting Line 551:In Music We Trust 438:Paramount Studios 432:; Jakes Place in 426:The Sound Factory 260: 259: 256: 255: 77:The Sound Factory 4415: 4355:Related articles 4243:Everything Sucks 4125: 4118: 4111: 4102: 4081: 4056: 4054: 4052: 4011: 4010: 4008: 4006: 3991: 3980: 3974: 3965: 3964: 3962: 3960: 3939: 3930: 3929: 3927: 3925: 3916:. Archived from 3913:The Mercury News 3903: 3894: 3893: 3887: 3879: 3872: 3866: 3865: 3859: 3851: 3844: 3838: 3837: 3835: 3833: 3818: 3812: 3811: 3809: 3807: 3792: 3786: 3785: 3783: 3781: 3772:. Punknews.org. 3765: 3759: 3758: 3756: 3754: 3738: 3732: 3731: 3729: 3727: 3712: 3706: 3705: 3703: 3701: 3690:"Reeel Big Fish" 3685: 3679: 3678: 3676: 3674: 3659: 3653: 3652: 3650: 3648: 3639:. Punknews.org. 3632: 3623: 3622: 3620: 3618: 3613:on April 5, 2003 3603: 3597: 3596: 3594: 3592: 3577: 3571: 3570: 3568: 3566: 3557:. Punknews.org. 3550: 3544: 3543: 3541: 3539: 3530:. Punknews.org. 3523: 3514: 3513: 3511: 3509: 3500:. Punknews.org. 3493: 3487: 3486: 3484: 3482: 3467: 3461: 3460: 3458: 3456: 3447:. Punknews.org. 3440: 3434: 3433: 3431: 3429: 3413: 3407: 3406: 3404: 3402: 3387: 3381: 3380: 3378: 3376: 3371:on July 25, 2002 3367:. Archived from 3364:Drowned in Sound 3354: 3348: 3347: 3341: 3339: 3321: 3315: 3314: 3308: 3300: 3293: 3287: 3286: 3284: 3282: 3273:. Punknews.org. 3266: 3260: 3259: 3257: 3255: 3246:. Punknews.org. 3239: 3233: 3232: 3230: 3228: 3219:. Punknews.org. 3212: 3206: 3205: 3203: 3201: 3192:. Punknews.org. 3185: 3179: 3178: 3176: 3174: 3159: 3153: 3152: 3150: 3148: 3139:. Punknews.org. 3132: 3126: 3125: 3123: 3121: 3112:. Punknews.org. 3105: 3094: 3093: 3091: 3089: 3073: 3064: 3063: 3061: 3059: 3050:. Punknews.org. 3043: 3037: 3036: 3034: 3032: 3023:. Punknews.org. 3016: 3010: 3009: 3007: 3005: 2989: 2983: 2982: 2980: 2978: 2963: 2957: 2956: 2954: 2952: 2943:. Punknews.org. 2936: 2930: 2929: 2927: 2925: 2916:. 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Index

An angry-looking clown grabbing the shirt of a man with a speech bubble from the clown saying "Cheer up!"
Studio album
Reel Big Fish
The Sound Factory
Studio City
Paramount
Santa Monica, California
San Gabriel, California
Genre
Ska punk
pop-punk
power pop
rock
Label
Mojo
Jive
Producer
Val Garay
Scott Klopfenstein
Gordie Johnson
Reel Big Fish
Why Do They Rock So Hard?
We're Not Happy 'til You're Not Happy
rock
Reel Big Fish
Why Do They Rock So Hard?
third wave
ska
Val Garay
Scott Klopfenstein

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