401:. The compositions for the two sculptures are quite similar, with two noticeable changes in the Notre Dame work, the position of the Samaritan woman's head and in a more relaxed attitude of Christ. Instead, there are noticeable stylistic changes. While garments in the 1927 works are diaphanous, clinging and enveloping the bodies and decorated with graceful and sinuous motifs, the 1957 forms present heavy folds, casually draped over the limbs. An even more significant difference is the relationship and the strong sense of communication between the two Christ and the woman. This symbolizes' Meštrović interest on depicting the spiritual impact of the figures rather than the form and style.
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The
Shaheen-Mestrovic Memorial, and especially the “Christ and the Samaritan Woman” statue, is used for many purposes by students and faculty on campus. During the day, students sit around the memorial. Some student groups and residence halls hold prayer services, retreat activities, reflection time,
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While at Notre Dame, Mestrovic worked primarily with plaster due to his advanced age and the difficulty of handling and working with large blocks of marble or wood. Several of his works were not cast into bronze until after his death. Among these were the 1956-58 Madonna and Child in the courtyard of
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At Notre Dame, Mestrovic created many art pieces that reside on campus, and his influence is seen in pieces created by his students as well. As he said, “Sculpture and art in general should contribute to human civilization, to human progress and mankind’s spiritual development.” As such, much of his
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sculpture. Two bronze figures, Jesus and the
Samaritan Woman, surround the marble well. The Christ figure looks upward, hand raised as if speaking. The woman holds a water jug and looks downcast. Meštrović also completed a smaller-scale version of the same piece, composed of plaster. It measures 28
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The
Shaheen-Mestrovic Memorial was constructed in 1985 by Cole Associates and placed on the South Quad on the west side of O’Shaughnessy Hall. The memorial was intended as a gathering space and a location of the exposition and appreciation of Mestrovic's work. It was planned by Frederick Beckman,
380:, Chapter 4, Christ meets a Samaritan woman at a well. He asks her for a drink, and the woman is surprised, because Jews and Samaritans do not normally associate with one another. Jesus then speaks of the living water, the water which will satisfy all thirst, and tells her that He is the
220:, with whom the Jews would not normally associate. Eli J. Shaheen, a Notre Dame alum, was the donor for the project, which is owned by the university. The “Woman at the Well,” as it is often referred, is flanked by sculptures of the gospel writers
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chair of the
Department of Art, Art History and Design. The figures of the evangelists Luke and John were placed around the central figures of Jesus and the Samaritan woman. Eli J. Shaheen, a Notre Dame alum, was the donor for the project.
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Like many of the other works from
Mestrovic's Notre Dame period, this sculpture was both religious in nature and inspired by previous work he had done in Croatia. Indeed, Mestrovic had previously sculpted the episode of the
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by 23 inches, and, at the date of print of the 1974 collection, is part of the Notre Dame Art
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as part of the
Shaheen-Mestrovic Memorial, which was completed in 1985 by the Department of Landscape Architecture and Planning in the
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Jenkins, Rev. John I. (2016). "A Message from Rev. John I. Jenkins, C.S.C.: Interfaith Prayer
Service for Respect and Solidarity".
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540:"Ivan Mestrovic, Sculptor, Is Dead: Notre Dame Professor Noted for His Religious Works Exiled Voluntarily Learned From Father".
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220 cm × 150 cm × 210 cm (88 in × 60 in × 84 in)
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A bronze copy of the statue, cast from the original molds with permission of
Mestrovic's widow, was exhibited at the
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Ivan Meštrović was a
Croatian sculptor (1883–1962). Throughout his life, he lived all throughout Europe, in
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to be the sculptor-in-residence and a “Distinguished Professor”, where then-president, Father
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work on Notre Dame's campus is religious in nature, including his famous replica of the
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Lauck, Rev. Anthony J., Porter, Dean A., Bennet, Stephen Alan, Vogl, Dan (1974).
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Southern Catholic Legacy Notre Dame Seminary In New Orleans, Louisiana
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741:. Notre Dame, IN: Art Gallery: University of Notre Dame. p. 55.
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thirty years earlier in 1927, for the wood relief in a chapel in
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Lewis Hall and a superb 1947 plaster portrait of his wife Olga.
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or faith meetings by the statue. In November 2016, Father
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Advocate, Bruce Nolan Special to The (5 November 2014).
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Ivan Meštrović biography written by his daughter, Maria
625:. Notre Dame, IN: University of Notre Dame. p. 58.
605:. Notre Dame, IN: University of Notre Dame. p. 22.
461:. Notre Dame, IN: University of Notre Dame. p. 54.
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Notre Dame Journal of Law, Ethics & Public Policy
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Rev. Mark S. Raphael, Ph.D., Raphael, Ph.D. (2016).
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751:: CS1 maint: multiple names: authors list (
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344:Description
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155: /
129:Coordinates
1737:Categories
1702:Dan Devine
1645:Key people
1576:Campus art
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1127:Log Chapel
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366:South Bend
260:Yugoslavia
198:South Bend
143:86°14′10″W
140:41°42′01″N
101:Dimensions
1707:Lou Holtz
1356:Athletics
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691:. Lulu.
642:NOLA.com
546:ProQuest
422:See also
388:Analysis
277:and the
252:Belgrade
109:Location
1567:WSND-FM
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897:History
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318:Vatican
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232:History
218:Samaria
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1333:Walsh
1318:Sorin
1273:Lyons
1268:Lewis
1263:Knott
1223:Dunne
1188:Badin
623:(PDF)
603:(PDF)
459:(PDF)
399:Split
214:Jesus
168:Owner
1343:Zahm
1308:Ryan
753:link
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703:OCLC
693:ISBN
583:2016
520:ISSN
355:and
283:Rome
254:and
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87:Type
82:1957
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