Clara Bow - Knowledge

412:—attended the movies every week. As Bow grew into womanhood, her stature as a "boy" in her old gang became "impossible". She did not have any girlfriends, and school was a "heartache" and her home was "miserable". On the silver screen she found consolation; "For the first time in my life I knew there was beauty in the world. For the first time I saw distant lands, serene, lovely homes, romance, nobility, glamor". And further; "I always had a queer feeling about actors and actresses on the screen ... I knew I would have done it differently. I couldn't analyze it, but I could always feel it". "I'd go home and be a one girl circus, taking the parts of everyone I'd seen, living them before the glass." At 16, Bow says she "knew" she wanted to be a motion pictures actress, even if she was a "square, awkward, funny-faced kid." 1476: 1133:, who became her first fiancé. In June 1925, Bow was credited for being the first to wear hand-painted legs in public, and was reported to have many followers at the Californian beaches. Throughout the 1920s, Bow played with gender conventions and sexuality in her public image. Along with her tomboy and flapper roles, she starred in boxing films and posed for promotional photographs as a boxer. By appropriating traditionally androgynous or masculine traits, Bow presented herself as a confident, modern woman. 6566: 6552: 1792: 930: 1207: 910:, which had commented a month earlier, "Clara Bow is the one outstanding type. She has almost immediately been elected for all the recent flapper parts". In November 1933, looking back to this period of her career, Bow described the atmosphere in Hollywood as like a scene from a movie about the French Revolution, where "women are hollering and waving pitchforks twice as violently as any of the guys ... the only ladies in sight are the ones getting their heads cut off." 1724: 51: 461: 1141:"Rehearsals sap my pep", Bow explained in November 1929, and from the beginning of her career she relied on immediate direction: "Tell me what I have to do and I'll do it." Bow was keen on poetry and music, but according to Rogers St. Johns, her attention span did not allow her to appreciate novels. Bow's focal point was the scene, and her creativity made directors call in extra cameras to cover her spontaneous actions, rather than holding her down. 710: 1994:." In a conversation with filmmaker Thomas Hamilton, Brownlow explained that he had planned to include a chapter on Bow but was unable to secure an interview with the reclusive star before her death, and since all chapters were based on first-hand accounts, it would have been inconsistent to include a chapter based on second-hand anecdotes. Brownlow made up for this omission by including an entire segment about Bow in his television documentary 391: 379: 479: 1175: 560: 1884: 343:. "I wore sweaters and old skirts ... didn't want to be treated like a girl". Her mother had a long spell of good health, and changed Bow's appearance, cutting her hair more femininely. Bow said that "there was one boy who had always been my pal ... he kissed me ... I wasn't sore. I didn't get indignant. I was horrified and hurt ... I knew I could never go back to being a tomboy." 303:". From her earliest years, Bow had learned how to care for her mother during the seizures, as well as how to deal with her psychotic and hostile episodes. She said her mother could be "mean to me—and she often was", but "she didn't mean to be and that it was because she couldn't help it". Still, Bow felt deprived of her childhood; "As a kid I took care of my mother, she didn't take care of me". 1309: 331:, Bow was raped by her father at age sixteen while her mother was institutionalized. On January 5, 1923, Sarah died at the age of 43 from her epilepsy. When relatives gathered for the funeral, Bow was so upset that she "went crazy" and tried to jump into the grave to be with her, shouting that they were "hypocrites" and that they hadn't loved or cared for her mother while she was alive. 895: 314: 986: 6604: 538:, and produced by independent "The Whaling Film Corporation", documented life, love, and work in the whale-hunter community. The production relied on a few less-known actors and local talents. It premiered at the Olympia Theater in New Bedford, on September 25, 1922, and went on general distribution on March 4, 1923. Bow was billed 10th in the film, but shone through: 292:

wrong for him, poor darling". By the time Clara was four and a half, her father was out of work. Between 1905 and 1923, the family lived at 14 different addresses, but seldom outside Prospect Heights, with Clara's father often absent. "I do not think my mother ever loved my father", she said. "He knew it. And it made him very unhappy, for he worshipped her always."

945:, released on February 29, 1924, Bow got her first lead; "the clever little newcomer whose work wins fresh recommendations with every new picture in which she appears". Atypical of that time, her character, "skilled in the art of self-defense, preparedness and all the other devices with which the modern flapper is endowed," fearlessly beats off the villain. In 288:

Clara in late 1904. In addition to the risky pregnancy, a heat wave besieged New York in July 1905, and temperatures peaked around 100 °F (38 °C). Years later, Clara wrote: "I don't suppose two people ever looked death in the face more clearly than my mother and I the morning I was born. We were both given up, but somehow we struggled back to life."

817: 6616: 1875:. Analysts tied the onset of the illness, as well as her insomnia, to the "butcher knife episode" back in 1922, but Bow rejected psychological explanations and left the institute. She did not return to her family. After leaving the institution, Bow lived alone in a bungalow, which she rarely left, until her death. 441:

Bow won an evening gown and a silver trophy, and the publisher committed to help her "gain a role in films", but nothing happened. Bow's father told her to "haunt" Brewster's office, located in Brooklyn, until they came up with something. "To get rid of me, or maybe they really meant to (give me) all

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Bow and her father moved in at 1714 North Kingsley Drive in Hollywood, together with Jacobson, who by then also worked for Preferred. When Schulberg learned of this arrangement, he fired Jacobson for potentially getting "his big star" into a scandal. When Bow found out, "She tore up her contract and

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Moore, a well-established star earning $ 1200 a week—Bow got $ 200—took offense and blocked the director from shooting close-ups of Bow. Moore was married to the film's producer and Bow's protests were futile. "I'll get that bitch", she told her boyfriend Jacobson, who had arrived from New York. Bow

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was casting for the part of high-society flapper Janet Oglethorpe, and more than 50 women auditioned, most with previous screen experience. Bow reminisced: "but he had not found exactly what he wanted and finally somebody suggested me to him ... When I came into his office a big smile came over

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Bow attended P.S. 111, P.S. 9, and P.S. 98. "P.S." stands for "Public School" in New York City. As she grew up, she felt shy among other girls, who teased her for her worn-out clothes and "carrot-top" hair. She said about her childhood, "I never had any clothes. ... And lots of time didn't have

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Film Guide rated the film as "pretty good entertainment" and stated: "This is the most acceptable bit of talkie acting Miss Bow has done." However, they noted, "Miss Bow is presented in her dancing duds as often as possible, and her dancing duds wouldn't weigh two pounds soaking wet." Bow commented

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in December. In an interview on December 17, Bow detailed her way back to health: sleep, exercise, and food, and the day after it she returned to Hollywood "for the sole purpose of making enough money to be able to stay out of it." Soon every studio in Hollywood (except Paramount) and even overseas

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here seems to be no pattern, no purpose to her life. She swings from one emotion to another, but she gains nothing, stores up nothing for the future. She lives entirely in the present, not even for today, but in the moment. Clara is the total nonconformist. What she wants she gets, if she can. What

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On August 16, 1926, Bow's agreement with Paramount was renewed into a five-year deal: "Her salary will start at $ 1700 a week and advance yearly to $ 4000 a week for the last year." Bow added that she intended to leave the motion picture business at the expiration of the contract, i.e., in 1931. In

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and brought her father to Hollywood. Bow remembered their reunion: "I didn't care a rap, for (her), nor B. P. Schulberg, nor my motion picture career, nor Clara Bow, I just threw myself into his arms and kissed and kissed him, and we both cried like a couple of fool kids. Oh, it was wonderful." Bow

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magazine, and sent for her. In an attempt to overcome her youthful looks, Bow put her hair up and arrived in a dress she "sneaked" from her mother. Clifton said she was too old, but broke into laughter as the stammering Bow made him believe she was the girl in the magazine. Clifton decided to take

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She is very young, only 16. But she is full of confidence, determination and ambition. She is endowed with a mentality far beyond her years. She has a genuine spark of divine fire. The five different screen tests she had, showed this very plainly, her emotional range of expression provoking a fine

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Bow's parents were descended from English and Scots-Irish immigrants who had come to America the generation before. Bow said that her father, Robert Walter Bow (1874–1959), "had a quick, keen mind... all the natural qualifications to make something of himself, but didn't... everything seemed to go

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of 1910 and 1920, was 1905. In US census records, enumerated April 15, 1910, and January 7, 1920, Bow's age is stated 4 and 14 years, respectively. The 1930 census stated an age of 23, and on her gravestone of 1965, the inscription says 1907, but 1905 is the year accepted by a majority of sources.

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She is as refreshingly unaffected as if she had never faced a means to pretend. She hasn't any secrets from the world, she trusts everyone ... she is almost too good to be true ... (I) only wish some reformer who believes the screen contaminates all who associate with it could meet this

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Sarah worsened gradually, and when she realized her daughter was set for a movie career, Bow's mother told her she "would be much better off dead". One night in February 1922, Bow awoke to a butcher knife held against her throat by her mother. Clara was able to fend off the attack, and locked her

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is of that natural, good-natured, pleasantly informal kind ... She can act on or off the screen—takes a joyous delight in accepting a challenge to vamp any selected male—the more unpromising specimen the better. When the hapless victim is scared into speechlessness, she gurgles with naughty

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From first grade, Bow preferred the company of boys, stating, "I could lick any boy my size. My right arm was quite famous. My right arm was developed from pitching so much ... Once I hopped a ride on behind a big fire engine. I got a lot of credit from the gang for that." A close friend, a

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Bow was her parents' third child. Her two older sisters, born in 1903 and 1904, had died in infancy. Her mother, Sarah Frances Bow (née Gordon, 1880–1923), was told by a doctor not to become pregnant again, for fear the next baby might die as well. Despite the warning, Sarah became pregnant with

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lifestyle and "dreadful" manners were considered reminders of the Hollywood elite's uneasy position in high society. Bow fumed: "They yell at me to be dignified. But what are the dignified people like? The people who are held up as examples for me? They are snobs. Frightful snobs ... I'm a

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Bow remembered: "All this time I was 'running wild', I guess, in the sense of trying to have a good time ... maybe this was a good thing, because I suppose a lot of that excitement, that joy of life, got onto the screen." In 1925, Bow appeared in 14 productions: six for her contract owner,

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Against her mother's wishes but with her father's support, Bow competed in Brewster publications' magazine's annual nationwide acting contest, "Fame and Fortune", in fall 1921. In previous years, other contest winners had found work in the movies. In the contest's final screen test, Bow was up

1601:, Bow lived at 512 Bedford Drive, together with her secretary and hairdresser, Daisy DeBoe (later DeVoe), in a house valued $ 25,000 with neighbors titled "Horse-keeper", "Physician", "Builder". Bow stated she was 23 years old, i.e., born 1906, contradicting the censuses of 1910 and 1920. 452:, produced late 1921 in New York City and released February 19, 1922. Bow did five scenes and impressed Cabanne with her ability to produce tears on call, but was cut from the final print. "I was sick to my stomach", she recalled and thought her mother was right about the movie business. 1450:

she desires to do she does. She has a big heart, a remarkable brain, and the most utter contempt for the world in general. Time doesn't exist for her, except that she thinks it will stop tomorrow. She has real courage, because she lives boldly. Who are we, after all, to say she is wrong?

