Knowledge (XXG)

Christine Abrahams Gallery

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described the renovation as "spacious and well-planned, and an ideal setting for...large paintings." The configuration of the gallery with a smaller space to the left of the main gallery allowed for shows of smaller 'works on paper' (usually drawings, photographs, or prints) simultaneously with shows
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In December 1982 Axiom gallery closed, and with Abrahams as director, was eponymously renamed the 'Christine Abrahams Gallery', reopening on 12 February 1983. It showed a broad spectrum of visual arts by contemporary, including photography, by architects, and craftspeople and indigenous artists,
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with research at 'Monash University, and was a gallery director and major supporter of contemporary Australian art in Melbourne from the 1970s, after her marriage to husband Daryl (born 1935), with whom she had three sons Guy, Damian and Ari.
391:, preserved the industrial aesthetic of exposed trusses, bare concrete floors and steel roller-door. Jackson himself exhibited at the gallery in April 1984, showing drawings and models for a 'more humane' neo-industrial style. Critic 41:
Christine Abrahams (5 March 1939 – 15 September 1994) graduated with a Bachelor of Arts from Melbourne University in 1961 majoring in Fine Art. She was a guide at the National Gallery of Victoria for several years, then assisted
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Donnelly, Fiona (10 June 1994). "The Wall Crawl. It can be pretty easy and pretty cheap to while away days gazing at gallery walls. Public gallery experts and collectors help guide us through commercial gallery maze".
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including jewellers, ceramicists and furniture makers. Stuart Gerstman Gallery opened next door at number 29 in April 1983. In 1987 Christine's son Guy Abrahams joined her as co-director of the gallery.
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valued her generosity and enthusiasm, saying she "provided Melbourne with a space and an intellectual climate for some of the most interesting contemporary art from both Australia and overseas."
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In summing up the year 1980, critic Brigid Cole-Adams described Axiom as a "good more conventional gallery with interesting contemporary work including both abstract and new realist styles."
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Trioli, Virginia (27 July 1994). "Green deeply colors a spiritual canvas. An Australian artist in New York finds in the abstract a medium that reaches well beyond words".
100:"Since opening in 1980, Axiom Gallery, Richmond, has continued to support the cause of modernist abstraction, the house style it inherited—along with artists such as 815:
After Christine's premature death at age 55 from cancer on 15 September 1994, the gallery was operated by her son Guy Abrahams, who had been co-director since 1987.
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Abrahams was Manager of Powell Street Gallery between 1976 and 1980 (the lessees were Melbourne solicitor Harry Curtis and a Caulfield doctor, David Rosenthal).
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Yallop, Richard (15 January 1994). "Architecture. Talk of the town Architect Daryl Jackson has survived and prospered but he is not without his detractors".
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Until 1982, Abrahams was co-director of Axiom Gallery, established in March 1980 at the address of the future Christine Abrahams Gallery, 27 Gipps Street
2561: 77:, an inner, once-industrial, suburb of Melbourne. In the same precinct an increasing number of other commercial galleries, including the long-running 132:"Eight out of 16 artists we've shown this year have been women. We don't choose them because they're women but because the work is really exciting." 177: 125: 108:, Vic Mazjner—and Englishman John Walker, from the old Powell Street Gallery which was run by Axiom's three directors in the late 1970s." 401: 54:
said of Christine that she valued art "as a gift to the spirit and a source of pleasure and enlightenment," while then director of the
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1981, February, 7-20: Polly Courtin (painting), Tim Bass (drawing), Nanette Carter (photographs), Tom Psomatragos (photographs)
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The building had been converted in 1980 from a clothing factory by the architect of Abrahams' own 1982 Brighton residence,
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The gallery was closed after 28 years in November 2008. The Gallery archive was donated to the State Library of Victoria.
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Parr, Lenton (26 September 1994). "Chronicles. Obituaries. Christine Abrahams. 55, Melbourne art gallery director".
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John Larkin 'Artist in search of a workplace,' interview with Tom Fantl, The Age Thursday 7 Jun 1984, p.14
190: 173: 78: 830:) and was a member of its organising committee in 1988, 1990 and 1992. She was on the board of the Fifth 676: 501: 204: 2477: 687: 537: 492: 425: 121: 33:
first named Axiom, was a Melbourne gallery showing contemporary Australian art between 1980 and 2008.
