712:„The second piece, Spring, directed by Roth, is undoubtedly the most unorthodox and experimental-ish. Unhappily, Roth had to take this approach after the death of Berger's wife Beverly, which meant that the original subject, understandably, absented himself from proceedings. Roth's solution is to focus on what Berger appeared to love about Quincy – the animals, the landscape, the work in the fields – and creates an enjoyable concoction, sometimes funny, sometimes surreal."
25:
718:"Roth's minimal yet rich exhibition weaves a dense web, starting with its title: 'Blow Out' immediately brings to mind the 1966 film Blow Up by director Michelangelo Antonioni. But it also refers to the construction technique used to build Binishells—a round concrete structure shaped by blowing out a huge air balloon—invented by architect Dante Bini.
470:) was the central project of the Mahagonny Festival in Bremen. In his speculative world exhibition parcours, Roth designed scenes that took place on several floors and revolved around the value of things. He collaborated with architects, lawyers, journalists, scientists, politicians, economists, students, musicians and philosophers. Among others,
541:(2018) explores the relationship between public power and private sector interests. The film is shown as part of a traveling exhibition and supplemented with sequences and content that relate to the locality. The films are screened continuously and have been included in the program of various international architecture film festivals.
404:), Roth writes in 1996 of the internet as a network that will reorganize the exchange of and access to information and give rise to new forms of interaction. Information will be hyperlinked and artificial intelligence in the form of smart agents and knowbots will know about the preferences of their users.
666:
in 2016, in which they put together different voices from philosophy and their research on the subjects of time and narrative. The film uses elements of science fiction and is set in the past, present and future and has been shown at art festivals in Europe and
America. Armen Avanessian, Elie Ayache,
661:
was created in collaboration with Armen
Avanessian and Alexander Martos. They collaborated with experts in art, theory, technology, politics, law, hacktivism, and finance to address the challenges of post-state sovereignty, global financial feudalism, and new algorithmic regimes. Together with Armen
408:
You never really know where you are on the
Internet. You move from one node to another. The network is not centrally organized. It is a system without a center. You have addresses, but you can't even tell where the server is. What for? A virtual GPS would always be able to tell you on the Internet
343:
is located on the premises of the haubrok foundation at
Fahrbereitschaft in Berlin-Lichtenberg. The channel uses television as a broadcast instrument for artistic and utopian ideas and shows television productions by artists created since the 1970s.
591:
and had exhibitions in
Germany, the United States, and Italy, among other countries. Roth collaborates in various constellations with authors, architects, artists, designers and others. In 1991 he was represented with
497:
with Arno
Brandlhuber and Olaf Grawert on films that show the connections between architecture and politics and their impact of decisions on a local and global level. The films feature interviews with Sandra Bartoli,
278:) and publishes new content on an ongoing basis. Content from different areas such as society, art, politics and science is presented. The logos were created by the designers and artists Diann Bauer,
325:
mainly shows content created by students at the chair of Arno
Brandlhuber at the ETH Zurich Faculty of Architecture. The station was founded in 2017 together with Arno Brandlhuber and Olaf Grawert.
388:, Roth uses a protagonist to tell the story of a weekend in Munich, weaving real-life characters into a fictional story. German critics cited the narrative as a forerunner of German
423:, he describes Kaurismäki's films and approach through a personal encounter in a London pub and places he uses to cross-reference his films and past and present political events.
329:
Normally, architects and architecture students design and realize concepts and buildings. But can architects do a TV-show? That's new – and "Station.plus" dares this experiment.