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It was snowing. My mother and I were cold and hungry. We had been cold and hungry for days. We lay in each other's arms and cried and tried to keep warm. It grew worse and worse. So that night my mother—but I can't tell you about it. Only when I remember it, it seems to me I can't

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On July 22, 1923, Bow left New York, her father, and her boyfriend behind for Hollywood. As chaperone for the journey and her subsequent southern California stay, the studio appointed writer/agent Maxine Alton, whom Bow later branded a liar. In late July, Bow entered studio chief

242:(1927). She was named first box-office draw in 1928 and 1929 and second box-office draw in 1927 and 1930. Her presence in a motion picture was said to have ensured investors, by odds of almost two-to-one, a "safe return". At the apex of her stardom, she received more than 45,000 1115:

was displeased: "The college atmosphere is implausible and Clara Bow is not our idea of a college girl." Theater owners were happy, the manager of The Liberty Theater saying that "The picture is the biggest sensation we ever had in our theater ... It is 100 per cent at the

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Bow dropped out of school in her senior year, after she was notified about winning the "Fame and Fortune Contest", possibly in October 1921, and got an ordinary office job. However, movie ads and newspaper editorial comments from 1922 to 1923 suggest that Bow was not cut from

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studio Preferred Pictures. He wanted to contract her for a three-month trial, fare paid, and $ 50 a week. "It can't do any harm," he said. "Why can't I stay in New York and make movies?" Bow asked her father, but he told her not to worry. On July 21, 1923, she befriended

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I worked in two and even three pictures at once. I played all sorts of parts in all sorts of pictures ... It was very hard at the time and I used to be worn out and cry myself to sleep from sheer fatigue after 18 hours a day on different sets, but now I am glad of

843:"The flapper, impersonated by a young actress, Clara Bow, ... had five speaking titles, and every one of them was so entirely in accord with the character and the mood of the scene that it drew a laugh from what, in film circles, is termed a 'hard-boiled' audience." The 571: 1248:

as "bad-boy" Naughton. The picture was released on March 1, 1926. Local reviews were very positive; "Clara Bow, known as the screen's perfect flapper, does her stuff as the child, and does it well", and "her remarkable performance in Dancing Mothers ... ".

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I'm almost never satisfied with myself or my work or anything ... by the time I'm ready to be a great star I'll have been on the screen such a long time that everybody will be tired of seeing me ... (Tears filled her big round eyes and threatened to

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On April 12, 1926, Bow signed her first contract with Paramount: "to retain your services as an actress for the period of six months from June 6, 1926 to December 6, 1926, at a salary of $ 750.00 per week". Bow negotiated her Paramount contract to not have a

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Preferred Pictures loaned Bow to producers "for sums ranging from $ 1500 to $ 2000 a week" while paying Bow a salary of $ 200 to $ 750 a week. The studio, like any other independent studio or theater at that time, was under attack from "The Big Three",

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told readers that "When she is on the screen nothing else matters. When she is off, the same is true." Carl Sandburg wrote that it was "The smartest and swiftest work as yet seen from Miss Clara Bow." and Sam Carver of the Newman Theater was quoted in

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A damaging court trial charged her secretary Daisy DeVoe with financial mismanagement, by Paramount-friendly officials: Los Angeles District Attorney Buron Fitts, Assistant District Attorney David Clark, and Los Angeles Superior Court Judge

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Bow eventually began showing symptoms of psychiatric illness. She became socially withdrawn and, although she refused to socialize with her husband, she also refused to let him leave the house alone. In 1944, while Bell was running for the

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because her eyes kept wandering up to the microphone overhead. "I can't buck progress ... I have to do the best I can," she said. In October 1929 Bow described her nerves as "all shot", saying that she had reached "the breaking point", and

741:'s office wearing a simple high-school uniform in which she "had won several gold medals on the cinder track". She was tested and a press release from early August says Bow had become a member of Preferred Pictures' "permanent stock". 3077: 1523:, and most other silent film stars, did not embrace the novelty: "I hate talkies ... they're stiff and limiting. You lose a lot of your cuteness, because there's no chance for action, and action is the most important thing to me." 528:

Bow with him and offered her $ 35 a week. Bow held out for $ 50 and Clifton agreed, but he could not say whether she would "fit the part". Bow later learned that one of Brewsters' subeditors had urged Clifton to give her a chance.

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said "You can't get away from this Clara Bow girl. She certainly has that certain 'It'...and she just runs away with the film." Carl Sandburg wrote that "'It' is smart, funny and real. It makes a full-sized star of Clara Bow."

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Adolph Zukor, Paramount Picture CEO, wrote in his memoirs: "All the skill of directors and all the booming of press-agent drums will not make a star. Only the audiences can do it. We study audience reactions with great care."

4132:"CHARGES DOMINATION OF NEW YORK MOVIES; Trade Board Counsel Sees Zukor and Loew Combination Controlling the Field AND "ELIMINATING" OTHERS Attempt by Them to Control the Whole Industry Is Alleged -- "Divert" Order Is Urged" 1413:, a war picture rewritten to accommodate her, as she was Paramount's biggest star, but was not happy about her part: "...a man's picture and I'm just the whipped cream on top of the pie." The film went on to win the first 1814:) had two sons, Tony Beldam (born 1934, changed name to Rex Anthony Bell, Jr., died 2011) and George Beldam, Jr. (born 1938). Bow retired from acting in 1933. In September 1937, she and Bell opened The 'It' Cafe in the 643:

Her emotions were close to the surface. She could cry on demand, opening the floodgate of tears almost as soon as I asked her to weep. She was dynamite, full of nervous energy and vitality and pitifully eager to please

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younger boy who lived in her building, burned to death, something that haunted her. She heard his screams and ran to his aid, rolling him up in carpet to stop the fire, but he died in her arms. In 1919, Bow enrolled in

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against an already scene-experienced woman who did "a beautiful piece of acting". A set member later stated that when Bow did the scene, she actually became her character and "lived it". In the January issues 1922 of

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My life in Hollywood contained plenty of uproar. I'm sorry for a lot of it but not awfully sorry. I never did anything to hurt anyone else. I made a place for myself on the screen and you can't do that by being

552:"With her beauty, her brains, her personality and her genuine acting ability it should not be many moons before she enjoys stardom in the fullest sense of the word. You must see 'Down to the Sea in Ships'". 512:

Encouraged by her father, Bow continued to visit studio agencies asking for parts. "But there was always something. I was too young, or too little, or too fat. Usually I was too fat." Eventually, director

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threw it in his face and told him he couldn't run her private life." Jacobson concluded, " was the sweetest girl in the world, but you didn't cross her and you didn't do her wrong." On September 7, 1924,

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felt "Mrs Smith", the pseudonym Alton used, had misused her trust: "She wanted to keep a hold on me so she made me think I wasn't getting over and that nothing but her clever management kept me going."

2010: 1626:... Bow was at her height in pictures we could make a story with her in it and gross a million and a half, where another actress would gross half a million in the same picture and with the same cast.— 1963:, all these great names, great actresses. Clara Bow was more popular in terms of box-office dollars, in terms of consistently bringing audiences into the theaters. She was right on top." In 1999 the 437:

enthusiasm from every contest judge who saw the tests. She screens perfectly. Her personal appearance is almost enough to carry her to success without the aid of the brains she indubitably possesses.

906:, produced by her husband. Despite good reviews she suddenly withdrew. "No more flappers ... they have served their purpose ... people are tired of soda-pop love affairs", she told the 3132: 3102: 2945:, 1920; Bourough of Brooklyn, NY; roll T625_1159, page 3B, line 78, enumeration district 551, National Archives film number T625, 2076. Retrieved on 2023-03-01. 2560:, 1930; Beverly Hills, Los Angeles, California, USA; page 1-B, line 79, enumeration district 19-822, National Archives film number 2339859. Retrieved on 2023-02-28. 953:"flapped unhampered as flappers De luxe ... I wish somebody could star Clara Bow. I'm sure her 'infinite variety' would keep her from wearying us no matter how many scenes she was in." 926:, in a significant article "A dangerous little devil is Clara, impish, appealing, but oh, how she can act!", her father is titled "business manager" and Jacobson referred to as her brother. 1101:

was Bow's final effort for Preferred Pictures and her biggest hit up to that time. Bow starred as the good-bad college girl, Cynthia Day, against Donald Keith. It was shot on location at

6676: 1634: 1982:, who received an entire chapter in the book, wrote to Brownlow, "You brush off Clara Bow for some old nothing like Brooks. Clara made three pictures that will never be surpassed: 1863:

was measured "bright normal", while others claimed she was unable to reason, had poor judgment and displayed inappropriate or even bizarre behavior. Her pains were considered

1120:." Some critics felt Bow had conquered new territory, " presents a whimsical touch to her work that adds greater laurels to her fast ascending star of screen popularity." 1717:: "Rex accused me of enjoying showing myself off. Then I got a little sore. He knew darn well I was doing it because we could use a little money these days. Who can't?" 1586:, Bow held the position as fifth at box-office in 1931, but the pressures of fame, public scandals, and overwork, took their toll on Bow's fragile emotional health. 1467:

said Bow was "the greatest emotional actress on the screen, ... she is sentimental, simple, childish and sweet and the hard-boiled attitude is a defense mechanism."

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singled out Bow, complimenting her on saving the picture as, "Only the amusing and facile acting of Clara Bow rescues the picture from the limbo of the impossible."

6686: 6646: 1283:). Bow commented: "(Alverna] ... was bad in the book, but—darn it!—of course, they couldn't make her that way in the picture. So I played her as a flirt." 2025: 1402:

is often said to have referred to Bow when she wrote, "It, hell; she had Those." Parker in actuality was not referring to Bow or to Bow's character in the film

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at 1637 N Vine Street near Hollywood Boulevard in Los Angeles. It closed in 1943. Her last public performance, albeit fleeting, came in 1947 on the radio show

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had sinus problems and decided to have them attended to that very evening. With Bow's face now in bandages, the studio had no choice but to recast her part.

1903:, under the constant care of a nurse, Estalla Smith, living off an estate worth about $ 500,000 at the time of her death. In 1965, at age 60, she died of a 6666: 6537: 1167:

described Bow as "an easy winner of the dumbbell award" who "couldn't act," and compared her to a puppy that his father B. P. Schulberg "trained to become

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All the time the flapper is laughing and dancing, there's a feeling of tragedy underneath, she's unhappy and disillusioned, and that's what people sense.

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As she slipped closer to a major breakdown her manager, B.P. Schulberg, began referring to her as "Crisis-a-day-Clara". In April, Bow was taken to a

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magazine wrote in June that "Clara Bow ... shows alarming symptoms of becoming the sensation of the year", and featured her on the cover.

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mother in her room. In the morning, Bow's mother had no recollection of the episode. Later, she was committed to a "sanatarium" by Robert Bow.

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Bow, offering to cease printing the stories for $ 25,000, which led to his arrest by federal agents and, later, an eight-year prison sentence.

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Her name is on the cast list among the other stars, usually tagged "Brewster magazine beauty contest winner" and sometimes even with a picture

6208: 6174: 6095: 6010: 5930: 5713: 3469: 1742: 1633: 1511:, all released in 1929, Bow kept her position as the top box-office draw and queen of Hollywood. Neither the quality of Bow's voice nor her 4543: 3390: 1912: 1892: 519: 468: 974:

traffic in the upper classes, and Bow portrays an innocent girl who develops into a wild "red-hot mama", "a naughty, inebriated flapper".

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Bow's interest in sports and her physical abilities led her to plan for a career as an athletics instructor. She won five medals at the "

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commented that "Clara Bow, the prize vulgarian of the lot. She was amusing and spirited but she never belonged in the picture".

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When Bow's mother was 16, she fell from a second-story window and suffered a severe head injury. She was later diagnosed with "

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This was a condition apart from the seizures known to cause disordered thinking, delusion, paranoia, and aggressive behavior.

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Clara Bow in 1931 with her father, Robert, who married Clara's friend, Mary Lorraine Tui (Tui Lorraine) at Clara's insistence

2919: 887:). Moore essayed the baseball-playing tomboy and Bow, according to Moore, said "I don't like my part, I wanna play yours." 5528: 2087:

During her lifetime, Bow was the subject of wild rumors regarding her sex life; many of them were untrue. A tabloid called

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reviewed it on September 29 saying; "If not taken as information, it is cracking good entertainment". Alma Whitaker of the

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his face and he looked just tickled to death." Lloyd told the press, "Bow is the personification of the ideal aristocratic

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was less poetic: "Movie stardom isn't acting ability—its personality and temperament ... I once directed Clara Bow (

1501: 5025: 1543:. I used to sing at home and people would say, 'Pipe down! You're terrible!' But the studio thinks my voice is great." 4252: 2399: 2090: 1560: 1066:. On October 21, 1925, Schulberg filed Preferred Pictures for bankruptcy, with debts at $ 820,774 and assets $ 1,420. 4891: 3904: 2210: 1393:

wrote that "Clara Bow gets a real chance and carries it off with honors...(and)...she is really the whole show", and

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Remember Colonel Mustard? Well, dijon is a mustard, so ours is Colonel Dijon. And Laura Bow is a play on Clara Bow.

