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documentary record of the world around them. In doing this they introduced a more conceptual and theatrical approach that would previously been considered unthinkable. Webster started using her own body and that of friends to act out the characters in her work. A friend, and professional magician, Tim Woon appears as an over eager corporate suit, briefcase and alarm clock at the ready. In another image the briefcase opens to a magicianâs flash of fire. Later dancer and choreographer
187:. When complete it would be a sequence of sixty images. Using models Webster challenged norms of the day by exploring ideas around feminism and gender roles, the shiny surfaces of the photographs incorporating the viewers into a personal conversation with the content via their mirrored image. The works were inspired by ancient wall paintings like those of the
224:.â In a prescient interview recorded before their meeting and collaboration Wright described an image that could only come from Websterâs studio, âI feel there has to be the image of a woman, or else something that is neither man nor woman. We need something that is mysterious and layered and rich. It needs to read well from a distance.â
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that is now in the galleryâs collection and one of the largest photographic installations in the country. The series features a number of naked figures did not pass unnoticed. As writer Ewan McDonald commented, the exhibition contained content and ambiguities â we often dare not admit toâŠâ An example
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Webster is a photographer and visual artist. Her work explores society's accepted boundaries and the human psyche, specifically relating to gender and identity. In the early eighties women photographers like
Christine Webster took up a post modern position creating images as opposed to making a
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Centre for
Contemporary Art, Hamilton. As curator and art writer Anne Kirker noted, Webster, used her models to create âsubjective states of beingâ allowing them to present human conditions that were true of both sexes, a form of âmasquerade and disguiseâ exploring possibilities of
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a city councillor, Russ
Rimmington, called the exhibition pornographic and called for its closure. âIâve got a mind as broad as a Roman sewer, but this is just sleaze â itâs worse than pornographic magazines like Playboy or Cleo. the exhibition went on with all works
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Christchurch Art
Gallery. This survey of Websterâs work curated by Anne Kirker presented many of her photographic series. Before the exhibition opened the gallery removed a video work from the exhibition because of potential audience
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is the naked photograph of the cabaret artist Mika who stands straight on and stares directly into the camera. At nearly two and a half meters high the impact as noted by art writer Erin
Harrington, âdemands attention.â When
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reviewing the exhibition for Art New
Zealand, mentioned how much she admired Websterâs use of colour as an integral part of the work adding, âHers is a romantic and unusual vision, concerned with the transitory elements of
151:. These early works often featured Webster herself, both as subject and photographer. Anna Smith writing about this series described them as, ânot so much daring or prurient, as jubilatory, flaming with life.â
220:. A collaboration between Webster and choreographer and dancer Douglas Wright who is the model in all the photos. Webster had already worked with Wright previously on his dance
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Almost from the beginning of her career as an art photographer
Webster tended to work in series presenting groups of photographs as a cohesive collection. These series have included:
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Bowen galleries toured to Robert McDougall
Gallery. Critic John Hurrell commented on the âstimulatingâ and âprovocativeâ nature of the work noting their âtheatricalâ quality.
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701:. Wellington, N.Z. : Auckland, N.Z: City Gallery, Wellington, Wellington City Council ; Auckland City Art Gallery, Auckland City Council. p. 57.
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and Trish Clark
Galleries. The following annotated list represents a selection of Websterâs solo and group exhibitions in public art galleries and museums.
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said of
Websterâs work, âChristine Webster poses herself in sexual dramas that approach but then deflect the clichĂ©s of pornography and dominance.â
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290:. Websterâs photographs continue to be seen as an antidote to the documentary focus of most New Zealand photographers at the time. Art writer
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would appear in many of Websterâs photographs in many different guises. As Bridget Sullivan pointed out in the catalogue for the group show
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Barton, Christina; Lawler-Dormer, Deborah; Wellington City Art Gallery (Wellington, N.Z.); Auckland City Art Gallery, eds. (1993).
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Webster has shown at a number of dealer galleries over the years including : Red Metro, Artis, Southern Cross, Real Pictures,
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While resident as the 1991 Frances Hodgkins Fellow in Dunedin Webster began visualising what would become one of her major series
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commented in the catalogue, âplay with the woman-as-object-paradigm in order to disperse the self in myriad disguises.â
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Webster created the series, responding to the 1989 student-led pro-democracy protests and killings in China.
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Imposing Narratives: Beyond the Documentary in Recent New Zealand Photography; Laurence Aberhart ...;
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McDonald, Ewan (Spring 1993). "Process, Procession, Possession: Christine Webster's Black Carnival".
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94:, Auckland. She currently lives in the United Kingdom. Webster has a Diploma in Photography from
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in Rome, Webster creating her own âfrieze of human abandonment and decadence.â In 1993 the
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Pitts, Pricilla (Spring 1984). "New Women Artists at the Govett-Brewster Art Gallery".
