93:(New York), to examine six new topics about the film: Welles' role in writing the screenplay, which was larger than formerly understood; previously-unreleased information provided by Welles’ assistant Kathryn (Trosper) Popper, which describes Welles’ struggles with creating the film; the impact on the production of a previously-unexplored script that Welles created after the studio approved a final draft; eyewitness accounts of last-second writing by Welles; new scenes written during production to fix flaws in the story; and information about the plans by the Hearst organization to suppress or destroy
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is found in the
William Randolph Hearst Papers in the Bancroft Library at UC Berkeley. Particularly noteworthy are letters and memos by Richard Berlin, in 1941 the head of Hearst's magazine division and (working with Hearst's personal assistant Joseph Willicombe) the primary staff member responsible
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Trosper noted a comment from Welles: "One of the great troubles with the script is that we are showing a man who has failed in his ambitions on his own terms -- showing a technical matter rather than a tangible thing such as being dispossessed. Ten million unemployed cannot sympathize with a man who
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in
September and October 1940, which show many new budget authorizations for sets and casting that were not part of the original budget, along with daily production reports that report the filming of these scenes only days later. These files are in the UCLA Library Special
22:
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Richard Wilson -- Orson Welles Papers, 1930-2000, Special
Collections Library, University of Michigan. "Late Script for Citizen Kane, no cover or date (same document at the Museum of Modern Art called Correction
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received consistently positive reviews, with critics citing the book for its comprehensive narrative, clarifying misconceptions and inaccuracies, and new factual information about the film.
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also said that Lebo’s book was “The most thorough account yet of the genesis, production, and release of Welles's most famous film. . .it's never been presented this comprehensively.”
394:(Trosper) Popper, Kathryn (May 23, 1940). "Notes from meeting with Orson Welles, Herman Mankiewicz, and John Houseman, provided to author Harlan Lebo by Joe Popper and Laura Popper".
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for coordinating the attack on the film. Also noteworthy in those files are letters and memos from columnist
Louella Parsons, whose active role suppressing
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describes Welles' rise to prominence, the creative control he received in his first
Hollywood contract, studio infighting over the project at
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Bancroft
Library, UC Berkeley. "Letter from Richard Berlin to Joseph Willicombe, January 21, 1941, and related correspondence".
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309:(Trosper) Popper, Kathryn. "Notes from interview by Joe Popper, provided to author Harlan Lebo by Joe Popper and Laura Popper".
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has lost only by his own standards, and can be presented only as a fact of interest rather than a point of sympathy."
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Special
Collections Library, UCLA. "Third Revised Final Script of Citizen Kane, cover dated July 16, 1940".
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Special
Collections Library, UCLA. "Cutting Continuity of Citizen Kane, cover dated February 21, 1941".
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The rush of preparing for last-minute shooting can be understood by reviewing the production files for
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Bancroft
Library, UC Berkeley. "Letter from Richard Berlin to Joseph Willicombe, January 2, 1941".
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The book is notable for using previously unused documents from the Hearst and Welles archives, the
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is everything you wanted to know about the greatest film of all time – and then some." Although
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TheGuardian.com: Scale of Hearst plot to discredit Orson Welles and
Citizen Kane revealed
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review said although the book seemed “quaint” when compared to the biography by
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367:"Kathryn Trosper Popper, Last Living 'Citizen Kane' Castmember, Dies at 100"
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Special Collections Library, UCLA. "Budget and Daily Production Reports".
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564:"Filmmaker's Journey' puts deep focus on Orson Welles, 'Citizen Kane'"
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is a 2016 non-fiction book written by Harlan Lebo about the making of
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RKO Radio Pictures, Files for Citizen Kane, May 1940-January 1941
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RKO Radio Pictures, Files for Citizen Kane, May 1940-January 1941
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RKO Radio Pictures, Files for Citizen Kane, May 1940-January 1941
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on Orson Welles’ middle years that was published the same month,
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Carringer, Robert (Winter 1978). "The Scripts of Citizen Kane".
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the motion picture produced, directed, co-written, and starring
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that is ranked by the American Film Institute as the
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64:Citizen Kane: A Filmmaker’s Journey
37:Citizen Kane: A Filmmaker’s Journey
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365:Cheng, Cheryl (March 8, 2016).
269:Lebo, Harlan (April 26, 2016).
562:Foran, Chris (April 7, 2016).
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472:William Randolph Hearst Papers
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53:best motion picture ever made
818:Books about individual films
770:The Battle Over Citizen Kane
278:. St. Martin's Publishing.
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568:Milwaukee Journal Sentinel
828:Thomas Dunne Books books
16:2016 book by Harlan Lebo
72:William Randolph Hearst
813:2016 non-fiction books
99:and discredit Welles.
87:University of Michigan
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74:and the character of
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91:Museum of Modern Art
741:Charles Foster Kane
76:Charles Foster Kane
621:. February 8, 2016
541:The New York Times
514:. January 26, 2016
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807:Categories
710:Screenplay
703:Production
228:References
89:, and the
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625:March 20,
599:March 10,
573:March 28,
547:March 25,
518:March 24,
427:162322642
376:March 10,
327:cite news
321:Script)".
291:March 10,
272:Summary:
251:March 14,
134:The Times
103:Reception
734:Universe
140:See also
777:RKO 281
720:Trailer
715:Sources
59:Summary
27:(publ.
746:Xanadu
725:Legacy
425:
282:
423:S2CID
175:Notes
791:Mank
653:2018
627:2018
601:2018
575:2018
549:2018
520:2018
378:2018
337:link
333:link
293:2018
280:ISBN
253:2018
415:doi
246:AFI
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
