414:(ca. 1758–1847) at center in place of the gilded wooden images of saints found in other churches of Bahia. The interior of the church has a great number of azulejos. There are 28 large-scale azulejo panels on the lateral walls of the church depicting the life of Christ. They were painted by Tomáz do Carmo in Lisbon in 1855. Similar panels of azulejos were ordered from Portugal in the same decade to decorate the sacristy, but were never installed. The nave and sacristy have plain azulejos. Between 1816 and 1817 Antônio de Santa Rosa carved the ceiling of the chancel, its tribunes, the chancel arch, and two side altars.
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482:(January 6). The festival dates to the 18th century, when Captain Theodózio Rodrigues de Fria survived a storm at sea en route to Lisbon; he returned to Brazil with an image of the Senhor do Bonfim to the church, and celebrated its festival date within the chancel and nave of the church. The festival became a city-wide celebration by the 19th century, as noted in newspapers of the period. On the Thursday after Three Kings Day, the faithful gather in front of the
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The interior decoration of the church was finished in the 19th century, and consists of a rich archive of painting, azulejos, gilded woodcarvings, and furniture. The nave has a single aisle. The church has six side altars; two on each of the lateral walls and two at the front of the nave. The
254:, in the lower town of Salvador. The church is the subject of intense religious devotion by the people of Salvador and is the site of a famous celebration held every year in January, the Festa do Senhor do Bonfim. The church is the cathedral of the
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that leaves the Church of Conceição da Praia, cross 8 kilometres (5.0 mi) to the hill of the Bonfim Church. Upon reaching the top, the bahianas, who are associated with
Candomblé, wash the steps and the square
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with a cupola sustained by volutes, was carved by the master sculptor Antônio
Joaquim dos Santos between 1813 and 1814; he is likely also responsible for its design. The side altars have paintings by
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The Church of Nosso Senhor do Bonfim is constructed of brick and stone masonry. The façade of the church is two-dimensional, with a central body flanked by two towers. The windows and elaborate
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Another notable feature of the church is the wooden ceiling painted by Bahia artist Franco
Velasco between 1818 and 1820, showing people thanking Our Lord of Bonfim for having survived a
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314:) dedicated to Our Lord of Bonfim was founded and a church to house the statue—the current Church of Nosso Senhor do Bonfim—began being built on top of Montserrat hill, in the
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Ickes, Scott (2005). "'Adorned with the Mix of Faith and
Profanity that Intoxicates the People': The Festival of the Senhor do Bonfim in Salvador, Bahia, Brazil, 1930-19541".
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in 1938. The structure was registered under the Book of
Historical Works, Inscription 131 and Book of Fine Arts, Inscription 23. The directive is dated June 17, 1938.
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587:) is a souvenir and popular amulet that can be found being sold by street vendors around the Church. The fashion accessory is made from cotton and has the phrase
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and creator of humankind. The
Catholic Church banned the washing of the steps of the church at various times in the 20th century by Archbishop
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318:, in the lower town of Salvador. The church sits on the only line of hills on the Itapagipe Peninsula on an elevation now called the
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322:("Holy Mount"). Construction on the church began in 1740 and it was inaugurated in 1754. The towers were finished around 1772.
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540:. The feast includes stands serving traditional food, souvenirs, traditional dances and concerts by local musical groups.
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In the 19th century, the Bonfim
Brotherhood built houses in the square in front of the church to house the
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478:, "Feast of Bonfim") is annual religious celebration in Salvador, starting on the second Thursday after
599:. The Fita do Senhor do Bonfim was worn by a supermodel in Milano, resulting in a cover page in Elle.
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521:(Washing of Bonfim) and attracts both Catholic and adherents of Candomblé, as well as tourists.
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691:(in Portuguese). Salvador, Bahia: Instituto do Patrimônio Artístico e Cultural da Bahia. 2021
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Multitude praying in front of the Church of Conceição da Praia during the Bonfim festivities.
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tiles in 1873. They are white with a yellow tint and were designed to resemble those of the
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425:, nave and other rooms of the church display paintings by another notable Bahia painter,
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A invenção da tradição: uma história sobre o culto festivo ao Senhor do Bonfim na Bahia
742:. Salvador: Universidade Federal da Bahia, Centro de Estudos Baianos. pp. 103–105.
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Article on
Revista Ohun about the main altarpiece of the church (in Portuguese)
871:(in Portuguese). Rio de Janeiro, RJ: EXPED-Expansão Editorial. pp. 61–72.
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The Church of Nosso Senhor do Bonfim was listed as a historic structure by the
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style. The lower parts of the façade were covered by industrial
Portuguese
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Evolução das artes plásticas nas
Igrejas do Bonfim, Boqueirão e Saúde
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in the Bonfim Church. Many worshippers come from far away to honour
250:. It was built in the 18th century on the only line of hills in the
310:, Portugal, to Salvador. Some years later a religious brotherhood (
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Wooden ceiling of the church painted 1818-1820 by Franco Velasco.
333:) that come to Salvador every year to honour Our Lord of Bonfim.
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and long, round skirts. After mass, the faithful take part on a
444:(Christ with the Adultereress), José Theófilo de Jesus, sacristy
844:"Fitas do Senhor do Bonfim/ Tapes Senhor do Bonfim | Argosfoto"
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Igrejas históricas de Salvador: Historical churches in Salvador
567:: first between 1929 and 1936, in 1943, and from 1948 to 1952.
