630:" than other directors at the time. Production began with the first scene at the flower stand where the Little Tramp first meets the Blind Flower Girl. The scene took weeks to shoot, and Chaplin first began to have second thoughts about casting Cherrill. Years later, Cherrill said, "I never liked Charlie and he never liked me." In his autobiography, Chaplin took responsibility for his on-set tensions with Cherrill, blaming the stress of making the film for the conflict. "I had worked myself into a neurotic state of wanting perfection", he remembered. Filming the scene continued until February 1929 and again for ten days in early April before Chaplin put the scene aside to be filmed later. He then shot the opening scene of the Little Tramp waking up in a newly unveiled public statue. This scene involved up to 380 extras and was especially stressful for Chaplin to shoot. During this part of shooting, construction was being done at Chaplin Studios because the city of Los Angeles had decided to widen La Brea Avenue and Chaplin was forced to move several buildings away from the road.
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891:, stated that the film is so highly regarded because it brought forth a new level of lyrical romanticism that had not appeared in Chaplin's earlier works. He adds that like all romanticism, it is based in the denial of the real world around it. When the film premiered, Chaplin was much older, he was in the midst of another round of legal battles with former spouse Lita Grey, and the economic and political climate of the world had changed. Chaplin uses the Girl's blindness to remind the Tramp of the precarious nature of romanticism in the real world, as she unknowingly assaults him multiple times.
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567:, where a circus clown goes blind and has to conceal his handicap from his young daughter by pretending that his inability to see are pratfalls. This inspired the Blind Girl. The first scenes Chaplin thought up were of the ending, where the newly cured blind girl sees the Little Tramp for the first time. A highly detailed description of the scene was written, as Chaplin considered it to be the center of the entire film.
576:. The millionaire plot was based on an old idea Chaplin had for a short in which two millionaires pick up the Little Tramp from the city dump and show him a good time in expensive clubs before dropping him back off at the dump, so when he woke up, the Tramp would not know if it was real or a dream. This was rewritten into a millionaire who is the Tramp's friend when drunk but does not recognize him when sober.
614:. Cherrill waved and asked if she would ever get the chance to work with him. After a series of poor auditions from other actresses, Chaplin eventually invited her to do a screen test. She was the first actress to subtly and convincingly act blind on camera due to her near-sightedness, and Cherrill signed a contract on November 1, 1928.
425:(of course) knowing who he is. At the sight of her he is frozen for a few seconds, then breaks into a broad smile. The girl is flattered and giggles to her employee, "I've made a conquest!" Via pantomime through the glass she offers him a fresh flower (to replace the crushed one he took from the gutter) and a coin.
298:(or films with recorded dialogue) were on the rise when Chaplin started developing the script in 1928, he decided to continue working without dialogue only incorporating sound with the use of a synchronized musical score with sound effects. Filming started in December 1928 and ended in September 1930.
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and his wife were the guests of honor, and the film received a standing ovation. It next premiered at the George M. Cohan
Theater in New York where Chaplin closely supervised the release, spending the day doing interviews, and previously spending $ 60,000 on the advertising, as he was frustrated with
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In
September 1930, Chaplin finished the shooting of the iconic final scene which took six days. Chaplin said that he was happy with Cherrill's performance in the scene, and that she had eventually understood the role. When talking about his directing style on set, Chaplin stated that "everything I do
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The Tramp happens by the shop, where the girl is arranging flowers in the window. He stoops to retrieve a flower discarded in the gutter. After a brief skirmish with his old nemeses, the newsboys, he turns to the shop's window through which he suddenly sees the girl, who has been watching him without
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critic Eric D. Snider said that by 1931, most
Hollywood filmmakers either embraced sound films, resigned themselves to their inevitability, or just gave up making movies, yet Chaplin held firm with his vision in this project. He also noted that few in Hollywood had the clout to make a silent film at
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and included over one hundred musical cues. Chaplin told a reporter that "I really didn't write it down. I la-laed and Arthur
Johnson wrote it down, and I wish you would give him credit because he did a very good job. It is all simple music, you know, in keeping with my character." The intention was
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Months later the Tramp is released. He goes to the girl's customary street corner but she is not there. We learn that the girl – her sight restored – now runs a busy flower shop with her grandmother. But she has not forgotten her mysterious benefactor, whom she imagines
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gave the film four stars out of four writing the film "contains the slapstick, the pathos, the pantomime, the effortless physical coordination, the melodrama, the bawdiness, the grace, and, of course, the Little Tramp--the character said, at one time, to be the most famous image on earth." He added
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is highly autobiographical, with the blind girl representing
Chaplin's mother, while the drunken millionaire represents Chaplin's father. Weissman also compared many of the film's sets with locations from Chaplin's real childhood, such as the statue in the opening scene resembling St. Mark's Church
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Suddenly embarrassed, the Tramp begins to shuffle away, but the girl steps to the shop door and again offers the flower, which he shyly accepts. She takes his hand and presses the coin into it, then abruptly stops; her smile turns to a look of puzzlement as she recognizes the touch of his hand. She
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The Tramp encounters the drunken millionaire a third time and is again invited to the mansion. The Tramp relates the girl's plight and the millionaire gives him money for her operation. Burglars knock the millionaire out and take the rest of his money. The police find the Tramp with the money given
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On his lunch break, he brings the girl groceries while her grandmother is out selling flowers. To entertain her he reads a newspaper aloud; in it is a story about a
Viennese doctor's blindness cure. "Wonderful, then I'll be able to see you", says the girl – and the Tramp is struck by
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That evening the Tramp saves a drunken millionaire from suicide. The millionaire takes the Tramp – his new best friend – back to his mansion for champagne, then (after another abortive suicide attempt) out for a night on the town. After helping the millionaire home the
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The amount of film used for the project was uncharacteristic for the time and was a sign of the long production process. Chaplin shot 314,256 feet of film, and the completed film ran 8,093 feet. This made a shooting ratio of approximately 38.8 feet of film for each foot of film that made it in the
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November, Chaplin began working with Cherrill again in some of the Flower Girl's less dramatic scenes. While waiting for her scenes for several months, Cherrill had become bored and openly complained to Chaplin. During the filming of one scene, Cherrill asked Chaplin if she could leave early so
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as the Blind Girl's grandmother and shot scenes with
Cherrill and Lee for five weeks. In late 1929, Chaplin re-shot the first Flower Shop scene with Cherrill. This time, the scene was completed in six days and Chaplin was happy with Cherrill's performance. Chaplin had been shooting the film for a
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The Tramp returns to work to find himself fired – he has been late once too often. A boxer convinces him to fight in a fake bout; they will "go easy" on each other and split the prize money. But the boxer flees on learning he is about to be arrested and is replaced by a no-nonsense
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After the Tramp leaves, the flower girl tells her grandmother about her kind and wealthy friend. Meanwhile, the Tramp returns to the mansion, where the millionaire – now sober – does not remember him and throws him out. Later that day, the millionaire is once again
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became one of
Chaplin's most financially successful and critically acclaimed works. Following the good reception by American audiences, with estimated theatrical rentals of $ 2 million, a quarter of which came from its 12-week run at the Cohan, Chaplin went on a sixteen-day world tour between
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asleep in the lap of one of the sculpted figures. After several minutes of slapstick, he manages to escape the assembly's wrath to perambulate the city. He rebukes two newsboys who taunt him for his shabbiness, and while coyly admiring a nude statue has a near-fatal encounter with a sidewalk
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to play the Tramp's opponent. The scene required 100 extras; Chaplin took four days to rehearse, and then six to shoot it, between June 23 and 30. Chaplin was initially nervous over the attendance for this scene so he invited his friends to be extras. Over 100 extras were present. Chaplin's
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wrote that it was "on the order of his other , perhaps a little better than any of them" and that it gave an impression "not often—oh, very seldom—found in the movies; an indefinable impression perhaps best described as a quality of charm." On the other hand, Alexander Bakshy of
645:. Chaplin finished shooting the sequence on July 29, 1929, with exteriors at Pasadena Bridge. Chaplin then shot a sequence that was eventually cut from the film involving the Little Tramp attempting to retrieve a stick that was stuck in a grate. The scene included a young
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in 1918 about making a sound film, but he never ended up meeting with Lauste. Chaplin was dismissive about "talkies" and told a reporter that he would "give the talkies three years, that's all." He was also concerned about how to adjust the Little Tramp to sound films.
