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208:(文徵明). In 1978, he was promoted to deputy director of the National Palace Museum while retaining his position as Director of the Painting and Calligraphy Department. He served at the National Palace Museum for twenty-seven years. In addition to his academic expertise, he also contributed to the administrative work of the museum.
219:, establishing "Jieshe Garden." (揭涉園) During this period, he developed a new style in his ink painting by depicting the scenery of Nantou. He continued to create prolifically, producing high-quality works, and was frequently invited to participate in exhibitions and lectures.
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Notes." (花蓮記遊冊) Chiang's profound traditional literati background, coupled with his experience in artistic creation, allowed him to present insightful papers and lay the groundwork for academic research and exhibitions.
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Chiang Chao-shen (1925–1996), born into a scholarly family in She County, Anhui, in 1925, was exposed to literature and calligraphy under his parents' guidance and his fourth uncle's introduction to
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In 1972, Chiang was appointed
Director of the Painting and Calligraphy Department at the National Palace Museum, and in the following year, he organized the " Ninety-Years of
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in
Beijing. Chiang Chao-shen passed away suddenly on May 12, 1996, due to a heart attack during an academic lecture at the Lu Xun Academy of Fine Arts in Shenyang.
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Painting
Exhibition." (吳派畫九十年展) During his tenure, he delved into the study of ancient books and paintings, dedicating significant time to the research of
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in Taiwan, serving as the deputy director and
Director of the Painting and Calligraphy Department. On May 12, 1996, he unexpectedly passed away due to a
184:" (關於唐寅的研究) in 1973, receiving the Chia-hsin Research Award (嘉新優良著作獎) and the Dr. Sun Yat-sen Culture and Arts Award (中山文藝獎) for his travelogue "
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150:(溥心畬), where he became the disciple of Pu Xinyu, a renowned figure in poetry and literature, studying poetry and prose under his guidance.
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139:(黃賓虹) during his childhood. In the fourth grade of elementary school, he carved a seal for someone, earning recognition from
87:(茮原), and also known by the studio name Lingou Hall (靈漚館), was born on the banks of Fengxi (豐溪) River in Yanci Town (巖寺鎮),
172:, benefiting from the extensive collection. He was promoted to Researcher in 1969. In response to an invitation from the
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165:(葉公超), propelling Chiang into the position of Associate Researcher at the National Palace Museum in Taiwan.
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After retiring in
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In 1965, Chiang held a solo exhibition of calligraphy, painting, and seal carving at
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In 1949, after immigrating to Taiwan, Chiang became a high school teacher and joined
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for a year. In
November of the same year, he published a book titled "A Study on
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during the time of Tang Yin (16th century) and completed the chronology of
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In 1992, his "Wuchen
Landscape Album" (戊辰山水冊) was collected by the
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Then Chiang had the opportunity to study a rich variety of
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111:. Chiang Chao-shen held prominent positions at the
200:painter Tang Yin, as well as the painters in the
103:engraver, as well as a scholar in the study of
314:張, 沛誼; 浦, 莉安 (2010). "「典型在夙昔－江兆申先生紀念座談會」紀實".
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176:, Chiang visited the United States as a
80::江兆申, October 26, 1925 – May 12, 1996),
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384:"Collection : Jiang Zhaoshen 江兆申"
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232:National Art Museum of China
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99:calligrapher, painter, and
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334:"江兆申書法藝術研究"
261:. 臺北市: 雄獅.
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