207:, he began creating songs, singing to music on pre-recorded backing tapes. Unable to recruit a drummer for his 1979 performances with guitarist Kurt Henry, Marclay used the regular rhythms of a skipping LP record as a percussion instrument. These duos with Henry might be the first time a musician used records and turntables as interactive, improvising musical instruments. Marclay sometimes manipulates or damages records to produce continuous loops and skips, and has said he generally prefers inexpensive used records purchased at thrift shops, as opposed to other turntablists who often seek out specific recordings. In 1998, he claimed never to have paid more than US$ 1 for a record. Marclay has occasionally cut and re-joined different LP records; when played on a turntable, these re-assembled records will combine snippets of different music in quick succession along with clicks or pops from the seams – typical of
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Thom Jurek writes: "While many intellectuals have made wild pronouncements about
Marclay and his art – and it is art, make no mistake – writing all sorts of blather about how he strips the adult century bare by his cutting up of vinyl records and pasting them together with parts from other vinyl
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Following this turn, Marclay has in more recent years produced visual art, although usually of representations of sound, or the various technologies of representing sound. His
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279:(2002) posted musical notes on walls around Berlin, compiled photographs of them as they faded, and is performed in concert. During his residency at Eyebeam, Marclay created
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at the time cited
Marclay's "coolest theatrical gesture" in his live performances of phonoguitar: the artist strapped a record player onto himself and played, for example, a
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on
Recycled Records in 1985, "...designed to be sold without a jacket, not even a sleeve!" Accumulating dust and fingerprints would enhance the sound. A review in
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408:, representing the United States of America, Marclay was recognized as the best artist in the official exhibition, winning the Golden Lion for
283:(2005), a twenty minute video of black and white images overlaid with colorful computer graphics. For Performa 05, the first edition of the
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records, they never seem to mention that these sound collages of his are charming, very human, and quite often intentionally hilarious."
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to capture the motion of cassette tapes unspooling. And an interest in onomatopoeia dating back to 1989 has culminated in his monumental
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Audio of "Tabula Rasa" (2005) for three turntables and cutting lathe by
Christian Marclay and Flo Kaufmann. Site broken 25 June 2011.
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presented a major solo exhibition including a range of new work and a lively programme of weekly performances played by the
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responded by naming
Marclay one of the ten most important artists of today. Accepting the Golden Lion, Marclay invoked
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Marclay's work explores connections between sound, noise, photography, video and film. A pioneer of using
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862:"'It's impossible!' – Christian Marclay and the 24-hour clock made of movie clips | Art and design"
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307:(2007), he photographed the many patterns of speaker holes on intercoms. From 2007-2009 he worked with
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Marclay has performed and recorded both solo and in collaboration with many musicians, including
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151:, Switzerland. He studied at the Ecole Supérieure d'Art Visuel in Geneva (1975–1977), the
159:(1977–1980, Bachelor of Fine Arts) in the Studio for Interrelated Media Program, and the
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319:(2010), a 60-foot scroll of cartoon interjections that doubles as a musical score.
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Rundown of the
Winners of the Golden and Silver Lions at the 54th Venice Biennale"
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Marclay began dating curator Lydia Yee in 1991, and the couple married in 2011.
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Swiss
Institute to Move to St. Marks Place in the East Village Next Spring
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236:. His scene didn't make the final cut, but is included among the DVD extras.
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915:"Live Improvisations - Christian Marclay | Songs, Reviews, Credits"
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Some of
Marclay's musical pieces are carefully recorded and edited
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Listening to Noise and
Silence: Towards a Philosophy of Sound Art
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Listening to Noise and
Silence: Towards a Philosophy of Sound Art
655:"Christian Marclay – Album without a Cover – Neutral"
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in New York (1978). As a student he was notably interested in
551:"Christian Marclay | Biography, Albums, Streaming Links"
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More Encores: Christian Marclay Plays with the Records Of ...
