653:, when they are set upon by thugs led by Jeff's former associate Jerry Coogan. Jeff is shot and left for dead, while Vanessa seemingly runs off with Coogan. Jeff is imprisoned for the shooting and visited by Steve, a lawyer for crime boss Al Weber, Jeff's previous boss. Jeff refuses to disclose Vanessa's involvement as a potential exonerating witness, even if it means a longer sentence for him.
774:
660:, where he's immediately accosted by thugs working for Weber, who wants him to come work for him again. Jeff refuses, saying he's retired. With the help of his old friend Killain, a drug-addicted hitman, Jeff tracks down Coogan at a motor race where he is a driver. Jeff kills Coogan by shooting out one of his tires, causing a fiery crash, while taking precautions to avoid being seen.
667:. At first, he's harsh and confrontational with her, upset that she didn't disclose that she was Coogan's former mistress, and that she left him for dead. She says she only did it because she was afraid, and wants to rekindle their relationship. They decide to leave town together, but Jeff is stopped by Weber's thugs carrying incriminating photos of him killing Coogan.
682:. After rough sex, he takes her out into the woods with plans to kill her. She catches on, and only asks that he makes it quick and painless. He relents, and the two embrace. She tells him she only married Weber for security and despises him. The two are ambushed by Killain, but Jeff shoots and kills him. He realizes Weber must've sent him to kill Vanessa.
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The two confront Weber in his office, destroying the photo negatives of the incriminating pictures. When
Vanessa leaves the room, Weber tells him she's playing them both, and will betray him soon enough. Disbelieving, Jeff kills Weber. But when he reaches their rendezvous, Vanessa isn't there, and
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The film's finale was shot in three different locations: the rooftop from which Jeff fires from was in New
Orleans, the exterior of the building he fires at was in San Francisco, and the interior of the elevator ridden by Vanessa and Killain was a set in Cinecittà. Although
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be cast as
Vanessa. Although he enjoyed working with them, Sollima admitted to finding Bronson and Ireland to be a "curious" couple and noted the differences in their backgrounds and personalities, especially Bronson's uncommunicativeness. He also enjoyed working with
903:; Sollima noted that while Bronson was a star in Europe at the time of the film's production, he was less popular with American audiences than Savalas, and suggested that this may have affected the film's commercial performance. In Italy, the film was distributed by
716:, stating that "the story was rather bad and rhetorical: a love story, a hitman who falls in love, nothing extraordinary. But we had the chance to shoot in the U.S., and I would do whatever it took to do that." He then rewrote the screenplay with filmmaker
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It's revealed that
Vanessa and Steve had orchestrated everything to eliminate Weber and take over his organization, Jeff was just another convenient pawn in their game. As they ride the elevator up their new skyscraper, Jeff shoots Steve with a
982:. He felt that Sollima devised several "extraordinary scenes", namely the introductory car chases that were completely devoid of dialogue, and Jeff's final revenge. In an otherwise mixed review of the 2008 DVD release, Eric Henderson of
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Under blackmail, Jeff finally takes a meeting with Weber, who has grown his criminal enterprise into a semi-legitimate, billion-dollar business predicated on finance instead of violence and wants Jeff to work for him as his
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from a rooftop across the street. Vanessa cries out for Jeff to "make it painless," and he kills her instantly with a bullet to the head. Police converge on the rooftop, and Jeff provokes a rookie officer into killing him.
884:, Sollima noted that the film repeats a primary thematic concern of those films: that of "the encounter and struggle between the individual and the society which is all around him, and the way he reacts to it".
959:; both releases restore the scenes excised from the English version but, because they were not dubbed into English at the time, they are presented in their original Italian language with English subtitles.
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Describing New
Orleans as a "magical city", Sollima was driven to take its various cultures into account when choosing locations, such as a neighborhood that had suffered property damage in the wake of a
675:. Steve likewise offers Jeff a lucrative job in Venezuela, but he refuses them both. Weber shocks him by revealing that Vanessa is actually his wife, the two having eloped while Jeff was imprisoned.
998:"by staging its engine-revving, pedestrian-dodging antics not on the wide streets of American cities but, rather, the narrow, winding pathways (and, in one case, staircases) of a Caribbean island."
383:. Bronson plays a former hitman framed by a former boss and left for dead. He seeks revenge, but realizes his real enemy may be closer than he thinks. The Italian-French co-production was filmed in
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Roberto Curti noted that the film had a "bare-bones story" with a style heavily borrowed from American hard-boiled films, specifically
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composed a score for this sequence, Sollima ultimately chose to have the scene play without music or sound effects aside from those of Jeff's shots hitting the glass of the elevator.
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as he believed that other directors had failed to utilize the actor's penchant for humor, but was surprised that
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during the shooting of this sequence, he claimed that he was instead reprising a similar chase he had created for his earlier film
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the police arrive shortly thereafter. Realizing he's been double-crossed, he narrowly flees law enforcement.
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was sent the script for the role of Jeff; he accepted on the condition that his wife
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on September 17, 1970; it grossed a total of 950,652,000
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structure that was not present in the original draft.
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1485:. London: Routledge & Kegan Paul.
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367:from a screenplay co-written with
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1363:Hendrix, Grady (March 25, 2008).
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930:to capitalize on the success of
663:Jeff reunites with Vanessa at a
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1628:Agent 3S3: Massacre in the Sun
1481:Frayling, Christopher (1981).
