160:" and heir to a substantial estate, begins to court Arabella, Clarissa's older sister. However, she rejects him because she feels slighted by his more ardent interest in her parents' approval than in her. Lovelace quickly moves on from Arabella to Clarissa, much to the displeasure of Arabella and their brother James. Clarissa, a virtuous young lady, insists that she dislikes and distrusts the notorious Lovelace, but Arabella grows jealous of Lovelace's interest in the younger girl. James, also, dislikes Lovelace greatly because of a duel the two had once fought. These feelings combine with resentment that their grandfather had left Clarissa a piece of land and lead the siblings to be aggressive to Clarissa. The entire Harlowe family is in favour of her marrying Roger Solmes; however, Clarissa finds Solmes to be unpleasant company and does not wish to marry him, either. This makes her family suspicious of her supposed dislike of Lovelace and they begin to disbelieve her.
127:
223:
find her, and has her jailed for a few days for unpaid bills. Clarissa becomes wretched in these sordid surroundings, musing that the first part of her father's curse had been fulfilled. John
Belford discovers her whereabouts, and bails Clarissa from prison. She finds lodgings with a shopkeeper and his wife. Corresponding with Lovelace's real family, she discovers for herself the true extent of his deception. She lives in constant fear of being found by him again, as he continues to send her marriage offers through his friend, John Belford, as well as through his own family members. Clarissa is determined not to accept. She becomes dangerously ill from the stress, rarely eating, convinced that she will die soon.
47:
176:
sustained campaign of seduction, using by turns his charm to win her over, and implied menaces to frighten her into submission. But
Clarissa resists his manipulative advances, repeatedly urging him to set her at liberty or deliver her into the respectable circles of his relations. She tries to reconcile with her family, but they refuse to listen or forgive her because of the perceived betrayal of her elopement, and Clarissa is deeply shocked by her father invoking a curse upon her, that her disobedience will lead her to ruin in this world and punishment in the next.
172:
that he did not get her message. She goes in person, at the agreed night-time hour of elopement, to tell him of her reversal of decision. Lovelace forcefully compels her towards his carriage, and she at first resists. However, unbeknownst to
Clarissa, Lovelace has arranged for his servant, Joseph Leman, to make noises mimicking a disturbance in the Harlowe household. Frightened by the repercussions of being seen to be eloping with the enemy, Clarissa stops resisting Lovelace, and allows herself to be carried off by him to his lodgings.
1145:
123:, published in 1748. It tells the tragic story of a young woman, Clarissa Harlowe, whose quest for virtue is continually thwarted by her family. The Harlowes are a recently wealthy family whose preoccupation with increasing their standing in society leads to obsessive control of their daughter, Clarissa. It is considered one of the longest novels in the English language (based on estimated word count). It is generally regarded as Richardson's masterpiece.
219:
without the aid of stupefying drugs. Pretending to be angered by the discovery that she has bribed a servant to help her escape, Lovelace begins to menace
Clarissa, intending to escalate the confrontation to physical violence and then rape, but she threatens to kill herself with a pen-knife should he proceed. Utterly confounded by her righteous indignation and terrified by her willingness to die for her virtue, Lovelace retreats.
215:
despite her precarious situation as a fallen woman. She accuses him of unlawfully detaining her and insists that he set her free. He continues to claim that the impersonators really were his family members and that his crime was simply one of desperate passion. He tries to convince her to marry him, alternating between threats and professions of love. She steadfastly resists and attempts several more escapes.
183:, where the women are disguised as high-class ladies by Lovelace so as to deceive Clarissa into believing she is in respectable and safe hands. He introduces her to some of his rakehell friends, including John Belford, who becomes a genuine admirer of Clarissa's purity, beauty and intelligence. Belford urges Lovelace to give up his wicked designs against Clarissa and marry her, but Lovelace simply mocks him.
484:
1119:
187:
427:. Richardson felt that the story's morals and messages of the story failed to reach his audience properly. As such, in later editions of the novel, he attempted to make Clarissa's character appear purer while also Lovelace's character became more sinister in hopes of making his audience better understand his intentions in writing the novel.
231:
virtue and trusting in a better life after death. Belford manages
Clarissa's will and ensures that all her articles and money go into the hands of the individuals she desires should receive them. In her will, she asks that her body not be medically examined, leaving open to inference the possibility of her having been pregnant by Lovelace.
