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also lauded the cantata, saying, "It’s an ambitious‚ sincere and supremely wellwrought offering‚ whose progressive harmonic sensibility and imaginative instrumental resource will come as no surprise to anyone familiar with
Goldsmith’s genuinely adventurous and striking score from the previous year
108:. The cantata was to be a large piece—orchestra, choir, mezzo-soprano, and narration. Although the text is quite spiritual, I elected to compose the piece using the 12-tone system. I feel there is a great relationship between impressionism and dodecaphonicism [
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In 1969, the
California Chamber Symphony asked me to write a cantata based on a text by the celebrated author Ray Bradbury. I was thrilled to be asked since I had a relationship with Ray going back to dramatic radio of the 1950s and later the motion picture
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A 33.3 RPM vinyl recording was made for the participants of the original 1969 performance. Only 10 known copies exist. A CD version of this recording was released by
Tsunami Records, Germany, in 1995.
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praised the work, saying, "It's a mystical, ear-enticing souvenir from the year of the first moon landing, with long stretches of narration and no maudlin compromises."
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consists of four movements separated by narration; a complete performance lasts approximately 35 minutes. The musical landscape of the piece blends elements of
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Christus Apollo: Cantata
Celebrating the Eighth Day of Creation and the Promise of the Ninth
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