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457:"One has to value this composition as one of the most expressive and monumental works of Bruckner's sacred music…", was a comment by the musicologist
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and in successive entries of the eight voices – from the lowest till the highest vocal parts – establishing a "pyramid" of sound based on an
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623:, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Hans Bauernfeind and Leopold Nowak (Editor), Vienna, 1984/2001
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The third section (bars 22–31), sustained by the strings and the trombones, ends in a climax in
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Bruckner composed the motet in 1873, and it was first performed on 8 December 1873 in the
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Musik zum
Palmsonntag/Palm Sunday (Karwoche/Holy Week) 14. 4. 2019 Karmelitenkirche Linz
312:
in 1934 without string instruments (the violins being replaced by the alto voice during
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316:). The new edition (Nowak-Bauernfeind) is in accordance with the original manuscript.
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PR 91250, 2013 (following the original score) – can also be heard on YouTube:
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Anton
Bruckner – Sämtliche Werke, Band XXI: Kleine Kirchenmusikwerke
260:(WAB 9). In 1884, Bruckner composed a third, better known setting (
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Andrew Lewis with the Elgin Master
Chorale (26 February 2018):
30:
For two other settings of the same text by the composer, see
714:
Michael Stenov during the Palm Sunday celebration of 2019:
328:
is scored for eight-part mixed choir, three trombones, two
724:
297:, was destroyed in 1945. On his manuscript Bruckner wrote
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Benefizkonzert fĂĽr den Wiener
Stephansdom, 6 October 2007
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The work was published first by Ludwig
Berberich in
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43:
492:Ricardo Luna, Hard-Chor Linz, Ensemble Wien-Linz,
469:There are only two recordings of this setting of
438:. The second part of the coda (bars 53–61), sung
442:, which is a clear quotation of the coda of the
412:pedal tone, which leads the a further climax in
549:Mus.Hs.442 (Ă–sterreichische Nationalbibliothek)
399:The fourth section (bars 31 61) begins in
1900:Versions and editions of Bruckner's symphonies
351:melody sung by the soprano and alto voices in
749:
584:Anton Bruckner – Sämtliche Werke, Band XXI/26
8:
728:– string accompaniment replaced by the organ
502:Christus factus est, Original Version, WAB10
686:Free scores for Christus factus est, WAB 10
219:
1389:
918:
756:
742:
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630:, uitg. Thoth, Bussum, Netherlands, 2012.
628:Anton Bruckner 1824–1896 – Leven en werken
521:
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359:of the first and second violins, ends on "
40:
696:Christus factus est d-Moll, WAB 10 (1873)
681:International Music Score Library Project
711:- violins replaced by organ (bars 1-14)
558:manuscript A-SF20-42, Stift St. Florian
513:
709:Bruckner - Christus factus est, WAB 10
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18:Christus factus est, WAB 10 (Bruckner)
698:Critical discography by Hans Roelofs
545:
543:
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485:– CD: Herald HAVPCD 213, 1997 (fully
27:1873 motet composed by Anton Bruckner
7:
1130:Dir, Herr, dir will ich mich ergeben
305:to prevent any intonation problems.
1501:Wie bist du, FrĂĽhling, gut und treu
365:The second section (bars 13–21), a
1925:Anton-Bruckner-Gymnasium Straubing
69:OraciĂłn en el huerto de los Olivos
25:
1910:Anton Bruckner Private University
347:The first section (bars 1–12), a
1942:
1941:
1630:Des Dankes Wort sei mir vergönnt
1566:Das Lied vom deutschen Vaterland
62:
1424:Heil Vater! Dir zum hohen Feste
606:, WAB 10 - Critical discography
570:R. Luna, booklet of CD PR 91250
461:on his impression of the work.