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year and was only a little more than half way finished. From March to April 1930, Chaplin shot the scenes inside of the millionaire's house at the Town House on
Wilshire Boulevard. He hired Joe Van Meter and Albert Austin, whom he had known since his days working for
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The Tramp encounters the beautiful flower girl on a street corner and in the course of buying a flower realizes she is blind; he is instantly smitten. The girl mistakes the Tramp for a wealthy man when the door of a chauffeured automobile slams shut as he departs.
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runs her fingers along his arm, his shoulder, his lapels, then gasps, "You?" The Tramp nods and asks, "You can see now?" The girl replies, "Yes, I can see now", and presses his hand to her heart with a tearful smile. Relieved and elated, the Tramp smiles back.
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Finding that the girl is not at her usual street-corner, the Tramp goes to her apartment, where he overhears a doctor tell the grandmother that the girl is very ill: "She has a fever and needs careful attention." Determined to help, the Tramp takes a job as a
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to him by the millionaire, who because of the knock on the head does not remember giving it. The Tramp evades the police long enough to get the money to the girl, telling her he will be going away for a time; in due course he is apprehended and imprisoned.
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to one of his productions. While Chaplin preferred his films to have live sound, by the 1930s most theaters had gotten rid of their orchestras. Many of his critics claimed he was doing it to grab more credit. Chaplin, whose parents and many members of the
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next morning, he sees the flower girl en route to her street-corner. He gets some money from the millionaire and catches up to the girl; he buys all her flowers and drives her home in the millionaire's car. The millionaire's car is a right-hand drive
2337:"Movie Review - City Lights - Chaplin Hilarious in His 'City Lights'; Tramp's Antics in Non-Dialogue Film Bring Roars of Laughter at Cohan Theatre. Takes Fling at 'Talkies'; Pathos Is Mingled With Mirth in a Production of Admirable Artistry"
1248:'s "100 Greatest American Films" list, voted on by film critics from around the world. The film was voted at No. 21 on the list of "The 100 greatest comedies of all time" by a poll of 253 film critics from 52 countries conducted by the
772:, in the lead role, but used her song anyway as a major theme. Chaplin lost a lawsuit to Padilla (which took place in Paris, where Padilla lived) for not crediting him. Some modern editions released for video include a new recording by
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was immediately successful upon release on March 7, 1931, with positive reviews and worldwide rentals of more than $ 4 million. Today, many critics consider it not only the highest accomplishment of Chaplin's career, but one of the
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what may happen should she gain her sight and discover that he is not the wealthy man she imagines. He also finds an eviction notice the girl's grandmother has hidden. As he leaves, he promises the girl that he will pay the rent.
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what UA's publicists had come up with. Chaplin demanded half of the total gross, and considering audiences would be more attracted by the film itself than its technology, he demanded higher ticket prices compared to talkies.
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as fifth among his top ten and said of Chaplin, "He is the only person to have gone down into cinematic history without any shadow of a doubt. The films he left behind can never grow old." The acclaimed French filmmaker
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polls, it was ranked the 50th-greatest film ever made in the critics' poll and 30th in the directors' poll. In the earlier 2002 version of the list the film ranked 45th among critics and 19th among directors. In 2015,
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audio commentary track for the film. Vance has written that among all the praise afforded the film can be added that "City Lights also holds the distinction of being Chaplin's own favorite of all his films."
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intoxicated and, seeing the Tramp on the street, invites him home for a lavish party. But the next morning history repeats itself: the millionaire is again sober and the Tramp is again out on his ear.
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to design the sets that summer. Chaplin eventually cast Clive in the role of the millionaire. Although the film was originally set in Paris, the art direction is inspired by a mix of several cities.
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For a subplot, Chaplin first considered a character even lower on the social scale, a black newsboy. Eventually he opted for a drunken millionaire, a character previously used in the 1921 short
539:, released in 1928, was his last film before the motion picture industry embraced sound recording and brought the silent movie era to a close. As his own producer and distributor (part owner of
663:. Although Chaplin liked her screen test, even he realized he had shot far too much already to reshoot all of the flower girl's scenes. Chaplin also briefly considered sixteen-year-old actress
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671:. She demanded and got a raise to $ 75 per week. Approximately seven minutes of test footage of Hale survives and is included on the DVD release; excerpts were first seen in the documentary
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as the 11th greatest American film of all time, an improvement over the 76th position on the original list. AFI also chose the film as the best romantic comedy of American cinema in 2008's
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just the last scene ... I'm not acting ... Almost apologetic, standing outside myself and looking ... It's a beautiful scene, beautiful, and because it isn't over-acted."
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said that "it is a weird city, with confusing resemblances to London, Los Angeles, Naples, Paris, Tangiers and Council Bluffs. It is no city on earth and it is all cities."
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was one of the great financial and artistic successes of Chaplin's career, and it was his personal favorite of his films. Especially fond of the final scene, he said, "n
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In July and August, Chaplin finished up six weeks of smaller scenes, including the two scenes of the Tramp being harassed by newsboys, one of whom was played by a young
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as a silent film. Technically the film was a crossover, as its soundtrack had synchronized music and sound effects but no spoken dialogue. The dialogue was presented on
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suddenly decided that he did not want to jump into the tank of cold water in the scene, causing Chaplin to storm off the set and fire Clive. He was quickly replaced by
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officially began on December 27, 1928, after Chaplin and Carr had worked on the script for almost an entire year. On the set, Chaplin was noted for doing many more "
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Chaplin was nervous about the film's reception because silent films were becoming obsolete by then, and the preview had undermined his confidence. Nevertheless,
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From October to December 1930, Chaplin edited the film and created the title cards. When he completed the film, silent films had become generally unpopular. But
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Citizens and dignitaries are assembled for the unveiling of a new monument to "Peace and Prosperity". After droning speeches, the veil is lifted to reveal the
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Chaplin had interviewed several actresses to play the blind flower girl but was unimpressed with them all. While seeing a film shoot with bathing women in a
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is not only Charles Chaplin's masterpiece; it is an act of defiance" as it premiered four years into the era of sound films which began with the premiere of
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on February 27. The film was enthusiastically received by Depression-era audiences, earning $ 4.25 million in worldwide rentals during its initial release.
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were musicians, was struggling with the professional musicians he hired and took it upon himself to compose the score. It was written in six weeks with
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in 2013, both of which include trailers of the film, archival footage from production, and an audio commentary track by Chaplin biographer and scholar
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279:. While the film has no audible dialog, it was released with a synchronized musical score with sound effects. The story follows the misadventures of
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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to have a score that would translate the characters' emotions through its melodies. The score was recorded in five days with musical arranger
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Chaplin then shot the sequence where the Little Tramp first meets the millionaire and prevents him from committing suicide. During filming,
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ranked the film at number 37 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics. The film was included in
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George Lucas's blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success
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803:. It went poorly, attracting a small and unenthusiastic crowd. Better results were seen at the gala premiere on January 30, 1931, at the
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that late date, let alone do it well. One reason was that Chaplin knew the Tramp could not be adapted to talking movies and still work.
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said that "not since I reviewed the first Chaplin comedies way back in the two-reel days has Charlie given us such an orgy of laughs."
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died at the age of 63. Chaplin was distraught for several weeks and pre-production did not resume until mid fall of 1928. Psychologist
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ranked 45th on the critics' list. That same year, directors were polled separately and ranked the film as 19th overall. In 1991, the
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issued its list of "The 100 Greatest Performances of all Time", putting Chaplin's performance as "The Tramp" at No. 44.
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to be rich and handsome: when an elegant young man enters the shop she wonders for a moment whether "he" has returned.
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endured, with the film's re-release in 1950 again positively received by audiences and critics. In 1949, the critic
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used the film as a primary example in his essay "Why Does a Letter Always Arrive at Its Destination?". Film critic
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Vance, Jeffrey. audio commentary track to The Criterion Collection DVD/Blu-ray edition of City Lights. 2013.
