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Clarence (play)

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301:) Clarence now acts as general handyman at the Wheeler home, as well as secretary to Mr. Wheeler, since he is plainly well educated. He has grown healthier and stands straight, but still wears his uniform for lack of civilian clothes. Della and Rosie admire his husband potential, while Dinwiddie can't decide whether Clarence is domestic staff or a professional man. Violet is beset with suitors: first Bobby, then Hubert Stem, and now Clarence who shyly seeks her company. Cora is distraught when she learns Hubert was using her as a stalking horse to draw the protective Violet to him. Clarence frustrates Hubert's attempt to woo Violet then calms Mrs. Wheeler's unwarranted jealousy over Mr. Wheeler and Violet. But Violet doesn't want Clarence to pursue her, and requests he keep his distance. Della has now abandoned her designs on Bobby and switched to Clarence, as does Cora. When Clarence's army backpay arrives, he buys a new suit and used saxophone, and leads Cora and Dinwiddie into an impromptu parade. ( 287:) Mrs. Martyn suggests Mr. Wheeler might want to see a young soldier in the waiting room. At first Mr. Wheeler demurs, but as his wife, son, daughter, and daughter's governess parade through the waiting room baying out their complaints, he realizes it might be politic to offer the young doughboy a job to keep him quiet. Mr. Wheeler is impressed that Clarence could drive mules in the Army without learning to swear, thinking this may be the fellow to ride herd on his family. Mrs. Martyn, unable to hear Clarence through Cora's chattering, has recorded his surname as "Smun". All that the family knows about the plainly ailing Clarence is that he was discharged for his liver. ( 794: 29: 309: 326:?" asks Mrs. Wheeler, to which he answers "During training". Violet, Bobby, and Mr. Wheeler cannot agree on Clarence's last name, offering Moon, Smart, and Smun respectively. Hubert Stem now brings a newspaper clipping about an Army deserter named "Charles Short". Clarence frustrates him by obtuseness, but reacts angrily when accused of being Charles Short. Mr. Wheeler tries to calm him, explaining they know so little about him. Clarence shouts that all you have to do is look him up in 273: 722: 322:) Della spars with a jealous Dinwiddie, then startles Bobby by comparing him unfavorably to Clarence. She reveals Clarence used to work in a "lavatory". Violet still refuses Clarence's tenative approaches, but is reconciled with Mrs. Wheeler. Cora asks Clarence what was wrong with his liver, to which he replies he was shot in it. "At 143:
in support. It had a one-week tryout in Atlantic City during July 1919, before it premiered on Broadway during September 1919 and ran through June 1920 for 323 performances. It was the breakout role for Alfred Lunt, establishing him as a Broadway star, and for Tarkington provided proof he could write
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under any of the surnames they thought were his. Clarence explains to Della that he worked in a laboratory, not a lavatory, but she doesn't know the difference. Violet comes down with her suitcase and hat. She is leaving, but is surprised when Clarence says he is too. While they are alone Clarence
120:. It is a four-act comedy with two settings and eleven characters. The story concerns an ailing recently discharged soldier who is given a handyman job by a financial tycoon because he has overheard family gossip in the tycoon's waiting room. Tarkington wrote the play with 349:
explains that he is an entomologist, and has re-applied for his old job. He expects a letter that morning confirming the re-appointment. He overwhelms Violet with his confidence in planning their future; she is swept along in the tide. The letter arrives for
344:) The Wheeler family bickers after breakfast, Bobby and Cora endlessly sniping and aggravating Mr. Wheeler. Only Mrs. Wheeler remains calm. The crux of the matter is they can't remember the word Clarence told them. They also can't find a Clarence in 834:
closed at the Hudson Theatre on June 19, 1920, after thirty-nine weeks and 323 performances. The production went on summer hiatus until September 1920, when it played the "Subway Circuit" followed by long engagements in Philadelphia and Boston.