1885:International Bruckner Society
1:
1622:Laßt Jubeltöne laut erklingen
593:A-SF20-42 (Stift St. Florian)
483:Anton Bruckner: Sacred Motets
954:Messe fĂĽr den GrĂĽndonnerstag
690:Choral Public Domain Library
645:Anton Bruckner. Ein Handbuch
355:, which is accompanied by a
257:Messe fĂĽr den GrĂĽndonnerstag
238:, his second setting of the
1171:In jener letzten der Nächte
677:Christus factus est, WAB 10
36:Christus factus est, WAB 11
1993:
1525:Mein Herz und deine Stimme
373:and ends on bars 20–21 in
226:(Christ became obedient),
32:Christus factus est, WAB 9
29:
1938:
771:
295:Austrian National Library
135:8 December 1873
61:
50:
1967:Motets by Anton Bruckner
1977:Compositions in D minor
1915:Bruckner Orchestra Linz
1300:Salvum fac populum tuum
902:Symphonisches Präludium
282:for the celebration of
1890:Bruckner Gesamtausgabe
1710:Vaterländisch Weinlied
1654:Du bist wie eine Blume
883:Four Orchestral Pieces
832:; 1874/1878–1880/1888)
718:- at 11:26 with organ
280:Wiener Hofmusikkapelle
220:
1930:Anton Bruckner Museum
1868:Intermezzo in D minor
1308:Veni Creator Spiritus
1244:Iam lucis orto sidere
1138:O Du liebes Jesu-Kind
985:Mass No. 3 in F minor
979:Mass No. 2 in E minor
973:Mass No. 1 in D minor
895:March in E-flat major
288:Immaculate Conception
1750:Zur Vermählungsfeier
1633:(at the latest 1855)
1316:Ecce sacerdos magnus
774:List of compositions
299:Besser ohne Violinen
1798:Der deutsche Gesang
1551:Weltliche Chorwerke
1332:Ave Regina caelorum
1292:Christus factus est
1260:Christus factus est
889:Overture in G minor
808:Symphony in D minor
796:Symphony in F minor
626:Cornelis van Zwol,
604:Christus factus est
525:C. van Zwol, p. 706
471:Christus factus est
324:The 61-bar work in
247:Christus factus est
221:Christus factus est
115:Christus factus est
45:Christus factus est
1895:Kitzler Study Book
1790:Träumen und Wachen
961:Requiem in D minor
704:Live performances
658:, Salzburg, 1996.
1972:1873 compositions
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1442:Sankt Jodok sproĂź
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1036:Preiset den Herrn
1034:Festive Cantata:
946:Kronstorfer Messe
865:
836:No. 5 in Bâ™ major
826:No. 4 in Eâ™ major
636:978-90-6868-590-9
537:U. Harten, p. 120
215:
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16:(Redirected from
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1878:Related articles
1848:Rondo in C minor
1614:Vor Arneths Grab
1422:Arneth Cantata:
1390:
987:(1868/1883/1893)
938:Windhaager Messe
919:
863:
860:No. 9 in D minor
854:No. 8 in C minor
848:No. 7 in E major
842:No. 6 in A major
822:(1873/1877/1889)
820:No. 3 in D minor
814:No. 2 in C minor
802:No. 1 in C minor
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284:Mariä Empfängnis
230:10, is a sacred
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1433:Auf BrĂĽder! auf
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1920:Brucknerhaus
1854:
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1765:
1757:
1749:
1741:
1733:
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1686:Trauungschor
1685:
1677:
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1645:
1637:
1629:
1620:
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1605:
1597:
1589:
1581:
1573:
1565:
1558:An dem Feste
1557:
1544:Choral works
1532:
1524:
1516:
1509:Herbstkummer
1508:
1500:
1492:
1484:
1457:
1448:
1441:
1440:Festgesang:
1432:
1423:
1414:
1406:
1365:
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1291:
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1275:
1267:
1259:
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1251:
1243:
1236:Inveni David
1235:
1228:Pange lingua
1227:
1218:
1211:
1203:
1195:
1187:
1179:
1169:
1162:
1154:
1144:
1136:
1128:
1121:
1113:
1105:
1096:
1088:
1081:Pange lingua
1080:
1035:
952:
944:
936:
914:Sacred works
901:
864:(unfinished)
829:
719:
692:(ChoralWiki)
644:
627:
620:
603:
598:
589:
554:
493:
486:
482:
479:Ealing Abbey
470:
468:
456:
454:in D major.