1557:
1377:
1123:, Christopher Roth in: REALTY. Beyond the Traditional Blueprints of Art & Gentrification. Tirdad Zolghadr (Ed.), Hatje Canz Verlag, Berlin 2022, ISBN 978-3-7757-5171-1
1605:
258:
Roth also uses TV as a medium and distribution platform to highlight issues and disseminate them in an intelligible format. In 2018 he founded the television platform
1712:
1764:
1579:
1532:
435:, funded by the Kulturstiftung des Bundes (English: German Federal Cultural Foundation), was created in 2010. In May 2010, a live performance took place at
1861:
608:. In the exhibition, a horror film, a video documentary, and sculptures are arranged alongside personal traces and objects. As a part of the exhibition
439:
in New York and the first four books were presented. In the course of the project, ten books were produced and published. In 2011, the eight-hour opera
522:(2016) highlights that architecture is not just understood as a built environment, but also as a social domain. The film was first shown at the 15th
97:
631:
on
Sardinia. Roth uses different perspectives for the narration whereby it is not clear who is narrating. The film was part of his solo exhibition
737:
451:
in Munich. A year later, a series of congresses was organized in Berlin, Johannesburg, New Delhi, Sao Paulo, and Tel Aviv, documented in the book
365:
225:
192:
2798:
309:
in global and local contexts. The content explores the role of contemporary art in the recent history of urban renewal. In May 2022, the book
50:
2703:
2598:
2285:
2251:
2217:
2080:
1813:
2880:
2035:
2328:
2100:
396:) some time after its publication. In 2012, the novel was reissued after thirty years, with a foreword by Moritz von Uslar. In his text
1151:
Travelogue / Atrocity & Grace (Vol. 5/6). Georg Diez / Christopher Roth, Edition
Patrick Frey, Zurich 2010, ISBN 978-3-905929-05-8
105:
39:
318:
68:
1835:
2380:
2906:
1129:, Christopher Roth, in: 2038. The New Serenity. Team 2038 (Ed.), Sorry Press, Munich 2021, p. 24–45, ISBN 978-3-9820440-4-0
1411:
554:
523:
349:
3124:
109:
2510:
2509:
Bundesministeriums des Innern und fĂĽr Heimat (BMI) (English: Federal
Ministry of the Interior and Community) (21 May 2021).
2536:
1402:
534:
2958:
2562:
1343:
1142:
California ĂĽber alles (Vol. 2). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-02-7
1166:
The Eleventh Circle (Vol. 11). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-11-9
563:
250:(English: Munich International Film Festival) and was nominated in the categories of director, screenplay and acting.
2354:
1163:
When We Were Good (Vol. 10). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-10-2
2827:
2302:
352:
in 2021 and shows artists, ecologists, economists, scientists, politicians, writers curated in 2019 for the project
2484:
1154:
I Love My Time (Vol. 7). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-06-5
1139:
What Happened? (Vol. 1). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-01-0
1036:, collaboration with Franz Stauffenberg, exhibitions in Basel, Berlin, New York, Paris, SĂŁo Paulo, Venice, Zurich
822:
597:
2693:
1160:
far from home (Vol. 9). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-09-6
2720:
1738:
1071:, congress, in collaboration with Georg Diez, Center for Historical Reenactment, walk to Miniland, Johannesburg
683:, Christopher K. Thomas, Pete Wolfendale and Suhail Malik are featured in the film. Next to the appearances of
232:, Bartek Dziadosz and Tilda Swinton, Roth was co-creator of the documentary. Roth is an actor in the 2017 film
129:
3013:
1085:, congress, in collaboration with Georg Diez, Kunst-Werke, walk from Berlin-Mitte to the Olympiastadium Berlin
1043:, research project for more than one year in collaboration with Georg Diez, more than 20 theater performances
431:
Roth realizes the majority of its projects in collaborations. Together with Georg Diez, the research project
2432:
2207:
1157:
Superburg (Vol. 8). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-08-9
987:
616:
1148:
u²4u+8=0 (Vol. 4). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-04-1
3134:
1713:"The Seasons in Quincy: Four Portraits of John Berger review - Tilda Swinton's demonstration of affection"
1145:
MAO III (Vol. 3). Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2010, ISBN 978-3-905929-03-4
1078:, congress, in collaboration with Georg Diez, walk from the Hall of Nations to the Lotus Temple, New Delhi
628:
2641:
1510:
487:
444:
2746:
1474:
35:
1172:
What Happened? 80*81. Georg Diez, Christopher Roth, Merve Verlag, Leipzig 2016, ISBN 978-3-88396-378-5
3129:
503:
448:
436:
46:
1942:
747:
692:
672:
247:
1916:
1369:
615:
in March 2015, a film contribution was made together with Arno Brandlhuber. He collaborated with
360:, more than 20 websites were hacked for a period of three weeks in 2020 featuring the program of
172:
128:
Roth is working as a film director, screenwriter and film producer. From 1998 to 2010, he filmed
700:
2983:
643:
I thought that our present time, which was the future back in the 1960s, would be a lot wilder.