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Murdoch, Anna (1984) 'Dealing with other people's truths'. In The Age Thursday 5 April 1984, p.14
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usually of larger paintings or sculpture. The gallery was recommended in 1994 as a favourite by
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1982, 13 February – 3 March: Simon Blau, Peter Brooks, David Hawkes, Peter Jones, Barbara Neil,
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Holloway, Memory (1984) 'Stimulating architecture'. In The Age, Wednesday 28 March 1984, p.14.
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Sue Cramer, 'An attempt to bring life back to the abstract,' The Age Monday 15 Oct 1984, p.16
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Heathcote, Christopher (3 August 1994). "A post-war rebel without a cause for controversy".
197: 124:, selling at between $ 700 and $ 9500, and was followed by a solo of works by photographer 2447: 578: 488: 364: 343: 326: 270: 222: 161: 2502:"Established galleries featured at art fair". Australian Jewish News. 9 September 2008. 794: 544: 336: 318: 252: 240: 169: 59: 2545: 621: 526: 522: 397: 392: 384: 93: 2296:
Heathcote, Christopher (31 August 1994). "Optical distortions disturb the senses".
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Anna Murdoch, 'Scottish painter sees the light,' The Age Tuesday 6 Dec 1983, p.14
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Trioli, Virginia (17 September 1994). "Beacon of Australian art dies of cancer".
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Heather Kennedy, 'Artist taught in a hard school,' interview with Helen Geier
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Sue Cramer, 'Understand the basic elements,' The Age, Friday 25 May 1984, p.14
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Robert Rooney, 'A Colossus revisited,' in The Age, Thursday, 3 Jul 1980, p.10
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Tony Perry, 'Moore wins recognition,' in The Age, Monday, 23 Jun 1980, p.10
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Parr, Lenton (October 1994). "Obituary". Art Monthly Australia. p. 40.
908:"Historic mid-century home on Beach Road, Beaumaris, is back on the market" 860:"DEGREES AND DIPLOMAS CONFERRED 1961: 22nd FEBRUARY, 1961 BACHELOR OF ARTS" 826:
Christine initiated the influential Australian Contemporary Art Fair (now
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Heathcote, Christopher (16 February 1994). "Where the wild things are".
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Memory Holloway, 'Northern perspectives as different as night and day,'
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Susan McCulloch, 'Axiom makes mark', The Age Tuesday 30 Nov 1982, p.21
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Brigid Cole-Adams, 'Looking back to a year of browsing in art', in
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Jenny Zimmer, 'Access to the global village reflected in crafts,'
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1983, February: Eight artists, including Ann Weir and Daniel Kogan
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1994, 15 August – 8 September: Paintings and works on paper by
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1982, to end December: ceramic sculptures by James Draper, and
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Robert Nelson, "Mystery in its compelling, minimalist glory,"
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Zimmer, Jenny (8 March 1994). "Craft world enters a new era".
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Fashion Design Council of Australia exhibition/sale of fashion
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Axiom's opening show consisted of large abstract paintings by
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Memory Holloway, 'Sculpture as a way of repairing the self,'
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Robert Rooney, 'The quaint, curious and the informative,' in
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Jenny Zimmer, 'A new opportunity to ponder aboriginal art,'
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Virginia Trioli, 'Green deeply colours a spiritual canvas,
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Robert Rooney, 'A new Italian connection with the old,' in
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Beatrice Faust, 'Mudford proves his art can stand alone,'
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1983, 20 April to 12 May: Stephen Spurrier paintings, and
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Melbourne in the '60s – an exhibition of photographs by
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Anna Murdoch, ' 'Explosion' inspired by garden birds',
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Exhibitions under the name 'Christine Abrahams Gallery'
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Bunbury, Stephanie (20 September 1994). "LIMELIGHT".