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Bow's mass of tangled red hair was one of her most famous features. When fans of the new star found out she put

757: 4924:"Revenge of the Celebrity Secretary: The Career-Ending Extortion of Screen Star Clara Bow Los Angeles Magazine" 1618:, but Paramount went into receivership, lost its position as the biggest studio (to MGM), and fired Schulberg. 1610: 813:, mischievous, pretty, aggressive, quick-tempered and deeply sentimental." It was released on January 4, 1924. 5307:"Was 'It girl' Clara Bow the real-life epitome of Babylon – or one of predatory Hollywood's earliest victims?" 3789: 3465: 2148: 5503: 3956: 3207: 1230:, and three loan-outs that had been filmed in 1925. In late 1925, Bow returned to New York to co-star in the 545:"Clara Bow who has reached the front rank of motion picture principal player ... scored a tremendous hit in 5414: 5400: 3233: 1964: 1900: 1852: 783: 764:, ended up on the losing side and lost his job. He founded Preferred in 1919 as a result, at the age of 27. 421: 97: 3934: 3585: 3498: 3301: 3260: 2553: 2495: 1257: ... she just swept the country ... I know I saw her ... and I thought ... wonderful." 6472: 6321: 4205: 2938: 2841: 2681: 2014: 1940: 1507: 1442: 1290:

said that "Clara Bow just walks away with the picture from the moment she walks into camera range", while

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Bow signed with Preferred Pictures, also working with other studios. Alton and Bow rented an apartment at

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excluded Bow from its finalized "100 Years...100 Stars" list, although she was on the list of nominees.

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had a different take. In 1950, she wrote, "If ever a star was made by public demand, it was Clara Bow."

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Bow appeared in eight releases in 1926: five for Paramount, including the film version of the musical

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said that "(Bow)...is vivacious and, as Betty Lou, saucy, which perhaps is one of the ingredients of

1373:). The personal quality—"It"— provides the magic to make it happen. The film gave Bow her nickname, " 335:

anything to eat. We just lived, that's about all. Girls shunned me because I was so poorly dressed."

1848:, Bow attempted suicide. A note was found in which Bow stated she preferred death to a public life. 1253:

remembered her in Brownlow's book; "She was absolutely sensational in the United States ... in

4795: 4610: 2259: 1749: 1660: 1582: 1548: 1535:

cited reports of "rows of bottles of sedatives" by her bed. "Now they're having me sing. I sort of

1355: 1279:) of the great northern, as well as pill-popping New York divorce attorney runaway Ralph Prescott ( 1271: 1000: 768: 749: 718: 628: 228: 4065: 4061: 4049: 3653: 2136: 478: 5892: 5208: 4834: 4288: 4057: 3436: 2989: 2629: 2163: 1698: 1680:

required her to sign a long-term contract. On April 28, 1932, Bow signed a two-picture deal with

1078: 1074: 851: 753: 653: 448: 78: 5571: 2074:

An autographed picture of Bow is offered as a consolation prize of a beauty contest in the 1931

5247: 3366:. Vol. 43. Los Angeles, CA, US. December 17, 1923. Part 2 p. 1 – via Newspapers.com. 2309: 460: 6701: 6546: 6533: 6513: 6496: 6486: 6458: 6426: 6391: 6359: 6337: 6309: 6283: 6273: 6252: 6242: 6214: 6204: 6180: 6170: 6139: 6129: 6101: 6091: 6068: 6047: 6037: 6016: 6006: 5994: 5982: 5972: 5948: 5936: 5926: 5884: 5848: 5838: 5817: 5807: 5783: 5773: 5749: 5739: 5719: 5709: 5468: 5366: 5334: 5251: 4984: 4875: 4854: 4846: 4815: 4807: 4778: 4626: 4618: 4585: 4402: 4394: 4304: 4296: 4270: 4227: 4219: 4112: 4069: 3873: 3865: 3777: 3734: 3673: 3665: 3594: 3571: 3507: 3448: 3341: 3333: 3310: 3269: 3241: 3215: 3169: 3137: 3107: 3086: 2846: 2827: 2428: 2407: 2380: 2340: 2247: 2197: 2179: 2130: 1775: 1566: 1540: 1425: 1369:, the poor shop-girl Betty Lou Spence (Bow) conquers the heart of her employer Cyrus Waltham ( 1343: 1337: 1212: 1198: 845: 787: 774: 709: 662: 587: 564: 238: 6586: 3706: 3567: 2880: 2783: 2755: 657:

review said, "Clara Bow lingers in the eye, long after the picture has gone." While shooting

197:; July 29, 1905 – September 27, 1965) was an American actress who rose to stardom during the 6620: 6383: 6121: 5965: 5876: 5697: 5239: 5213: 4655:"Sam Carver, manager of 'first run' theater 'Newman' in Kansas City to industrial journal," 4152:"MOVIE PRODUCER BANKRUPT; Benjamin P. Schulberg Lists Debts at $ 820,774 and Assets $ 1,420" 2710: 2524: 2469: 2442: 2228: 2205: 2119: 1932: 1672: 1650: 1591: 1554: 1297: 1222: 1052: 990: 966: 612: 606: 596: 216: 183: 31: 570: 6580: 6166: 6117: 6064: 5956: 5918: 5904: 4386: 4347: 3128: 3098: 3072: 2075: 1908: 1686: 1677: 1516: 1512: 1481: 1437: 1419: 1276: 1236: 1180: 1156: 1122: 738: 689:

child. Still, on second thought it might not be safe: Clara uses a dangerous pair of eyes.

671: 632: 443: 429: 2691: 6565: 5622: 2167:

announced that Silver Bullet Entertainment and MJW Media were producing a film based on

1174: 390: 378: 6551: 6266: 6226: 6197: 5999: 5952: 4256: 3952: 2584: 2242: 2111: 2080: 1971: 1952: 1895:. The marker erroneously cites Bow's birth year as 1907, although she was born in 1905. 1627: 1619: 1399: 1389: 1370: 1365: 1325: 1302: 1266: 1164: 1145: 1130: 1102: 894: 761: 559: 313: 207: 6630: 6445: 6303: 6238: 6234: 6158: 6122: 6113: 6084: 6030: 5896: 5880: 5795: 5766: 5702: 5240: 4669: 3530: 2254: 2095: 2053: 2029: 1979: 1924: 1920: 1872: 1868: 1667: 1655: 1615: 1571: 1520: 1280: 1262: 1250: 1245: 1185: 1106: 1090: 1063: 1056: 975: 950: 858: 797: 714: 514: 6557: 5800: 1883: 1445:, a noted screenwriter who had done a number of pictures with Bow, wrote about her: 1081:, "catapulted into this position because he had Clara Bow under personal contract". 6387: 6373: 5960: 5860: 5761: 4729: 4548: 3978: 3150: 3120: 2218: 2192: 1960: 1936: 1779: 1536: 1231: 1227: 1149: 1070: 837: 745: 636: 425: 347: 6146:– via Internet Archive, access available to patrons with print disabilities. 3302:"Baby Stars of 1924 Flicker for Glory in the New Year's Twinkling Movie Firmament" 6377: 6353: 6152: 6001:

Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff

5908: 5465:

Gangsters and Gold Diggers: Old New York, the Jazz Age, and the Birth of Broadway

3332:. Helena, MT, US: Kerley, McQuaid, LaCroix & Co. August 11, 1924. p. 2. 1740: 6608: 6413: 6349: 6305:

Personal Glimpses of Famous Folks and Other Selections from the Lee Side o' L.A.

6295: 5736:

How I Broke Into the Movies: Signed Autobiographies by Sixty Famous Screen Stars

5668:"'Babylon': The Myths and True Stories That Inspired the Classic Hollywood Epic" 5646:"Who Is Clara Bow? All About the Actress Named in Taylor Swift's New Song Title" 5417: 3974: 3905:"A Dangerous Little Devil is Clara, Impish, Appealing, But Oh, How She Can Act!" 2969: 2168: 2018: 1956: 1658:

stated that Bow "was a very great actress" and wanted her to play her sister in

1455: 1349: 1313: 1308: 1241: 961: 833: 805: 729: 623: 351: 328: 198: 17: 3911:. Vol. 63. Los Angeles, California. p. 13 – via Newspapers.com. 3747: 3214:. Vol. 52, no. 162. Ogden, UT: Standard-Examiner Pub. Co. p. 6. 879:

not yet released, Bow was requested to co-star with Moore as her kid sister in

621:, who taught her how to use make-up. In the summer, she got a "tomboy" part in 6500: 6313: 6256: 6192: 6162: 6143: 5986: 4951: 4734: 4437:

Clara Bow, the playgirl of Hollywood, Liberty, spring 1975, 1929 retro special

4260: 4045: 3781: 3391:"EXCLUSIVE: 100 years later, long-lost silent film found in Omaha parking lot" 3314: 3273: 3219: 2115: 2107: 2103: 2061: 2057: 1928: 1761: 1605: 1406:, but to a different character, Ava Cleveland, in the novel of the same name. 1360: 1117: 1008: 985: 822: 792: 601: 578:, having a hard time keeping her boyfriend "Kid Hart" (Glenn Hunter) on track. 220: 6395: 6218: 6105: 6020: 5940: 5888: 5852: 5821: 5753: 5723: 4850: 4811: 4622: 4398: 4300: 4274: 4223: 4073: 3869: 3677: 3669: 3337: 2411: 6341: 6287: 6184: 6051: 5831: 5787: 5597: 4116: 3877: 3598: 3525: 3511: 3245: 3090: 2686: 2143: 2123: 1464: 1192: 1111: 1015:

her blond hair so that it will photograph dark in the pictures ... Her

996: 725: 698: 618: 296: 280: 4858: 4819: 4630: 4406: 4308: 3452: 3345: 2384: 941:

Bow appeared in eight releases in 1924, two were released the same day. In

4544:"Clara Bow: the hard-partying jazz-baby airbrushed from Hollywood history" 4210: 1676:(1932). Bow agreed to the script, but eventually rejected the offer since 5403: 4952:"Clara Bow – Her Personal Secretary Was Wrongly Convicted of Grand Theft" 4235: 4231: 3240:. Vol. 50, no. 208. Lebanon, PA, US. April 9, 1923. p. 7. 1864: 1803: 1642: 1060: 772:

was Bow's first Hollywood picture, an adaptation of the popular operetta

300: 250: 243: 145: 2135:

was inspired principally by Clara Bow, and in playing the part, actress

1608:

and, at her request, Paramount released her from her final undertaking:

50: 6575: 6542: 6032:

Daily life in the United States, 1920-1939: Decades of Promise and Pain

3622:. Vol. 78, no. 24, 053. p. 147 – via TimesMachine. 2997: 2993: 2060:

was modelled after Bow's appearance and after the voice of entertainer

1704: 1692: 1490: 1374: 1016: 816: 810: 259: 226:

Bow appeared in 46 silent films and 11 talkies, including hits such as

212: 202: 5764:; Miller, Christopher L.; Cherny, Robert W.; Gormly, James L. (2003). 5438: 3963:. Los Angeles, CA, US. p. 9 (Part II) – via Newspapers.com. 3268:. Kokomo, IN, US: Kautz & McMonigal. October 6, 1923. p. 10. 1911:. She was interred in the Freedom Mausoleum, Sanctuary of Heritage at 861:

made her flapper debut in a successful adaptation of the daring novel

684:

scrutiny, Parsons defended her and stuck to her first opinion on Bow:

6587:"Bela Lugosi's Clara Bow Nude Painting Sells For $ 30,000 At Auction" 6154:

Leading Ladies: The 50 Most Unforgettable Actresses of the Studio Era

4531:

from the original on February 27, 2021 – via Heritage Auctions.