3077:
2699:
2594:
2281:
2247:
2213:
2076:
1887:
1809:
1657:
1169:
2081. Georg Diez / Christopher Roth, Edition Patrick Frey, Zurich 2012, ISBN 978-3-905929-28-7
515:
511:
420:
153:
137:
729:
1993: Screenwriting Award North Rhine-Westphalia for Time Job (co-author with Martin Rauhaus)
1631:
965:
831:
696:
471:
234:
206:
2828:"Christopher Roth Creates Antonioni Tribute Featuring Veruschka at Esther Schipper Gallery"
2772:
2129:
654:
588:
550:
294:
239:
176:
3096:
1967:
Maak, Niklas (10 Aug 2019). "Zusammenleben. Kuratoren fĂĽr die Architekturbiennale 2020".
1683:
2406:
1385:
676:
557:. Together with Arno Brandlhuber, Olaf Grawert and Nikolaus Hirsch, they assembled the
475:
298:
279:
202:
157:
2615:
2010:"Out now: Mark Wigley, Konrad Wachsmann's Television, Post-architectural Transmission"
604:
was published. He uses truth and fiction as narrative elements in the solo exhibition
179:
who fall in love with Ulrika, played by Liane Forestieri. In 2002, he was awarded the
3118:
2959:"The Most Subversive Work at the 9th Berlin Biennale Is a Secret Intelligence Agency"
976:
792:
741:
684:
507:
483:
229:
221:
197:
145:
141:
2667:
2588:
2458:
2241:
2009:
1765:"Filmfest München: Die Nominierungen für den Förderpreis Neues Deutsches Kino 2022"
680:
668:
479:
164:
149:
2853:
1452:, Frankfurter Allgemeine Zeitung (Berliner Seiten) No. 43, 21 Feb 2000, p. 8.
1361:
1352:
699:, Patricia Reed, Tom Streidl, James Trafford, Jeanne Tremsal, Alex Williams, and
2155:
733:
499:
334:
Svenja Binz, New platform, new view on architecture, Topos Magazine, 26 Nov 2018
216:
210:
180:
2381:"Legislating Architecture in Voralberg. Brandlhuber und Roth präsentieren Film"
2355:"Back to the Future. Chicago Architecture Biennial announces 2017 participants"
2275:
1057:, in collaboration with Georg Diez, 8-hour opera, Bavarian State Opera, Munich
996:, Deutsches Architektur Zentrum DAZ (German Architecture Center), Berlin
636:
468:
Mahagonny is everywhere and you can get an executive chair already at 59 Neuro
133:
2931:
2099:
Kulturstiftung des Bundes, Theatre and Movement / completed projects (2010).
1111:. RothStauffenberg, Edition Patrick Frey, Zurich 2008, ISBN 978-3-905509-74-8
688:
2101:"80*81. Around the world – A theatrical investigation with 20 performances"
409:
where you are in reference to the world, to the other surfers, data dandies
171:, a film about two averagely talented advertising copywriters portrayed by
3105:
2984:"Armen Avanessian/Alexander Martos in collaboration with Christopher Roth"
1378:
Speculations: In The Room, Lost Cinema, Post-Cinema, Post-Traumatic Cinema
3100:
892:
Legislating Architecture Schweiz, Arno Brandlhuber & Christopher Roth
302:
3073:
490:(English: Bremen Philharmonic Orchestra) were part of the production.
