Knowledge (XXG)

Christian Lemmerz

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phenomenological point of view. In such a situation, the sculpture is connected with the (human) body. Just as does the human body in phenomenology, the sculpture enters into relations where the senses interact in such a way that the work can be experienced as a visual and tactile challenge, in the cognitive sense. Instead of being a more or less distanced onlooker, the viewer becomes an active participant, who becomes entangled in new relations and is moved in some direction or other. The viewer's visual and tactile senses are alerted, thus engaging them as an active participant.
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imbalance on different levels. The artist formulates a couple of sculptural conceptions, "the impossible sculpture" and the "pre-linguistic sculpture", by means of which he links up his project with Heidegger's reflections on being and his rumination on the beginnings of everything – especially art – aiming at creating paths more than just artworks.
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where inanimate objects are often used as existential symbols. The exhibition actualized the universal theme of death and the transitory through sculptures that were contemporary in their form and presentation. The installation ensnared the audiences into a limbo of intrigue and disgust, making it
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In Lemmerz' view, to be effective art has to be confrontational. However, as he maintains, art also has to do with experience. And as a matter of fact, sculpture is particularly suitable for establishing a confrontational and experience-exchanging situation, especially when it is perceived from a
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On the basis of an urge to widen the artistic possibilities and a need to offer resistance to the prevailing conventions, Lemmerz makes use of stone wool, foam rubber, margarine, chocolate and other composite materials that effectively elicit an intensely direct effect. He yearns to create an
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The span of Lemmerz' oeuvre is extensive and pluralistic. Regardless of the material, the form or the medium employed, Lemmerz’ work can generally be characterized by aesthetics of effect. The artworks reach out into the surrounding environment and call for more than mere contemplation.
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Lemmerz is represented by Copenhagen-based Hans Alf Gallery, by Galleri Franz Pedersen in Horsens, Galleri Brandstrup in Oslo, Tang Contemporary Art in Hong Kong and Faurschou Foundation New York. He has exhibited his work at international art fairs such as ENTER Art Fair,
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Current political and ethical questions become endowed with a clearer voice through the works, which always, in terms of their form and content, constitute a transformation from recognizability to the more veiled or unknown, inasmuch as Lemmerz is working
257:, where the assertion sometimes assumes a classically distinct form and sometimes manifests itself with a gestural formlessness. His whole pluralistic oeuvre is bound together, at the same time, by the fragment – as an open and processual figure. 107:
and other philosophers and authors, and on the other, a mass-media-dominated world where suffering and death are central themes in an examination that circles around identity, existence and being.
126:. Confrontation with the view is important in all the art forms he employs whether sculpture, installation or photography. In parallel, he has increasingly moved into performance, film and video. 278:
close to impossible to look away. The audience might have wondered if the pigs were brutally killed for the exhibition or if they died a natural death, much like they would with the artwork