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is re-consulted and reveals his doctorate and other impressive credentials. Violet and Clarence depart, while the miffed Cora, frustrated in love again, swallows and says softly "Oh, Clarence". (
330:, as he is the expert on Coleoptera. The situation is defused when Dinwiddie reports a plumbing emergency. Clarence exits to stop the flooding while Mr. Wheeler calls for a dictionary. ( 398:
on Broadway. Tyler hired Lunt and was impressed. Tarkington caught Lunt's performance in Boston and wired Tyler to retain him, as Tarkington wanted to write a play built around Lunt.
421:. Both men had previously insisted Tarkington wasn't able to write a good play, despite his literary stature with novels. They pointed to his earlier solo stage efforts such as 685:
had its first performance at Nixon's Apollo Theatre in Atlantic City, New Jersey, on July 7, 1919. The local reviewer said the audience laughed from start to finish, calling
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for the thankless role of the stepmother, reminding his readers of her volunteer work entertaining American troops in France during the late war. The critic for
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a critically successful play. For the 19-year-old Helen Hayes it was another acclaimed step in her ascent to becoming the "First Lady of American Theatre".
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in support. Percy Hammond said that Robert Adams' Clarence was overwhelmed by Kelly and Gordon's Bobby and Cora. Others in the cast were Byron Beasley and
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A great deal of the dialogue centers on Clarence's mysterious background, which comes out bit by bit. Even his surname isn't known until late in the play.
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was sent to Chicago, where it opened at the Blackstone Theater on January 5, 1920. It starred Robert Adams in the title role, with Betty Murray,
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Principal cast during the Atlantic City tryout and the Broadway run. The production was on hiatus between July 13 and September 19, 1919.
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Since the collapse of Liebler & Company in 1914, Tyler had been working as a semi-independent producer in association with
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was launched in Chicago during January 1920 by producer Tyler. The play was never revived on Broadway, but was adapted for a
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as the standout performances in a strong cast, and even praised producer Tyler and director Frederick Stanhope.
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reviewer reported the "original and whimsical humor" of Tarkington's new play, superior to earlier works like
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A mistaken impression by Cora and Bobby, who didn't realize Clarence meant he already knew how to swear.
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The play was first produced by George C. Tyler, staged by Frederick Stanhope, and starred Lunt with
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The production premiered in Manhattan with five new cast members on September 20, 1919, at the
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is the best light comedy written by an American." He identified Helen Hayes, Alfred Lunt, and
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thought the play was excellent but felt a four-act comedy was too much. Charles Darnton in
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for her chatterbox schoolgirl, Phoebe Foster as Violet, and George Howell as Mr. Wheeler.
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during the Fall of 1917, at the same time as Carlisle was starring in the first season of
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is man-servant to Mr. Wheeler; he has broken with Della after seeing her kissed by Bobby.
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comedy". He also favored Hayes, Hunter, and Lunt for performing honors, but singled out
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is an older Irish-American maid at the Wheeler home, heard speaking to Della in Act II.
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is 17, flapper daughter of Mr. Wheeler by his first wife, infatuated with Hubert Stem.
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is 16, son of Mr. Wheeler by his first wife, expelled from the finest private schools.
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Living room of Mr. Wheeler's home, Englewood, New Jersey. Daytime, three weeks later
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is a spectacle-wearing soldier, recently given a medical discharge from the Army.
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is in his fifties; he controls his financial investment firm but not his family.
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is an attractive Irish-American maid, who will not let Bobby trifle with her.
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went out on strike in August, which wasn't settled until September 6, 1920.
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as "stale and mechanical", but they publicly recanted with the premiere of
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Successful plays had been made by others from Tarkington's novels, such as
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is Mr. Wheeler's efficient confidential secretary at his New York offices.
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Mr. Wheeler's office in New York, and his home in Englewood, New Jersey
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is 26, a grass widower who dates Cora but is really after Miss Pinney.
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is in her mid-twenties, tutor and chaperone-governess to Cora Wheeler.