104:. Since 2017 he has been teaching Storytelling in Architecture at the
2799:"DEVOUR! Social Cannibalism, political redefinition and architecture"
962:
DISCREET – An Intelligence Agency for the People, 9th Berlin Biennale
373:
369:
311:
REALTY. Beyond the Traditional Blueprints of Art & Gentrification
306:
101:
85:
3082:
1434:
1117:. Novel. Bloomsbury Publishing, Berlin 2012, ISBN 978-3-8333-0791-1
1003:, curated by ARCH+, CMU, ifa, Kunstraum Kreuzberg/Bethanien, Berlin
948:
DEVOUR! Social Cannibalism, political redefinition and architecture
941:
DEVOUR! Social Cannibalism, political redefinition and architecture
3086:
3067:
1372:(German), Amnesty International Magazin, 06/07 2009, p. 64–68
761:
2022: German Cinema New Talent Award 2022 of Filmfest MĂĽnchen for
246:, a film about growing up in a commune in the 1980s, premiered at
2433:"Legislating Architecture | Architecting after Politics (*****S)"
1443:
RothStauffenberg. The Image Matrix. Towards a New Representation
2881:"Künstler Roth über Zukunft, Utopie und vergangene Film-Größen"
1801:
1105:. Novel. belleville Verlag, Munich 1982, ISBN 978-3-923646-00-5
943:, part II, ZK/U Berlin - Center for Art and Urbanistics, Berlin
899:
Legislating Architecture | Architecting after Politics (*****S)
561:
from various experts and contributors and realized the project
412:, knowbots or even malicious agents and viruses. (excerpt from
2797:
ZK/U Berlin - Zentrum fĂĽr Kunst und Urbanistik (27 Mar 2015).
1403:
ROTHSTAUFFENBERG: Give him a mask and he'll tell you the truth
120:). Roth is in a relationship with the actress Jeanne Tremsal.
18:
2181:
2071:
Roth, Christopher (2006). Eue, Ralph; Söffker, Linda (eds.).
1917:"Book launch, Tirdad Zolghadr, REALTY, with Christopher Roth"
623:
The film was shot in the dilapidated modernist concrete dome
455:. In 2016, Merve Verlag published the one-volume compilation
894:, Institute for the History and Theory of Architecture (GTA)
769:), (nomination for Script: Jeanne Tremsal, Christopher Roth)
3039:
1008:
Mein Vater, meine Nachbarn, meine Freunde und deren Freunde
384:
Roth is engaged as an author and editor. In his 1982 novel
2182:"Christopher Roth & Georg Diez | 80*81 | May 15, 2010"
1802:"We Believe in (Science) Fiction, the Realism of Our Time"
1475:"Annual Archives, 52nd Berlin International Film Festival"
348:
is a channel that evolved during the project for the 17th
1983:
132:
for various agencies and worked with former footballers (
3091:
2511:"Deutscher Beitrag zur 17. Architekturbiennale eröffnet"
2407:"legislating architecture: architecting after politics"
2156:"2010 Artists-in-Residence, Christopher Roth (Germany)"
1888:"REALTY⎯an attempt to get the better of gentrification"
1606:"Meine Mutter fehlte mir, ich bin einfach durchgedreht"
855:
2021: 2038 – The New Serenity (four hours of material)
571:
show what happened from 2020 to 2038 to arrive at the
464:
Mahagonny ist ĂĽberall und Chefsessel schon ab 59 Neuro
906:
legislating architecture: architecting after politics
88:) is a German film director, artist and TV producer.
3110:
The Seasons in Quincy: Four Portraits of John Berger
2056:
Roth, Christopher (1996). "Willkommen im Dataland".
1578:
Frankfurter Allgemeine Sonntagszeitung, Feuilleton.