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list. Chaplin's original "Tramp" suit from the film was donated by him to the Museum of Natural History of
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called the final scene one of the greatest moments in film history. Charles Silver, Curator of Film at the
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fighter who knocks the Tramp out despite the Tramp's creative and nimble efforts to keep out of reach.
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magazine, that the final scene was the "greatest single piece of acting ever committed to celluloid."
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Chaplin officially began pre-production of the film in May 1928 and hired Australian art director
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said it was Chaplin's best picture. Allen is said to have based the final scene of his 1979 film
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Two weeks prior to the premiere, Chaplin decided to have an unpublicized preview at Los Angeles'
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called the film's final scene "the greatest single piece of acting ever committed to celluloid".
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called Chaplin "the only genius to come out of the movie industry". Celebrated Italian director
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that she could go to a hair appointment. Chaplin fired Virginia Cherrill and replaced her with
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on Kennington Park Road and Chaplin referring to the waterfront set as the Thames Embankment.
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1815:"Moving the Charlie Chaplin Studios 15 feet while widening La Brea Avenue, Los Angeles, 1929"
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Molyneaux, Charles Chaplin's “City Lights”: Its Production and Dialectical Structure, 1983
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has summarized all the best criticism and all the notable filmmakers who have singled out
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declared it was "not Chaplin's best picture" but that certain sequences were "hilarious".
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performance in the scene was so humorous that more people arrived daily to be an extra.
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magazine revealed the results of its first poll for "The Best Films of All Time";
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s 100 Greatest Films, a 2008 poll of 78 film historians and critics organized by
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as being "culturally, historically, or aesthetically significant". In 2007, the
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as being "culturally, historically, or aesthetically significant". In 2007, the
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said it was his favorite film. In a 1963 interview in the American magazine
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as fifth among his top ten films. In 1972, the renowned Russian director
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placed this film as first and second on his top ten films of all time.
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2003: AFI's 100 Years... 100 American Movie Poster Classics – #52
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Reel Art: Great Posters from the Golden Age of the Silver Screen
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to one of his productions and it was written in six weeks with
2978:. March 15, 2007. Archived from the original on March 15, 2007
1249:
1245:
1022:
820:
February and March 1931, starting with a premiere at London's
3213:"Take One: The First Annual Village Voice Film Critics' Poll"
2109:"Portrait of Charlie Chaplin's Favourite for Sale at Bonhams"
968:
as their favorite Chaplin film throughout the decades in the
768:. Chaplin was unable to secure the original song performer,
2798:. British Film Institute. September 5, 2006. Archived from
2772:. British Film Institute. September 5, 2006. Archived from
843:
considered it "a film worked out with admirable artistry".
322:. Chaplin lost a lawsuit to Padilla for not crediting him.
3593:
Chaplin in the Sound Era: An Analysis of the Seven Talkies
2822:"AFI's 100 Years... 100 Movies (10th Anniversary Edition)"
2091:
2089:
2087:
2062:
2060:
1998:
1996:
1946:
1944:
1942:
1929:
1927:
1902:
1900:
1898:
1885:
1883:
1796:
1794:
1792:
1779:
1777:
1738:
1736:
1685:
1683:
1506:
1504:
1502:
705:
is a dance. I think in terms of dance. I think more so in
3573:
Les Lumières de la ville, Charles Chaplin: étude critique
3160:"AFI's 100 Years...100 Movies (10th Anniversary Edition)"
2740:"The Sight & Sound Top Ten Poll: 1952 Critics' Poll"
2273:
2271:
2269:
529:
The Tramp meets the Blind Flower Girl and falls in love.
3418:"Sight & Sound 2002 Directors' Greatest Films poll"
1178:
AFI's 100 Years...100 Movies (10th Anniversary Edition)
3771:
Enjoy Your Symptom! Jacques Lacan in Hollywood and Out
2290:
Block, Alex Ben; Wilson, Lucy Autry (March 30, 2010).
1471:
1924 Rolls-Royce 40/50 h.p. 'Silver Ghost' Springfield
2191:(in Spanish). Marielilasagabaster.net. Archived from
559:
In early 1928, Chaplin began writing the script with
493:
as The Mayor and the blind girl's downstairs neighbor
2165:(in Spanish). El Poder de la Palabra. Archived from
827:
Reviews were mostly positive. A film critic for the
4837:
4814:
4787:
4712:
4629:
4522:
4435:
4384:
4365:
4358:
4187:
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4146:
4107:
4047:
4015:
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250:
242:
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214:
179:
169:
139:
122:
110:
76:
68:
60:
50:
30:
3743:
2392:
2291:
1119:. The film's original 1931 poster, illustrated by
764:" ("Who'll Buy my Violets") from Spanish composer
318:" ("Who'll Buy my Violets") from Spanish composer
275:film written, produced, directed by, and starring
3614:The Comedy of Charlie Chaplin: Artistry in Motion
2593:"Two New Releases Show Genius of Charlie Chaplin"
1389:"U.S. Film Registry Adds 25 'Significant' Movies"
2996:: CS1 maint: bot: original URL status unknown (
641:, who Chaplin had known while under contract at
1103:. The Tramp was number 38 on AFI's list of the
2870:"AFI's 100 Years... 100 Heroes & Villains"
511:as an extra in nightclub scene (cut from film)
3924:
3104:"AFI's 100 Years...100 Heroes & Villains"
1961:
1959:
976:French experimental musician and film critic
333:. Chaplin biographer Jeffrey Vance believes "
8:
4978:English-language romantic comedy-drama films
4137:Charlie: The Life and Art of Charles Chaplin
1298:
948:Charlie: The Life and Art of Charles Chaplin
4983:Films about disability in the United States
2473:"Orson Welles: City Lights Charlie Chaplin"
1157:AFI's 100 Years...100 Heroes & Villains
735:marked the first time Chaplin composed the
302:marked the first time Chaplin composed the
4933:United States National Film Registry films
4362:
4184:
3931:
3917:
3909:
1704:
1702:
1700:
1698:
899:Several well-known directors have praised
551:. Chaplin was first contacted by inventor
36:
27:
3188:"AFI's 10 Top 10: Top 10 Romantic Comedy"
2924:. American Film Institute. Archived from
2565:Ignatiy Vishnevetsky (January 13, 2012).
1972:. Bloomsbury Publishing. pp. 52–54.
1445:"What's the Big Deal: City Lights (1931)"
1419:"Complete National Film Registry Listing"
1330:
1328:
1252:in 2017. In 2021 the film ranked 16th on
3632:Maland, Charles J. (September 3, 2007).
3394:. British Film Institute. Archived from
2976:"MovieGoods - AFI Top 100 Movie Posters"
2660:
2658:
2248:
2236:
2095:
2066:
2042:
2002:
1950:
1933:
1918:
1906:
1889:
1874:
1862:
1850:
1838:
1800:
1783:
1742:
1689:
1674:
1618:
1606:
1594:
1582:
1570:
1534:
1522:
1510:
1493:
1107:, and the film ranked at 38th among the
459:as his butler (credited as Allan Garcia)
314:for the blind flower girl, is the song "
3706:. New York: McGraw-Hill Books Company.
3496:"The 100 greatest comedies of all time"
3476:from the original on September 16, 2016
3324:"The Top 50 Greatest Films of All Time"
2567:"The Comedy Stylings of Robert Bresson"
2414:
2412:
2410:
2260:
2078:
1662:
1558:
1309:
1307:
1288:
960:on its final scene. Chaplin biographer
760:for the blind flower girl is the song "
677:along with an unused opening sequence.
610:beach, he found a casual acquaintance,
283:as he falls in love with a blind girl (
3242:Schickel, Richard (January 13, 2010).
2989:
2550:– via Nostalghia.com (hosted by
2322:
1757:"The Little Tramp and his Masterpiece"
1546:
1077:for preservation in the United States
946:refers to it. In the 2003 documentary
352:for preservation in the United States
2970:
2968:
2649:
2637:
2625:
2591:Gladysz, Thomas (November 24, 2010).