164:
Clarissa continues to communicate with Anna secretly and begins a correspondence with
Lovelace, while trying to convince her parents not to force her to marry Solmes. Neither Clarissa nor her parents will concede. They see her protests as stubborn disobedience and communication between parents and daughter breaks down.
1122:
202:
Enraged by
Clarissa's flight, Lovelace vows to seek revenge. He hunts her down to the lodgings where she is hiding and rents all the rooms around her, effectively trapping her. He hires people to impersonate his own respectable family members to gain her trust. During this time he intercepts a letter
218:
Lovelace is forced to concede that, despite the rape, Clarissa's virtue remains untarnished, but he begins to convince himself that the "trial" was not properly conducted. Since
Clarissa was drugged at the time, she could neither consent nor refuse. He decides to orchestrate a second rape, this time
214:
When
Clarissa recovers her senses, Lovelace anticipates she will finally capitulate to either living with him as his mistress, or consenting to marry him. However, he soon realises that he has failed to "subdue" her; instead she is utterly repulsed by him, refusing his now-genuine offers of marriage
163:
The
Harlowes begin restricting Clarissa's contact with the outside world by forbidding her to see Lovelace. Eventually they forbid her to either leave her room or send letters to her friend, Anna Howe, until Clarissa apologises and agrees to marry Solmes. Trapped and desperate to regain her freedom,
422:
cited it as one of his favourite novels that he "tend to re-read every year or so". The novel was well-received as it was being released. However, many readers pressured Richardson for a happy ending with a wedding between Clarissa and Lovelace. At the novel's end, many readers were upset, and some
210:
After the rape, Clarissa suffers a loss of sanity for several days, presumably brought on by her extreme distress as well as the dose of opiates administered to her. She writes a series of incoherent "mad letters" and verses, blaming herself and him for what has occurred, and begging to be admitted
198:
Lovelace continues his "trial" against Clarissa. Although he puts her under increasing pressure to submit to him, Clarissa does not waver. Under the pretense of saving her from a fire, Lovelace at last gains entry to Clarissa's bedroom but she thwarts his attempted assault with vigorous resistance.
167:
Meanwhile, through their clandestine correspondence, Lovelace pressures Clarissa into agreeing to elope with him. He has come to view her famed virtuousness as a challenge for him to conquer, bragging to his best friend John Belford that he intends to put it to "trial". He is also delighted by the
226:
Her illness progresses. She and Belford become correspondents. She appoints him executor of her will as she puts all of her affairs in order to the alarm of the people around her. Belford is amazed at the way Clarissa handles her approaching death and laments what Lovelace has done. In one of the
222:
More intent than ever to make Clarissa his wife, Lovelace is called away to attend his dying uncle from whom he is expecting to inherit an Earldom. He orders the prostitutes to keep Clarissa confined but well-treated until he returns. Clarissa escapes; however, the brothel madam sends bailiffs to
171:
Increasingly desperate, Clarissa reluctantly agrees to elope with Lovelace, but a few days before the agreed-upon date, she changes her mind. She writes to him, reneging on the plan. However, Lovelace deliberately leaves the letter untouched in its hiding place. Clarissa is distressed to discover
230:
Her father's curse still weighing heavily upon her β that she will be punished in the next world β Clarissa reaches out via letter to petition her release from it. Her father does so. Eventually, surrounded by strangers and her cousin, Col. Morden, Clarissa dies in the full consciousness of her
175:
Now in Lovelace's power, Clarissa becomes increasingly angry and afraid of his intentions. She suspects, rightly, that he wishes to seduce rather than to wed her, although he continues to claim that he loves her, often talking of marrying her, but never actually asking her to do so. He begins a
264:
of the novel. Clarissa is a young and virtuous woman who ends up falling victim to Robert Lovelace after he convinces her to run away with him and later rapes her. Feeling as though she has entirely lost the will to live after losing her virtue, Clarissa prepares herself for
206:
Eventually, he persuades Clarissa to accompany his imposter-relatives out in a carriage and thus carries her back to the disguised brothel. There, with the assistance of the prostitutes and brothel madam, he first drugs and then rapes her.
199:
She promises, under threat of rape, to forgive and marry him. However, she considers this promise made under duress as void; soon after she makes her first successful escape from Lovelace, concealing herself in lodgings in Hampstead.