1064:, 2-day readings, performances, theater, Bad Driburg
823:
The Seasons in Quincy: Four Portraits of John Berger
986:, Chicago Architecture Biennial: Make New History,
575:An article by Roth was featured in the publication
2563:"The Venice Biennale Has Us Asking Many Questions"
1406:, in: 032c, 16th Issue, Winter 2008/09, 1 Dec 2008
1381:, in: Vertigo, Vol. 4 Issue 3, Summer, London 2009
1275:, Neue Galerie Graz am Landesmuseum Joanneum, Graz
610:DEVOUR! Social Cannibalism, political redefinition
419:In a 2004 collection of texts on Finnish director
2907:"DIS reveals artist list for the Berlin Biennial"
1915:KW Institute for Contemporary Art (11 May 2022).
1886:KW Institute for Contemporary Art (26 Sep 2017).
901:, vai Vorarlberger Architektur Institut, Dornbirn
714:—Andrew Pulver in The Guardian, 16 February 2016
549:In 2021 Roth was one of the four curators of the
1090:Mahagonny ist ĂĽberall und Chefsessel ab 59 Neuro
659:DISCREET - An Intelligence Agency for the People
633:Christopher Roth, Blow Out Featuring Ver(uschk)a
1840:La Loge. asbl-vzw architecture museum – la Loge
1001:An Atlas of Commoning: Orte des Gemeinschaffens
758:), (nomination for Directing: Christopher Roth)
720:—Hili Perlson on Artnet News, 19 February 2016
675:, Helen Hester, Deneb Kozikoski, Robin Mackay,
641:
406:
327:
2515:Federal Ministry of the Interior and Community
2431:vai Vorarlberger Architektur Institut (2018).
2303:"Zu Katja Riemann kommen nur die Superreichen"
1356:, frieze, Issue 124, p. 191, Jun-Aug 2009
140:) and people from the entertainment industry (
2075:(in German). Berlin: Bertz + Fischer Verlag.
746:2022: German Cinema New Talent Award 2022 of
587:Roth exhibits as an artist at the gallery of
537:and explores who influences property rights.
486:, Michael Stöppler, Moritz von Uslar and the
289:was created as part of the long-term project
8:
1289:, Frankfurter Kunstverein, Frankfurt am Main
1261:, Frankfurter Kunstverein, Frankfurt am Main
1092:, Mahagonny Festival, Theater Bremen, Bremen
3014:"HYPERSTITION: Truth is Science is Fiction"
1473:Berlin International Film Festival (2002).
827:2016: Legislating Architecture (30'24 Min.)
53:of quality, and to make it neutral in tone.
2773:"Changing ideology, changing architecture"
2329:"Zwei Abende von und mit Christopher Roth"
1445:, Flash Art, Nov/Dec 2000, pp. 84–87.
1390:(German), in: die tageszeitung, 1 Apr 2009
1219:, Indianapolis Museum of Art, Indianapolis
788:1998 until 2010: more than 100 commercials
648:Christopher Roth, Artnet News, 19 Feb 2016
209:(RAF). He was also in competition for the
3040:"Soon in a cinema near you: HYPERSTITION"
1533:"'Tour der Leiden' durch Münchens Nächte"
1296:, Neue Kunst Halle St. Gallen, St. Gallen
518:and, Anna Yeboah, among others. The film
215:The Seasons in Quincy: Four Portraits of
69:Learn how and when to remove this message
16:German film director, producer and artist
1943:"New platform, new view on architecture"
1429:, in: fair No.3, Nov 2008, p. 10–11
662:Avanessian, Roth also produced the film
98:University of Television and Film Munich
2593:. Munich: Sorry Press. pp. 24–45.
2274:Diez, Georg; Roth, Christopher (2016).
2240:Diez, Georg; Roth, Christopher (2012).
2206:Diez, Georg; Roth, Christopher (2011).
1462:
994:mise-en-scène – architectural portraits
908:, aut. architektur und tirol, Innsbruck
738:52nd Berlin International Film Festival
313:was published with a contribution from
226:66th Berlin International Film Festival
193:52nd Berlin International Film Festival
3007:
3005:
2719:Papko, Darya Antonovna (26 Mar 2012).