2419:Snider, Eric D. (February 15, 2010).
2391:Mosher, John C. (February 21, 1931).
1481:
1443:Snider, Eric D. (February 15, 2010).
590:On August 28, 1928, Chaplin's mother
7:
4893:American romantic comedy-drama films
4116:Chaplinesque, My Life and Hard Times
2277:
1966:Maland, Charles J. (July 25, 2019).
1413:
1411:
1382:
1380:
1317:. CharlieChaplin.com. Archived from
3992:Charlie Chaplin: Intimate Close-Ups
2746:. September 5, 2006. Archived from
2713:Atanasov, Svet (October 26, 2013).
2445:Silver, Charles (August 31, 2010).
2335:Hall, Mordaunt (February 7, 1931).
2189:"Biografía de José Padilla Sánchez"
1631:Vallance, Tom (November 20, 1996).
4963:Silent American comedy-drama films
4958:Silent romantic comedy-drama films
3656:Tramp: The Life of Charlie Chaplin
3653:Milton, Joyce (October 25, 2011).
2421:"What's the Big Deal: City Lights"
2015:Demain, Bill (February 24, 2012).
1755:Watson, Bruce (December 7, 2018).
1272:List of United States comedy films
360:ranked it 11th on its list of the
254:$ 4.25 million (worldwide rentals)
14:
4928:Films directed by Charlie Chaplin
4888:1930s romantic comedy-drama films
3590:Flom, Eric L. (January 1, 1997).
3522:"The 100 best movies of all time"
2372:. New York: 14. February 11, 1931
1813:Turnbull, Martin (May 16, 2018).
1387:Kehr, Dave (September 26, 1991).
940:often praised this film, and his
505:as a street sweeper and a burglar
3611:Kamin, Dan (September 5, 2008).
3076:"AFI's 100 Years...100 Passions"
2919:"AFI's 100 Years...100 Passions"
2844:"AFI's Top 10 Romantic Comedies"
543:), Chaplin could still conceive
265:is a 1931 American synchronized
3895:City Lights: The Immortal Tramp
3267:"The 100 Greatest Performances"
2447:"Charles Chaplin's City Lights"
2017:"Charlie Chaplin's City Lights"
1260:The 100 best movies of all time
4903:American black-and-white films
4252:The Face on the Bar Room Floor
4093:Charlie Chaplin's Comic Capers
3659:. Premier Digital Publishing.
3286:Philippe, Claude-Jean (2008).
3132:"AFI's 100 Years...100 Cheers"
3040:"AFI's 100 Years...100 Laughs"
3012:"AFI's 100 Years...100 Movies"
2892:"AFI's 100 Years...100 Laughs"
2115:. July 9, 2010. Archived from
1150:AFI's 100 Years...100 Passions
1017:was released as a dual-format
780:Release, reception, and legacy
1:
4898:American silent feature films
3742:Weissman, Stephen M. (2008).
3727:. New York: Harry N. Abrams.
3724:Chaplin: Genius of the Cinema
3466:"100 Greatest American Films"
2499:"Kubrick" Biographical Notes"
1633:"Obituary: Virginia Cherrill"
362:best American films ever made
42:Theatrical release poster by
4953:1930s English-language films
3880:AFI Catalog of Feature Films
3677:; Allen, Richard C. (1988).
2151:. July 27, 1962. p. 30.
1171:AFI's 100 Years...100 Cheers
1143:AFI's 100 Years...100 Laughs
1136:AFI's 100 Years...100 Movies
453:as the eccentric millionaire
310:. The main theme, used as a
196: (Los Angeles, premiere)
21:City Lights (disambiguation)
4918:Films set in country houses
4033:" (1952 music, 1953 lyrics)
4026:" (1936 music, 1954 lyrics)
3296:(in French). Archived from
2226:– via RogerEbert.com.
1344:. June 21, 1932. p. 1.
980:has written an analysis of
4999:
4860:Tillie's Punctured Romance
3638:. British Film Institute.
2520:Lasica, Tom (March 1993).
2453:. The Museum of Modern Art
2425:Seattle Post-Intelligencer
1450:Seattle Post-Intelligencer
1219:was ranked seventeenth on
1126:The film is recognized by
331:greatest films of all time
188:January 30, 1931
18:
4804:A Countess from Hong Kong
4181:Films directed by Chaplin
4031:Eternally (Terry's Theme)
3985:Chaplin: His Life and Art
3946:
3546:Chaplin, Charlie (1964).
2872:. American Film Institute
2824:. American Film Institute
1187:: #1 Romantic Comedy Film
1087:tenth anniversary edition
756:The main theme used as a
499:as a boxing match referee
35:
16:1931 American silent film
4973:Synchronized sound films
4908:Films about blind people
3703:Chaplin:His Life and Art
3700:Robinson, David (1985).
3322:, ed. (August 1, 2012).
3272:August 15, 2012, at the
1709:Robinson, David (2004).
1336:"Biggest Money Pictures"
1299:Rebello & Allen 1988
1207:All-Time 100 best movies
986:Les Lumières de la ville
4065:Charlie Chaplin Studios
3721:Vance, Jeffrey (2003).
3192:American Film Institute
3167:American Film Institute
3139:American Film Institute
3111:American Film Institute
3083:American Film Institute
3047:American Film Institute
3019:American Film Institute
2897:American Film Institute
2848:American Film Institute
2497:Ciment, Michel (1982).
1315:"Chaplin as a composer"
1209:list in 2005. In 2006,
1128:American Film Institute
1092:100 Years... 100 Movies
1083:American Film Institute
862:was highly critical of
657:, Chaplin's co-star in
358:American Film Institute
199:March 7, 1931
149:Flower Girl's theme by
4913:Films about alcoholism
4196:Twenty Minutes of Love
4147:Musicals about Chaplin
4087:Charlie Chaplin comics
3807:National Film Registry
3571:Chion, Michel (1989).
3372:. 2012. Archived from
3370:British Film Institute
3334:British Film Institute
3219:. 1999. Archived from
2744:British Film Institute
2688:British Film Institute
2536:British Film Institute
1079:National Film Registry
796:
598:has hypothesized that
553:Eugene Augustin Lauste
530:
364:. In 1949, the critic
354:National Film Registry
4492:A Burlesque on Carmen
4220:Her Friend the Bandit
3750:. Arcade Publishing.
2715:"City Lights Blu-ray"
2209:(December 21, 1997).
2169:on September 28, 2011
1711:"Filming City Lights"
1113:greatest love stories
788:Charlie Chaplin with
787:
618:Principal photography
528:
4948:1930s American films
4923:United Artists films
4348:His Prehistoric Past
4228:Mabel's Married Life
3904:Criterion Collection
3554:Simon & Schuster
3376:on February 9, 2016.
3360:"Directors' Top 100"
2672:. December 21, 1997.
2522:"Tarkovsky's Choice"
2477:Irish Film Institute
2394:"The Current Cinema"
2302:. pp. 160–161.
2211:"City Lights (1931)"
2139:"Luces de la ciudad"
1721:on November 22, 2010
1277:List of boxing films
1230:Claude-Jean Philippe
1117:most inspiring films
1055:was voted #2, after
1027:Criterion Collection
970:Criterion Collection
889:Museum of Modern Art
830:Los Angeles Examiner
391:Rolls-Royce 40/50 hp
19:For other uses, see
4968:Films about suicide
4842:directed by Chaplin
4484:A Night in the Show
4108:Films about Chaplin
3768:(August 21, 2013).
3617:. Scarecrow Press.
3446:on February 1, 2017
3300:on October 18, 2010
1853:, pp. 402–403.
1585:, pp. 296–297.
1423:Library of Congress
1364:Library of Congress
1301:, pp. 325–326.
1258:magazine's list of
1071:Library of Congress
934:George Bernard Shaw
805:Los Angeles Theater
792:at the premiere of
465:as the prizefighter
346:Library of Congress
238:English Intertitles
4796:A King in New York
4761:The Great Dictator
4417:A Jitney Elopement
4340:Getting Acquainted
4332:His Trysting Place
4324:His Musical Career
4316:Gentlemen of Nerve
4308:Dough and Dynamite
4276:His New Profession
4204:Caught in the Rain
3857:TCM Movie Database
3575:. Fernand Nathan.