3506:. Vol. 1, no. 139. Lubbock, TX. August 5, 1923. p. 8. 2099: 1811: 1646: 1168: 1152: 971: 760:, but in the aftermath of the power struggle around the formation of 639:, with whom she worked in five later productions. Tuttle remembered: 254: 3941:. February 17, 1924. p. 5, Part 3 – via NewspaperArchive. 2926:. Vol. 105, no. 83. p. 63 – via Newspapers.com. 1855:

to be treated for her chronic insomnia and diffuse abdominal pains.

1649:, her "desert paradise", in June and married him in then small-town 5864: 3360:"Bevy of Bay Stars of Filmland Awarded Wampas' Most Coveted Honors" 2547: 2545: 1305:...(and)...filling a long need for a popular taste movie actress." 956:

Lent out to Universal, Bow top-starred, for the first time, in the

6124:

The Movies Are: Carl Sandburg's Film Reviews And Essays, 1920-1928

4611:"The Shadow Stage, A Review of the New Picture: Mantrap—Paramount" 3840:. Los Angeles, CA, US. pp. 13, 19 – via Newspapers.com. 2068: 1888: 1882: 1790: 1632: 1474: 1307: 1205: 1191: 1173: 1012: 984: 970:, released on August 20, 1924. The picture exposes the widespread 928: 893: 815: 708: 569: 558: 312: 30:

This article is about the actress. For the Taylor Swift song, see

5111: 5109: 3821:. Los Angeles, CA, US. pp. 19–20 – via Newspapers.com. 2191:"Clara Bow" is also the title of a song on alternative rock-band 1163:). She was mad and crazy, but WHAT a personality!". And in 1981, 1069:

Three days later it was announced that Schulberg would join with

871:. Both films were produced by First National Pictures, and while 4247: 4245: 3790:"Tui Lorraine Bow, 1905–1993, Notes on a New Zealand Movie Star" 1670:

offered her a three-picture deal, and MGM wanted her to star in

1515:

was an issue to Bow, her fans, or Paramount. However, Bow, like

1275:

Bow, as Alverna the manicurist, cures lonely hearts Joe Easter (

1048: 756:

was run by Schulberg, who had started as a publicity manager at

4418: 4416: 4159:. Vol. 75, no. 24, 743. October 22, 1925. p. 18. 3864:. Vol. 54, no. 70. Kansas City, MO, US. p. 1-D. 2320: 2318: 2214:

mentions "Clara Bow", the "It Girl", to reference a movie star.

2094:

published lurid allegations about her in 1931, accusing her of

1824:. Bow was the mystery voice in the show's "Mrs. Hush" contest. 1184:(1926) is moments from realizing that her mother is her rival. 6455:

The It Girl and Me: A Novel of Clara Bow (Forgotten Actresses)

5772:. Vol. 2: From 1865. Boston, Mass.: Houghton Mifflin Co. 5499: 5428:

Letter from Louise Brooks to Kevin Brownlow, October 26, 1968.

5209:"Remembering the Original It Girl, Clara Bow, on Her Birthday" 4789: 4787: 4139:. Vol. 75, no. 24, 750. October 29, 1925. p. 5. 3772:

Bicknell, Graham (May 31, 1993). "Tui's Tinseltown memories".

2257:

plays a fictionalized character based on Bow in the 2022 film

2231:", and references the struggles of stardom encountered by Bow. 2009:

For her contributions to the film industry, Bow was awarded a

1460: 1459:

curiosity in Hollywood. I'm a big freak, because I'm myself!"

5704:

A woman's view : how Hollywood spoke to women, 1930-1960

5202: 5200: 4111:. Vol. 51, no. 219. September 11, 1926. p. 9. 2379:. Chicago, IL, US: Martin J. Quigley: 22. December 31, 1927. 1637:

A cattle brand from Clara Bow's & Rex Bell's Nevada ranch

1240:, as the good/bad "flapperish" upper-class daughter Kittens. 542:"Miss Bow will undoubtedly gain fame as a screen comedienne". 442:

the time and were just busy", Bow was introduced to director

6379:

The Public is Never Wrong: The Autobiography of Adolph Zukor

2842:"Alluring 'It' Girl Clara Bow: Tormented Hollywood Outsider" 1859:

was tried and numerous psychological tests performed. Bow's

1722: 627:, a story that dealt with juvenile crime and was written by 3641:. Vol. 43. pp. 11, 17 – via Newspapers.com. 2633:. Vol. 54, no. 17, 344. July 20, 1905. p. 1. 1860: 1105:

in the summer of 1925, and released on December 15. Due to

205:" in 1929. Her appearance as a plucky shopgirl in the film 189: 5386:"Leonard Maltin interview in Turner Classic Documentary". 2692:

Clara Bow: My Life Story as told to Adela Rogers St. Johns

855:

said that "the horrid little flapper is adorably played".

201:

era of the 1920s and successfully made the transition to "

4999:"Geschichte der It-Girls - Paris Hiltons Vor-vor-vorbild" 3760:

She no longer is Clara Bow's stepmother. Tui Lorraine Bow

1286:

The film was released on July 24, 1926, to rave reviews.

693:

The interview also revealed that Bow already was cast in

408:

In the early 1920s roughly 50 million Americans—half the

263:, was released in 1933. In September 1965, Bow died of a 253:

in 1931, Bow retired from acting and became a rancher in

5272:"Politics '99 {Human Events}; Find Articles at BNET.com" 2860: 1093:

in 1980 stated: " became a star without nobody's help".

3750:. Jefferson City, Missouri: Post-Tribune. July 29, 1929 3472:, San Francisco, California. Retrieved August 25, 2019. 1871:; however, she experienced neither auditory nor visual 1526:

A visibly nervous Bow had to do a number of retakes in

1155:: "Touch her, and she responded with genius." Director 5708:. New York: Knopf : Distributed by Random House. 5529:"Roberta Williams: The Storyteller Who Started It All" 5233: 5231: 4295:. Chicago: Macfadden Publications: 48. December 1925. 3935:"'Poisoned Paradise' Proves New Era of Film Technique" 3858:"Clara Bow Now Is Content To Be a Vampire Once a Year" 2893: 2891: 2889: 2129:

The lead character of Peppy Miller from the 2011 film

1974:

did not mention Bow in his 1968 book on silent films,

6592: 6151:

Sarvady, Andrea Cornell (2006). Miller, Frank (ed.).

5551:"Biopic in the Works on Original 'It Girl' Clara Bow" 5326: 5324: 3441:"In And Out Of Focus: Clara, the Unconscious Flapper" 3328:"'Grit' a Crook Play, With Hero Dressed as 'Sissy'". 3309:. Kokomo, IN, US: Kautz & McMonigal. p. 10. 1539:, with hips-and-eye stuff. You know what I mean—like 582:

By mid-December 1923, primarily due to her merits in

555:"In movie parlance, she 'stole' the picture ..." 4617:. Chicago: Macfadden Publications: 54. August 1926. 4266:

Hollywood: A Celebration of the American Silent Film

2975:"33 Prospect Place, Passport application, No. 20276" 2775: 2773: 2702: 2700: 2585:"Clara Bow: Biography, Silent Film Actor, "It Girl"" 1997:

Hollywood: A Celebration of the American Silent Film

1417:. In 1928, Bow appeared in four Paramount releases: 1109:, it was not shown in New York until July 21, 1926. 1011:

tempered with an impish sense of humor ... She

665:, Bow was approached by Jack Bachman of independent 358:

800 m) champion in 1913 and 1914 and 660-yard (

186: 3776:(Australia ed.). Sydney, NSW: Are Media: 114. 2367: 2365: 594:was released, Bow danced on a table, uncredited in 167: 139: 131: 123: 115: 105: 86: 60: 41: 6485:. Garden City, N.Y.: Doubleday. pp. 218–233. 6476: 6412: 6265: 6196: 6083: 6029: 5998: 5964: 5830: 5799: 5765: 5701: 5362:Celebrities in Los Angeles Cemeteries: A Directory 4673: 4525:"Famous Players–Lasky – Clara Bow Signed Contract" 4209: 4150: 4130: 3613: 3584: 3497: 3447:. New York: Triangle Publications Inc. p. 4. 3300: 3259: 3076: 2973: 2949: 2564: 2182:song "Condition of the Heart" from his 1985 album 6005:. New Brunswick, N.J.: Rutgers University Press. 5734:(1929). "By Carla Bow". In Herman, Hal C. (ed.). 4433: 4431: 4200: 4198: 2951:"1920 United States Federal Census for Clara Bow" 2566:"1930 United States Federal Census for Clara Bow" 1301:as saying that "Clara Bow is taking the place of 586:, Bow was chosen the most successful of the 1924 6061:The "It" Girl: The Incredible Story of Clara Bow 5910:Arthur Jacobson: Interviewed by Irene Kahn Atkin 5829:Drowne, Kathleen Morgan; Huber, Patrick (2004). 2690:(February, March and April 1928). (reprinted at 2406:. Long Beach, CA, US: H.H. Ridder. p. B-2. 1025:Preferred Pictures, and eight as an "out-loan". 6677:Burials at Forest Lawn Memorial Park (Glendale) 6231:Moving Pictures: Memories of a Hollywood Prince 4387:"Gossip of All The Studios: CLARA-BOW-DE-OH-DO" 2988:Baker applied for a passport to compete in the 1831: 1771: 1624: 1447: 1377:." Reviews were nothing less than outstanding: 1039: 1033: 1005: 913:By New Year 1924 Bow had defied the possessive 867:, released November 12, 1923, six weeks before 686: 641: 434: 320: 5768:Making America: A History of the United States 5346: 5151:NY agent George Frank to Filmjournalen 26/1931 5139: 5115: 4904: 4902: 4900: 4422: 4218:. Love, Laughter, and Tears. pp. 6 to 7. 3957:"Flashes: Mission Program is Real Top-Notcher" 3890: 3718: 3690: 3423: 3376: 3181: 3064: 3062: 3060: 3058: 3056: 3054: 3052: 3050: 2920:"Clara Bow says she is fast—on a cinder track" 2795: 2734: 2722: 2536: 2324: 2142:Bow inspired the name of the player character 949:, also released on February 29, 1924, Bow and 6483:Love, Laughter, and Tears: My Hollywood Story 5026:"Clara Bow: The Haunted Sex Icon of the '20s" 4682:. Vol. 76, no. 25, 216. p. 17. 3480: 3478: 2676: 2674: 2672: 2670: 2668: 2666: 2664: 2662: 2660: 2122:. The publisher of the tabloid then tried to 1323:1927 Bow appeared in six Paramount releases: 8: 6059:Morella, Joseph; Epstein, Edward Z. (1976). 3937:. Screen and Stage Attractions of the Week. 2658: 2656: 2654: 2652: 2650: 2648: 2646: 2644: 2642: 2640: 2024:In 1994, she was honored with an image on a 999:feature currently classified as lost by the 6538:Academy of Motion Picture Arts and Sciences 5913:. Directors Guild of America Oral History. 4908:Goldbeck, Elisabeth. "The Real Clara Bow", 4887: 4185: 3851: 3849: 3847: 3593:. Hamilton, OH. March 5, 1924. p. 11. 2400:"Success Did Not Bring Clara Bow Happiness" 2336: 1570:, Bow was second at the box-office only to 6564: 6550: 6308:Sierra Madre, CA, US: Sierra Madre Press. 5967:Of thee I sing: a musical play in two acts 5242:Hollywood and the Rise of Physical Culture 4099: 4097: 4095: 211:brought her global fame and the nickname " 49: 38: 6128:. Chicago, IL, US: Lake Claremont Press. 5623:"Picture Show by Frank Wildhorn – Lyrics" 4471: 4459: 3748:"Tui Gets Divorce From Clara Bow's Daddy" 3551: 3078:"Real life story of Clara Bow (16 parts)" 2807: 2470:"Clara Bow – Housewife Of Rancho Clarito" 2000:(1980), for which he interviewed Brooks. 1144:Years after Bow left Hollywood, director 631:. Bow met her first boyfriend, cameraman 6268:Encyclopedia of Hair: A Cultural History 5633:from the original on September 17, 2021. 5207:Borelli-Persson, Laird (July 29, 2017). 4717: 4643: 4393:. Chicago: Macfadden Publications: 108. 4002: 3612:A Hack Title Writer (December 2, 1923). 3586:"'Black Oxen' At The Rialto Again Today" 2978:. U.S., Passport Applications, 1795-1925 2476:. Vol. XLII, no. 2. p. 28 2398:Flowers, George C. (December 10, 1962). 2352: 2139:invoked many of Bow's screen mannerisms. 574:Cartooned: Bow as "Orchid McGonigle" in 6599: 6414:"Flappers: Colleen Moore and Clara Bow" 5533:InterAction Magazine Issue 6: Fall 1989 5487: 3664:(7). New York City: Variety, Inc.: 23. 3025: 2305: 2298: 2278: 796:, shot in October, and to co-star with 160: 1931; died 1962) 6687:People from Prospect Heights, Brooklyn 6199:Teenage: The Creation of Youth Culture 5738:. Hollywood: H.C. Herman. p. 9–. 4758: 4372: 4169: 3856:Moffitt, John C. (November 26, 1933). 2897: 2449:. Vol. XL, no. 4. p. 30 2071:in her hair, sales of the dye tripled. 1759: 820:Bow as Janet, the "horrid" flapper in 563:Bow was chosen the foremost "baby" by 484:Bow singled out in a newspaper ad for 310:Clara spoke about the incident later: 6647:20th Century Studios contract players 6510:Sin in Soft Focus: Pre-Code Hollywood 6272:. Westport, CT, US: Greenwood Press. 6036:. Westport, CN, US: Greenwood Press. 5837:. Westport, CT, US: Greenwood Press. 5515: 5330: 5292: 5191: 5076: 4980: 4871: 4774: 4581: 4487: 4446:"In Hollywood with Erskine Johnson", 3730: 3702: 3563: 3470:National Film Preservation Foundation 3261:"Eskimo Pies Pacify Pretty Clara Bow" 3165: 3009: 2876: 2823: 2779: 2706: 2611: 2520: 2424: 2017:in 1960. Her star is located at 1500 902:In May, Moore renewed her efforts in 651:was released on January 7, 1924. The 7: 6440:Ball, Christina (March–April 2001). 5274:. Findarticles.com. January 15, 1999 4542:Hutchinson, Pamela (June 21, 2016). 4269:. Great Britain: Thames Television. 3903:Whitaker, Alma (September 7, 1924). 3234:"Movie Stars at Academy Music Today" 3206:Dean, James W. (December 17, 1922). 1244:starred as her dancing mother, with 610:(1923). In spring Bow got a part in 246:in a single month, in January 1929. 6682:Paramount Pictures contract players 5666:Nehme, Farran (December 23, 2022). 5644:Gibson, Kelsie (February 6, 2024). 5051:Turan, Kenneth (October 21, 1988). 3832:Schallert, Edwin (April 13, 1924). 3299:Jungmeyer, Jack (January 1, 1924). 3193: 2939:"1930 United States Federal Census" 2554:"1930 United States Federal Census" 2217:The 16th track and closing song on 1893:Forest Lawn Memorial Park, Glendale 600:(1923). During the year she made a 6667:American people of British descent 5875:(3). Informa UK Limited: 369–390. 4704:January 1(private showing), 1927, 3633:Klumph, Helen (January 13, 1924). 1913:Forest Lawn Memorial Park Cemetery 1907:, which her autopsy attributed to 728:until a partial copy was found in 317:Bay Ridge High, in a 1920 postcard 25: 4997:Iken, Katja (February 25, 2011). 4289:"The Plastic Age—B. P. Schulberg" 4211:"Clara Bow's Tempestuous Success" 3922:The Davenport Democrat and Leader 3601:– via NewspaperArchive.com. 3514:– via NewspaperArchive.com. 3485:The Davenport Democrat and Leader 3317:– via NewspaperArchive.com. 3276:– via NewspaperArchive.com. 3093:– via NewspaperArchive.com. 2625:"63 Die of Heat Cool Wave To-Day" 2373:"The Big Names of 1927: Feminine" 724:, which had been classified as a 6614: 6602: 5881:10.2752/147800412x13347542916620 5418:"100 Years...100 Stars Nominees" 5024:Voll, C. S. (October 15, 2021). 4833:Thornley, Grace (October 1929). 4119:– via Google News Archive. 3813:Gebhart, Myrtle (May 18, 1924). 3466:"Preserved Films/Maytime (1923)" 3222:– via Chronicling America. 2496:"Historic ranch put up for sale" 1760:Problems playing this file? See 1738: 1188:as "Jerry" is caught in between. 786:to co-star in the adaptation of 477: 459: 389: 377: 219:and is described as its leading 182: 6652:20th-century American actresses 4056:. Brooklyn, NY: M.P. Pub. Co.: 3389:Lundak, Marlo (March 8, 2024). 2204:The song "Picture Show" in the 982:observed on September 7, 1924: 680:. In 1931, when Bow came under 635:, and she got to know director 617:, where she befriended actress 384:"Fame and Fortune" contest form 341:Bay Ridge High School for Girls 327:According to Bow's biographer, 249:Two years after marrying actor 157: 6672:American silent film actresses 5467:. Da Capo Press. p. 222. 5359:Ellenberger, Allan R. (2001). 5305:Robey, Tim (January 3, 2023). 4794:Shirley, Lois (October 1929). 3208:"James W. Dean's Film Reviews" 2694:– Maxwell DeMille Productions) 2684:(ed.) "My life, by Clara Bow" 2441:Lang, Harry (September 1931). 2064:(the "boop-boop-a-doop-girl"). 1696:(1933). Both were successful. 1415:Academy Award for Best Picture 1129:Bow began to date her co-star 674:, who interviewed her for the 517:needed a tomboy for his movie 1: 6697:Spouses of Nevada politicians 6503:– via Internet Archive. 6344:– via Internet Archive. 6316:– via Internet Archive. 6290:– via Internet Archive. 6221:– via Internet Archive. 6108:– via Internet Archive. 6054:– via Internet Archive. 6023:– via Internet Archive. 5989:– via Internet Archive. 5907:; Atkins, Irene Kahn (1991). 5855:– via Internet Archive. 5824:– via Internet Archive. 5790:– via Internet Archive. 5726:– via Internet Archive. 5549:McNary, Dave (July 5, 2016). 4922:Renner, Joan (June 4, 2013). 4861:– via Internet Archive. 4822:– via Internet Archive. 4633:– via Internet Archive. 4409:– via Internet Archive. 4311:– via Internet Archive. 4050:"The Kid Who Sassed Lubitsch" 3680:– via Internet Archive. 3455:– via Internet Archive. 