Knowledge (XXG)

Chocolat (1988 film)

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boundaries between themselves and the native Africans. This is brought to a head through Luc Segalen, a Western drifter who stays with the Dalens family after a small aircraft crashes nearby. He acknowledges Aimée's attraction to Protée in the presence of other black servants. This later results in a fight between Luc and Protée, which Protée wins. During the fight, Aimée sits nearby, unseen by the two. She attempts to seduce Protée after Luc has left but he rejects her advance. Aimée consequently asks her husband to remove him from the house. Protée is moved from his in-house job to working outdoors in the garage as a mechanic.
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The story is told through the eyes of young France, showing her friendship with the "houseboy," Protée, as well as the sexual tension between Protée and her mother, Aimée. The conflict of the film comes from the discomfort created as France and her mother attempt to move past the established
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is. He tells her that it is a line that is there but not there, a symbol for the boundaries that exist in the country between rich and poor, master and servant, white and black, coloniser and colonised, male and female; a line that is always visible but impossible to approach or pass.
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Towards the end of the film, France's father reveals a central theme of the film as he explains to her what the
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Cinema and Landscape: Film, Nation and Cultural Geography: Film, Nation and Cultural Geography
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Cult Movies: Claire Denis' Chocolat Is Still a Sweet, Deeply Moving Taste of Cinematic Heaven
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with his son. As they ride, France's mind drifts and we see her as a young girl in
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Claire Denis' African Debut Is a Nostalgic Yet Unsparing Look At Colonial Life
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Singerman, Alan J.; Bissière, Michèle (September 15, 2018).
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in 1957, where her father was a colonial administrator.
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An adult woman named France walks down a road toward
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Harper, Graeme; Rayner, Jonathan (January 1, 2010).
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Park, an 215: 205: 195: 185: 162: 152: 140: 132: 77: 67: 55: 45: 28: 656: 8: 593:Contemporary French Cinema: A Student's Book 663: 649: 641: 397:The soundtrack, performed and recorded by 335:CĂ©cile Ducasse as France Dalens, as a girl 284:who has moved to Africa and is driving to 34: 25: 924:Films set in the French colonial empire 416: 388:The Mindif peaks, depicted in the film 522:, Toronto International Film Festival 7: 636:via Central Oregon Community College 359:Jean-Quentin Châtelain as Courbassol 14: 377:Clementine Essono as Marie-Jeanne 499:, The Irish News, 17 April 2024 374:Jacques Denis as Joseph Delpich 919:Films directed by Claire Denis 471:"Festival de Cannes: Chocolat" 1: 234:film written and directed by 929:1988 directorial debut films 706:Jacques Rivette, le veilleur 452:, The Arts Desk, 15 May 2024 341:as France Dalens, as a woman 959:Semi-autobiographical films 904:1980s French-language films 884:1980s adventure drama films 219:$ 2,344,286 (international) 975: 545:, Roger Ebert, 12 May 1989 401:, was released in 1988 as 347:Laurent Arnal as Machinard 15: 857: 679: 606:– via Google Books. 579:– via Google Books. 344:Jean-Claude Adelin as Luc 266:1988 Cannes Film Festival 246:. Marc and AimĂ©e Dalens ( 40:Theatrical release poster 33: 914:French independent films 380:Essindi Mindja as Blaise 954:1989 in American cinema 889:Cameroonian drama films 836:Both Sides of the Blade 350:Jean Bediebe as Prosper 939:1988 independent films 860:Frequent collaborators 596:. Hackett Publishing. 389: 949:1988 in French cinema 894:Films set in Cameroon 632:Detailed Analysis of 387: 365:as Mireille Machinard 264:was entered into the 716:Keep It for Yourself 16:For other uses, see 816:Let the Sunshine In 569:. 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Index

Chocolat

Claire Denis
Jean-Pol Fargeau
Isaach de Bankolé
Giulia Boschi
François Cluzet
Emmanuelle Chaulet
Kenneth Cranham
Didier Flamand
Mireille Perrier
Abdullah Ibrahim
period drama
Claire Denis
directorial debut
French Cameroon
François Cluzet
Giulia Boschi
Isaach de Bankolé
1988 Cannes Film Festival
Douala
African American
Limbe
Mindif
French Cameroon
horizon
Isaach de Bankolé
Giulia Boschi
François Cluzet
Mireille Perrier

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