3332:(September 2012).
3223:on August 26, 2007
2694:on August 12, 2007
2542:on August 26, 2012
2501:. VisualMemory.com
2342:The New York Times
2195:on March 25, 2012.
1819:MartinTurnbull.com
1715:CharlieChaplin.com
1115:, and 33rd on the
1009:Los Angeles County
869:The popularity of
836:The New York Times
797:
680:Chaplin then cast
533:Chaplin's feature
531:
447:as her grandmother
236:Synchronized Sound
4938:1931 comedy films
4870:
4869:
4833:
4832:
4823:The Chaplin Revue
4788:Later productions
4579:Behind the Screen
4518:
4517:
3781:978-1-135-30000-5
3757:978-1-55970-892-0
3666:978-1-937624-49-1
3645:978-1-84457-175-8
3624:978-0-8108-7781-8
3603:978-0-7864-0325-7
3582:978-2-09-188623-7
3502:. August 22, 2017
3472:. July 20, 2015.
3392:Sight & Sound
3365:Sight & Sound
3329:Sight & Sound
3293:Cahiers du cinéma
3217:The Village Voice
2527:Sight & Sound
2403:. pp. 60–61.
2309:978-0-0619-6345-2
2280:, pp. 73–74.
2216:Chicago Sun-Times
1979:978-1-8387-1509-0
1237:Sight & Sound
1222:Cahiers du cinéma
1193:The Village Voice
1111:, 10th among the
999:Chicago Sun-Times
943:Nights of Cabiria
612:Virginia Cherrill
441:as the blind girl
439:Virginia Cherrill
285:Virginia Cherrill
258:
257:
87:Virginia Cherrill
4990:
4943:1931 drama films
4769:Monsieur Verdoux
4721:A Woman of Paris
4670:A Day's Pleasure
4523:Mutual Film Corp
4363:
4300:Those Love Pangs
4244:The Property Man
4188:Keystone Studios
4185:
4081:Chaplin & Co
3978:My Autobiography
3933:
3926:
3919:
3910:
3785:
3761:
3749:
3738:
3717:
3696:
3675:Rebello, Stephen
3670:
3649:
3628:
3607:
3586:
3567:
3549:My Autobiography
3532:
3531:
3530:. April 8, 2021.
3518:
3512:
3511:
3509:
3507:
3492:
3486:
3485:
3483:
3481:
3462:
3456:
3455:
3453:
3451:
3442:. Archived from
3432:
3426:
3425:
3414:
3408:
3407:
3405:
3403:
3384:
3378:
3377:
3356:
3350:
3349:
3347:
3345:
3340:on March 1, 2017
3336:. Archived from
3316:
3310:
3309:
3307:
3305:
3283:
3277:
3264:
3258:
3257:
3239:
3233:
3232:
3230:
3228:
3209:
3203:
3202:
3200:
3198:
3184:
3178:
3177:
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3150:
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3147:
3145:
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3119:
3117:
3108:
3100:
3094:
3093:
3091:
3089:
3080:
3072:
3066:
3065:
3063:
3061:
3056:on June 24, 2016
3055:
3049:. Archived from
3044:
3036:
3030:
3029:
3027:
3025:
3016:
3008:
3002:
3001:
2995:
2987:
2985:
2983:
2972:
2963:
2962:
2960:
2958:
2951:"AFI 100 Cheers"
2947:
2941:
2940:
2938:
2936:
2931:on July 16, 2011
2930:
2923:
2915:
2909:
2908:
2906:
2904:
2888:
2882:
2881:
2879:
2877:
2866:
2860:
2859:
2857:
2855:
2840:
2834:
2833:
2831:
2829:
2818:
2812:
2811:
2809:
2807:
2802:on March 9, 2012
2792:
2786:
2785:
2783:
2781:
2766:
2760:
2759:
2757:
2755:
2736:
2730:
2729:
2727:
2725:
2710:
2704:
2703:
2701:
2699:
2690:. Archived from
2680:
2674:
2673:
2662:
2653:
2647:
2641:
2635:
2629:
2623:
2617:
2614:
2608:
2607:
2605:
2603:
2588:
2582:
2581:
2579:
2577:
2562:
2556:
2555:
2549:
2547:
2538:. Archived from
2517:
2511:
2510:
2508:
2506:
2494:
2488:
2487:
2485:
2483:
2469:
2463:
2462:
2460:
2458:
2442:
2436:
2435:
2433:
2431:
2416:
2405:
2404:
2396:
2388:
2382:
2381:
2379:
2377:
2360:
2354:
2353:
2351:
2349:
2332:
2326:
2320:
2314:
2313:
2297:
2287:
2281:
2275:
2264:
2258:
2252:
2246:
2240:
2234:
2228:
2227:
2225:
2223:
2203:
2197:
2196:
2185:
2179:
2178:
2176:
2174:
2159:
2153:
2152:
2135:
2129:
2128:
2126:
2124:
2119:on March 7, 2012
2105:
2099:
2093:
2082:
2076:
2070:
2064:
2055:
2052:
2046:
2040:
2034:
2033:
2031:
2029:
2012:
2006:
2000:
1991:
1990:
1988:
1986:
1963:
1954:
1948:
1937:
1931:
1922:
1916:
1910:
1904:
1893:
1887:
1878:
1872:
1866:
1860:
1854:
1848:
1842:
1836:
1830:
1829:
1827:
1825:
1810:
1804:
1798:
1787:
1781:
1772:
1771:
1769:
1767:
1752:
1746:
1740:
1731:
1730:
1728:
1726:
1717:. Archived from
1706:
1693:
1687:
1678:
1672:
1666:
1660:
1654:
1653:
1651:
1649:
1628:
1622:
1616:
1610:
1604:
1598:
1597:, p. 71–74.
1592:
1586:
1580:
1574:
1568:
1562:
1556:
1550:
1544:
1538:
1532:
1526:
1520:
1514:
1508:
1497:
1491:
1485:
1479:
1473:
1468:
1462:
1461:
1459:
1457:
1440:
1434:
1433:
1431:
1429:
1415:
1406:
1405:
1403:
1401:
1384:
1375:
1374:
1372:
1370:
1361:
1355:Vance, Jeffrey.
1352:
1346:
1345:
1332:
1323:
1322:
1321:on July 5, 2011.
1311:
1302:
1296:
1227:
1204:
1130:in these lists:
1003:the film in his
938:Federico Fellini
921:Andrei Tarkovsky
822:Dominion Theatre
643:Keystone Studios
596:Stephen Weissman
457:Al Ernest Garcia
296:talking pictures
206:
204:
195:
193:
155:Orchestrated by
102:Al Ernest Garcia
40:
28:
4998:
4997:
4993:
4992:
4991:
4989:
4988:
4987:
4873:
4872:
4871:
4866:
4852:Making a Living
4829:
4810:
4783:
4708:
4625:
4531:The Floorwalker
4514:
4431:
4380:
4359:Essanay Studios
4354:
4292:The New Janitor
4268:The Masquerader
4176:
4142:
4123:Unknown Chaplin
4103:
4043:
4038:This Is My Song
4011:
3999:Chaplin: A Life
3965:
3942:
3940:Charlie Chaplin
3937:
3846:Rotten Tomatoes
3793:
3788:
3782:
3764:
3758:
3746:Chaplin: A Life
3741:
3735:
3720:
3714:
3699:
3693:
3683:Abbeville Press
3673:
3667:
3652:
3646:
3631:
3625:
3610:
3604:
3589:
3583:
3570:
3564:
3545:
3541:
3536:
3535:
3520:
3519:
3515:
3505:
3503:
3494:
3493:
3489:
3479:
3477:
3464:
3463:
3459:
3449:
3447:
3434:
3433:
3429:
3416:
3415:
3411:
3401:
3399:
3398:on May 15, 2012
3386:
3385:
3381:
3358:
3357:
3353:
3343:
3341:
3318:
3317:
3313:
3303:
3301:
3285:
3284:
3280:
3274:Wayback Machine
3265:
3261:
3241:
3240:
3236:
3226:
3224:
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3014:
3010:
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2979:
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2956:
2954:
2953:. June 14, 2006
2949:
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2902:
2900:
2890:
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2873:
2868:
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2863:
2853:
2851:
2850:. June 17, 2008
2842:
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2827:
2825:
2820:
2819:
2815:
2805:
2803:
2794:
2793:
2789:
2779:
2777:
2776:on May 15, 2012
2768:
2767:
2763:
2753:
2751:
2750:on May 14, 2011
2738:
2737:
2733:
2723:
2721:
2712:
2711:
2707:
2697:
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2682:
2681:
2677:
2664:
2663:
2656:
2652:, pp. 1–9.