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Robert Rooney, 'Rocky's abstracts go the distance,'
980:Robert Rooney, 'Six young moderns from Sydney,' in 2398:Megan Backhouse, 'Art that belongs to the earth,' 1930:Advertisement, The Age Saturday 14 Jul 1984, p.170 1700:Memory Holloway, 'The mid-career back-room boys,' 1352:Robert Rooney, 'Crowded view of abstractions,' in 1052:Robert Rooney, 'Nomadic Hickey's new brush look,' 993:Robert Rooney, 'Fascination out of obscurity', in 1961:Anna Murdoch, 'A long way from home, and rrark,' 1301:Jane McCredie, 'Adrift in the world of art,', in 699:1994, 25 April–19 May: Paintings and etchings by 1327:Robert Rooney, 'Retreat to a timeless land,' in 1212:Anthony Clarke, 'Pioneers of the pictorial,' in 1175:Robert Rooney, 'Community mural in the making,' 1107:Robert Rooney, 'Grandest quest in close-up', in 514:1983, to 24 December: Furniture by Dael Evans, 130: 98: 1939:Sue Cramer, 'Raw rejection of formal skills,' 2557:Art museums and galleries established in 1983 2046:Heather Kennedy, 'Green taken in by the US,' 1862:Memory Holloway, 'Stinulating architecture,' 1535:Where they had moved from their 1961 home in 1238:Robert Rooney, 'Between wall and window,' in 8: 1314:Judy Newman, 'The surreal art of Smart,' in 2315:. Melbourne. 23 September 1994. p. 55. 1735:Margaret Simons, 'Ball turns to the bush,' 1094:Robert Rooney, 'Greeted by Eric Thake', in 2285:. Melbourne. 2 September 1994. p. 54. 2107:. Melbourne. 11 February 1994. p. 53. 1081:, Friday, 6 February 1981, p.35<ref> 867:Melbourne University Digitised Collections 460:, paintings and Marcus Shanahan, sculpture 2375:. Melbourne. 5 December 1994. p. 19. 2020:Sue Cramer, ' 'Works on Paper' display,' 1390:Robert Rooney, 'Inviting Comparison', in 411: 2330:. Melbourne. 7 October 1994. p. 53. 1225:Robert Rooney, 'Patterns of Arkley,' in 2425: 2423: 2167:. Melbourne. 29 April 1994. p. 48. 2152:. Melbourne. 25 March 1994. p. 40. 2137:. Melbourne. 18 March 1994. p. 43. 1159:Rita Erlich, 'Roy Churcher's view,' in 1133:Anthony Clarke, 'Images of Freund', in 851: 221:1981, July: Hector Gilliland drawings, 2552:Art museums and galleries in Melbourne 2227:. Melbourne. 15 July 1994. p. 15. 2197:. Melbourne. 28 May 1994. p. 233. 2458:from the original on 13 February 2014 2182:. Melbourne. 3 June 1994. p. 52. 2077:. Melbourne. 26 May 1989. p. 48. 1995: 1993: 1493: 1491: 1462: 1460: 1171: 1169: 1146:Tony Perry, 'The graphic master', in 711:Grass fibre weavings from Ramingining 608:Self-serve. Supermarket Style Fashion 529:photographs of Jackson's architecture 387:, who designed Abrahams own house in 7: 1292:, Wednesday, 16 September 1981, p.10 1056:, Wednesday, 24 September 1980, p.10 976: 974: 964: 962: 944: 942: 930: 928: 880: 878: 876: 758:Travelling East: photographs of Asia 293:1981, to 11 December: Adrian Kerfoot 87:Church Street Centre for Photography 2148:"Day and Night. A taste of Cress". 