1076:. Atlantic City, New Jersey. June 29, 1919. p. 16 – via 792: 720: 307: 271: 1174:. New York, New York. September 22, 1919. p. 11 – via 1114:. Boston, Massachusetts. August 10, 1919. p. 48 – via 785:
disagreed, saying Tarkington had made all the acts entertaining.
747:, in reversing his earlier skepticism on Tarkington plays, said " 167:
Characters are listed in order of appearance within their scope.
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Hammond, Percy (January 6, 1920). "Mr. Tarkington At His Best".
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in mind, after having seen him perform in his earlier work,
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Producer Tyler switched Hayes to the lead in a tryout of
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Darnton, Charles (September 22, 1919). "The New Plays".
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as Mr. and Mrs. Wheeler, and Miss Joe Wallace as Della.
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Woollcott, Alexander (September 22, 1919). "The Play".
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The anteroom of Mr. Wheeler's private office, New York.
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While still in its Broadway run, a second company for
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Producer George C. Tyler said in his 1934 memoir that
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is in her thirties, Mr. Wheeler's jealous second wife.
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While still in its Broadway run, a second company for
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Furnas. 1170:"New Tarkington Comedy Charming". 705:was scheduled to open at Boston's 14: 89:Discharged soldier mends problems 876:was adapted by Grant Garett and 1295:Clarence: A Comedy in Four Acts 1110:"Booth Tarkington's New Play". 1072:"Nixon's Apollo Theatre (ad)". 952:Clarence: A Comedy in Four Acts 717:Broadway premiere and reception 701:reported in early August that 1: 709:on August 30, 1919. However, 16:1919 play by Booth Tarkington 972:Tyler and Furnas, pp.260-262 669:Sep 20, 1919 - Jun 19, 1920 659:Jul 07, 1919 - Jul 12, 1919 644:Sep 20, 1919 - Jun 19, 1920 634:Jul 07, 1919 - Jul 12, 1919 621:Sep 20, 1919 - Jun 19, 1920 611:Jul 07, 1919 - Jul 12, 1919 596:Sep 20, 1919 - Jun 19, 1920 583:Sep 20, 1919 - Jun 19, 1920 571:Jul 07, 1919 - Jul 12, 1919 556:Sep 20, 1919 - Jun 19, 1920 541:Sep 20, 1919 - Jun 19, 1920 531:Jul 07, 1919 - Jul 12, 1919 518:Feb 16, 1920 - Jun 19, 1920 499:Sep 20, 1919 - Feb 14, 1920 484:Sep 20, 1919 - Jun 19, 1920 469:Jul 07, 1919 - Jun 19, 1920 1227:"Blackstone Theatre (ad)". 1339: 954:. Samuel French, New York. 711:Actors' Equity Association 950:Booth Tarkington (1920). 