1365:, Film Comment, New York, May/Jun 2009
1347:, Texte zur Kunst, online, 15 Jun 2009
1331:, Schirn Kunsthalle, Frankfurt am Main
1303:, Schirn Kunsthalle, Frankfurt am Main
1282:, Schirn Kunsthalle, Frankfurt am Main
366:CAF x Copenhagen Architecture Festival
96:From 1985 to 1992 Roth studied at the
2821:
2819:
2437:vai Vorarlberger Architektur Institut
2123:
2121:
2094:
2092:
2051:
2049:
1829:
1827:
1825:
1795:
1793:
1791:
1789:
1787:
1785:
1706:
1704:
1511:"2038. Utopie der neuen Gelassenheit"
1412:THE HOUSE [Part I] at Nyehaus
1310:, Art Forum Berlin Special exhibition
849:2019: Keywords for Today (23'15 Min.)
462:In June 2013, his theater production
262:which hosts four different channels (
7:
2885:monopol. Magazin fĂĽr Kunst und Leben
2280:(in German). Leipzig: Merve Verlag.
2180:The Watermill Center (15 May 2010).
1526:
1524:
1504:
1502:
1500:
1498:
1468:
1466:
1422:, in: fair No.3, Nov 2008, p. 9
861:2022: So Long Daddy, See You In Hell
493:Since 2017, he has been working and
2957:Buffenstein, Alyssa (15 Jul 2016).
2771:Blackmore Evan, Jill (2 Apr 2015).
2405:aut. architektur und tirol (2019).
2301:Bruggaier, Johannes (17 Jun 2013).
1231:It's not about YOU, it's about THEM
2537:"Germany. 2038 – The New Serenity"
2209:The Complete 80*81 Book Collection
2128:Werneburg, Brigitte (4 Jul 2011).
2008:e-flux Architecture (3 Dec 2020).
1836:"Christopher Roth, Watch more TV!"
1682:Suchsland, RĂĽdiger (11 Sep 2007).
1240:, Michelle Nicol Fine Arts, Zurich
950:, part III, Kunstkraftwerk Leipzig
840:2017: The Property Drama (32 Min.)
635:and is a tribute to the architect
106:ETH Zurich Faculty of Architecture
14:
1862:"Christopher Roth, space-time.tv"
1656:Roth, Christopher (18 Aug 2022).
1438:, in: post.thing.net, 12 Nov 2008
1017:, Galerie Esther Schipper, Berlin
915:, Galerie Esther Schipper, Berlin
887:, Galerie Esther Schipper, Berlin
880:, Galerie Esther Schipper, Berlin
846:2019: Europe Endless (23'20 Min.)
843:2018: Architecting after Politics
319:KW Institute for Contemporary Art
213:with the film. In 2016, the film
2698:. Zurich: Edition Patrick Frey.
2483:Det Danske Filminstitut (2016).
2246:. Zurich: Edition Patrick Frey.
2212:. Zurich: Edition Patrick Frey.
2040:WELTKUNST (Special Issue Munich)
1860:Esther Schipper Gallery (2019).
1739:"So Long Daddy, See You in Hell"
1632:"So Long Daddy, See You In Hell"
1233:, The House at Nyehaus, New York
973:Grün stört. Im Fokus einer Farbe
23:
2640:Esther Schipper (18 Aug 2022).
2590:I Love my Time <3 2038 <3
2535:La Biennale di Venezia (2021).
2353:Messner, Matthew (6 Mar 2017).
2186:The Watermill Center (on vimeo)
1580:"Die Kulturpersonen des Jahres"
1127:I Love my Time <3 2038 <3
852:2019: New Deutschland (20 Min.)
555:Venice Biennale of Architecture
545:Venice Biennale of Architecture
524:Venice Biennale of Architecture
364:. Among them were the sites of
350:Venice Biennale of Architecture
185:Neue Perspektiven der Filmkunst
112:listed him 14th on its list of
2852:Rangkuty, Lian (10 Mar 2016).
2327:Theater Bremen (18 Jun 2013).