2011:The Age Wednesday 12 Dec 1984, p.22 1368:, Wednesday, 10 February 1982, p.10 1356:, Wednesday, 25 November 1981, p.10 1111:, Wednesday, 25 February 1981, p.10 1098:, Wednesday, 11 February 1981, p.10 984:, Wednesday, 24 February 1982, p.10 734:1994, 16 July–11 August: prints by 402:Centre for Contemporary Photography 1952:The Age Thursday 16 Aug 1984, p.14 1666:The Age Wednesday 6 Apr 1983, p.14 1565:Greenwood, Helen, 'The Hide-Art', 1331:, Wednesday, 4 November 1981, p.10 1305:, Wednesday, 14 October 1981, p.10 1085:, Wednesday, 4 February 1981, p.10 968:The Age Tuesday 22 Mar 1983, p.27 474:sculpture, Adrian Kerfoot painting 375:Renamed Christine Abrahams Gallery 363:, jewellery by former students of 233:The Figure in Drawing and Painting 160:1980, December: Group exhibition: 25: 1713:The Age Tuesday 28 Jun 1983, p.14 1540:Brown, Jenny (13 February 2019). 1454:, Tuesday, 20 January 1981, p. 17 1441:The Age, Monday 29 Nov 1982, p.14 1069:, Saturday 13 December 1980, p.25 906:Brown, Jenny (13 February 2019). 778:; Wall mounted works in glass by 644:1988, 26 September – 13 October: 500:1983, 22 November to 8 December: 404:and Merryn Gates director of the 367:and their lecturer, Robert Baines 310:1982, to 22 April: Victor Majzner 251:, Merv Moriarty, Peter Powditch, 228:1981, July-18 August: John Walker 2562:1983 establishments in Australia 1377:Geoff Strong, 'Photography', in 1318:, Tuesday, 3 November 1981, p.19 1267:, Saturday, 15 August 1981, p.26 570:1984, 5 September to 5 October: 351:Photo Book Of Women: 1961- 1982, 2452:Australian Prints + Printmaking 2360:. 23 December 1994. p. 36. 1394:, Wednesday, 7 April 1982, p.10 1343:, Friday, 6 November 1981, p.10 1279:, Tuesday, 18 August 1981, p.10 1242:, Wednesday, 22 July 1981, p.10 1229:, Wednesday, 15 July 1981, p.10 1179:, Wednesday, 17 June 1981, p.10 1137:, Thursday, 16 April 1981, p.10 723:1994, to 14 July: paintings by 686:1994 to 24 March: Sculpture by 540:small jewellery/sculpture works 424:, sculpture (main gallery) and 339:paintings, Tony Woods, drawings 2345:. 8 November 1994. p. 19. 1849:, 'Of furniture and culture,' 1432:, Thursday, 24 June 1982, p.14 1420:, Saturday, 19 June 1982, p.14 1407:, Thursday, 17 June 1982, p.14 1254:, Thursday, 30 July 1981, p.10 1150:, Wednesday, 20 May 1981, p.10 1043:, Thursday, 24 July 1980, p.10 832:Australian Sculpture Triennial 750:1994, 15 September–6 October: 592:, Peter D. Cole, Ray Woolard, 518:, Roger Wood and Randall Marsh 355:Art Gallery of New South Wales 307:1982, to 25 March: Robert Owen 1: 1752:, Wednesday 28 Sep 1983, p.14 1381:, Monday, 22 March 1982, p.10 1203:, Thursday, 2 July 1981, p.10 1191:, Tuesday, 16 June 1981, p.10 1012:, Saturday, 31 May 1980, p.20 731:, photographs by Maria Grande 658:, Michael Kemp; paintings by 525:, architectural drawings and 56:National Gallery of Australia 2241:Wednesday, 27 Jul 1994, p.22 2091:, Thursday 27 Oct 1988, p.14 2050:, Saturday 9 Mar 1985, p.171 2037:Wednesday 20 Feb 1985, p. 14 1163:, Tuesday, 9 June 1981, p.10 1124:, Friday, 6 March 1981, p.10 586:New Sculptors, New Sculpture 483:Paperworks and Constructions 346:paintings and watercolours, 275:1981, September-22 October: 215:1981, June: Michaela Brysha 92:Of Axiom, critic and artist 2389:Wednesday 05 Mar 1997, p.41 2063:Saturday 18 May 1985, p.173 1987:Wednesday 14 Nov 1984, p.14 1866:Wednesday 28 Mar 1984, p.14 1828:Wednesday 30 Nov 1983, p.14 1803:Wednesday 16 Nov 1983, p.14 1777:Wednesday 19 Oct 1983, p.14 1726:Wednesday 13 Jul 1983, p.14 1704:Thursday 23 Jun 1983, p.14 1657:Wednesday 27 Apr 1983, p.14 1631:Wednesday 16 Feb 1983, p.14 1501:, Tuesday 24 May 1994, p.20 1216:, Friday, 3 July 1981, p.10 408:, University of Melbourne. 31:Christine Abrahams Gallery, 2578: 2402:, Monday 25 Sep 2000, p.44 2087:'Craft', Katrina Farrell, 1965:Wednesday 5 Sep 1984, p.14 1943:, Friday 10 Aug 1984, p.14 1815:Thursday 17 Nov 1983, p.14 1790:Thursday 20 Oct 1983, p.14 1691:Wednesday18 May 1983, p.14 1644:Thursday 10 Mar 1983, p.14 1514:, Tuesday 2 Jan 1996, p.13 1470:Wednesday 9 Feb 1983, p.14 2024:Thursday 6 Dec 1984, p.14 2002:Tuesday 11 Dec 1984, p.14 1853:Tuesday 13 Dec 1983, p.21 1583:. Melbourne. p. 136. 840:Craft Council of Victoria 543:1984, 5 June to 25 June: 335:1982, 26 June – 15 July: 2528:37.823541°S 144.996092°E 2436:. Melbourne. p. 19. 2416:. Melbourne. p. 14. 2300:. Melbourne. p. 28. 2270:. Melbourne. p. 22. 2255:. Melbourne. p. 22. 2212:. Melbourne. p. 49. 2122:. Melbourne. p. 15. 1912:Tuesday 5 Jun 1984, p.14 1900:Friday 25 May 1984, p.14 1887:Friday 18 May 1984, p.14 1739:Monday 18 Jul 1983, p.12 1678:Friday 15 Apr 1983, p.14 1617:. Melbourne. p. 46. 1526:Monday 11 Apr 1983, p.14 1484:. Melbourne. p. 13. 805:Salvator Rosa Series III 406:Ian Potter Museum of Art 353:traveling show from the 1764:Monday 3 Oct 1983, p.14 955:. Melbourne. p. 9. 896:Friday17 Oct 1975, p.22 627:1985, March: prints by 453:, collages and painting 400:, then director of the 263:Three American Painters 85:, Stuart Gerstman, and 2533:-37.823541; 144.996092 2482:researchworks.oclc.org 613:1984, to 27 December: 606:1984, to 20 December: 600:, Clive Murray-White, 584:1984, to 22 November: 487:1983, to 17 November: 467:paintings and drawings 287:1981, to 12 November: 134: 110: 27:Australian Art Gallery 799:2000, to October 12: 784:1995, 14–31 August: 770:1994, 5–23 December: 729:Scenes of the Passion 690:, and Maria Kuczynska 664:1988, to 3 November: 650:Melbourne 1954 – 1964 577:1984, to 1 November: 547:paintings, Tom Fantl 477:1983, to 26 October: 470:1983, to 15 October: 428:prints (side gallery) 342:1982, to 9 December: 999:, Friday, 9 May 1980 560:1984, to 30 August: 553:1984, from 14 July: 2524: /  793:1997, to 20 March: 693:1994, to 21 April: 521:1984, to 12 April: 463:1983, to 4 August: 431:1983, to 15 April: 420:1983, to 24 March: 176:and photographs by 828:Melbourne Art Fair 760:by Richard l'anson 715:Back to the Future 709:1994, to 16 June: 677:Alexandra Copeland 671:1994 24 February: 502:Clive Murray-White 444:Sandringham Series 323:Francesco Clemente 313:1982, to 25 June: 304:charcoal drawings. 