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Smith, Anna (Winter 2010). "Dead Can't Dance: The Provocations of Christine Webster".
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Whiting, Cliff; Murphy, Bernice; McCormack, John; Sotheran, Cheryll, eds. (1992).
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Airey, Mavis (20 September 1989). "Ancient beliefs inspire symbolic paintings".
393:(group) Webster showed alongside other women artists including Margaret Dawson,
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Seja, Nina (2014). "Refuge & Ritual Trust: Christine Webster's Therapies".
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Aberhart, Laurence; Burke, Gregory; Wellington City Art Gallery, eds. (1989).
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Gibson, Sarah (1997). "Circus of Angels: Recent Work by Christine Webster".
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Alter/image: feminism and representation in New Zealand art, 1973-1993
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Imposing Narratives: Beyond the Documentary in New Zealand Photography
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sees it as, âcutting right across the grain of the documentary genreâŠâ
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PhotoForum at 40: counterculture, clusters, and debate in New Zealand
673:"Auckland Arts Festival: Magician Still Draws Crowds in Internet Age"
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People associated with the Museum of New Zealand Te Papa Tongarewa
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821:. Dunedin, N.Z: Dunedin Public Art Gallery. pp. 228â229.
82:(born 1958) is a New Zealand visual artist and photographer.
305:
Robert McDougall (group) Curated by Brad Smith.
102:. Webster has taught at the ASA School of Art, Auckland,
878:
Harrington, Erin (Autumn 2015). "(In) Decent Exposure".
1212:. Auckland, New Zealand: Rim Books. pp. 159. 164.
987:
Hurrell, John (8 August 1984). "'Tribal' photographs".
1162:. Sydney: The Museum of contemporary Art p. 48.
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Wedde, Ian (14 December 1989). "Imposing Narratives".
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McAloon, William; Museum of New Zealand, eds. (2009).
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Webster's work is held in the following collections:
1119:. East Roseville, NSW, Australia: Craftsman House.
819:Beloved: works from the Dunedin Public Art Gallery
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260:Christine Webster: Large Colour Photographs
938:"Raewyn Whyte An Interview with Douglas Wright".
465:Auckland War Memorial Museum. (group) Curated by
454:celebrated PhotoForumâs twenty-first anniversary.
367:The Players: a Photo series by Christine Webster
350:Wellington City Art Gallery. (group) Curated by
1117:New Zealand women artists a survey of 150 years
1035:. National Art Gallery. 1986. pp. 100â101.
767:. Wellington, N.Z: Te Papa Press. p. 380.
647:"Photography - New directions, 1970s to 2000s"
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1258:"Provocations: The Work of Christine Webster"
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970:"Christine Webster Large Colour Photographs"
110:, and currently is a senior lecturer at the
1160:Headlands: Thinking through New Zealand Art
477:Circus of Angels Sarjeant Gallery, Whaganui
450:. (group) Curated by Ron Browsen for
391:Headlands: Thinking Through New Zealand Art
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1141:"Christine Webster Possession & Mirth"
1100:: CS1 maint: location missing publisher (
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16:New Zealand visual artist and photographer
893:"Erotic art exhibit already under fire".
195:commissioned a 49 sheet version of
880:Bulletin of the Christchurch Art Gallery
651:Te Ara - the Encyclopedia of New Zealand
444:Open the Shutter: Auckland Photographers
279:Christine Webster : New Photographs
204:(including the Mika portrait) toured to
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591:Museum of New Zealand Te Papa Tongarewa
463:Currency: Contemporary Photographic Art
440:, Melbourne. Curated by Juliana Enberg.
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1850:Academics of Anglia Ruskin University
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817:Notman, Robyn; Cullen, Lynda (2009).
804:Robert McDougall Art Gallery Bulletin
548:1989 Polaroid Small Projects Grant .
426:City Gallery Wellington (group)
354:. In reviewing the exhibition critic
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581:Museum of Contemporary Art Australia
1840:Alumni of the Glasgow School of Art
1033:Content / Context , Wellington 1986
797:"Christine Webster: Black Carnival"
525:(group) Dunedin Public Art Gallery.
420:Dunedin Public Art Gallery (toured)
858:"Christine Webster: Mika Kai Tahu"
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1319:"The Frances Hodgkins Fellowship"
597:Auckland Art Gallery Toi o TÄmaki
671:Jones, Nicholas (6 March 2011).
561:BibliothĂšque nationale de France
1855:New Zealand women photographers
968:Keith, Sheridan (Summer 1983).
908:"Controversial show goes on".