1969:Frankfurter Allgemeine Zeitung
1711:Pulver, Andrew (16 Feb 2016).
1630:Dalton, Stephen (5 Jul 2022).
1604:Klovert, Heike (22 Jun 2022).
1395:On RothStauffenberg At Nyehaus
1217:Off the Wall: RothStauffenberg
1210:Drips Of Water Fall Onto China
1050:, Prinzregententheater, Munich
929:, kunstraum pro arte, Salzburg
885:Blow Out featuring Ver(uschk)a
806:2015: Hawaii '962036m (7 Min.)
767:So Long Daddy, See You in Hell
756:So Long Daddy, See You in Hell
297:and deals with topics such as
110:Frankfurter Allgemeine Zeitung
1:
2826:Perlson, Hili (19 Feb 2016).
2642:"Christopher Roth, Biography"
2561:Albani, Julia (26 Aug 2021).
2154:The Watermill Center (2010).
1982:space-time.tv (18 Aug 2022).
1558:"ETH Zurich Course Catalogue"
871:Solo exhibitions
800:2007: until 2013: Mozartbique
535:Chicago Architecture Biennial
533:(2017) premiered at the 2017
1941:Binz, Svenja (26 Nov 2018).
1420:ETWAS. Ăśber RothStauffenberg
1397:, Saatchi Online, 2 Dec 2008
1387:Dieses Hotel ist eine Nation
1205:, Schipper&Krome, Berlin
1198:, Schipper&Krome, Berlin
1191:, Schipper&Krome, Berlin
803:2014: Anti-Villa (9'30 Min.)
763:Servus Papa, See You in Hell
752:Servus Papa, See You in Hell
657:in 2016, the 30-minute film
443:, 2081 was performed at the
244:Servus Papa, See You in Hell
189:New Perspectives in Film Art
118:Cultural Persons of the Year
2058:SĂĽddeutsche Zeitung Magazin
1517:(in German) (275): 164–177.
1509:GĂĽnzel, Ann-Katrin (2021).
539:Architecting after Politics
220:made in collaboration with
183:Jury Prize in the category
3151:
2587:Roth, Christopher (2021).
2485:"LEGISLATING ARCHITECTURE"
2411:aut. architektur und tirol
2036:"Verschwende deine Jugend"
1531:Wild, Beate (7 Feb 2012).
1427:THE KINGDOM OF MOZARTBIQUE
1010:, FAHRBEREITSCHAFT, Berlin
957:, FAHRBEREITSCHAFT, Berlin
108:. The Sunday issue of the
2905:Tian, Sang (4 May 2016).
2692:RothStauffenberg (2008).
2105:Kulturstiftung des Bundes
2073:I Hired A Contract Killer
1763:Editorial (31 May 2022).
1737:Filmfest MĂĽnchen (2022).
1317:Sprengel Museum, Hannover
1268:, Deichtorhallen, Hamburg
1247:, Esther Schipper, Berlin
1226:, Esther Schipper, Berlin
812:2015: anna+3 (18'40 Min.)
797:2007: Lacoma (unfinished)
114:Kulturpersonen des Jahres
2747:"Roth. CHRISTOPHER ROTH"
2745:Esther Schipper (2012).
2666:Artfacts (18 Aug 2022).
2614:Artfacts (18 Aug 2022).
2359:The Architects Newspaper
2034:Seidl, Claudius (2021).
1515:Kunstforum International
1252:Group exhibitions
1055:The 80*81 Findings, 2081
936:, Johnen Galerie, Berlin
920:Group exhibitions
858:2022: 2038, Here Is How!
837:2017: The Schengen Tapes
818:2016: Blow Out (10 Min.)
520:Legislating Architecture
2879:monopol (22 Jan 2016).
2489:Det Danske Filminstitut
2379:BauNetz (15 Nov 2018).
1834:La Loge (20 Mar 2019).
1415:, 3 Nov 2008, p. 9
1182:Solo exhibitions
988:Chicago Cultural Center
809:2015: AnnA (14'20 Min.)