111:
Clarissa; or, The History of a Young Lady: Comprehending the Most Important Concerns of Private Life. And Particularly Shewing, the Distresses that May Attend the Misconduct Both of Parents and Children, In Relation to
278:
John Belford: A close friend of Mr. Lovelace whom he writes to during the course of the story. However, as the story progresses, he slowly begins to side with Clarissa instead of Mr. Lovelace.
126:
245:
Clarissa's relatives finally realise they have been wrong but it comes too late. They discover Clarissa has already died. The story ends with an account of the fate of the other characters.
756:
Sarah Fielding, "Remarks on 'Clarissa'", introduction by Peter Sabor (Augustan Reprint Society, 231β232). Facsimile reprint 1749 (Los Angeles: William Andrews Clark Memorial Library, 1985).
423:
even wrote alternative endings for the story with a happier conclusion. Some of the most well-known ones included happier alternative endings written by two sisters Lady Bradshaigh and
1175:
1045:
Townsend, Alex, Autonomous Voices: An Exploration of Polyphony in the Novels of Samuel Richardson, 2003, Oxford, Bern, Berlin, Bruxelles, Frankfurt/M., New York, Wien, 2003,
1030:
Krake, Astrid (2006). "He could go no farther: The Rape of Clarissa in 18th-Century Translations". In Cointre, Annie; Lautel-Ribstein, Florence; Rivara, Annie (eds.).
272:
of the story and pursuer of Clarissa. Mr. Lovelace is seen as a vile and selfish character who refuses to stop lusting after Clarissa until he gets what he wants.
1195:
275:
Anne Howe: Clarissa's best friend to whom she continuously writes throughout the course of the story. Anne serves as Clarissa's confidant as the story progresses.
242:
and arrange a duel. Morden is slightly injured in the duel, but Lovelace dies of his injuries the following day. Before dying he says "let this expiate!"
203:
to Clarissa from Anna Howe warning her of true extent of his deception and roguery. He commits forgery to put an end to the communication between them.
238:
on behalf of his cousin. He responds that he is not able to accept threats against himself and arranges an encounter with Col. Morden. They meet in
234:
Lovelace departs for Europe and continues to correspond with Belford. Lovelace learns that Col. Morden has suggested he might seek Lovelace and
853:(Cambridge: Cambridge Univ. Press, 1992). Probably the most important book-length study of Richardson after the first wave of Kinkead-Weakes,
1054:
1050:
1031:
687:
1180:
1165:
519:
227:
many letters sent to Lovelace, he writes, "if the divine Clarissa asks me to slit thy throat, Lovelace, I shall do it in an instance".
634:
46:
186:
604:
418:
is generally regarded by critics to be among the masterpieces of eighteenth-century European literature. Influential critic
942:
566:
1010:
886:
964:
868:
818:
650:
Sabor, Peter (2017). "Rewriting Clarissa: Alternative Endings by Lady Echlin, Lady Bradshaigh, and Samuel Richardson".
1190:
953:
512:
211:
to an asylum to die in peace. (Her temporary insanity is creatively represented by the use of scattered typography.)
1185:
1170:
31:
469:
179:
Lovelace keeps Clarissa his prisoner for many months. She is held at several lodgings, including unknowingly a
934:
Joy Kyunghae Lee, "The Commodification of Virtue: Chastity and the Virginal Body in Richardson's 'Clarissa'",
540:
497:
424:
882:, ed. Christa Fell and James Leith (Edmonton: Academic Printing & Publishing, 1992), pp. 89β98.
714:
1096:
800:
Brenda Bean, "Sight and Self-Disclosure: Richardson's Revision of Swift's 'The Lady's Dressing Room'",
1160:
447:
1011:
Clarissa Harlowe, Mary Astell, and Elizabeth Carter: John Norris of Bemerton's Female 'Descendants'
842:
Helen M. Ostovich, "'Our Views Must Now Be Different': Imprisonment and Friendship in 'Clarissa'",
1037:
381:
Mrs. Sinclair: The pretended name of a private brothel keeper in London; pretends to be Lady Betty
667:
974:
Mary Patricia Martin, "Reading Reform in Richardson's 'Clarissa' and the Tactics of Sentiment",
1139:
1112:
1046:
630:
120:
57:
927:, "Heliodorus Rewritten: Samuel Richardson's 'Clarissa' and Frances Burney's 'Wanderer'", in
659:
506:
116:
75:
1101:
917:
Martha J. Koehler, "Epistolary Closure and Triangular Return in Richardson's 'Clarissa'",
786:
Raymond Stephanson, "Richardson's 'Nerves': The Philosophy of Sensibility in 'Clarissa'",
261:
168:
idea of spiting the Harlowes for their haughty rejection of his suit for Clarissa's hand.