3287:Davenport Democrat and Leader 2918:Bow, Clara (March 23, 1924). 2840:King, Susan (June 12, 1999). 2387:– via Internet Archive. 2224:The Tortured Poets Department 1846:U.S. House of Representatives 1769:Bow reflected on her career: 1059:Independents and enforce the 989:Bow's first lead role was in 804:, shot in November. Director 359: 355: 215:". Bow came to personify the 6581:Photographs and bibliography 6536:, Margaret Herrick Library, 6457:. Sepia Stories Publishing. 6442:"The Silencing of Clara Bow" 6326:"The Salvation of Clara Bow" 3979:"Happy Birthday, Clara Bow!" 3815:"Colleen Forswears New Role" 3758:– via newspapers.com. 1955:said in 1999: "You think of 1899:Bow spent her last years in 1713:on her revealing costume in 782:. But first she was lent to 27:American actress (1905–1965) 6086:Howard Hughes: Hell's Angel 5869:Cultural and Social History 4500:Lacrosse Tribune and Leader 4385:York, Cal (November 1925). 4238:– via Newspapers.com. 3880:– via Newspapers.com. 3654:"Film Reviews — Black Oxen" 3248:– via Newspapers.com. 3212:The Odgen Standard-Examiner 2468:Vonnell, Carl (July 1932). 2026:United States postage stamp 1867:and she was diagnosed with 1561:Love Among the Millionaires 1196:Bow as "Rosie O'Reilly" in 875:was still being edited and 6718: 6589:(about their relationship) 6411:Basinger, Jeanine (2000). 6264:Sherrow, Victoria (2006). 5923:Directors Guild of America 5347:Morella & Epstein 1976 5181:(3): 16. January 19, 1934. 5140:Morella & Epstein 1976 5116:Morella & Epstein 1976 4423:Jacobson & Atkins 1991 3891:Jacobson & Atkins 1991 3719:Jacobson & Atkins 1991 3691:Morella & Epstein 1976 3652:Rivera (January 3, 1924). 3424:Morella & Epstein 1976 3377:Morella & Epstein 1976 3182:Morella & Epstein 1976 2796:Morella & Epstein 1976 2752:NYU Langone Medical Center 2735:Morella & Epstein 1976 2723:Morella & Epstein 1976 2537:Morella & Epstein 1976 2414:– via Newspaper.com. 2325:Morella & Epstein 1976 2118:, and having contracted a 2040: 1851:In 1949, she checked into 1787:Retirement and later years 1020:delight and tries another. 677:New York Morning Telegraph 536:New Bedford, Massachusetts 350:" and credited her cousin 277:Prospect Heights, Brooklyn 29: 6692:People with schizophrenia 6423:Wesleyan University Press 5375:– via Google Books. 5238:Addison, Heather (2003). 4321:Liberty Theater manager, 4076:– via Google Books. 3504:Lubbock Morning Avalanche 2986:– via Ancestry.com. 2185:Around the World in a Day 2028:designed by caricaturist 1441:, all of which are lost. 1312:Bow as "Hula Calhoun" in 1210:Bow as "Mary Preston" in 354:—the national half-mile ( 110:Forest Lawn Memorial Park 48: 6508:Vieira, Mark A. (2003). 6090:. New York: Blood Moon. 6028:Kyvig, David E. (2002). 5598:"Review of 50 Foot Wave" 5309:. The Telegraph (London) 4659:, p. 13, August 7, 1926. 3788:St. George, Ian (2022). 3591:Hamilton Evening Journal 2947:More legible version at 2748:"psychosis and epilepsy" 2562:More legible version at 2443:"Roughing It With Clara" 2178:Bow is mentioned in the 1409:In 1927, Bow starred in 713:Frame of Bow comforting 592:Down to the Sea in Ships 584:Down to the Sea in Ships 547:Down To The Sea In Ships 532:Down to the Sea in Ships 520:Down to the Sea in Ships 469:Down to the Sea in Ships 6662:American film actresses 6657:Actresses from Brooklyn 6473:St. Johns, Adela Rogers 6398:– via HathiTrust. 6388:2027/mdp.39015019349037 6376:; Kramer, Dale (1953). 6358:. Cooper Square Press. 6355:Clara Bow: Runnin' Wild 6322:St. Johns, Adela Rogers 6082:Porter, Darwin (2005). 5971:. New York: S. French. 5596:Lawrence, Kate (2005). 5463:Charyn, Jerome (2004). 5415:American Film Institute 5404:"100 Years...100 Stars" 5401:American Film Institute 5390:. Timeline Films. 1999. 5388:Discovering the It Girl 5161:The Evening Independent 5053:"'Clara Bow's' Anguish" 4956:Justice Denied Magazine 4888:Zukor & Kramer 1953 4512:Bakersfield Californian 4216:The Cincinnati Enquirer 4214:. The American Weekly. 4206:St. Johns, Adela Rogers 4186:Zukor & Kramer 1953 4089:, April 14, 1925, p. 29 2682:St. Johns, Adela Rogers 2337:Drowne & Huber 2004 2173:Clara Bow: Runnin' Wild 1965:American Film Institute 1919:. Her pallbearers were 1853:The Institute of Living 1734:True to the Navy (1930) 1641:Bow left Hollywood for 784:First National Pictures 661:at Pyramid Studios, in 422:Howard Chandler Christy 410:population at that time 98:Culver City, California 6512:. New York: Abradale. 6330:The New Movie Magazine 5865:"Lacing Up the Gloves" 5443:Hollywood Walk of Fame 5246:. Routledge. pp. 4910:Motion Picture Classic 4675:"An Elinor Glyn Story" 4087:Motion Picture Stories 4054:Motion Picture Classic 3939:The Charleston Gazette 3834:"Right From The Front" 3615:"Title Work Years Ago" 3330:The Helena independent 2245:in the motion picture 2221:'s 2024 studio album, 2015:Hollywood Walk of Fame 1896: 1841: 1799: 1784: 1727: 1638: 1631: 1597:According to the 1930 1508:The Saturday Night Kid 1486: 1452: 1443:Adela Rogers St. Johns 1319: 1217: 1203: 1189: 1087:Adela Rogers St. Johns 1044: 1038: 1028:Motion Picture Classic 1022: 1003: 938: 935:Stars of the Photoplay 899: 840: 733: 691: 646: 590:. Three months before 579: 567: 534:, shot on location in 525:Motion Picture Classic 439: 418:Motion Picture Classic 325: 318: 6453:Giles, Laini (2017). 4335:Charleston Daily Mail 4208:(December 24, 1950). 4026:. Library of Congress 3961:The Los Angeles Times 3909:The Los Angeles Times 3838:The Los Angeles Times 3819:The Los Angeles Times 3639:The Los Angeles Times 3635:"Many Drift Eastward" 3445:The Morning Telegraph 3364:The Los Angeles Times 3083:The San Antonio Light 2273:Explanatory footnotes 2155:The Dagger of Amon Ra 2149:The Colonel's Bequest 2056:'s cartoon character 2043:Clara Bow filmography 1886: 1821:Truth or Consequences 1816:Hollywood Plaza Hotel 1794: 1726: 1654:wanted her services. 1636: 1478: 1311: 1209: 1195: 1177: 1051:, which had formed a 988: 947:Daughters of Pleasure 932: 924:The Los Angeles Times 897: 819: 712: 573: 562: 316: 6382:. New York: Putnam. 6203:. New York: Viking. 5915:Metuchen, New Jersey 5101:Nevada State Journal 5030:History of Yesterday 4962:(7). forejustice.org 4929:Los Angeles Magazine 4835:"The Favorites Pick" 4749:, November 26, 1927. 4672:(February 7, 1927). 3959:. Stage and Screen. 3907:. Stage and Screen. 3862:The Kansas City Star 3836:. Stage and Screen. 3817:. Stage and Screen. 3637:. Stage and Screen. 3414:, February 29, 1924. 3289:, November 28, 1923. 3140:(San Antonio, Texas) 3110:(San Antonio, Texas) 2943:United States census 2558:United States census 2268:Notes and references 2236:Fictional portrayals 2011:motion pictures star 1976:The Parade's Gone By 1917:Glendale, California 1708:. The October 1934, 1682:Fox Film Corporation 1537:half-sing, half-talk 1178:Bow as "Kittens" in 790:'s 1923 best seller 758:Famous Players–Lasky 420:, the contest jury, 6583:virtual-history.com 5806:. New York: Knopf. 5500:Kaufman et al. 1963 5163:(February 18, 1932) 5091:(December 12, 1931) 4695:, February 13, 1927 4337:, January 24, 1926. 4109:The Toledo News-Bee 3487:, September 9, 1923 3437:Parsons, Louella O. 2146:in the video games 1808:lieutenant governor 1750:Paramount on Parade 1549:Paramount on Parade 1332:Children of Divorce 1269:'s comedy-triangle 1001:Library of Congress 904:The Perfect Flapper 832:to her chest; with 750:Hollywood Boulevard 629:F. Scott Fitzgerald 6562:TCM Movie Database 6157:. TCM film guide. 5995:Koszarski, Richard 5949:Kaufman, George S. 4845:(1). Chicago: 46. 4806:(5). Chicago: 29. 4680:The New York Times 4527:. April 12, 1926. 4462:, pp. 157–58. 4361:Southeast Missouri 4259:(March 25, 1980). 4157:The New York Times 4137:The New York Times 3620:The New York Times 3499:"Hollywood Gossip" 2990:1920 Olympic Games 2861:Berkin et al. 2003 2630:The New York Times 2593:. February 7, 2024 2502:. November 4, 2000 2241:Bow was played by 2048:In popular culture 1897: 1800: 1728: 1639: 1487: 1379:The New York Times 1320: 1218: 1204: 1190: 1148:compared Bow to a 1137:Paramount Pictures 1079:Paramount Pictures 1075:associate producer 1004: 939: 900: 841: 754:Preferred Pictures 734: 705:Preferred Pictures 580: 568: 508:Early silent films 498:Beyond the Rainbow 466:Bow undercover in 449:Beyond the Rainbow 446:, who cast her in 319: 267:at the age of 60. 257:. Her final film, 90:September 27, 1965 79:Brooklyn, New York 6336:(6): 38–40, 106. 6324:(December 1930). 6210:978-0-670-03837-4 6176:978-0-8118-5248-7 6097:978-0-9786465-7-8 6012:978-0-8135-4552-3 5932:978-0-8108-2468-3 5802:Lulu in Hollywood 5715:978-0-307-83154-5 5698:Basinger, Jeanine 5175:The Family Circle 5128:San Antonio Light 4570:Los Angeles Times 4514:, August 13, 1926 4502:, March 24, 1926. 4450:, April 27, 1952. 4351:, August 2, 1926. 3977:(July 29, 2015). 3955:(June 17, 1924). 3893:, pp. 15–18. 3439:(July 22, 1923). 3138:San Antonio Light 3108:San Antonio Light 3075:(May–June 1931). 2972:(June 24, 1920). 