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In 1996, the internationally-known stage director
Nicholas Muni succeeded James de Blasis as Artistic Director of the company. Under his leadership Cincinnati Opera further enlarged its repertory with many company premieres outside the standard repertory including
743:(CCM). The organization is dedicated to fostering the development of new American operas, and has developed nine pieces to date through a rigorous residency and workshop process. This collaboration is jointly led by
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James de Blasis became the company's
Resident Stage Director in 1968. He then served as its General Director from 1973 to 1987. In 1988 he became its Artistic Director, a post which he held until 1996.
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on April 29, 1926, following Lyford's departure from
Cincinnati Opera in 1925. From 1956-1990 the company ran a singing competition known as the
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477:'s Artists & Repertoire division, became Cincinnati Opera's new Artistic Director. Following his first season with the company,
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to its repertory in an effort to broaden its audience base. One of the highlights of the de Blasis era was a new interpretation of
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as Dr. Dulcamara and Bruce Cooper as his assistant
Cochise in Act 1, Scene 2 of Cincinnati Opera's 1968 "Wild West" production of
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134:). Beginning with its first season in 1920, Cincinnati Opera has produced operas in the summer months of June and July with the
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announced an expansion of the company's season to "festival" format featuring grand opera performances in
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Atlanta
Symphony news: Artistic planning guru Evans Mirageas upgrades his role, finally moves to Atlanta
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The 2008 Summer
Festival, the first to be fully programmed by Mirageas, included the French version of
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Oh, those lists… We love them, we love to hate them, we love to pass them around and argue with them…
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Pavilion. During that time, many prominent singers appeared in the company's productions including
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527:. The 2010 season presented a 90th Anniversary Gala Concert, featuring, among others, guest hosts
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was closed for an extensive renovation, Cincinnati Opera's performances took place at the
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The company, originally named
Cincinnati Opera Association, gave its first performance,
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For most of its first fifty years, Cincinnati Opera's performances were held at the
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was being restored and renovated, Cincinnati Opera performed throughout the
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magazine listed him as one of the "25 Most
Powerful Names in U.S. Opera".
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453:). The Cincinnati performances coincided with the opening of Cincinnati's
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882:"Ambitious fare planned for Cincinnati Opera's move back to Music Hall"
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and the second oldest opera company in the United States (after the
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505:. The company's 2009 season featured four operas set in Spain:
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of Spain in the 1820s to the "Wild West" of late 19th century
435:. The company also performed its first mainstage commission,
647:. The company's 2016 season featured the world premiere of
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Under his tenure, the company produced rare operas such as
258:. In 1972, Cincinnati Opera moved its performance base to
160:, an American composer and conductor whose single opera
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at the Public
Library of Cincinnati and Hamilton County
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Winternitz, Felix and Sacha DeVroomen
Bellman (2009).
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University of Cincinnati College-Conservatory of Music
965:, subscription necessary, accessed 10 February 2021).
856:"Opera's 2017 festival mixes old favorites, new wave"
473:, an influential casting director and former head of
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for its 2018 season, and has performed there since.
728:, a coming-of-age opera about a transgender woman.
657:and librettist Greg Pierce and a new production of
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663:by Robert Perdziola. Its 2017 season consisted of
603:Performances in the Corbett Theater have included
981:Insiders' Guide to Cincinnati, Cincinnati Opera
932:American Opera and Its Composers, Ralph Lynford
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8:
935:, Theodore Presser Company, 1927, p. 304–308
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455:National Underground Railroad Freedom Center
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702:for its 2018 season, and performed Verdi's
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913:Opera losing influential artistic director
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953:A Zoo Story: Cincinnati Opera Revitalized
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598:School for Creative and Performing Arts
1013:Official web site of Cincinnati Opera
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166:would receive its world premiere at
138:providing orchestral accompaniment.
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588:; lectures, films, and recitals in
319:which changed the setting from the
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622:(2014), and the world premiere of
331:and nationally televised in 1968.
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1059:Organizations based in Cincinnati
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790:Winternitz & Bellman, p. 190
465:The company under Evans Mirageas
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971:James de Blasis: Stage director
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698:Cincinnati Opera moved back to
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335:The company under Nicholas Muni
327:. The production was filmed by
278:The Opera under James de Blasis
270:instead. The Opera returned to
1054:Musical groups from Cincinnati
34:, the home of Cincinnati Opera
1:
1018:The Cincinnati Opera Archives
974:. Accessed 28 September 2009.
751:, Professor of Opera at CCM.
496:plus the company premiere of
451:Opera Company of Philadelphia
136:Cincinnati Symphony Orchestra
984:. Rowman & Littlefield.
961:, July 2, 1961, p. X7 (
190:directed by James de Blasis.
43:Cincinnati Opera Association
1049:1920 establishments in Ohio
929:Hipsher, Edward Ellsworth,
645:Aronoff Center for the Arts
268:Aronoff Center for the Arts
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720:L'incoronazione di Poppea
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1039:American opera companies
824:Gelfand (1 October 2004)
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172:American Opera Auditions
923:The Cincinnati Enquirer
737:Opera Fusion: New Works
732:Opera Fusion: New Works
714:, the U.S. premiere of
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677:Robert Xavier Rodríguez
428:The Emperor of Atlantis
306:in 1986. It also added
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592:; outdoor concerts in
447:Michigan Opera Theatre
445:(co-commissioned with
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16:American opera company
781:Hipsher (1927) p. 306
772:Salzman (2 July 1961)
700:Cincinnati Music Hall
641:Cincinnati Music Hall
574:María de Buenos Aires
419:The Seven Deadly Sins
355:The Turn of the Screw
303:Schwanda the Bagpiper
272:Cincinnati Music Hall
260:Cincinnati Music Hall
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32:Cincinnati Music Hall
692:Song from the Uproar
364:Pelléas et Mélisande
711:The Flying Dutchman
493:Lucia di Lammermoor
461:in the title role.
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958:The New York Times
910:Gelfand, Janelle,
833:Matthew Westphal,
628:William M. Hoffman
537:Maria Luigia Borsi
507:Le Nozze di Figaro
437:Richard Danielpour
373:Bluebeard's Castle
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158:Ralph Lyford
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48:Company type
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705:La Traviata
612:(2013) and
570:Piazzolla's
312:Donizetti's
252:Elinor Ross
1028:Categories
755:References
619:La Calisto
586:Music Hall
480:Opera News
298:Weinberger
264:Music Hall
220:Jan Peerce
61:Cincinnati
801:"History"
666:La Bohème
524:Ainadamar
511:Don Carlo
488:Donizetti
469:In 2006,
433:The Maids
424:Ullmann's
406:Poulenc's
382:Erwartung
360:Debussy's
351:Britten's
342:Janáček's
842:Playbill
582:Mirageas
580:In 2012
387:Heggie's
369:Bartók's
308:musicals
129:New York
40:Formerly
946:ArtsATL
905:Sources
415:Weill's
401:Elektra
396:Strauss
142:History
91:Website
76:Revenue
988:
963:online
892:Jun 6,
866:Jun 6,
810:Jun 6,
725:As One
639:While
551:, and
515:Carmen
346:Jenůfa
153:Martha
148:Flotow
103:
760:Notes
672:Frida
660:Tosca
475:Decca
325:Texas
121:opera
999:2021
986:ISBN
894:2019
868:2019
812:2019
626:and
568:and
531:and
449:and
254:and
150:'s
100:.org
65:Ohio
916:at
675:by
630:'s
521:'s
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439:'s
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329:PBS
300:'s
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