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210:, a group of composer-performers that specialised in music for toy pianos and reed organs. On the breakup of the PTO (for political reasons, as Shrapnel and Hill wanted a greater political content in the works played and Hobbs and White did not), Hobbs and White formed the eponymous Hobbs-White Duo, which lasted until 1976. He also took part in several momentous one-off concerts, most notably in a complete performance of
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313:, electronic keyboard, and percussion in strict permutations, while maintaining a friendly, melodic soundworld. This combination of strict rigour and audience-friendly surface is typical of most of Hobbs' work since 1970, as is his use of cheap (toy or amateur) electronics. Hobbs has recently begun using
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in the operation of the catalogue, which lasted in its original form until the early 1980s. It was re-started in 2000 by Hobbs and
Virginia Anderson and was active until Anderson's death in 2021.
251:, in which the note-to-note system is taken from the knitting pattern for an Aran sweater. Hobbs and White moved to a freely-composed eclectic style (since White had been writing piano
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615:, second edition. Cambridge: Cambridge University Press. (First edition, London: Studio Vista, Cassell and Collier Macmillan Publishers, 1974.
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puzzles (which provide permutations of numbers and letters in a grid). This has led to a double album released in
November 2006, called
286:). He also wrote for the Hartzell Hilton Band, of which he was founder member, and for other ensembles, including the Dublin Sinfonia.
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in 1968 as a distribution centre. Various pieces were eventually grouped into a series of
Anthologies according to themes: the
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557:. M.A. thesis, Redlands, California: University of Redlands (Facsimile edition published 2000, Leicester:
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Since the 1990s, Hobbs returned to systems composition, some with an emphasis on textual content, as in
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are typical. These anthologies published works mainly by
British experimentalists, but also works by
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As experimental music was hard to come by, Hobbs gathered sheet music from friends and founded the
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329:(Experimental Music Catalogue, EMC 104, 2006). In 2009, a CD single of the twenty-minute
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247:" are rearranged by random means. His best-known work of this time is probably
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of great length and weight). In the 1980s, Hobbs wrote for the then-new
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British
Experimental Music: Cornelius Cardew and his Contemporaries
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592:, and Christopher Hobbs, eds. 1982–83. "Forum: Improvisation".
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21, nos. 1 & 2 (Fall–Winter and Spring–Summer): 26–111.
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In 1969, Hobbs was a member from the first meeting of the
239:(1970), in which sections of a two-piano arrangement of
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of great charm and brevity, Hobbs began writing piano
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301:(1996; manipulation and setting of letters to the
545:Anderson, Virginia (1991). "Hobbs, Christopher".
369:Anderson, Virginia (2009). "Hobbs, Christopher".
601:"Hobbs, Christopher", in John Vinton, ed. 1974.
309:(2000), a birthday celebration, uses partially
114:, near London. He was a junior exhibitioner at
321:software to write a series of pieces based on
299:No One Will Ever Have the Same Knowledge Again
8:
630:. 1971. "Interview with Christopher Hobbs",
427:. Latimer New Dimensions. pp. 87–90.
153:on 1 November 1969. His early composition
381:10.1093/gmo/9781561592630.article.2082352
293:(1993; systemic manipulation of American
66:Learn how and when to remove this message
291:Extended Relationships and False Endings
126:from 1967. Hobbs worked with Cardew and
29:This article includes a list of general
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91:(born 9 September 1950) is an English
98:, best known as a pioneer of British
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703:Alumni of the Royal Academy of Music
603:Dictionary of Contemporary Composers
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708:Academics of De Montfort University
613:Experimental Music: Cage and Beyond
401:. European Free Improvisation Pages
227:Hobbs' musical output includes his
474:"The Experimental Music Catalogue"
198:Hobbs was a founder-member of the
35:it lacks sufficient corresponding
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571:. 1982. "Satie and the British".
713:Academics of Coventry University
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340:from 1973 to 1991. He taught at
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336:Hobbs was director of music at
723:English experimental musicians
561:; new edition forthcoming, as
452:"Christopher Hobbs – Composer"
1:
563:Experimental Music in Britain
520:"Staff: Dr Christopher Hobbs"
559:Experimental Music Catalogue
478:Experimental Music Catalogue
162:Experimental Music Catalogue
200:Promenade Theatre Orchestra
134:, appearing on two albums:
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553:Anderson, Virginia. 1983.
549:. London: St. James Press.
168:(of text-notation music),
595:Perspectives of New Music
586:, no. 26, pp. 12–20.
634:, no. 3, pp. 17–23.
303:Mount Wilson Observatory
280:17 On-Minute Pieces for
122:'s first student at the
386:(subscription required)
50:more precise citations.
578:Bryars, Gavin. 1983. "
547:Contemporary Composers
346:De Montfort University
245:Sheep may safely graze
124:Royal Academy of Music
116:Trinity College London
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582:and its Performers".
575:, no. 25, p. 11.
522:. Coventry University
342:Leicester Polytechnic
307:Fifty in Two-Thousand
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647:with Chris Hobbs by
266:, including the toy
264:electronic keyboards
237:The Remorseless Lamb
231:-influenced musical
605:. New York: Dutton.
352:from 2004 to 2022.
350:Coventry University
338:Drama Centre London
151:Hampstead Town Hall
372:Grove Music Online
110:Hobbs was born in
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626:West, Peter, and
509:, Cold Blue Music
434:978-0-901539-17-5
421:Cardew, Cornelius
274:of 1983) and the
206:, Alec Hill, and
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89:Christopher Hobbs
84:Christopher Hobbs
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128:Christian Wolff
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106:Life and career
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327:Sudoku Music
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130:: he joined
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698:1950 births
628:Peter Evans
454:. Music Now
233:ready-mades
177:Anthologies
174:Educational
118:, then was
48:introducing
692:Categories
356:References
319:GarageBand
295:soap-opera
212:Erik Satie
204:John White
155:Voicepiece
112:Hillingdon
31:references
670:Biography
645:Interview
580:Vexations
505:Sudoku 82
331:Sudoku 82
317:'s basic
257:sonatinas
222:Leicester
217:Vexations
136:The Crypt
611:. 1999.
423:(1972).
170:Keyboard
96:composer
56:May 2020
656:Portals
632:Contact
584:Contact
573:Contact
526:22 July
507:CB0033"
488:22 July
458:22 July
405:22 July
344:(later
305:). His
268:VL-Tone
253:sonatas
229:Duchamp
140:Laminal
44:improve
619:
431:
323:sudoku
276:MT-750
172:, and
33:, but
399:"AMM"
261:Casio
617:ISBN
528:2010
490:2010
460:2010
429:ISBN
407:2010
270:(in
249:Aran
243:'s "
241:Bach
191:and
138:and
377:doi
214:'s
132:AMM
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565:.)
476:.
443:^
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