2847:Los Angeles Times 2377:Exhibitors Herald 2248:Return to Babylon 2161:On July 5, 2016, 2004:Awards and honors 1743: 1567:Her Wedding Night 1541:Maurice Chevalier 1426:Ladies of the Mob 1338:Rough House Rosie 1199:Rough House Rosie 980:Los Angeles Times 943:Poisoned Paradise 908:Los Angeles Times 846:Los Angeles Times 788:Gertrude Atherton 780:Poisoned Paradise 663:Astoria, New York 588:WAMPAS Baby Stars 175: 174: 132:Years active 16:(Redirected from 6709: 6619: 6618: 6617: 6607: 6606: 6605: 6598: 6568: 6554: 6534:Clara Bow papers 6523: 6504: 6480: 6468: 6449: 6436: 6416: 6399: 6369: 6345: 6317: 6291: 6271: 6260: 6222: 6202: 6188: 6147: 6127: 6118:Bernstein, Arnie 6109: 6089: 6078: 6055: 6035: 6024: 6004: 5990: 5970: 5957:Gershwin, George 5944: 5905:Jacobson, Arthur 5900: 5856: 5836: 5825: 5805: 5791: 5771: 5757: 5727: 5707: 5683: 5682: 5680: 5678: 5663: 5657: 5656: 5654: 5652: 5641: 5635: 5634: 5619: 5613: 5612: 5610: 5608: 5593: 5587: 5586: 5584: 5582: 5568: 5562: 5561: 5559: 5557: 5546: 5540: 5539: 5525: 5519: 5513: 5507: 5497: 5491: 5485: 5479: 5478: 5460: 5454: 5453: 5451: 5449: 5435: 5429: 5426: 5420: 5412: 5406: 5398: 5392: 5391: 5383: 5377: 5376: 5356: 5350: 5344: 5338: 5328: 5319: 5318: 5316: 5314: 5302: 5296: 5290: 5284: 5283: 5281: 5279: 5268: 5262: 5261: 5245: 5235: 5226: 5225: 5223: 5221: 5204: 5195: 5189: 5183: 5182: 5170: 5164: 5158: 5152: 5149: 5143: 5137: 5131: 5125: 5119: 5113: 5104: 5098: 5092: 5086: 5080: 5074: 5068: 5067: 5065: 5063: 5048: 5042: 5041: 5039: 5037: 5021: 5015: 5014: 5012: 5010: 4994: 4988: 4978: 4972: 4971: 4969: 4967: 4947: 4941: 4940: 4938: 4936: 4919: 4913: 4912:, September 1930 4906: 4895: 4885: 4879: 4869: 4863: 4862: 4830: 4824: 4823: 4791: 4782: 4772: 4766: 4756: 4750: 4744: 4738: 4727: 4721: 4715: 4709: 4702: 4696: 4690: 4684: 4683: 4677: 4666: 4660: 4657:The Reel Journal 4653: 4647: 4641: 4635: 4634: 4607: 4601: 4595: 4589: 4579: 4573: 4567: 4561: 4560: 4558: 4556: 4539: 4533: 4532: 4521: 4515: 4509: 4503: 4497: 4491: 4485: 4479: 4469: 4463: 4457: 4451: 4444: 4438: 4435: 4426: 4420: 4411: 4410: 4382: 4376: 4370: 4364: 4363:, June 24, 1925. 4358: 4352: 4344: 4338: 4332: 4326: 4325:, July 10, 1926. 4323:The Reel Journal 4319: 4313: 4312: 4285: 4279: 4278: 4261:"Star treatment" 4249: 4240: 4239: 4213: 4202: 4193: 4183: 4177: 4167: 4161: 4160: 4154: 4147: 4141: 4140: 4134: 4127: 4121: 4120: 4101: 4090: 4084: 4078: 4077: 4042: 4036: 4035: 4033: 4031: 4016: 4010: 4000: 3994: 3993: 3991: 3989: 3971: 3965: 3964: 3949: 3943: 3942: 3931: 3925: 3924:, April 24, 1924 3919: 3913: 3912: 3900: 3894: 3888: 3882: 3881: 3853: 3842: 3841: 3829: 3823: 3822: 3810: 3804: 3803: 3801: 3799: 3794: 3785: 3769: 3763: 3762: 3757: 3755: 3744: 3738: 3728: 3722: 3716: 3710: 3700: 3694: 3688: 3682: 3681: 3649: 3643: 3642: 3630: 3624: 3623: 3617: 3609: 3603: 3602: 3588: 3581: 3575: 3561: 3555: 3549: 3543: 3542: 3540: 3538: 3522: 3516: 3515: 3501: 3494: 3488: 3482: 3473: 3463: 3457: 3456: 3433: 3427: 3421: 3415: 3409: 3403: 3402: 3400: 3398: 3386: 3380: 3374: 3368: 3367: 3356: 3350: 3349: 3325: 3319: 3318: 3304: 3296: 3290: 3284: 3278: 3277: 3263: 3256: 3250: 3249: 3230: 3224: 3223: 3203: 3197: 3191: 3185: 3179: 3173: 3163: 3157: 3154: 3148: 3146: 3129:Parsons, Louella 3124: 3118: 3116: 3099:Parsons, Louella 3094: 3080: 3073:Parsons, Louella 3066: 3045: 3039: 3033: 3023: 3017: 3007: 3001: 2987: 2985: 2983: 2977: 2966: 2960: 2959: 2953: 2946: 2934: 2928: 2927: 2924:The Boston Globe 2915: 2909: 2895: 2884: 2874: 2868: 2858: 2852: 2851: 2837: 2831: 2821: 2815: 2805: 2799: 2793: 2787: 2777: 2768: 2767: 2765: 2763: 2754:. 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Doran 1555:True to the Navy 1502:Dangerous Curves 1298:The Reel Journal 916: 826:(1923), holding 613:The Daring Years 607:The Pill Pounder 597:Enemies of Women 503: 481: 463: 393: 381: 364: 361: 357: 275:Bow was born in 217:Roaring Twenties 196: 195: 192: 191: 188: 178:Clara Gordon Bow 161: 159: 116:Other names 93: 74: 72: 65:Clara Gordon Bow 53: 39: 32:Clara Bow (song) 21: 18:Clara Gordon Bow 6717: 6716: 6712: 6711: 6710: 6708: 6707: 6706: 6627: 6626: 6625: 6615: 6613: 6603: 6601: 6593: 6530: 6520: 6507: 6493: 6471: 6465: 6452: 6439: 6433: 6421:. Hanover, NH: 6410: 6407: 6405:Further reading 6402: 6372: 6366: 6348: 6320: 6294: 6280: 6263: 6249: 6227:Schulberg, Budd 6225: 6211: 6191: 6177: 6167:Chronicle Books 6150: 6136: 6112: 6098: 6081: 6075: 6065:Delacorte Press 6058: 6044: 6027: 6013: 5993: 5979: 5953:Ryskind, Morrie 5947: 5933: 5919:Scarecrow Press 5903: 5859: 5845: 5828: 5814: 5794: 5780: 5760: 5746: 5730: 5716: 5696: 5692: 5687: 5686: 5676: 5674: 5665: 5664: 5660: 5650: 5648: 5643: 5642: 5638: 5621: 5620: 5616: 5606: 5604: 5595: 5594: 5590: 5580: 5578: 5570: 5569: 5565: 5555: 5553: 5548: 5547: 5543: 5527: 5526: 5522: 5514: 5510: 5498: 5494: 5486: 5482: 5475: 5462: 5461: 5457: 5447: 5445: 5437: 5436: 5432: 5427: 5423: 5413: 5409: 5399: 5395: 5385: 5384: 5380: 5373: 5358: 5357: 5353: 5345: 5341: 5329: 5322: 5312: 5310: 5304: 5303: 5299: 5291: 5287: 5277: 5275: 5270: 5269: 5265: 5258: 5237: 5236: 5229: 5219: 5217: 5206: 5205: 5198: 5190: 5186: 5172: 5171: 5167: 5159: 5155: 5150: 5146: 5138: 5134: 5126: 5122: 5114: 5107: 5103:(June 17, 1931) 5099: 5095: 5087: 5083: 5075: 5071: 5061: 5059: 5057:Washington Post 5050: 5049: 5045: 5035: 5033: 5023: 5022: 5018: 5008: 5006: 4996: 4995: 4991: 4979: 4975: 4965: 4963: 4950:Sherrer, Hans. 4949: 4948: 4944: 4934: 4932: 4921: 4920: 4916: 4907: 4898: 4886: 4882: 4870: 4866: 4832: 4831: 4827: 4796:"Empty hearted" 4793: 4792: 4785: 4773: 4769: 4757: 4753: 4745: 4741: 4728: 4724: 4716: 4712: 4703: 4699: 4691: 4687: 4668: 4667: 4663: 4654: 4650: 4642: 4638: 4609: 4608: 4604: 4596: 4592: 4580: 4576: 4572:, July 15, 1926 4568: 4564: 4554: 4552: 4541: 4540: 4536: 4523: 4522: 4518: 4510: 4506: 4498: 4494: 4486: 4482: 4470: 4466: 4458: 4454: 4445: 4441: 4436: 4429: 4421: 4414: 4384: 4383: 4379: 4371: 4367: 4359: 4355: 4345: 4341: 4333: 4329: 4320: 4316: 4287: 4286: 4282: 4257:Brownlow, Kevin 4251: 4250: 4243: 4204: 4203: 4196: 4184: 4180: 4168: 4164: 4149: 4148: 4144: 4129: 4128: 4124: 4103: 4102: 4093: 4085: 4081: 4044: 4043: 4039: 4029: 4027: 4024:American Memory 4018: 4017: 4013: 4001: 3997: 3987: 3985: 3973: 3972: 3968: 3953:Kingsley, Grace 3951: 3950: 3946: 3933: 3932: 3928: 3920: 3916: 3902: 3901: 3897: 3889: 3885: 3855: 3854: 3845: 3831: 3830: 3826: 3812: 3811: 3807: 3797: 3795: 3792: 3787: 3771: 3770: 3766: 3753: 3751: 3746: 3745: 3741: 3729: 3725: 3717: 3713: 3701: 3697: 3689: 3685: 3651: 3650: 3646: 3632: 3631: 3627: 3611: 3610: 3606: 3583: 3582: 3578: 3562: 3558: 3550: 3546: 3536: 3534: 3524: 3523: 3519: 3496: 3495: 3491: 3483: 3476: 3464: 3460: 3435: 3434: 3430: 3422: 3418: 3410: 3406: 3396: 3394: 3388: 3387: 3383: 3375: 3371: 3358: 3357: 3353: 3327: 3326: 3322: 3298: 3297: 3293: 3285: 3281: 3258: 3257: 3253: 3232: 3231: 3227: 3205: 3204: 3200: 3192: 3188: 3180: 3176: 3164: 3160: 3144: 3142: 3127: 3114: 3112: 3097: 3071: 3067: 3048: 3044:April 29, 1921. 3042:Fort Wayne News 3040: 3036: 3024: 3020: 3008: 3004: 2981: 2979: 2968: 2967: 2963: 2948: 2936: 2935: 2931: 2917: 2916: 2912: 2896: 2887: 2875: 2871: 2859: 2855: 2839: 2838: 2834: 2822: 2818: 2806: 2802: 2794: 2790: 2778: 2771: 2761: 2759: 2746: 2745: 2741: 2733: 2729: 2721: 2717: 2705: 2698: 2679: 2638: 2623: 2622: 2618: 2610: 2606: 2596: 2594: 2583: 2582: 2578: 2563: 2551: 2550: 2543: 2535: 2531: 2519: 2515: 2505: 2503: 2494: 2493: 2489: 2479: 2477: 2467: 2466: 2462: 2452: 2450: 2440: 2439: 2435: 2423: 2419: 2397: 2396: 2392: 2371: 2370: 2363: 2351: 2347: 2335: 2331: 2323: 2316: 2304: 2300: 2295: 2290: 2289: 2284: 2280: 2275: 2270: 2238: 2195:'s debut album 2076:George Gershwin 2050: 2045: 2039: 2006: 1984:Dancing Mothers 1970:Film historian 1951:Film historian 1949: 1909:atherosclerosis 1881: 1857:Shock treatment 1840: 1837: 1830: 1789: 1767: 1766: 1758: 1756: 1755: 1754: 1753: 1746: 1739: 1736: 1729: 1723: 1687:Call Her Savage 1678:Irving Thalberg 1517:Charlie Chaplin 1513:Brooklyn accent 1482:Call Her Savage 1473: 1438:Three Week-Ends 1277:Ernest Torrence 1255:Dancing Mothers 1237:Dancing Mothers 1181:Dancing Mothers 1157:William Wellman 1139: 1098:The Plastic Age 914: 885:The Swamp Angel 739:B. P. Schulberg 707: 672:Louella Parsons 633:Arthur Jacobson 510: 501: 493: 492: 491: 490: 489: 482: 474: 473: 464: 444:Christy Cabanne 430:Harrison Fisher 406: 401: 400: 399: 398: 397: 394: 386: 385: 382: 371: 362: 273: 185: 181: 163: 155: 151: 148: 119:"The 'It' Girl" 101: 95: 91: 82: 76: 70: 68: 67: 66: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 6715: 6713: 6705: 6704: 6699: 6694: 6689: 6684: 6679: 6674: 6669: 6664: 6659: 6654: 6649: 6644: 6639: 6629: 6628: 6624: 6623: 6611: 6591: 6590: 6584: 6578: 6572:Clara Bow Page 6569: 6555: 6540: 6529: 6528:External links 6526: 6525: 6524: 6518: 6505: 6491: 6469: 6464:978-0994734945 6463: 6450: 6437: 6431: 6406: 6403: 6401: 6400: 6370: 6364: 6346: 6318: 6292: 6279:978-0313331459 6278: 6261: 6247: 6223: 6209: 6189: 6175: 6148: 6134: 6114:Sandburg, Carl 6110: 6096: 6079: 6073: 6056: 6042: 6025: 6011: 5991: 5977: 5945: 5931: 5901: 5857: 5843: 5826: 5812: 5796:Brooks, Louise 5792: 5778: 5758: 5745:978-1258116101 5744: 5728: 5714: 5693: 5691: 5688: 5685: 5684: 5658: 5636: 5614: 5588: 5572:"50 Foot Wave" 5563: 5541: 5520: 5518:, p. 238. 5508: 5492: 5488:Sarvady (2006) 5480: 5473: 5455: 5430: 5421: 5407: 5393: 5378: 5372:978-0786409839 5371: 5351: 5349:, p. 276. 5339: 5320: 5297: 5295:, p. 256. 5285: 5263: 5257:978-0415946766 5256: 5227: 5196: 5194:, p. 250. 5184: 5165: 5153: 5144: 5142:, p. 265. 5132: 5120: 5118:, p. 259. 5105: 5093: 5081: 5079:, p. 231. 5069: 5043: 5016: 4989: 4973: 4942: 4914: 4896: 4880: 4864: 4825: 4783: 4767: 4751: 4747:The New Yorker 4739: 4730:Clara Bow Peep 4722: 4720:, p. 340. 4710: 4697: 4693:The Film Daily 4685: 4670:Hall, Mordaunt 4661: 4648: 4646:, p. 308. 