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and composer. He holds both American and Swiss nationality.
846:"To the Last Syllable of Recorded Time: Christian Marclay,"
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818:"Calendar – Event series – Christian Marclay"
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Christian Marclay, de la musique aux sons (in French).
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Blake Gopnik, "The 10 Most Important Artists of Today"
889:"Christian Marclay | Made To Be Destroyed (2016)"
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Boston Society of Film Critics Award for Best Editing
375:, and in other projects with Sonic Youth's members.
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Biennial, two ensembles and one soloist interpreted
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Winnipeg Art Gallery: Christian Marclay's The Clock
139:Christian Marclay was born on January 11, 1955, in
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436:the 17th best work of performance art in history.
1058:Seiler+Mosseri-Marlio Galerie: Upcoming Exhibits.
539:. Paulacoopergallery.com, Accessed 25 June 2011.]
1030:"The 25 Best Performance Art Pieces of All Time"
797:"Christian Marclay – Tom Cugliani Gallery"
426:its fifteen minutes". In 2013, Dale Eisinger of
1143:Interview with Akira Sanematsu (28 March 2002).
1088:Audio of "Phonodrum" by Christian Marclay from
171:movement of the 1960s and 1970s. Long based in
1363:Massachusetts College of Art and Design alumni
387:, Member of the Board of Trustees (since 2016)
263:(1988) is a black-and-white photograph of the
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1068:European Graduate School: Christian Marclay.
259:(1989), he melted vinyl records into cubes.
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630:(Interview). Interviewed by Gross, Jason.
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385:Swiss Institute Contemporary Art New York
1010:Andrew M. Goldstein and Julia Halperin,
851:, Vol. 6 No. 4 (November–December 2016).
578:"The 10 Most Important Artists of Today"
524:. Whitecube.com, Retrieved 25 June 2011.
1097:The Record: Contemporary Art and Vinyl.
740:. Vol. 1, no. 9. p. 32.
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153:Massachusetts College of Art and Design
1151:(July 2003). Site broken 25 June 2011.
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1001:, 5 June 2011. Retrieved 25 June 2011.
602:Splat! Beep! This Artist Sees in Sound
591:, 5 June 2011. Retrieved 25 June 2011.
332:gallery in 2010. In 2016, he produced
226:. He was filmed performing a duo with
722:(London: Continuum, 2010), pp. 60–61.
709:(London: Continuum, 2010), pp. 60–62.
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794:Nesbitt, Lois E. (September 1989).
766:Welzenbach, Michael (7 July 1990).
634:from the original on 4 October 2003
303:(2009) are also musical scores. In
1378:People from San Rafael, California
960:Zalewski, Daniel (12 March 2012).
940:Nate Freeman (15 September 2016),
624:"Interview with Christian Marclay"
600:Rachel Donado (27 February 2015),
503:European Graduate School Biography
14:
734:"Review of Album Without a Cover"
1403:Knitting Factory Records artists
622:Christian Marclay (March 1998).
422:, thanking the jury "for giving
1028:Eisinger, Dale (9 April 2013).
490:(1988). Retrieved 25 June 2011.
1073:Christian Marclay Discography.
1063:White Cube: Christian Marclay.
537:Paula Cooper Gallery Biography
1:
653:Smith, R. J. (January 1986).
222:-style; he is also active in
104:(born January 11, 1955) is a
732:Smith, R.J. (January 1986).
1388:20th-century male musicians
1128:Journal of Contemporary Art
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1348:Swiss contemporary artists
685:Kjetil Falkenberg Hansen,
1398:Cuneiform Records artists
1393:Atavistic Records artists
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696:. Link dead 25 June 2011.
512:. Retrieved 25 June 2011.