2648:
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2620:
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2599:
2597:Huffington Post
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2014:
2013:
2009:
2001:
1994:
1984:
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1980:
1965:
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1957:
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1932:
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1638:The Independent
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1409:
1399:
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1394:Chicago Tribune
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1359:
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1349:
1334:
1333:
1326:
1313:
1312:
1305:
1297:
1290:
1285:
1268:
1244:ranked 18th on
1225:
1202:
1185:AFI's 10 Top 10
1062:Bicycle Thieves
1057:Vittorio DeSica
1048:Sight and Sound
1043:
984:, published as
913:Stanley Kubrick
885:Richard Meryman
809:Albert Einstein
790:Albert Einstein
782:
746:Arthur Johnston
730:
724:final version.
674:Unknown Chaplin
647:Charles Lederer
620:
585:Robert Sherwood
523:
518:
479:Uncredited Cast
469:Charlie Chaplin
435:
374:
344:. In 1991, the
340:The Jazz Singer
308:Arthur Johnston
281:Chaplin's Tramp
277:Charlie Chaplin
237:
217:
210:
202:
200:
191:
189:
182:
165:
157:Arthur Johnston
146:Charlie Chaplin
135:
129:Charlie Chaplin
117:
115:Roland Totheroh
106:
83:Charlie Chaplin
72:Charlie Chaplin
64:Charlie Chaplin
55:Charlie Chaplin
46:
24:
17:
12:
11:
5:
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4725:
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4714:
4713:United Artists
4710:
4709:
4707:
4706:
4698:
4690:
4686:The Idle Class
4682:
4674:
4666:
4658:
4650:
4642:
4633:
4631:
4630:First National
4627:
4626:
4624:
4623:
4619:The Adventurer
4615:
4607:
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4591:
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4575:
4567:
4559:
4551:
4543:
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4526:
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4513:
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4508:Triple Trouble
4504:
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4456:
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4089:
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4077:
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4067:
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4057:
4055:United Artists
4051:
4049:
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4044:
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4041:
4034:
4027:
4019:
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4013:
4012:
4010:
4009:
4002:
3995:
3988:
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3973:
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3967:
3966:
3964:
3963:
3961:Chaplin family
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3944:
3943:
3938:
3936:
3935:
3928:
3921:
3913:
3907:
3906:
3891:
3883:
3882:
3870:
3859:
3848:
3837:
3826:
3825:, pages 180-11
3810:
3792:
3791:External links
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3440:old.bfi.org.uk
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2628:, p. 208.
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2557:
2512:
2489:
2464:
2437:
2406:
2400:The New Yorker
2383:
2364:"Film Reviews"
2355:
2327:
2325:, p. 107.
2315:
2308:
2282:
2265:
2263:, p. 332.
2253:
2251:, p. 415.
2241:
2239:, p. 414.
2229:
2198:
2180:
2163:"José Padilla"
2154:
2147:(in Spanish).
2130:
2100:
2098:, p. 413.
2083:
2081:, p. 329.
2071:
2069:, p. 412.
2056:
2047:
2045:, p. 411.
2035:
2007:
2005:, p. 410.
1992:
1978:
1955:
1953:, p. 409.
1938:
1936:, p. 408.
1923:
1921:, p. 407.
1911:
1909:, p. 406.
1894:
1892:, p. 405.
1879:
1877:, p. 404.
1867:
1865:, p. 403.
1855:
1843:
1841:, p. 402.
1831:
1805:
1803:, p. 401.
1788:
1786:, p. 400.
1773:
1747:
1745:, p. 399.
1732:
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1692:, p. 398.
1679:
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1655:
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1599:
1587:
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1573:, p. 295.
1563:
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1551:
1549:, p. 200.
1539:
1537:, p. 393.
1527:
1525:, p. 391.
1515:
1513:, p. 389.
1498:
1496:, p. 387.
1486:
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1474:
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1153:
1146:
1139:
1109:funniest films
1105:50 Best Heroes
1042:
1039:
930:Robert Bresson
852:The New Yorker
781:
778:
742:Chaplin family
729:
726:
699:Robert Parrish
619:
616:
592:Hannah Chaplin
573:The Idle Class
541:United Artists
522:
521:Pre-production
519:
517:
514:
513:
512:
506:
500:
494:
488:
485:Robert Parrish
476:
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431:
403:street sweeper
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174:United Artists
171:
170:Distributed by
167:
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153:
147:
143:
141:
137:
136:
134:
133:
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126:
124:
120:
119:
118:Gordon Pollock
112:
111:Cinematography
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4730:
4729:The Gold Rush
4726:
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4654:Shoulder Arms
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4640:
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4611:The Immigrant
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4099:London statue
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4075:Montecito Inn
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4070:Manoir de Ban
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3808:
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3803:Jeffrey Vance
3800:
3799:
3795:
3794:
3790:
3783:
3777:
3774:. Routledge.
3773:
3772:
3767:
3766:Žižek, Slavoj
3763:
3759:
3753:
3748:
3747:
3740:
3736:
3734:0-8109-4532-0
3730:
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3719:
3715:
3713:0-07-053181-1
3709:
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3692:0-89659-869-1
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3596:. McFarland.
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3321:
3320:Christie, Ian
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2716:
2709:
2706:
2698:September 17,
2693:
2689:
2685:
2679:
2676:
2671:
2667:
2666:"City Lights"
2661:
2659:
2655:
2651:
2646:
2643:
2639:
2634:
2631:
2627:
2622:
2619:
2613:
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2598:
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2587:
2584:
2572:
2568:
2561:
2558:
2553:
2541:
2537:
2533:
2529:
2528:
2523:
2516:
2513:
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2493:
2490:
2478:
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2468:
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2415:
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2328:
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2319:
2316:
2311:
2305:
2301:
2296:
2295:
2286:
2283:
2279:
2274:
2272:
2270:
2266:
2262:
2257:
2254:
2250:
2249:Robinson 1985
2245:
2242:
2238:
2237:Robinson 1985
2233:
2230:
2218:
2217:
2212:
2208:
2202:
2199:
2194:
2190:
2184:
2181:
2168:
2164:
2158:
2155:
2150:
2146:
2145:
2140:
2134:
2131:
2118:
2114:
2110:
2104:
2101:
2097:
2096:Robinson 1985
2092:
2090:
2088:
2084:
2080:
2075:
2072:
2068:
2067:Robinson 1985
2063:
2061:
2057:
2051:
2048:
2044:
2043:Robinson 1985
2039:
2036:
2024:
2023:
2018:
2011:
2008:
2004:
2003:Robinson 1985
1999:
1997:
1993:
1981:
1975:
1971:
1970:
1962:
1960:
1956:
1952:
1951:Robinson 1985
1947:
1945:
1943:
1939:
1935:
1934:Robinson 1985
1930:
1928:
1924:
1920:
1919:Robinson 1985
1915:
1912:
1908:
1907:Robinson 1985
1903:
1901:
1899:
1895:
1891:
1890:Robinson 1985
1886:
1884:
1880:
1876:
1875:Robinson 1985
1871:
1868:
1864:
1863:Robinson 1985
1859:
1856:
1852:
1851:Robinson 1985
1847:
1844:
1840:
1839:Robinson 1985
1835:
1832:
1824:September 24,
1820:
1816:
1809:
1806:
1802:
1801:Robinson 1985
1797:
1795:
1793:
1789:
1785:
1784:Robinson 1985
1780:
1778:
1774:
1762:
1758:
1751:
1748:
1744:
1743:Robinson 1985
1739:
1737:
1733:
1720:
1716:
1712:
1705:
1703:
1701:
1699:
1695:
1691:
1690:Robinson 1985
1686:
1684:
1680:
1677:, p. 67.
