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Often neglected by critics and readers, English closet dramas of the 17th century began to claim a greater share of critical attention toward the end of the 20th century.
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and later
Killigrew's first wife (1636–38). Carew also wrote a poem, "The morning stormy," in celebration of the Killigrew/Crofts wedding.
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Killigrew employed the closet-drama form to work with material that would have met strong resistance on the public stage of his time.
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has been the main beneficiary of this shift in focus, though writers like
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Marta
Straznicky, "Reading the Stage: Margaret Cavendish and Commonwealth Closet Drama,"
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Like the majority of
Killigrew's plays — stage plays or closet dramas —
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Dramatic
Difference: Gender, Class, and Genre in the Early Modern Closet Drama
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Karen L. Raber, "Warrior Women in the Plays of
Cavendish and Killigrew,"
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228:, Philadelphia, University of Pennsylvania Press, 1930.
104:, the collected edition of Killigrew's plays issued by
241:, Lexington, KY, University Press of Kentucky, p. 343.
226:Thomas Killigrew, Cavalier Dramatist 1612–83
168:, in response to a dispute between Killigrew and
74:In writing the work, Killigrew was influenced by
276:, Newark, DE, University of Delaware Press, 2002
252:Studies in English Literature, 1500–1900
63:is in part an exploration of the idea of the
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239:Winter Fruit: English Drama 1642–1660
146:Lady Dorothy Sidney, Countess of Sunderland
128:, during Killigrew's years of exile in the
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21:Cicilia and Clorinda, or Love in Arms
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289:Vol. 37 No. 3 (1995), pp. 355-90.
172:, then a maid of honor to Queen
16:Tragicomedy by Thomas Killigrew
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162:Cicilia and Clorinda Part 2
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303:Cicilia and Clorinda
237:Dale B. J. Randall,
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181:Cicilia and Clorinda
130:English Commonwealth
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310:Part 1
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