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804:in Rome. The film's opening
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1770:1970s action thriller films
1620:Agent 3S3: Passport to Hell
264:17 September 1970
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1765:1970s crime thriller films
1636:Requiem for a Secret Agent
1436:Vijn, Ard (May 25, 2010).
1780:Films shot in New Orleans
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1352:. Event occurs at 12:59.
1330:. Event occurs at 11:20.
275:16 October 1970
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1800:Films set in New Orleans
1523:. London: I. B. Tauris.
1519:Hughes, Howard (2006b).
1504:. London: I. B. Tauris.
1500:Hughes, Howard (2006a).
1401:. Event occurs at 5:35.
1308:. Event occurs at 8:32.
1286:. Event occurs at 7:15.
1234:. Event occurs at 5:15.
1212:. Event occurs at 2:59.
1190:. Event occurs at 1:49.
953:Anchor Bay Entertainment
1715:I ragazzi di celluloide
1460:Curti, Roberto (2013).
1053:Chisolm Larsson Gallery
951:was released on DVD by
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1810:Italian gangster films
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913:La cite de la violence
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1139:
1138:Frayling 1981
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1668:Violent City
1667:
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1652:Face to Face
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1558:Violent City
1557:
1547:Violent City
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1424:Hughes 2006a
1419:
1412:Hughes 2006b
1407:
1395:Violent City
1394:
1385:
1374:. Retrieved
1370:New York Sun
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1324:Violent City
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1302:Violent City
1301:
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1280:Violent City
1279:
1270:
1260:February 11,
1258:. Retrieved
1252:
1249:"The Family"
1228:Violent City
1227:
1218:
1206:Violent City
1205:
1196:
1184:Violent City
1183:
1174:
1150:Hughes 2006a
1145:
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1122:
1058:February 10,
1056:. Retrieved
1052:
1043:
1012:Violent City
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989:
983:
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974:John Boorman
971:
955:, and later
949:Violent City
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924:Violent City
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909:Italian lire
893:Violent City
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794:Saint Thomas
786:Violent City
785:
784:
758:Jill Ireland
746:Tony Musante
731:
714:Violent City
713:
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692:sniper rifle
688:
684:
677:
669:
662:
655:
648:
629:Benjamin Lev
563:Ray Saunders
468:Jill Ireland
377:Jill Ireland
363:directed by
359:) is a 1970
355:
354:
349:
340:Violent City
339:
338:
337:
292:Running time
272: (Italy)
201:Nino Baragli
168:Jill Ireland
142:Giorgio Papi
64:
63:
33:Violent City
979:Point Blank
901:leading man
850:Denny Hulme
790:New Orleans
744:settled on
738:Sharon Tate
673:hatchet man
658:New Orleans
432:Jeff Heston
385:New Orleans
371:, starring
296:104 minutes
130:Produced by
118:Dino Maiuri
76:Directed by
46:film poster
1755:1970 films
1749:Categories
1727:Berlin '39
1502:Crime Wave
1376:2008-09-30
1167:Curti 2013
1102:Curti 2013
1030:References
944:Home media
928:The Family
876:Comparing
854:Jo Siffert
734:Jon Voight
699:Production
596:Tom Shandy
585:Peter Dane
356:The Family
326:Box office
279:1970-10-16
268:1970-09-17
234:Jolly Film
218:Production
191:Aldo Tonti
1035:Footnotes
963:Reception
836:, at the
830:race riot
806:car chase
802:Cinecittà
722:flashback
708:Director
395:in Rome.
301:Countries
231:Fono Roma
220:companies
197:Edited by
1692:Sandokan
1684:Revolver
1563:AllMovie
1018:See also
842:Brooklyn
680:wetlands
640:Cellmate
456:Al Weber
318:Language
207:Music by
151:Starring
111:Story by
44:Italian
1453:Sources
1397:(DVD).
1348:(DVD).
1326:(DVD).
1304:(DVD).
1282:(DVD).
1230:(DVD).
1208:(DVD).
1186:(DVD).
990:Bullitt
888:Release
856:, make
815:Bullitt
796:in the
769:Filming
728:Casting
704:Writing
552:Shapiro
504:Killain
345:Italian
321:English
277: (
266: (
59:Italian
1735:(1998)
1729:(1993)
1723:(1989)
1717:(1981)
1711:(1977)
1703:(1976)
1695:(1976)
1687:(1973)
1679:(1972)
1671:(1970)
1663:(1968)
1655:(1967)
1647:(1967)
1639:(1966)
1631:(1966)
1623:(1965)
1615:(1962)
1527:
1508:
1489:
1470:
1010:cited
1002:Legacy
872:Themes
852:, and
732:After
618:Jerome
406:Actor
391:, and
387:, the
379:, and
310:France
228:Unidis
528:Steve
411:Role
307:Italy
1552:IMDb
1525:ISBN
1506:ISBN
1487:ISBN
1468:ISBN
1262:2021
1060:2021
992:and
792:and
777:The
748:and
736:and
399:Plot
1561:at
1550:at
976:'s
840:in
574:Ray
1751::
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1344:.
1322:.
1300:.
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1251:.
1240:^
1226:.
1204:.
1182:.
1157:^
1121:.
1109:^
1068:^
1051:.
919:.
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824:.
375:,
347::
1591:e
1584:t
1577:v
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1379:.
1264:.
1127:.
1062:.
343:(
330:₤
281:)
270:)
20:)
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