1676:
1675:Weissman 2008
1671:
1668:
1664:
1659:
1656:
1644:
1640:
1639:
1634:
1627:
1624:
1621:, p. 65.
1620:
1619:Weissman 2008
1615:
1612:
1609:, p. 64.
1608:
1607:Weissman 2008
1603:
1600:
1596:
1595:Weissman 2008
1591:
1588:
1584:
1583:Robinson 1985
1579:
1576:
1572:
1571:Robinson 1985
1567:
1564:
1560:
1555:
1552:
1548:
1543:
1540:
1536:
1535:Robinson 1985
1531:
1528:
1524:
1523:Robinson 1985
1519:
1516:
1512:
1511:Robinson 1985
1507:
1505:
1503:
1499:
1495:
1494:Robinson 1985
1490:
1487:
1483:
1478:
1475:
1472:
1467:
1464:
1456:September 13,
1452:
1451:
1446:
1439:
1436:
1424:
1420:
1414:
1412:
1408:
1396:
1395:
1390:
1383:
1381:
1377:
1365:
1358:
1357:"City Lights"
1351:
1348:
1343:
1342:
1337:
1331:
1329:
1325:
1320:
1316:
1310:
1308:
1304:
1300:
1295:
1293:
1289:
1282:
1278:
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1273:
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1263:
1261:
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1208:
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1186:
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1168:
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1147:
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1137:
1133:
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1129:
1124:
1122:
1118:
1114:
1110:
1106:
1102:
1098:
1094:
1093:
1088:
1084:
1080:
1076:
1072:
1068:
1064:
1063:
1058:
1054:
1050:
1049:
1040:
1038:
1036:
1032:
1031:Jeffrey Vance
1028:
1024:
1020:
1016:
1012:
1010:
1006:
1001:
1000:
995:
991:
987:
983:
979:
974:
971:
967:
963:
962:Jeffrey Vance
959:
958:
953:
949:
945:
944:
939:
935:
931:
926:
922:
918:
914:
910:
906:
902:
897:
894:
890:
886:
882:
881:
876:
872:
867:
865:
861:
860:
854:
853:
848:
847:
842:
841:Mordaunt Hall
838:
837:
832:
831:
825:
823:
818:
813:
810:
806:
802:
801:Tower Theatre
795:
791:
786:
779:
777:
775:
771:
770:Raquel Meller
767:
763:
759:
754:
752:
751:Alfred Newman
747:
743:
738:
734:
727:
725:
721:
719:
715:
710:
708:
702:
700:
695:
692:
688:
683:
678:
676:
675:
670:
666:
665:Violet Krauth
662:
661:
660:The Gold Rush
656:
650:
648:
644:
640:
636:
631:
629:
625:
617:
615:
613:
609:
604:
601:
597:
593:
588:
586:
582:
577:
575:
574:
568:
566:
562:
557:
554:
550:
546:
542:
538:
537:
527:
520:
515:
510:
507:
504:
503:Albert Austin
501:
498:
495:
492:
491:Henry Bergman
489:
486:
483:
482:
481:
480:
474:
470:
467:
464:
461:
458:
455:
452:
449:
446:
443:
440:
437:
436:
432:
430:
426:
422:
418:
414:
410:
406:
404:
398:
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386:
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379:
371:
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355:
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343:
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336:
332:
327:
323:
321:
317:
313:
309:
305:
301:
297:
292:
290:
286:
282:
278:
274:
271:
268:
264:
263:
253:
249:
246:$ 1.5 million
245:
241:
235:
231:
228:United States
227:
223:
219:
213:
198:
187:
186:
184:
181:Release dates
178:
175:
172:
168:
162:
161:Alfred Newman
158:
154:
152:
148:
145:
144:
142:
138:
131:
128:
127:
125:
121:
116:
113:
109:
103:
100:
98:
95:
93:
90:
88:
85:
82:
81:
79:
75:
71:
67:
63:
59:
56:
53:
49:
45:
39:
34:
29:
26:
22:
4858:
4850:
4839:
4821:
4802:
4794:
4775:
4767:
4759:
4753:Modern Times
4751:
4744:
4743:
4735:
4727:
4719:
4700:
4692:
4684:
4676:
4668:
4660:
4652:
4644:
4638:A Dog's Life
4636:
4617:
4609:
4601:
4593:
4585:
4577:
4571:The Pawnshop
4569:
4561:
4553:
4547:The Vagabond
4545:
4537:
4529:
4506:
4498:
4490:
4482:
4474:
4466:
4458:
4450:
4442:
4423:
4415:
4407:
4401:The Champion
4399:
4391:
4372:
4346:
4338:
4330:
4322:
4314:
4306:
4298:
4290:
4284:The Rounders
4282:
4274:
4266:
4258:
4250:
4242:
4236:Laughing Gas
4234:
4226:
4218:
4210:
4202:
4194:
4168:
4160:
4155:Little Tramp
4153:
4135:
4128:
4121:
4114:
4091:
4079:
4060:3623 Chaplin
4004:
3997:
3990:
3983:
3976:
3900:Gary Giddins
3898:an essay by
3894:
3887:
3873:
3862:
3851:
3840:
3829:
3813:
3797:
3770:
3745:
3723:
3702:
3681:. New York:
3678:
3655:
3634:
3613:
3592:
3572:
3547:
3539:Bibliography
3525:
3516:
3506:September 8,
3504:. Retrieved
3499:
3490:
3478:. Retrieved
3469:
3460:
3448:. Retrieved
3444:the original
3439:
3430:
3421:
3412:
3400:. Retrieved
3396:the original
3391:
3382:
3374:the original
3363:
3354:
3342:. Retrieved
3338:the original
3327:
3314:
3304:December 27,
3302:. Retrieved
3298:the original
3291:
3281:
3276:filmsite.org
3262:
3251:
3245:
3237:
3225:. Retrieved
3221:the original
3216:
3207:
3195:. Retrieved
3182:
3170:. Retrieved
3154:
3142:. Retrieved
3126:
3114:. Retrieved
3098:
3086:. Retrieved
3070:
3058:. Retrieved
3051:the original
3034:
3022:. Retrieved
3006:
2982:November 25,
2980:. Retrieved
2955:. Retrieved
2945:
2933:. Retrieved
2926:the original
2913:
2901:. Retrieved
2895:
2886:
2874:. Retrieved
2864:
2852:. Retrieved
2838:
2826:. Retrieved
2816:
2804:. Retrieved
2800:the original
2790:
2778:. Retrieved
2774:the original
2764:
2752:. Retrieved
2748:the original
2734:
2722:. Retrieved
2718:
2708:
2696:. Retrieved
2692:the original
2678:
2669:
2645:
2633:
2621:
2612:
2600:. Retrieved
2596:
2586:
2574:. Retrieved
2570:
2560:
2544:. Retrieved
2540:the original
2531:
2525:
2515:
2503:. Retrieved
2492:
2480:. Retrieved
2476:
2467:
2455:. Retrieved
2450:
2440:
2428:. Retrieved
2424:
2398:
2386:
2376:November 16,
2374:. Retrieved
2367:
2358:
2348:September 8,
2346:. Retrieved
2340:
2330:
2318:
2293:
2285:
2261:Chaplin 1964
2256:
2244:
2232:
2220:. Retrieved
2214:
2207:Ebert, Roger
2201:
2193:the original
2183:
2171:. Retrieved
2167:the original
2157:
2142:
2133:
2123:November 22,
2121:. Retrieved
2117:the original
2112:
2103:
2079:Chaplin 1964
2074:
2050:
2038:
2026:. Retrieved
2022:Mental Floss
2020:
2010:
1983:. Retrieved
1968:
1914:
1870:
1858:
1846:
1834:
1822:. Retrieved
1818:
1808:
1764:. Retrieved
1760:
1750:
1723:. Retrieved
1719:the original
1714:
1670:
1663:Chaplin 1964
1658:
1646:. Retrieved
1636:
1626:
1614:
1602:
1590:
1578:
1566:
1559:Chaplin 1964
1554:
1542:
1530:
1518:
1489:
1477:
1466:
1454:. Retrieved
1448:
1438:
1426:. Retrieved
1422:
1398:. Retrieved
1392:
1367:. Retrieved
1350:
1339:
1319:the original
1259:
1253:
1241:
1236:
1220:
1216:
1210:
1197:
1191:
1190:
1125:
1096:
1090:
1074:
1066:
1060:
1052:
1046:
1044:
1014:
1013:
1005:Great Movies
997:
990:Slavoj Žižek
985:
981:
978:Michel Chion
975:
965:
955:
947:
941:
924:
916:
908:
905:Orson Welles
900:
898:
878:
870:
868:
863:
857:
850:
844:
834:
828:
826:
816:
814:
798:
793:
766:José Padilla
762:La Violetera
755:
732:
731:
722:
717:
713:
711:
706:
703:
696:
682:Florence Lee
679:
672:
668:
658:
655:Georgia Hale
651:
632:
623:
622:Filming for
621:
608:Santa Monica
605:
599:
589:
578:
571:
569:
564:
558:
544:
534:
532:
487:as a newsboy
478:
477:
445:Florence Lee
427:
423:
419:
415:
411:
407:
399:
395:
387:
383:
378:Little Tramp
375:
349:
339:
334:
325:
324:
320:José Padilla
316:La Violetera
299:
293:
273:comedy-drama
261:
260:
259:
216:Running time
151:José Padilla
132:Willard Nico
92:Florence Lee
25:
4745:City Lights
4702:The Pilgrim
4595:Easy Street
4539:The Fireman
4436:Los Angeles
4409:In the Park
4393:A Night Out
4374:His New Job
3951:Filmography
3888:City Lights
3874:City Lights
3863:City Lights
3852:City Lights
3841:City Lights
3830:City Lights
3814:City Lights
3798:City Lights
3635:City Lights
3500:BBC Culture
3288:"100 Films"
3246:City Lights
2957:October 19,
2935:January 19,
2719:Blu-ray.com
2670:Roger Ebert
2552:UCalgary.ca
2323:Maland 2007
1969:City Lights
1766:February 1,
1648:October 20,
1547:Milton 2011
1242:City Lights
1217:City Lights
1101:"10 Top 10"
1097:City Lights
1075:City Lights
1067:City Lights
1065:. In 2002,
1053:City Lights
1015:City Lights
994:Roger Ebert
982:City Lights
966:City Lights
952:Woody Allen
925:City Lights
917:City Lights
901:City Lights
871:City Lights
864:City Lights
817:City Lights
794:City Lights
733:City Lights
718:City Lights
714:City Lights
707:City Lights
669:City Lights
639:Harry Myers
635:Henry Clive
624:City Lights
600:City Lights
581:Henry Clive
549:intertitles
545:City Lights
509:Jean Harlow
497:Eddie Baker
451:Harry Myers
393:from 1924.
350:City Lights
335:City Lights
326:City Lights
300:City Lights
289:Harry Myers
262:City Lights
97:Harry Myers
69:Produced by
51:Directed by
31:City Lights
4883:1931 films
4877:Categories
4737:The Circus
4476:Shanghaied
4444:By the Sea
4260:Recreation
4212:A Busy Day
3823:0826429777
3563:1612191932
3422:listal.com
2903:August 18,
2876:August 17,
2828:August 17,
2724:August 14,
2650:Žižek 2013
2638:Chion 1989
2626:Vance 2003
2482:October 9,
2451:Inside/Out
2222:January 9,
2028:January 5,
1985:January 9,
1482:Kamin 2008
1369:January 9,
1283:References
1163:– #38 Hero
1121:Hap Hadley
875:James Agee
859:The Nation
774:Carl Davis
737:film score
687:Fred Karno
565:The Circus
561:Harry Carr
536:The Circus
516:Production
381:elevator.
366:James Agee
304:film score
251:Box office
220:87 minutes
207: (USA)
203:1931-03-07
192:1931-01-30
61:Written by
44:Hap Hadley
4777:Limelight
4662:Sunnyside
4563:The Count
4425:The Tramp
4006:Sunnyside
3956:The Tramp
3801:essay by
3402:April 24,
3197:August 6,
3172:August 6,
3144:August 6,
3116:August 6,
3088:August 6,
3060:August 6,
3024:August 6,
2278:Flom 1997
2113:Art Daily
1761:The Attic
1232:. In the
1161:The Tramp
1073:selected
1045:In 1952,
1041:Accolades
957:Manhattan
877:wrote in
839:reviewer
758:leitmotif
691:Hank Mann
473:The Tramp
463:Hank Mann
348:selected
312:leitmotif
294:Although
233:Languages
123:Edited by
4815:See also
4646:The Bond
4603:The Cure
4587:The Rink
4555:One A.M.
4468:The Bank
4040:" (1967)
3886:Filming
3868:AllMovie
3809:web site
3527:Time Out
3480:July 21,
3474:Archived
3270:Archived
3227:July 27,
2992:cite web
2854:June 18,
2576:June 10,
2300:It Books
2173:June 19,
1266:See also
1255:Time Out
1212:Premiere
893:Film.com
270:romantic
140:Music by
77:Starring
4694:Pay Day
4678:The Kid
4460:A Woman
4366:Chicago
4170:Chaplin
4162:Chaplin
4130:Chaplin
3902:at the
3877:at the
3855:at the
3805:on the
3450:May 30,
3344:June 6,
2806:May 11,
2780:May 11,
2754:May 11,
2602:May 10,
2546:May 11,
2505:May 11,
2457:May 11,
2430:May 11,
2369:Variety
1725:May 12,
1428:June 1,
1400:June 1,
1341:Variety
1095:ranked
1025:by the
1019:Blu-ray
923:placed
846:Variety
225:Country
201: (
190: (
4863:(1914)
4855:(1914)
4838:Films
4826:(1959)
4807:(1967)
4799:(1957)
4780:(1952)
4772:(1947)
4764:(1940)
4756:(1936)
4748:(1931)
4740:(1928)
4732:(1925)
4724:(1923)
4705:(1923)
4697:(1922)
4689:(1921)
4681:(1921)
4673:(1919)
4665:(1919)
4657:(1918)
4649:(1918)
4641:(1918)
4622:(1917)
4614:(1917)
4606:(1917)
4598:(1917)
4590:(1916)
4582:(1916)
4574:(1916)
4566:(1916)
4558:(1916)
4550:(1916)
4542:(1916)
4534:(1916)
4511:(1918)
4503:(1916)
4500:Police
4495:(1915)
4487:(1915)
4479:(1915)
4471:(1915)
4463:(1915)
4455:(1915)
4447:(1915)
4428:(1915)
4420:(1915)
4412:(1915)
4404:(1915)
4396:(1915)
4377:(1915)
4351:(1914)
4343:(1914)
4335:(1914)
4327:(1914)
4319:(1914)
4311:(1914)
4303:(1914)
4295:(1914)
4287:(1914)
4279:(1914)
4271:(1914)
4263:(1914)
4255:(1914)
4247:(1914)
4239:(1914)
4231:(1914)
4223:(1914)
4215:(1914)
4207:(1914)
4199:(1914)
4173:(2006)
4165:(1993)
3821:
3778:
3754:
3731:
3710:
3689:
3663:
3642:
3621:
3600:
3579:
3560:
2306:
2149:Madrid
1976:
1643:London
1183:2008:
1176:2007:
1169:2006:
1155:2003:
1148:2002:
1141:2000:
1134:1998:
915:rated
909:Cinema
342:(1927)
243:Budget
4385:Niles
4048:Other
4024:Smile
4016:Songs
3970:Books
3163:(PDF)
3135:(PDF)
3107:(PDF)
3079:(PDF)
3054:(PDF)
3043:(PDF)
3015:(PDF)
2929:(PDF)
2922:(PDF)
2534:(3).
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