689:
Sistema de Informações do Patrimônio Cultural da Bahia (SIPAC)
529:
299:
262:("Feast of Bonfim"), held annually the second Thursday after
636:"Essential Salvador: The Senhor Bom Jesus do Bonfim Church"
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between Catholicism and African religions in Bahia. In the
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The celebrations last ten days and end with a large-scale
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Location of the Church of Nosso Senhor do Bonfim in Brazil
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in its origins, it also reveals much about the religious
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brought by the worshipers in gratitude after receiving a
266:. The festival combines elements of both Catholicism and
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taken to Our Lord of Bonfim. The church has a museum of
286:(Our Lord of the Good End, represented by the crucified
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Bonfim Feast in the official touristic site of Salvador
822:. Curitiba, Brasil: Brazil Publishing. pp. 30–37.
456:(Death of the Just), attributed to Tito Nicolau Capinam
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18th-century Roman Catholic church buildings in Brazil
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The church is open to the public and may be visited.
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National Institute of Historic and Artistic Heritage
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Main façade of the Church of Nosso Senhor do Bonfim
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450:(Death of the Sinner), attributed to Bento Capinam
272:National Historic and Artistic Heritage Institute
583:Fitinha do Senhor do Bonfim (English:
555:religion, Our Lord of Bonfim is associated with
345:Interior of the Church of Nosso Senhor do Bonfim
306:brought a statue of Nosso Senhor do Bonfim from
270:. It was listed as a historic structure by the
498:, or women in traditional white costume, with
717:(in Portuguese). Salvador, Brazil: IPAC. 2018
302:, Captain Teodósio Rodrigues de Faria of the
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950:1754 establishments in the Portuguese Empire
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715:"Igreja Basílica de Nosso Senhor do Bonfim"
18:Church of Nosso Senhor do Bonfim (Salvador)
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920:Roman Catholic churches in Salvador, Bahia
593:Remembrance of the Lord of Bonfim of Bahia
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940:Roman Catholic churches completed in 1754
406:main altarpiece, which has the form of a
373:of the pediment of the façade are in the
589:"Lembrança do Senhor do Bonfim da Bahia"
756:(in Portuguese and English), Brasília:
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818:Nunes Neto, Francisco Antonio (2019).
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190:National Historic Heritage of Brazil
785:Bulletin of Latin American Research
515:. The washing ritual is called the
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294:that was brought to Brazil during
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661:"Bonfim Church of Salvador Bahia"
935:National heritage sites of Bahia
797:10.1111/j.0261-3050.2005.00131.x
579:Fitas at the Cathedral of Bonfim
256:Roman Catholic Diocese of Bonfim
232:Igreja de Nosso Senhor do Bonfim
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36:Igreja de Nosso Senhor do Bonfim
30:Church of Nosso Senhor do Bonfim
867:Carrazzoni, Maria, ed. (1980).
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258:. The church is noted for the
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685:"Igreja do Senhor do Bonfim"
490:of Salvador, in present-day
484:Church of Conceição da Praia
438:Nave ceiling, Franco Velasco
429:and were done in the 1830s.
298:. In 1740, while pursuing a
234:) is the most famous of the
224:Church of Our Lord of Bonfim
925:Basilica churches in Brazil
758:Ministry of Foreign Affairs
387:Historic Center of Salvador
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848:argosfoto.photoshelter.com
571:Senhor do Bonfim bracelets
494:. It is led by a group of
543:Even though the feast is
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565:Augusto Álvaro da Silva
475:[ˈfɛstɐdubõˈfĩ]
383:Church of Saint Francis
168:12.923743°S 38.508093°W
869:Guia dos bens tombados
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284:Nosso Senhor do Bonfim
231:
173:-12.923743; -38.508093
146:Geographic coordinates
760:, 2007, p. 111,
585:Lord of Bonfim Ribbon
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442:Cristo com a Adúltera
427:José Teófilo de Jesus
412:José Teófilo de Jesus
389:. The church has two
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738:Ott, Carlos (1979).
316:Itapagipe Peninsula
252:Itapagipe Peninsula
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448:A Morte do Pecador
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60:Affiliation
909:Categories
853:2015-09-27
721:2018-12-03
695:2021-11-30
670:2015-09-27
646:2015-09-27
623:References
549:syncretism
504:procession
228:Portuguese
197:Designated
159:38°30′29″W
156:12°55′25″S
805:0261-3050
766:Q63335501
553:Candomblé
486:, in the
419:shipwreck
408:baldachin
337:Structure
312:irmandade
274:in 1938.
268:Candomblé
242:, in the
762:Wikidata
545:Catholic
534:ex-votos
496:bahianas
492:Comércio
423:sacristy
397:Interior
331:romeiros
327:pilgrims
292:Portugal
240:Salvador
236:Catholic
90:Salvador
81:Location
54:Religion
561:Orishas
500:turbans
385:in the
379:azulejo
369:of the
367:volutes
308:Setúbal
278:History
106:Country
875:
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803:
764:
615:Access
421:. The
375:Rococo
248:Brazil
110:Brazil
597:Jesus
557:Oxalá
371:gable
288:Jesus
100:Bahia
96:State
75:Roman
873:ISBN
824:ISBN
801:ISSN
530:vows
526:mass
509:adro
465:The
222:The
200:1938
71:Rite
793:doi
300:vow
208:122
911::
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