650: 627: 602: 562: 524: 490: 455: 452: 449: 446: 378:suggested a then unknown 26: 776:The Brooklyn Daily Eagle 993:Tyler and Furnas, p.294 984:Tyler and Furnas, p.274 508:Edward Childs Carpenter 342:Same, the next morning. 1304:. Bobbs Merrill, 1934. 1297:. Samuel French, 1920. 1093:Press of Atlantic City 804: 726: 312: 277: 796: 724: 707:Hollis Street Theatre 311: 276:Glenn Hunter as Bobby 275: 1191:Brooklyn Daily Eagle 1050:"Theatrical Notes". 931:and New York Avenue. 392:Romance and Arabella 759:Alexander Woollcott 443: 415:Alexander Woollcott 365:Original production 320:Same, that evening. 1293:Booth Tarkington. 1131:The New York Times 1008:The New York Times 882:George Archainbaud 861:William C. deMille 805: 727: 456:Notes and sources 441: 396:The Country Cousin 388:The Country Cousin 376:Alexandra Carlisle 313: 278: 126:The Country Cousin 116:is a 1919 play by 63:September 20, 1919 55:Frederick Stanhope 1210:The Evening World 916:Klaw and Erlanger 782:The Evening World 741:Ramsey Milholland 675: 674: 593:Susanne Westford 404:The Man from Home 109: 108: 78:Original language 1330: 1302:Whatever Goes Up 1281: 1280: 1268: 1259: 1258: 1246: 1237: 1236: 1224: 1218: 1217: 1205: 1199: 1198: 1186: 1180: 1179: 1167: 1158: 1157: 1145: 1139: 1138: 1126: 1120: 1119: 1112:The Boston Globe 1107: 1101: 1100: 1088: 1082: 1081: 1069: 1060: 1059: 1052:Brooklyn Citizen 1047: 1038: 1037: 1030:New York Tribune 1025: 1016: 1015: 1003: 994: 991: 985: 982: 973: 970: 955: 932: 925: 919: 912: 906: 903: 827:Broadway closing 698:The Boston Globe 641:Barlowe Borland 444: 384:Booth Tarkington 157:1937 sound movie 153:1922 silent film 118:Booth Tarkington 46:Booth Tarkington 31: 19: 1338: 1337: 1333: 1332: 1331: 1329: 1328: 1327: 1308: 1307: 1290: 1285: 1284: 1271:"Drama Notes". 1270: 1269: 1262: 1251:Chicago Tribune 1248: 1247: 1240: 1229:Chicago Tribune 1226: 1225: 1221: 1207: 1206: 1202: 1189:"The Theater". 1188: 1187: 1183: 1172:New York Herald 1169: 1168: 1161: 1147: 1146: 1142: 1128: 1127: 1123: 1109: 1108: 1104: 1090: 1089: 1085: 1071: 1070: 1063: 1049: 1048: 1041: 1027: 1026: 1019: 1005: 1004: 997: 992: 988: 983: 976: 971: 967: 949: 944:Synopsis source 941: 936: 935: 926: 922: 913: 909: 904: 900: 895: 855:was adapted by 846: 841: 829: 791: 736:New York Herald 719: 680: 666:Willard Barton 439: 427:Up From Nowhere 372: 367: 324:Château-Thierry 267: 165: 68:Place premiered 37: 17: 12: 11: 5: 1336: 1334: 1326: 1325: 1323:Broadway plays 1320: 1318:American plays 1310: 1309: 1306: 1305: 1298: 1289: 1286: 1283: 1282: 1277:Newspapers.com 1260: 1255:Newspapers.com 1238: 1233:Newspapers.com 1219: 1214:Newspapers.com 1200: 1195:Newspapers.com 1181: 1176:Newspapers.com 1159: 1154:Newspapers.com 1140: 1135:Newspapers.com 1121: 1116:Newspapers.com 1102: 1097:Newspapers.com 1083: 1078:Newspapers.com 1074:Sunday Gazette 1061: 1056:Newspapers.com 1039: 1034:Newspapers.com 1017: 995: 986: 974: 964: 963: 957: 956: 940: 937: 934: 933: 920: 907: 897: 896: 894: 891: 890: 889: 884:, and