169:(2000), an eight-hour silent movie, available in several versions. Lemmerz has resumed his work with marble and thus enters into a sculptural tradition that dates back to the 1249: 690: 182: 1244: 1010: 615: 1239: 967: 99:
There are only a few themes and taboos that are not turned upside down in the Lemmerzian universe, which has been stretched between, on the one side,
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in 1994, Lemmerz worked with blood-smeared surfaces and decomposing pigs' carcasses in glass-walled, steel-framed vitrines inspired by traditional
290:, Lemmerz worked within a psychological borderline area, where the very notion of sculpture had been distended to its most extreme implications. 1193: 1044: 791: 1264: 1224: 775: 506: 433: 1279: 779: 143: 35: 1259: 1254: 1132: 1234: 640: 584: 326: 860: 1154: 1106: 763: 554: 402: 1068: 767: 574: 1014: 1229: 68:. He conducted numerous performances there from 1985 to 1994, many of these alongside lifelong friend and artist 594: 138: 38:
from 1983 to 1988. Despite classical sculpture training in Carrara, Lemmerz drew his main inspiration from the
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Lemmerz' approach can be seen as a rejection of the formal idiom in favour of experimentation with
1062: 787: 544: 531: 444: 270: 286:. The banality of the pigs and their known similarity to humans give the work its emotion. With 1189: 1050: 1040: 914: 745: 214: 76: 54: 919: 891: 799: 739: 104: 80: 886: 795: 1039:. Lemmerz, Christian, 1959-, Aarhus kunstmuseum. Åarhus: ARoS Åarhus Kunstmuseum. 2010. 680: 198: 157: 130: 1218: 700: 174: 162: 100: 69: 283: 47: 1183: 1085: 812: 360: 206: 170: 152: 27: 1110: 941: 274: 123: 1054: 242: 238: 202: 23: 783: 226: 39: 835: 43: 237:
while supplying this entire register of heavy and somber issues with
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For his artistic achievements, Lemmerz was honoured with
225:, he elaborates on the incessantly recurring themes of 161:(Edison 1997). This novel also inspired Lemmerz and 16:
German-Danish sculptor and visual artist (born 1959)
861:"Christian Lemmerz | Gyldendal - Den Store Danske" 53:In the early 1980s Lemmerz was part of the Danish 1185:Memento - Christian Lemmerz: erindring, krop, død 177:; examples of this include his Todesfigur (2012 637:Silence. Memorial for policemen killed on duty. 790:, Horsens Kunstmuseum, Kanstrupgårdsamlingen, 312:with Lars Top Galia at Copenhagen Contemporary 147:(1996). He is also the author and director of 34:in Carrara, Italy, from 1978 to 1982 and the 8: 855: 853: 22:(born January 30, 1959) is a German-Danish 961: 959: 616:Foundation Cartier pour l'Art Contemporain 1080: 1078: 1250:Royal Danish Academy of Fine Arts alumni 129:Lemmerz has worked as a scenographer in 46:, not least from his fellow countryman, 824: 612:Ateliers en liberte: 17 artistes danois 585:Louisiana Museum of Modern Art Humlebæk 1060: 830: 828: 751:2010 Lifetime achievement award from 623:Selected public works and commissions 7: 1011:"Christian Lemmerz, Germany/Denmark" 776:Kunsten Museum of Modern Art Aalborg 507:KUNSTEN Museum of Modern Art Aalborg 472:Carl og Anne Marie C. Nielsens Legat 319:, Tang Contemporary Art in Hong Kong 1245:Recipients of the Thorvaldsen Medal 1240:Recipients of the Eckersberg Medal 1013:. Hans Alf Gallery. Archived from 699:, Nordfriedhof ("north cemetery") 151:, an interpretation of the end of 144:The Bitter Tears of Petra von Kant 14: 83:in 2008. In 2015 he received the 36:Royal Danish Academy of Fine Arts 1037:Christian Lemmerz : genfærd 733:Selected awards and recognitions 460:, Faurschou Foundation, New York 1109:. Akademiraadet. Archived from 482:New Media Art (Virtual Reality) 458:The Red Bean Grows in the South 418:, Kunstforeningen Gammel Strand 395:, Faurschou Foundation, Beijing 792:KØS Museum for Offentlig Kunst 575:Arken Museum for Moderne Kunst 484:, Faurschou Foundation, Venice 1: 1182:Sørensen, Ann Lumbye (2009). 