451:
443:
439:
431:
427:
400:
394:
378:
374:
371:B-flat major
361:autem crucis
360:
357:counterpoint
346:
323:
307:
302:
298:
292:
283:
279:
277:
265:
264:) for choir
255:
245:
218:
217:
216:
190:Instrumental
68:
44:
1855:Abendklänge
1838:(1862–1879)
1832:(1850–1868)
1830:Piano works
1742:Abendzauber
1737:(1876–1879)
1718:Mitternacht
1553:(1843–1893)
1480:(1850–1882)
1450:Germanenzug
1402:(1845–1893)
1360:(1835–1890)
1358:Organ works
1351:Other works
1324:Virga Jesse
1247:(1868/1886)
1196:Tantum ergo
1180:Totenlieder
1166:(1846/1888)
1163:Tantum ergo
1158:(1846/1888)
1155:Tantum ergo
1149:(1845–1846)
1141:(1845–1846)
1125:(1845–1846)
1122:Tantum ergo
1114:Tantum ergo
1109:(1844–1845)
1106:Asperges me
1100:(1843–1844)
1097:Asperges me
1051:(1881–1884)
1006:(1852–1892)
981:(1866/1882)
957:(1844–1845)
933:(1842–1868)
891:(1862–1863)
856:(1887/1890)
816:(1872/1877)
804:(1866/1891)
792:(1863–1896)
720:colla parte
700:(in German)
652: [
465:Discography
349:Dorian mode
342:double bass
303:colla parte
208:double bass
196:3 trombones
1961:Categories
1758:Sängerbund
1670:Herbstlied
1606:Die Geburt
1252:Locus iste
1016:Magnificat
875:orchestral
790:Symphonies
782:Symphonies
641:Uwe Harten
508:References
487:a cappella
452:pianissimo
450:, ends in
440:a cappella
434:climax in
432:a cappella
401:pianissimo
267:a cappella
139:1873-12-08
1806:Tafellied
1766:Volkslied
1601:(c. 1851)
1593:(c. 1848)
1585:(c. 1847)
1577:(c. 1846)
1574:Ständchen
1569:(c. 1845)
1533:Volkslied
1520:(c. 1865)
1488:(c. 1850)
1458:Helgoland
1418:(c. 1851)
1335:(c. 1886)
1311:(c. 1884)
1284:Ave Maria
1212:Ave Maria
1204:Ave Maria
1199:(c. 1854)
1188:Libera me
1174:(c. 1848)
1133:(c. 1845)
1092:(c. 1843)
1089:Libera me
1055:Psalm 150
1043:Psalm 112
1030:(c. 1856)
1028:Psalm 146
1024:(c. 1852)
1010:Psalm 114
314:bars 1-14
199:2 violins
154:Published
131:Performed
90:Catalogue
1947:Category
1646:Am Grabe
1517:Im April
1415:Entsagen
1400:Cantatas
1393:Cantatas
1276:Os justi
1022:Psalm 22
996:Cantatas
830:Romantic
408:♭
388:♭
254:for the
182:SSAATTBB
121:Language
1822:Chamber
1726:Nachruf
1382:Secular
1366:Aequali
1049:Te Deum
862:(1896)
688:in the
615:Sources
481:Choir,
446:of the
436:D minor
418:D major
414:C major
330:violins
326:D minor
274:History
252:gradual
243:gradual
177:Scoring
160: (
137: (
105:Gradual
84:D minor
1870:(1879)
1864:(1879)
1858:(1866)
1850:(1862)
1844:(1862)
1809:(1893)
1801:(1892)
1793:(1890)
1785:(1886)
1777:(1886)
1769:(1882)
1761:(1882)
1753:(1878)
1745:(1878)
1729:(1877)
1721:(1869)
1713:(1866)
1705:(1866)
1697:(1866)
1689:(1865)
1681:(1864)
1673:(1864)
1665:(1862)
1657:(1861)
1649:(1861)
1641:(1857)
1625:(1854)
1617:(1854)
1609:(1852)
1561:(1843)
1536:(1882)
1528:(1868)
1512:(1864)
1504:(1856)
1496:(1851)
1478:Lieder
1470:Lieder
1461:(1893)
1453:(1865)
1445:(1855)
1436:(1855)
1427:(1852)
1410:(1845)
1369:(1847)
1343:(1892)
1327:(1885)
1319:(1885)
1303:(1884)
1295:(1884)
1287:(1882)
1279:(1879)
1271:(1878)
1263:(1873)
1255:(1869)
1239:(1868)
1231:(1868)
1223:(1861)
1215:(1861)
1207:(1856)
1191:(1854)
1183:(1852)
1117:(1845)
1074:Motets
1066:Motets
1057:(1892)
1045:(1863)
1039:(1862)
1018:(1852)
1012:(1852)
975:(1864)
969:(1854)
963:(1849)
949:(1843)
941:(1842)
931:Masses
923:Masses
905:(1876)
897:(1865)
885:(1862)
873:Other
850:(1883)
844:(1881)
838:(1876)
810:(1869)
798:(1863)
662:
634:
496:– CD:
367:fugato
353:unison
332:, and
310:Vienna
262:WAB 11
169:Vienna
146:Vienna
1385:vocal
1153:Four
656:]
444:Kyrie
391:major
375:forte
338:cello
334:viola
320:Music
240:Latin
232:motet
205:cello
202:viola
185:choir
125:Latin
71:, by
52:Motet
1364:Two
1178:Two
1104:Two
660:ISBN
632:ISBN
426:on "
424:coda
422:The
393:on "
377:on "
340:and
162:1934
158:1934
111:Text
101:Form
34:and
473::
290:).
234:by
228:WAB
94:WAB
80:Key
54:by
1963::
654:de
647:.
643:,
575:^
563:^
542:^
530:^
516:^
397:".
381:".
363:".
344:.
336:,
270:.
166::
143::
96:10
828:(
757:e
750:t
743:v
666:.
489:)
420:.
405:A
385:A
164:)
141:)
38:.
20:)
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