774:Filmography (selection)
564:2038 – The New Serenity
414:Willkommen im Dataland)
354:2038 – The New Serenity
2541:La Biennale di Venezia
1800:ACCATTONE (Sep 2019).
1537:SZ SĂĽddeutsche Zeitung
1393:Haden-Guest, Anthony,
1273:M_ARS, Kunst und Krieg
724:Awards and nominations
651:
629:Michelangelo Antonioni
598:SĂŁo Paulo Art Biennial
577:2038. The New Serenity
417:
398:Willkommen im Dataland
337:
167:director in 1995 with
100:. In 2000 he moved to
84:(born 26 June 1964 in
34:may be written from a
3125:German film directors
3038:HYPERSTITION (2016).
2695:Based on a True Story
2134:Die Tageszeitung: Taz
1448:Heidenreich, Stefan,
1370:Eine wahre Geschichte
1177:Work RothStauffenberg
1109:Based on a True Story
927:Das Christoph-Projekt
602:Based On A True Story
600:. In 2008 their book
488:Bremer Philharmoniker
445:Munich Opera Festival
40:neutral point of view
2277:What Happened? 80*81
2243:2081. What Happened?
2160:The Watermill Center
1808:(6): 5–12, 188–193.
1441:Thiel, Wolf-GĂĽnter,
1134:80*81 (publications)
457:What Happened? 80*81
453:2081. What Happened?
449:Bavarian State Opera
437:The Watermill Center
201:, a narrative about
3070:of Christopher Roth
3012:DIS (27 Jul 2015).
2988:9th Berlin Biennial
2936:9th Berlin Biennial
2014:e-flux Architecture
1400:Camblin, Victoria,
1341:Tattersall, Lanka,
1083:What Happened 2081?
1076:What Happened 2081?
1069:What Happened 2081?
693:Quentin Meillassoux
673:Iain Hamilton Grant
402:Welcome to Dataland
282:and Manuel BĂĽrger.
224:, premiered at the
36:fan's point of view
2854:"Christopher Roth"
2721:"Christopher Roth"
2668:"RothStauffenberg"
2616:"Christopher Roth"
2130:"Der GroĂźe Wandel"
1921:KUNST-WERKE Berlin
1895:KUNST-WERKE Berlin
1450:Schuss-Gegenschuss
1435:REWRITE the SCRIPT
1432:Greenwood, Arfus,
1362:Cinema's Afterlife
1324:, Art Basel, Basel
1203:(Schall und Rauch)
984:The Property Drama
815:2016: Hyperstition
441:The 80*81 Findings
356:. Using so-called
173:Bernd Michael Lade
2911:Ran Dian magazine
2705:978-3-905509-74-8
2600:978-3-9820440-4-0
2287:978-3-88396-378-5
2253:978-3-905929-28-7
2219:978-3-905929-12-6
2082:978-3-905929-12-6
1815:978-2-9602530-1-6
1743:Filmffest MĂĽnchen
1425:Schmitz, Britta,
1384:Allen, Jennifer,
1350:Allen, Jennifer,
1212:, W139, Amsterdam
1097:Author, Publisher
1046:2010 until 2011:
1039:2010 until 2011:
1032:2000 until 2009:
619:for the art film
516:Hans-Jochen Vogel
512:Patrik Schumacher
504:Renée Gailhoustet
482:, Antonia Kesel,
474:, Bengt Beutler,
372:architecture and
317:and presented at
207:Red Army Fraction
154:Thomas Gottschalk
138:Franz Beckenbauer
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3068:Official website
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1315:Made in Germany,
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1034:RothStauffenberg
966:DIS (collective)
832:Axolotl Overkill
782:1996: Hawaii '96
748:Filmfest MĂĽnchen
697:Reza Negarestani
691:, Philipp Lahm,
649:
639:and the future.
613:and architecture
594:RothStauffenberg
569:History Channels
567:. The so-called
472:Armen Avanessian
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248:Filmfest MĂĽnchen
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1336:Further reading
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242:. In June 2022
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