248:, arguing that it was simply designed to collect "more and more information about the past", most of which would remain unpublished and of no use to either archaeologists or the public. As he related, "The number of pieces of information we collect about the past may increase incrementally – our understanding does not." Instead he argued that the archaeological community in the western nations should cease their constant accumulation of new data from rescue digs and instead focus on producing interpretive frameworks with which to interpret it, and also on publishing the backlog of data produced from decades of excavation.
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267:, in terms of their meanings to people in the past, and has been influential in both Britain and the United States. In the late 1990s, Tilley worked with
185:. In the early 1980s, Hodder and his students at Cambridge first developed postprocessualism, an approach to archaeology stressing the importance of
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attempts to control the past, asserting that "there is no way of choosing between alternative pasts except on essentially political grounds."
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of first wave postprocessualist archaeologists, and was particularly critical of what he saw as the negative political implications of
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Bender, Barbara; Hamilton, Sue, and Tilley, Christopher. (1997). Leskernick: Stone worlds, alternative narratives, nested landscapes.
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Tilley, Christopher (1990). Reading
Material Culture: Structuralism, Hermeneutics and Post-Structuralism. Oxford: Basil Blackwell.
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Bender, Barbara; Hamilton, Sue, and Tilley, Christopher. (1999). Bronze Age stone worlds of Bodmin Moor: excavating
Leskernick.
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interpretations of the archaeological record have no more legitimacy than any other, and they view claims to the contrary as
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Bender, B, Hamilton, S., and Tilley, C. (1997). Leskernick: Stone worlds, alternative narratives, nested landscapes.
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Hamilton, S., Tilley, C. and Bender, B. (1999). Bronze Age stone worlds of Bodmin Moor: excavating
Leskernick.
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Bender, Barbara; Hamilton, Sue, and Tilley, Christopher (2003). Art and re-presentation of the past.
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Tilley, Christopher (1991). Material
Culture and Text: The Art of Ambiguity. London: Routledge.
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This article is about the
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The
Materiality of Stone: Explorations in Landscape Phenomenology
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Stone Worlds: Narrative and
Reflexivity in Landscape Archaeology
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Tilley obtained his PhD in
Anthropology and Archaeology at the
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entails the 'intuitive' study of material things, especially
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Bender, Barbara; Hamilton, Sue; Tilley, Christopher (2007).
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A Phenomenology of
Landscape: Places, Paths and Monuments
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In a 1989 paper of his published in the academic journal
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Tilley, Christopher (1989). "Excavation as theatre".
537:(2nd ed.). Cambridge University Press. pp.
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Available as an open access download from UCL Press.
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219:approach pursued by Hodder and, along with
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581:. Cambridge: Polity Press. p. 195.
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162:. He retired as emeritus Professor of
724:Alumni of the University of Cambridge
394:. Walnut Creek CA: Left Coast Press.
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255:into archaeology with his 1994 work
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533:A History of Archaeological Thought
409:Tilley, Christopher; Keane, Webb;
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287:, with a number of UCL students.
16:British archaeologist (1955–2024)
204:were amongst the most strongly
155:known for his contributions to
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579:Social Theory and Archaeology
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261:Phenomenology in archaeology
257:A Phenomenology of Landscape
181:, where he was a student of
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345:The Material Culture Reader
116:Post-processual archaeology
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151:(1955–2024) was a British
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21:Chris Tilley (marksman)
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709:The Leskernick Project
213:processual archaeology
454:. London: UCL Press.
435:. London: UCL Press.
291:Selected publications
160:archaeological theory
44:Photographed in 2008
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275:to investigate the
70:Academic background
32:Christopher Tilley
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401:978-1-59874-218-3
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302:978-0-631-17285-7
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285:Bodmin Moor
195:Neo-Marxist
168:Archaeology
106:Archaeology
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281:Leskernick
277:Bronze Age
265:landscapes
225:Peter Ucko
210:positivist
206:relativist
183:Ian Hodder
102:Discipline
91:Ian Hodder
76:Alma mater
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660:Antiquity
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594:. p. 277.
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