1135:(in Danish). Den Store Danske 605:Det Nationalhistoriske Museum 581:The Louisiana exhibition 1997 353:Faurschou Foundation, Beijing 201:. He re-actualizes classical 1086:"Marble | Christian Lemmerz" 282:from 1994 by British artist 197:The artist works with white 1265:German emigrants to Denmark 1225:Danish contemporary artists 721:, Statsfængslet, Østjylland 714:, Private Commission, Vejle 632:, Copenhagen Light Festival 565:Den Frie Udstillingsbygning 476:Den Frie Udstillingsbygning 467:, Nordic Contemporary Paris 411:, Leo Koenig Inc., New York 327:Museum der bildenden Künste 1296: 1210:Christian Lemmerz' website 1188:(in Danish). Information. 915:"Performancegruppen Værst" 838:(in Danish). danskefilm.dk 451:Selected group exhibitions 369:, Gallery Brandstrup, Oslo 181:) and the Marble Altar in 62:and the performance group 1280:Neo-expressionist artists 1107:"Tildelinger af medaljer" 913:Overgaard Hansen, Kamma. 885:Overgaard Hansen, Kamma. 772:ARoS Museum of Modern Art 650:, Bronze. Commission for 491:, Copenhagen Contemporary 294:Selected solo exhibitions 118:, often evoking illness, 944:(in Danish). KunstOnline 764:Statens Museum for Kunst 595:Heine Onstad Kunstsenter 555:Statens Museum for Kunst 403:Statens Museum for Kunst 324:Reality Virtual Reality, 139:Rainer Werner Fassbinder 85:New Carlsberg Foundation 65:Performancegruppen Værst 1260:Artists from Copenhagen 679:, donated by architect 513:Directors Choice 7-9-13 489:CC: LAB Virtual Reality 32:Accademia di Belle Arti 1255:Artists from Karlsruhe 1067:: CS1 maint: others ( 796:The Saatchi Collection 728:Cinemateket Copenhagen 677:Ny Carlsberg Glyptotek 425:, DCA Gallery New York 179:Ny Carlsberg Glyptotek 1235:German male sculptors 966:Ann Lumbye Sørensen. 800:Stavanger Kunstmuseum 525:, Horsens Kunstmuseum 387:Stavanger Kunstmuseum 416:The White of the Eye 1155:"Christian Lemmerz" 1133:"Christian Lemmerz" 990:"Christian Lemmerz" 968:"Christian Lemmerz" 836:"Christian Lemmerz" 806:Art market and fair 788:Esbjerg Kunstmuseum 774:, SAXO Collection, 656:Bispebjerg Hospital 545:Thorvaldsens Museum 445:Esbjerg Kunstmuseum 345:Randers Kunstmuseum 280:Away from the Flock 271:Esbjerg Kunstmuseum 265:For the exhibition 116:material aesthetics 77:Thorvaldsen's Medal 1113:on 2 February 2015 1017:on 2 November 2014 942:"Værkstedet Værst" 887:"Værkstedet Værst" 652:Ny Carlsbergfondet 536:, Sorø Kunstmuseum 498:, Hans Alf Gallery 336:, Hans Alf Gallery 334:The Night is Large 305:, Hans Alf Gallery 1195:978-87-7514-238-5 1046:978-87-92184-08-5 865:denstoredanske.dk 753:Statens Kunstfond 746:Thorvaldsen Medal 744:2009 Awarded the 430:Dopo La Storia II 205:with the statue, 87:'s Artist Grant. 55:artist collective 42:process-oriented 30:who attended the 20:Christian Lemmerz 1287: 1230:German sculptors 1199: 1169: 1168: 1166: 1165: 1151: 1145: 1144: 1142: 1140: 1129: 1123: 1122: 1120: 1118: 1103: 1097: 1096: 1094: 1093: 1082: 1073: 1072: 1066: 1058: 1033: 1027: 1026: 1024: 1022: 1007: 1001: 1000: 998: 997: 986: 980: 979: 977: 975: 963: 954: 953: 951: 949: 938: 932: 931: 929: 928: 920:Den Store Danske 910: 904: 903: 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Index

sculptor
visual artist
Accademia di Belle Arti
Royal Danish Academy of Fine Arts
post-war
pop art
Joseph Beuys
artist collective
Værkstedet Værst
Performancegruppen Værst
Michael Kvium
Thorvaldsen's Medal
Eckersberg Medal
New Carlsberg Foundation
Kant
Heidegger
material aesthetics
death
philosophy
Steven Berkoff
Rainer Werner Fassbinder
The Bitter Tears of Petra von Kant
James Joyce
Finnegans Wake
Michael Kvium
Renaissance
Neoclassicism
Ny Carlsberg Glyptotek
Lyngby Church
Carrara marble

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