starred 880:, directed by 868: 863:, and starred 859:, directed by 857:Clara Beranger 845: 842: 840: 837: 828: 825: 790: 789:Second company 787: 731:Hudson Theatre 718: 715: 679: 676: 673: 672: 670: 667: 663: 662: 660: 657: 652: 648: 647: 645: 642: 638: 637: 635: 632: 629: 625: 624: 622: 619: 615: 614: 612: 609: 604: 600: 599: 597: 594: 591: 587: 586: 584: 581: 575: 574: 572: 569: 564: 563:Violet Pinney 560: 559: 557: 554: 549: 545: 544: 542: 539: 535: 534: 532: 529: 528:George Howell 526: 522: 521: 519: 516: 512: 511: 500: 497: 492: 488: 487: 485: 482: 477: 476:Bobby Wheeler 473: 472: 470: 467: 462: 458: 457: 454: 451: 448: 438: 435: 423:Mister Antonio 371: 368: 366: 363: 351:C. Smith, Esq. 266: 263: 262: 261: 249: 248: 242: 236: 230: 218: 217: 211: 205: 193: 192: 186: 180: 164: 161: 107: 106: 103: 99: 98: 95: 91: 90: 87: 83: 82: 79: 75: 74: 72:Hudson Theatre 69: 65: 64: 61: 60:Date premiered 57: 56: 53: 49: 48: 43: 39: 38: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1335: 1324: 1321: 1319: 1316: 1315: 1313: 1303: 1299: 1296: 1292: 1291: 1287: 1278: 1274: 1267: 1265: 1261: 1256: 1252: 1245: 1243: 1239: 1234: 1230: 1223: 1220: 1215: 1211: 1204: 1201: 1196: 1192: 1185: 1182: 1177: 1173: 1166: 1164: 1160: 1155: 1151: 1144: 1141: 1136: 1132: 1125: 1122: 1117: 1113: 1106: 1103: 1098: 1094: 1087: 1084: 1079: 1075: 1068: 1066: 1062: 1057: 1053: 1046: 1044: 1040: 1035: 1031: 1024: 1022: 1018: 1013: 1009: 1002: 1000: 996: 990: 987: 981: 979: 975: 969: 966: 962: 961: 953: 948: 947: 946: 945: 938: 930: 924: 921: 917: 911: 908: 902: 899: 892: 887: 883: 879: 875: 873: 869: 866: 862: 858: 854: 852: 848: 847: 843: 838: 836: 833: 826: 824: 822: 821:Grace Filkins 818: 814: 813:Gregory Kelly 810: 803: 799: 798:Gregory Kelly 795: 788: 786: 784: 783: 778: 777: 772: 768: 764: 760: 756: 754: 750: 746: 745:Heywood Broun 742: 738: 737: 732: 723: 716: 714: 712: 708: 704: 700: 699: 694: 692: 688: 684: 677: 671: 668: 665: 664: 661: 658: 656: 653: 649: 646: 643: 640: 639: 636: 633: 631:Frank Connor 630: 626: 623: 620: 617: 616: 613: 610: 608: 607:Jane Corcoran 605: 601: 598: 595: 592: 589: 588: 585: 582: 580: 577: 576: 573: 570: 568: 567:Phoebe Foster 565: 561: 558: 555: 553: 550: 548:Mrs. Wheeler 547: 546: 543: 540: 537: 536: 533: 530: 527: 523: 520: 517: 515:Viola Harper 514: 513: 509: 505: 501: 498: 496: 493: 491:Cora Wheeler 489: 486: 483: 481: 478: 475: 474: 471: 468: 466: 463: 460: 459: 445: 436: 434: 432: 428: 424: 420: 419:Heywood Broun 416: 412: 411: 406: 405: 399: 397: 393: 389: 385: 381: 377: 369: 364: 362: 360: 356: 352: 347: 343: 339: 335: 333: 329: 325: 321: 317: 310: 306: 304: 300: 296: 292: 290: 286: 282: 274: 270: 264: 259: 256: 255: 254: 253: 246: 243: 240: 237: 234: 231: 228: 225: 224: 223: 222: 215: 214:Violet Pinney 212: 209: 206: 203: 200: 199: 198: 197: 190: 187: 184: 183:Bobby Wheeler 181: 178: 175: 174: 173: 172: 168: 162: 160: 