1144:
1002:
Murray L. Brown, "Authorship and Generic Exploitation: Why Lovelace Must Fear Clarissa",
924:
854:
814:
769:
762:
Donald R. Wehrs, "Irony, Storytelling and the Conflict of Interpretation in Clarissa",
455:
1154:
910:
Tom Keymer, "Clarissa's Death, Clarissa's Sale, and the Text of the Second Edition",
722:
711:
Jonathan Loesberg, "Allegory and Narrative in Clarissa", Novel 15 (Fall 1981): 39β59.
671:
489:
995:
Laura Hinton, "The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law",
759:
Florian Stuber, "On Fathers and Authority in 'Clarissa'", 25 (Summer 1985): 557β574.
1064:
571:
459:
434:'s full name was Clarissa Harlowe Barton, after the heroine of Richardson's novel.
431:
419:
140:
1106:
981:
Paul Gordon Scott, "Disinterested Selves: Clarissa and the Tactics of Sentiment",
880:
Man and Nature: Proceedings of the Canadian Society for Eighteenth-Century Studies
931:, ed. James Tatum (Baltimore: Johns Hopkins Univ. Press, 1994), pp. 117β131.
860:
David C. Hensley, "Thomas Edwards and the Dialectics of Clarissa's Death Scene",
730:
The Rape of Clarissa: Writing, Sexuality, and Class Struggle in Samuel Richardson
465:
369:
17:
483:
479:
344:
Lady Betty Lawrance: Half-sister of Lord M., widow, lady of honour and fortune
191:
341:
Lady Sarah Sadleir: Half-sister of Lord M., widow, lady of honour and fortune
130:
Picture from "Lettres angloises, ou histoire de Miss Clarisse Harlove." 1751.
1021:
Krake, Astrid (2000). "How art produces art: Samuel Richardson's Clarissa".
451:
329:
Dr. Lewin: One of Clarissa's educators, a divine of great piety and learning
157:
896:
Richard Hannaford, "Playing Her Dead Hand: Clarissa's Posthumous Letters",
365:
Capt. Tomlinson: The assumed named of a pander that aids Mr. Lovelace
1128:
663:
1133:
793:
Peter Hynes, "Curses, Oaths, and Narrative in Richardson's 'Clarissa'",
719:
New Aspects of the Eighteenth Century: Essays from the English Institute
391:
320:
Colonel Morden: A man of fortune, closely related to the Harlowe family
296:
James Harlowe Jr.: Clarissa's brother, bitter enemy of Robert Lovelace.
269:
180:
359:
James Tourville: Libertine, gentleman, companion of Mr. Lovelace
353:
Richard Mowbray: Libertine, gentleman, companion of Mr. Lovelace
308:
Roger Solmes: A wealthy man whom Clarissa's parents wish her to marry
239:
990:
Speaking in Hunger: Gender, Discourse, and Consumption in "Clarissa"
356:
Thomas Doleman: Libertine, gentleman, companion of Mr. Lovelace
835:
Nicholas Hudson, "Arts of Seduction and the Rhetoric of Clarissa",
704:
Anthony Winner, "Richardson's Lovelace: Character and Prediction",
362:
Thomas Belton: Libertine, gentleman, companion of Mr. Lovelace
311:
Mrs. Hervey: Clarissa's aunt (Lady Charlotte Harlowe)'s half-sister
567:"The 100 best novels: No 4 β Clarissa by Samuel Richardson (1748)"
185:
125:
1080:: romantic fiction based on two distinct social value systems),
742:
Sue Warrick Doederlein, "Clarissa in the Hands of the Critics",
387:
Polly Horton: Assistant of, and partner with, Mrs. Sinclair
384:
Sally Martin: Assistant of, and partner with, Mrs. Sinclair
235:
305:
Antony Harlowe: Clarissa's uncle (her father's younger brother)
779:
Jonathan Lamb, "The Fragmentation of Originals and Clarissa",
544:
468:
released a radio adaptation in March and April 2010, starring
443:
138:
14th on its list of the 100 greatest British novels. In 2013
302:
John Harlowe: Clarissa's uncle (her father's elder brother)
350:
Patty Montague: Niece of Lord M., maiden lady of character
347:
Miss Charlotte: Niece of Lord M., maiden lady of character
851:
Richardson's "Clarissa" and the Eighteenth-Century Reader
627:
Richardson's 'Clarissa' and the Eighteenth-Century Reader
828:
Raymond F. Hilliard, "Clarissa and Ritual Cannibalism",
772:, "Disguise and Personality in Richardson's Clarissa",
965:
Clarissa's Pregnancy and the Fate of Patriarchal Power
809:"Clarissa" on the Continent: Translation and Seduction
375:
Miss Rawlins: A notable young gentlewoman in Hampstead
992:(Columbia, SC: Univ. of South Carolina Press, 1998).