543:Queen Elizabeth II Arts Counci
104:Unitec Institute of Technology
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1284:Journal for Thematic Dialogue
438:Museum of Modern Art at Heidi
90:Webster was born in 1958 in
1278:Harper, Jenny (July 2011).
1021:. 26 June 1985. p. 20.
536:Frances Hodgkins Fellowship
502:Dunedin Public Art Gallery.
288:Govett-Brewster Art Gallery
263:Wellington City Art Gallery
34:1958 (age 65–66)
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942:(191): 37â49. Autumn 1996.
332:Dunedin Public Art Gallery
193:Dunedin Public Art Gallery
1860:New Zealand women artists
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1845:Massey University alumni
1458:Frances Hodgkins Fellows
1048:The Press (Christchurch)
1019:The Press (Christchurch)
989:The Press (Christchurch)
405:all of whom, as curator
330:Artis Gallery toured to
566:LA County Museum of Art
112:Cambridge School of Art
108:Elam School of Fine Art
1348:Queensland Art Gallery
1145:Hocken Library Gallery
1017:"Art's new attitude".
677:The New Zealand Herald
586:Queensland Art Gallery
385:Hocken Library Gallery
382:Possession & Mirth
189:Villa of the Mysteries
1794:Emily Hartley-Skudder
1115:Kirker, Anne (1993).
571:George Eastman Museum
228:Other series include
100:Glasgow School of Art
62:Glasgow School of Art
1835:People from Pukekohe
1398:Auckland Art Gallery
806:(95): 3. April 1995.
625:findnzartists.org.nz
319:, Wellington (group)
317:National Art Gallery
265:(toured) Art writer
244:Selected Exhibitions
1608:Siegfried Koglmeier
1602:Shona Rapira Davies
1470:Michael Illingworth
1394:"Christine Webster"
1369:"Christine Webster"
1344:"Christine Webster"
1323:University of Otago
1208:Seja, Nina (2014).
621:"Christine Webster"
491:Museum Ludwig, Köln
1788:Sorawit Songsataya
1764:Campbell Patterson
1626:Peter Gibson Smith
738:"Tiananmen Square"
387:, Dunedin (toured)
1812:
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1614:Christine Webster
1572:Michael Armstrong
1554:Gretchen Albrecht
1280:"Peace Junctures"
1219:978-0-473-28325-4
1169:978-1-875632-04-6
1126:978-976-8097-30-9
1087:978-0-908818-07-5
910:Otago Daily Times
828:978-0-908910-58-8
774:978-1-877385-38-4
708:978-0-908818-14-3
486:Christine Webster
379:Christine Webster
314:Content / Context
285:New Women Artists
160:Tiananmen Square.
137:Working in series
96:Massey University
80:Christine Webster
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58:Massey University
25:Christine Webster
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1746:Patrick Lundberg
1644:Fiona Pardington
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1518:J. S. Parker
1506:Ray Thorburn
1488:Ralph Hotere
1476:Tanya Ashken
1401:. Retrieved
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1234:"Blindfield"
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1830:1958 births
1734:Nick Austin
1698:Sarah Munro
1680:Sara Hughes
1668:Ava Seymour
1620:Neil Frazer
1566:Joanna Paul
1560:Chris Booth
1403:11 December
1378:11 December
1328:11 December
1298:"The Brink"
630:11 December
552:Collections
514:complaints.
489:Neue Mythem
270:existence.â
236:(2013) and
171:The Players
72:Photography
46:Nationality
1819:Categories
1780:2020â2021
1704:Ben Cauchi
1674:Scott Eady
1662:Jim Speers
1482:Derek Ball
604:References
500:Blindfield
452:PhotoForum
446:Now
370:sexuality.
309:1986-1987
176:1991-1998
86:Background
40:, Auckland
1096:cite book
783:181354783
545:l Grant,
523:The Brink
356:Ian Wedde
328:New Myths
303:Fresh Art
238:Therapies
209:included.
149:New Myths
54:Education
940:Landfall
206:Hamilton
92:Pukekohe
38:Pukekohe
1642:1996â7
1498:1971â2
1147:. 1992.
344:(group)
232:2000),
1353:5 June
1303:7 June
1263:7 June
1242:7 June
1216:
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1186:. 1993
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726:(134).
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656:5 June
530:Awards
518:2012
506:2010.
495:2007
144:1980s
118:Career
106:, and
1798:2024
1792:2023
1786:2022
1774:2019
1768:2018
1762:2017
1756:2016
1750:2015
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473:1996
458:1995
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323:1987
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255:1982
234:Quiet
166:1991
155:1989
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1380:2017
1355:2024
1330:2017
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1265:2024
1244:2024
1214:ISBN
1192:2024
1164:ISBN
1121:ISBN
1102:link
1082:ISBN
865:2024
823:ISBN
779:OCLC
769:ISBN
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632:2017
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