25:
1383:Male classical composers
268:single of the same title
191:Citing the influence of
135:Early life and education
1305:and Adam Kurnitz (2021)
768:"The Sounds of Silence"
1408:Intakt Records artists
1353:Experimental composers
1157:Some Assembly Required
692:1 January 2010 at the
447:and guests, including
255:album. In his artwork
242:Record Without a Cover
188:
59:San Rafael, California
1275:Nels Bangerter (2016)
1136:Perfect Sound Forever
1104:Album Without a Cover
628:Perfect Sound Forever
322:In 2010, he produced
265:Simon & Garfunkel
186:
522:White Cube Biography
485:All Music Review of
334:Made to Be Destroyed
276:Graffiti Composition
261:The Sound of Silence
230:for the documentary
993:3 June 2015 at the
583:3 June 2015 at the
549:Christian Marclay.
508:27 May 2010 at the
367:, Flo Kaufmann and
121:musical instruments
1343:Free improvisation
1316:Thelma Schoonmaker
1308:Blair McClendon /
1291:Thelma Schoonmaker
1244:William Goldenberg
606:The New York Times
445:London Sinfonietta
224:free improvisation
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113:gramophone records
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1303:Affonso Gonçalves
1238:Christian Marclay
1090:Records 1981–1989
823:Walker Art Center
718:Salomé Voegelin,
705:Salomé Voegelin,
687:"Turntable Music"
239:Marclay released
102:Christian Marclay
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54:(age 69)
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1310:Kim Sang-bum
1279:David Lowery
1264:Sandra Adair
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1226:Bob Murawski
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867:The Guardian
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849:Art in Print
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673:Google Books
671:– via
665:. Retrieved
663:. p. 32
658:
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459:Artist books
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404:At the 2011
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361:Butch Morris
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317:Manga Scroll
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253:Jimi Hendrix
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213:works of art
201:Vito Acconci
190:
165:Joseph Beuys
161:Cooper Union
145:Marin County
138:
110:
101:
100:
91:
87:Notable work
1338:1955 births
1222:Chris Innis
1039:28 February
962:"The Hours"
420:Andy Warhol
400:Recognition
373:Sonic Youth
305:Sound Holes
299:(2007) and
290:Screen Play
281:Screen Play
209:noise music
129:turntablism
67:Nationality
1332:Categories
1121:Interviews
1102:Review of
472:References
441:White Cube
434:Berlin Mix
330:White Cube
257:Five Cubes
141:San Rafael
123:to create
117:turntables
81:, composer
48:1955-01-11
1285:Tom Cross
1258:Mike Hill
893:Artsy.net
803:Art Forum
746:0886-3032
453:Mica Levi
424:The Clock
410:The Clock
345:John Zorn
325:The Clock
309:cyanotype
205:punk rock
193:John Cage
173:Manhattan
93:The Clock
1106:(1986),
999:Newsweek
991:Archived
920:AllMusic
690:Archived
632:Archived
589:Newsweek
581:Archived
556:AllMusic
506:Archived
465:Ephemera
415:Newsweek
301:Ephemera
285:Performa
197:Yoko Ono
167:and the
1092:(1997).
1034:Complex
1016:ARTINFO
947:ARTnews
926:6 March
898:6 March
873:6 March
638:25 June
562:6 March
432:ranked
429:Complex
369:Crevice
297:Shuffle
233:Scratch
1318:(2023)
1312:(2022)
1299:(2020)
1293:(2019)
1287:(2018)
1281:(2017)
1272:(2015)
1266:(2014)
1260:(2013)
1250:(2012)
1240:(2011)
1234:(2010)
1228:(2009)
1218:(2008)
973:6 June
944:
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751:11 May
744:
169:Fluxus
157:Boston
149:Geneva
61:, U.S.
830:5 May
779:5 May
667:5 May
228:Erikm
1256:and
1246:and
1224:and
1108:Spin
1041:2021
975:2015
928:2020
900:2020
875:2020
832:2023
781:2023
753:2012
742:ISSN
738:Spin
669:2023
660:Spin
640:2011
564:2020
451:and
248:Spin
199:and
179:Work
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311:at
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