Knowledge (XXG)

Christopher Ries

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Ries spent the next two years under the mentorship of Littleton. Ries's interest in glass's optical properties grew, and began carving cold glass instead of blowing hot glass. Tools to sculpt large blocks of glass weren't available at the time, so Ries independently developed much of the equipment he
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to pursue a Bachelor of Fine Arts degree in ceramics. He soon became more interested in the glass used to glaze pottery than the pottery itself. In order to explore glass as a medium for artistic expression, he built what became The Ohio State University's first glass studio and served as its first
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Contemporary critics have noted Ries's unique ability to exploit glass's optical properties for artistic expression. James Yood, professor of contemporary art theory and criticism at Northwestern University, called Ries's work “an art of such suggestiveness and finesse, of ceaseless transition and
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Ries's sculptures are noted for their changing internal optical compositions and technical proficiency. Ries's primary medium is clear lead crystal, a glass with an unusually high refractive index, extreme light transmission in the visual range, and outstanding homogeneity. These qualities enable
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Ries himself characterizes his work as a “vessel for light,” noting that “all that we know about the universe, the composition of the stars, and the distances within the universe is studied through light...It is the one medium that gathers, focuses, amplifies, transmits, filters, diffuses and
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Ries begins with large blocks of optical glass and reduces them to the desired form by cutting, carving, grinding, and polishing them. His larger sculptures are taken from source material that can weigh over 4,000 pounds, and the process of reducing and polishing can take as much as a year.
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was at the time of its creation the world's largest monolithic glass sculpture. It weighs nearly 1,500 pounds (680 kilograms) and was sculpted from a 3,000 pounds (1,400 kilograms) block of glass. One of Ries's most famous works, the 1,100 pounds (500 kilograms)
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Ries's relationship with Schott continued until a fire destroyed his on-site studio on 3 March 2015. Production of large Ries studio work has ceased and is not expected to resume. His private studio in Tunkhannock, Pennsylvania is still operational.
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After graduating the University of Wisconsin–Madison, Ries spent several years searching for the ideal glass to be used in sculpture. Ries's search ended when he discovered the lead crystal manufactured by
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It is the one medium that gathers, focuses, amplifies, transmits, filters, diffuses and reflects it. It is the quintessential medium for light. I see it all on a symbolic level.
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Briggs, Richard. "Windows to a View: The Work of Glass Sculptor Christopher Ries," WVIA-TV, Northeastern Pennsylvania Public Television, Scranton, PA (November 1993).
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As Ries's technique developed, Dr. Franz Herkt, president of Schott Optical, invited Ries to work with the company as an independent contractor with the title
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needed during his spare time. He graduated the University of Wisconsin–Madison in 1978 with a master's degree in fine arts and returned to Columbus.
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instructor. Ries spent the next several years blowing glass and investigating glass types, chemical compositions, and properties.
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surprise that it constitutes one of the most intriguing exercises in the poetics of optics anywhere in contemporary art.”
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Ries's works have won numerous awards and are exhibited in major collections and museums throughout the United States,
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Paine, Janice T. "Clearly Inspired: Contemporary Glass and its Origins," American Craft (October/November 1999).
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Ries's work includes the largest non-assembled glass forms in existence, and is collected in museums worldwide.
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Waggoner, Shawn. "The Fourth Dimension: The Art Glass of Christopher Ries," Glass Art (November/December 1996).
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Christopher Ries was born to florists Raymond and Mildred Ries and was raised in a log cabin on a farm near
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During his senior year at The Ohio State University, Ries attended a guest lecture given by
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reflects it. It is the quintessential medium for light. I see it all on a symbolic level.”
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Kapelke, Steven. "Focus: Christopher Ries," American Craft (December 1996/January 1997).
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took four months to anneal and required a further 1,800 estimated hours to carve.
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1990 Ohioana Citation for Distinguished Service to Ohio in the Field of Art
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He lives with four of his children, Banks, Chase, Catherine and Caroline.
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1978–79 Aid to Individual Artists Fellowship, Ohio Arts Council
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Ries to create the optical effects found within his work.
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Christopher Ries with father Raymond at his childhood home
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Christopher Ries with Ed Rendell during installation of
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Ries with raw block of optical crystal at Schott Optical
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rather than using traditional hot techniques such as
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Index


Columbus, Ohio
Ohio State University
University of Wisconsin, Madison
http://www.christopherries.com/
glass artist
sculptor
optical crystal
blowing
molding
Harvey Littleton
Christopher Ries with father Raymon Ries
Columbus, Ohio
ceramics
Ohio State University
Harvey Littleton
University of Wisconsin–Madison
Schott Optical
Duryea, Pennsylvania
Tunkhannock, Pennsylvania
Ries with raw block of optical crystal
Sunflower
Ries with Embrace at Schott
Christopher Ries with Ed Rendell
Europe
Japan
Misericordia University
Dallas, Pennsylvania
National Liberty Museum
Philadelphia, Pennsylvania

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