4636: 4602: 4600:, July 1, 1926 4590: 4574: 4562: 4534: 4516: 4504: 4492: 4490:, p. 297. 4480: 4472:Koszarski 2008 4464: 4460:Schulberg 1981 4452: 4439: 4427: 4412: 4377: 4375:, p. 375. 4365: 4353: 4339: 4327: 4314: 4280: 4241: 4194: 4178: 4162: 4142: 4122: 4091: 4079: 4037: 4011: 3995: 3966: 3944: 3926: 3914: 3895: 3883: 3843: 3824: 3805: 3764: 3739: 3723: 3711: 3695: 3683: 3644: 3625: 3604: 3576: 3556: 3554:, p. 100. 3552:Schulberg 1981 3544: 3517: 3489: 3474: 3458: 3428: 3416: 3404: 3381: 3369: 3351: 3320: 3307:Kokomo Tribune 3291: 3279: 3266:Kokomo Tribune 3251: 3238:The Daily News 3225: 3198: 3196:, p. 9–?. 3186: 3174: 3158: 3156: 3155: 3125: 3095: 3046: 3034: 3018: 3002: 2961: 2929: 2910: 2885: 2869: 2853: 2832: 2816: 2808:St. Johns 1930 2800: 2788: 2769: 2758:on May 5, 2009 2739: 2727: 2715: 2696: 2636: 2616: 2604: 2576: 2541: 2529: 2513: 2487: 2460: 2433: 2417: 2404:Press-Telegram 2390: 2361: 2345: 2329: 2327:, p. 283. 2314: 2297: 2296: 2294: 2291: 2288: 2287: 2277: 2276: 2274: 2271: 2269: 2266: 2265: 2264: 2252: 2243:Jennifer Tilly 2237: 2234: 2233: 2232: 2215: 2202: 2189: 2176: 2171:'s biography, 2159: 2140: 2127: 2112:drug addiction 2091:Coast Reporter 2085: 2081:Of Thee I Sing 2072: 2065: 2049: 2046: 2041:Main article: 2038: 2035: 2034: 2033: 2022: 2005: 2002: 1972:Kevin Brownlow 1953:Leonard Maltin 1948: 1945: 1880: 1877: 1873:hallucinations 1835: 1829: 1826: 1802:Bow and actor 1798:magazine, 1934 1788: 1785: 1757: 1747: 1737: 1732: 1731: 1730: 1721: 1720: 1719: 1620:David Selznick 1574:in 1930. With 1528:The Wild Party 1496:The Wild Party 1472: 1469: 1432:The Fleet's In 1400:Dorothy Parker 1390:The Film Daily 1371:Antonio Moreno 1303:Gloria Swanson 1267:Victor Fleming 1165:Budd Schulberg 1146:Victor Fleming 1138: 1135: 1131:Gilbert Roland 1103:Pomona College 1017:social decorum 881:Painted People 802:Painted People 762:United Artists 706: 703: 557: 556: 553: 550: 543: 509: 506: 483: 476: 475: 465: 458: 457: 456: 455: 454: 405: 402: 395: 388: 387: 383: 376: 375: 374: 373: 372: 370: 367: 272: 269: 173: 172: 169: 165: 164: 153: 149: 144: 143: 141: 137: 136: 133: 129: 128: 125: 121: 120: 117: 113: 112: 107: 103: 102: 96: 94:(aged 60) 88: 84: 83: 77: 64: 62: 58: 57: 54: 46: 45: 42: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6714: 6703: 6700: 6698: 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6675: 6673: 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6648: 6645: 6643: 6640: 6638: 6635: 6634: 6632: 6622: 6612: 6610: 6600: 6596: 6588: 6585: 6582: 6579: 6577: 6573: 6570: 6567: 6563: 6559: 6556: 6553: 6548: 6544: 6541: 6539: 6535: 6532: 6531: 6527: 6521: 6519:0-8109-8228-5 6515: 6511: 6506: 6502: 6498: 6494: 6492:0-385-12054-0 6488: 6484: 6479: 6474: 6470: 6466: 6460: 6456: 6451: 6447: 6446:Gadfly Online 6443: 6438: 6434: 6428: 6424: 6420: 6415: 6409: 6408: 6404: 6397: 6393: 6389: 6385: 6381: 6380: 6375: 6374:Zukor, Adolph 6371: 6367: 6365:9781461660910 6361: 6357: 6356: 6351: 6347: 6343: 6339: 6335: 6331: 6327: 6323: 6319: 6315: 6311: 6307: 6306: 6301: 6297: 6293: 6289: 6285: 6281: 6275: 6270: 6269: 6262: 6258: 6254: 6250: 6248:9780812828177 6244: 6240: 6239:Stein and Day 6236: 6235:New York City 6232: 6228: 6224: 6220: 6216: 6212: 6206: 6201: 6200: 6194: 6190: 6186: 6182: 6178: 6172: 6168: 6164: 6160: 6159:San Francisco 6156: 6155: 6149: 6145: 6141: 6137: 6135:1-893121-05-4 6131: 6126: 6125: 6119: 6115: 6111: 6107: 6103: 6099: 6093: 6088: 6087: 6080: 6076: 6074:0-440-14068-4 6070: 6066: 6062: 6057: 6053: 6049: 6045: 6043:0-313-00692-X 6039: 6034: 6033: 6026: 6022: 6018: 6014: 6008: 6003: 6002: 5996: 5992: 5988: 5984: 5980: 5978:9780573680373 5974: 5969: 5968: 5962: 5961:Gershwin, Ira 5958: 5954: 5950: 5946: 5942: 5938: 5934: 5928: 5924: 5920: 5916: 5912: 5911: 5906: 5902: 5898: 5894: 5890: 5886: 5882: 5878: 5874: 5870: 5866: 5862: 5861:Gammel, Irene 5858: 5854: 5850: 5846: 5844:0-313-06222-6 5840: 5835: 5834: 5827: 5823: 5819: 5815: 5809: 5804: 5803: 5797: 5793: 5789: 5785: 5781: 5779:9780618190683 5775: 5770: 5769: 5763: 5762:Berkin, Carol 5759: 5755: 5751: 5747: 5741: 5737: 5733: 5729: 5725: 5721: 5717: 5711: 5706: 5705: 5699: 5695: 5694: 5689: 5673: 5669: 5662: 5659: 5647: 5640: 5637: 5632: 5628: 5624: 5618: 5615: 5603: 5599: 5592: 5589: 5577: 5573: 5567: 5564: 5552: 5545: 5542: 5538: 5534: 5530: 5524: 5521: 5517: 5512: 5509: 5505: 5501: 5496: 5493: 5490:, p. 31. 5489: 5484: 5481: 5476: 5474:1-56025-643-5 5470: 5466: 5459: 5456: 5444: 5440: 5434: 5431: 5425: 5422: 5419: 5416: 5411: 5408: 5405: 5402: 5397: 5394: 5389: 5382: 5379: 5374: 5368: 5365:. McFarland. 5364: 5363: 5355: 5352: 5348: 5343: 5340: 5336: 5332: 5327: 5325: 5321: 5308: 5301: 5298: 5294: 5289: 5286: 5273: 5267: 5264: 5259: 5253: 5249: 5244: 5243: 5234: 5232: 5228: 5216: 5215: 5210: 5203: 5201: 5197: 5193: 5188: 5185: 5180: 5176: 5173:"Clara Bow". 5169: 5166: 5162: 5157: 5154: 5148: 5145: 5141: 5136: 5133: 5129: 5124: 5121: 5117: 5112: 5110: 5106: 5102: 5097: 5094: 5090: 5085: 5082: 5078: 5073: 5070: 5058: 5054: 5047: 5044: 5031: 5027: 5020: 5017: 5004: 5000: 4993: 4990: 4986: 4982: 4977: 4974: 4961: 4957: 4953: 4946: 4943: 4931: 4930: 4925: 4918: 4915: 4911: 4905: 4903: 4901: 4897: 4893: 4889: 4884: 4881: 4877: 4873: 4868: 4865: 4860: 4856: 4852: 4848: 4844: 4840: 4836: 4829: 4826: 4821: 4817: 4813: 4809: 4805: 4801: 4797: 4790: 4788: 4784: 4780: 4776: 4771: 4768: 4764: 4760: 4755: 4752: 4748: 4743: 4740: 4737: 4736: 4731: 4726: 4723: 4719: 4718:Sandburg 2000 4714: 4711: 4707: 4701: 4698: 4694: 4689: 4686: 4681: 4676: 4671: 4665: 4662: 4658: 4652: 4649: 4645: 4644:Sandburg 2000 4640: 4637: 4632: 4628: 4624: 4620: 4616: 4612: 4606: 4603: 4599: 4594: 4591: 4587: 4583: 4578: 4575: 4571: 4566: 4563: 4551: 4550: 4545: 4538: 4535: 4530: 4526: 4520: 4517: 4513: 4508: 4505: 4501: 4496: 4493: 4489: 4484: 4481: 4477: 4473: 4468: 4465: 4461: 4456: 4453: 4449: 4448:Lowell Sunday 4443: 4440: 4434: 4432: 4428: 4425:, p. 16. 4424: 4419: 4417: 4413: 4408: 4404: 4400: 4396: 4392: 4388: 4381: 4378: 4374: 4369: 4366: 4362: 4357: 4354: 4350: 4349: 4343: 4340: 4336: 4331: 4328: 4324: 4318: 4315: 4310: 4306: 4302: 4298: 4294: 4290: 4284: 4281: 4276: 4272: 4268: 4267: 4262: 4258: 4254: 4248: 4246: 4242: 4237: 4233: 4229: 4225: 4221: 4217: 4212: 4207: 4201: 4199: 4195: 4191: 4187: 4182: 4179: 4175: 4171: 4166: 4163: 4158: 4153: 4146: 4143: 4138: 4133: 4126: 4123: 4118: 4114: 4110: 4106: 4100: 4098: 4096: 4092: 4088: 4083: 4080: 4075: 4071: 4067: 4063: 4059: 4055: 4051: 4048:(June 1925). 4047: 4041: 4038: 4025: 4021: 4015: 4012: 4008: 4004: 4003:Sandburg 2000 3999: 3996: 3984: 3980: 3976: 3970: 3967: 3962: 3958: 3954: 3948: 3945: 3940: 3936: 3930: 3927: 3923: 3918: 3915: 3910: 3906: 3899: 3896: 3892: 3887: 3884: 3879: 3875: 3871: 3867: 3863: 3859: 3852: 3850: 3848: 3844: 3839: 3835: 3828: 3825: 3820: 3816: 3809: 3806: 3791: 3786:Reprinted in 3783: 3779: 3775: 3768: 3765: 3761: 3749: 3743: 3740: 3736: 3732: 3727: 3724: 3721:, p. 17. 3720: 3715: 3712: 3708: 3704: 3699: 3696: 3693:, p. 59. 3692: 3687: 3684: 3679: 3675: 3671: 3667: 3663: 3659: 3655: 3648: 3645: 3640: 3636: 3629: 3626: 3621: 3616: 3608: 3605: 3600: 3596: 3592: 3587: 3580: 3577: 3573: 3569: 3565: 3560: 3557: 3553: 3548: 3545: 3533: 3532: 3531:Biography.com 3527: 3521: 3518: 3513: 3509: 3505: 3500: 3493: 3490: 3486: 3481: 3479: 3475: 3471: 3467: 3462: 3459: 3454: 3450: 3446: 3442: 3438: 3432: 3429: 3426:, p. 47. 3425: 3420: 3417: 3413: 3408: 3405: 3393:. WOWT 6 News 3392: 3385: 3382: 3379:, p. 45. 3378: 3373: 3370: 3365: 3361: 3355: 3352: 3347: 3343: 3339: 3335: 3331: 3324: 3321: 3316: 3312: 3308: 3303: 3295: 3292: 3288: 3283: 3280: 3275: 3271: 3267: 3262: 3255: 3252: 3247: 3243: 3239: 3235: 3229: 3226: 3221: 3217: 3213: 3209: 3202: 3199: 3195: 3190: 3187: 3184:, p. 39. 3183: 3178: 3175: 3171: 3167: 3162: 3159: 3152: 3141: 3139: 3134: 3131:(June 1931). 3130: 3126: 3122: 3111: 3109: 3104: 3100: 3096: 3092: 3088: 3084: 3079: 3074: 3069: 3068: 3065: 3063: 3061: 3059: 3057: 3055: 3053: 3051: 3047: 3043: 3038: 3035: 3031: 3027: 3022: 3019: 3015: 3011: 3006: 3003: 2999: 2995: 2991: 2976: 2971: 2965: 2962: 2957: 2952: 2944: 2940: 2933: 2930: 2925: 2921: 2914: 2911: 2907: 2903: 2899: 2894: 2892: 2890: 2886: 2882: 2878: 2873: 2870: 2866: 2862: 2857: 2854: 2849: 2848: 2843: 2836: 2833: 2829: 2825: 2820: 2817: 2813: 2809: 2804: 2801: 2798:, p. 24. 2797: 2792: 2789: 2785: 2781: 2776: 2774: 2770: 2757: 2753: 2749: 2743: 2740: 2737:, p. 17. 2736: 2731: 2728: 2725:, p. 12. 2724: 2719: 2716: 2712: 2708: 2703: 2701: 2697: 2693: 2689: 2688: 2683: 2677: 2675: 2673: 2671: 2669: 2667: 2665: 2663: 2661: 2659: 2657: 2655: 2653: 2651: 2649: 2647: 2645: 2643: 2641: 2637: 2632: 2631: 2626: 2620: 2617: 2613: 2608: 2605: 2592: 2591: 2586: 2580: 2577: 2572: 2567: 2559: 2555: 2548: 2546: 2542: 2538: 2533: 2530: 2526: 2522: 2517: 2514: 2501: 2500:Las Vegas Sun 2497: 2491: 2488: 2475: 2471: 2464: 2461: 2448: 2444: 2437: 2434: 2430: 2426: 2421: 2418: 2413: 2409: 2405: 2401: 2394: 2391: 2386: 2382: 2378: 2374: 2368: 2366: 2362: 2358: 2354: 2353:Basinger 1993 2349: 2346: 2342: 2338: 2333: 2330: 2326: 2321: 2319: 2315: 2311: 2307: 2302: 2299: 2292: 2282: 2279: 2272: 2267: 2262: 2261: 2256: 2255:Margot Robbie 2253: 2250: 2249: 2244: 2240: 2239: 2235: 2230: 2227:, is titled " 2226: 2225: 2220: 2216: 2213: 2212: 2207: 2203: 2200: 2199: 2194: 2190: 2187: 2186: 2181: 2177: 2174: 2170: 2166: 2165: 2160: 2157: 2156: 2151: 2150: 2145: 2141: 2138: 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