255:. Works on Paper, 217:Hair Curler Series 189:1981, 7–19 March: 172:, Victor Majzner, 137:Axiom exhibitions; 120:, John Walker and 18:Christine Abrahams 1799:Memory Holloway, 1773:Memory Holloway, 1748:Margaret Simons, 1722:Memory Holloway, 1687:Memory Holloway, 1653:Memory Holloway, 1627:Memory Holloway, 1466:Memory Holloway, 836:Australia Council 717:, photographs by 703:; Recent work by 688:Antonio Colangelo 588:, Loretta Quinn, 532:1984, to 31 May: 456:1983, to 6 July: 449:1983, to 2 June: 261:1981, September: 154:1980, September: 83:Niagara Galleries 44:Patrick McCaughey 16:(Redirected from 2569: 2539: 2538: 2536: 2535: 2534: 2529: 2525: 2522: 2521: 2520: 2517: 2504: 2503: 2499: 2493: 2492: 2490: 2488: 2474: 2468: 2467: 2465: 2463: 2454:. 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2379: 2374: 2367: 2364: 2359: 2356:"Galleries". 2352: 2349: 2344: 2337: 2334: 2329: 2322: 2319: 2314: 2311:"Galleries". 2307: 2304: 2299: 2292: 2289: 2284: 2281:"Galleries". 2277: 2274: 2269: 2262: 2259: 2254: 2247: 2244: 2240: 2234: 2231: 2226: 2219: 2216: 2211: 2208:"Galleries". 2204: 2201: 2196: 2189: 2186: 2181: 2178:"Galleries". 2174: 2171: 2166: 2163:"Galleries". 2159: 2156: 2151: 2144: 2141: 2136: 2133:"Galleries". 2129: 2126: 2121: 2114: 2111: 2106: 2105: 2101:"Galleries". 2097: 2094: 2090: 2084: 2081: 2076: 2073:"Galleries". 2069: 2066: 2062: 2056: 2053: 2049: 2043: 2040: 2036: 2030: 2027: 2023: 2017: 2014: 2008: 2005: 2001: 1996: 1994: 1990: 1986: 1980: 1977: 1971: 1968: 1964: 1958: 1955: 1949: 1946: 1942: 1936: 1933: 1927: 1924: 1918: 1915: 1911: 1906: 1903: 1899: 1893: 1890: 1886: 1881: 1878: 1872: 1869: 1865: 1859: 1856: 1852: 1848: 1843: 1840: 1834: 1831: 1827: 1821: 1818: 1814: 1809: 1806: 1802: 1796: 1793: 1789: 1783: 1780: 1776: 1770: 1767: 1763: 1758: 1755: 1751: 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Retrieved 2481: 2472: 2460:. Retrieved 2451: 2442: 2431: 2413: 2407: 2399: 2394: 2386: 2381: 2372: 2366: 2357: 2351: 2342: 2336: 2327: 2321: 2312: 2306: 2297: 2291: 2282: 2276: 2267: 2261: 2252: 2246: 2238: 2233: 2224: 2223:"Openings". 2218: 2209: 2203: 2194: 2188: 2179: 2173: 2164: 2158: 2149: 2143: 2134: 2128: 2119: 2113: 2102: 2096: 2088: 2083: 2074: 2068: 2060: 2055: 2047: 2042: 2034: 2029: 2021: 2016: 2007: 1999: 1984: 1983:Sue Cramer, 1979: 1970: 1962: 1957: 1948: 1940: 1935: 1926: 1917: 1909: 1905: 1897: 1892: 1884: 1880: 1871: 1863: 1858: 1850: 1842: 1833: 1825: 1820: 1812: 1808: 1800: 1795: 1787: 1782: 1774: 1769: 1761: 1757: 1749: 1744: 1736: 1731: 1723: 1718: 1709: 1701: 1696: 1688: 1683: 1675: 1671: 1662: 1654: 1649: 1641: 1636: 1628: 1623: 1614: 1607: 1598: 1589: 1580: 1574: 1566: 1561: 1549:. 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Index

Christine Abrahams
Patrick McCaughey
Lenton Parr
National Gallery of Australia
Betty Churcher
Richmond
Pinacotheca
Niagara Galleries
Church Street Centre for Photography
Robert Rooney
Syd Ball
Fred Cress
Sydney Ball
Fred Cress
John Firth-Smith
David Moore
Barbara Zerbini
Victor Majzner
Helen Geier
Lesley Dumbrell
Roger Kemp
Sandra Leveson
Fred Williams
David Moore
Max Dupain
William Kelly
Gisèle Freund
Kevin Connor
Roy Churcher
Harold Cazneaux

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