158: 154: 150: 145: 142: 138: 134: 129: 127: 123: 119: 115: 114: 104: 100: 96: 92: 88: 84: 80: 76: 73: 70: 66: 62: 58: 54: 50: 47: 44: 40: 35: 30: 25: 20: 1301: 1294: 1288:Bibliography 1272: 1250: 1228: 1222: 1209: 1203: 1190: 1184: 1171: 1149: 1143: 1130: 1124: 1111: 1105: 1092: 1086: 1073: 1051: 1029: 1007: 989: 968: 959: 958: 951: 943: 942: 923: 910: 901: 886:Roscoe Karns 871: 865:Wallace Reid 850: 831: 830: 808: 806: 780: 774: 762: 757: 748: 740: 734: 728: 725:Elsie MacKay 702: 696: 695: 682: 681: 655:Sidney Toler 651:Hubert Stem 590:Mrs. Martyn 579:Elsie MacKay 525:Mr. Wheeler 503: 430: 426: 422: 408: 402: 400: 395: 391: 387: 373: 358: 354: 350: 345: 341: 337: 336: 331: 327: 319: 315: 314: 302: 298: 294: 293: 288: 284: 280: 279: 268: 257: 251: 250: 244: 238: 232: 226: 220: 219: 213: 208:Mrs. Wheeler 207: 201: 195: 194: 189:Cora Wheeler 188: 182: 176: 170: 169: 166: 148: 146: 133:Elsie MacKay 130: 125: 112: 111: 110: 1012:NYTimes.com 874:(1937 film) 853:(1922 film) 839:Adaptations 817:Ruth Gordon 802:Ruth Gordon 771:Mary Boland 753:Glen Hunter 691:Helen Hayes 687:Alfred Lunt 618:Rea Martin 552:Mary Boland 538:John Flood 495:Helen Hayes 480:Glen Hunter 465:Alfred Lunt 380:Alfred Lunt 245:Hubert Stem 227:Mrs. Martyn 202:Mr. Wheeler 141:Glen Hunter 137:Helen Hayes 122:Alfred Lunt 52:Directed by 34:Alfred Lunt 1312:Categories 1273:Daily News 939:References 878:Seena Owen 628:Dinwiddie 370:Background 252:Voice Only 239:Dinnwiddie 196:Supporting 163:Characters 42:Written by 960:Citations 929:Boardwalk 461:Clarence 410:Seventeen 355:Who's Who 346:Who's Who 328:Who's Who 872:Clarence 851:Clarence 832:Clarence 809:Clarence 763:Clarence 749:Clarence 703:Clarence 683:Clarence 431:Clarence 265:Synopsis 221:Featured 177:Clarence 149:Clarence 113:Clarence 22:Clarence 1150:The Sun 359:Curtain 332:Curtain 316:Act III 303:Curtain 289:Curtain 102:Setting 86:Subject 81:English 767:Barrie 761:said " 733:. The 678:Tryout 603:Della 453:Dates 450:Actor 338:Act IV 295:Act II 155:and a 139:, and 97:Comedy 36:(1919) 893:Notes 447:Role 281:Act I 258:Rosie 233:Della 94:Genre 844:Film 815:and 800:and 437:Cast 425:and 417:and 407:and 171:Lead 506:by 504:Bab 386:'s 1314:: 1263:^ 1241:^ 1162:^ 1064:^ 1042:^ 1020:^ 998:^ 977:^ 510:. 433:. 361:) 334:) 305:) 291:) 159:. 135:, 128:. 1279:. 1257:. 1235:. 1216:. 1197:. 1178:. 1156:. 1137:. 1118:. 1099:. 1080:. 1058:. 1036:. 1014:. 918:. 888:. 867:. 340:( 318:( 297:( 283:(

Index


Alfred Lunt
Booth Tarkington
Hudson Theatre
Booth Tarkington
Alfred Lunt
Elsie MacKay
Helen Hayes
Glen Hunter
1922 silent film
1937 sound movie


Château-Thierry
Alexandra Carlisle
Alfred Lunt
Booth Tarkington
The Man from Home
Seventeen
Alexander Woollcott
Heywood Broun
Alfred Lunt
Glen Hunter
Helen Hayes
Edward Childs Carpenter
Mary Boland
Phoebe Foster
Elsie MacKay
Jane Corcoran
Sidney Toler

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