717:, "Penetration and Impenetrability in Clarissa", in
593:
Letter 261; Lovelace to Belford, dated 16 June.
99:
91:
81:
71:
63:
53:
811:(University Park: Pennsylvania State Univ., 1990).
27:18th century epistolary novel by Samuel Richardson
936:The Eighteenth Century: Theory and Interpretation
1124:Clarissa Harlowe, or the History of a Young Lady
878:Mildred Sarah Greene, "The French Clarissa", in
317:Mrs. Norton: Clarissa's nurse, an unhappy widow
1033:La traduction du discours amoureux (1660β1830)
299:Miss Arabella Harlowe: Clarissa's older sister
148:among the 100 best novels written in English.
1072:: Liangzhong shehui jiazhi de aiqing gushi" (
907:(Newark, DE: Associated Univ. Presses, 1994).
8:
1176:British novels adapted into television shows
39:
857:, Flynn, and others in the 1970s and 1980s.
1143:
869:A 'Fatal Attraction'? The BBC and Clarissa
45:
40:Clarissa, or, The History of a Young Lady
38:
697:John Carroll, "Lovelace as Tragic Hero",
293:Lady Charlotte Harlowe: Clarissa's mother
898:Texas Studies in Literature and Language
887:Fragments and Mastery: Dora and Clarissa
706:Texas Studies in Literature and Language
725:(New York: Columbia Univ. Press, 1974).
531:
500:, editor of a 1868 abridged version of
378:Mrs. Bevis: A lively widow in Hampstead
1196:Literary characters introduced in 1748
372:, keeping a lodging-house at Hampstead
1023:Spiegel ihrer deutschen Γbersetzungen
751:Studies in Eighteenth-Century Culture
735:John Traugott, "Molesting Clarissa",
620:
618:
314:Dolly Hervey: Daughter of Mrs. Hervey
7:
539:Ciabattari, Jane (7 December 2015).
520:The History of Sir Charles Grandison
290:James Harlowe Sr.: Clarissa's father
749:Terry Castle, "Lovelace's Dream",
565:McCrum, Robert (14 October 2013).
335:Mr. Elias Brand: A young clergyman
323:Mrs. Howe: The mother of Miss Howe
25:
541:"The 100 greatest British novels"
1117:
929:The Search for the Ancient Novel
605:"An interview with Harold Bloom"
482:
438:Radio and television adaptations
1082:Zhongguo xiaoshuo bijiao yanjiu
788:Journal of the History of Ideas
699:University of Toronto Quarterly
326:Mr. Hickman: Miss Howe's suitor
919:Journal of Narrative Technique
629:. Cambridge University Press.
430:The pioneering American nurse
190:The villain, Robert Lovelace,
1:
943:Clarissa and the Marriage Act
776:n.s. 12, no. 2 (1988): 18β39.
338:Lord M.: Mr. Lovelace's uncle
1036:. Metz: CETT. Archived from
686:Most entries below from the
156:Robert Lovelace, a wealthy "
1181:Novels by Samuel Richardson
1166:18th-century British novels
1127:public domain audiobook at
1074:A Tale of Chivalry and Love
513:Pamela; or, Virtue Rewarded
260:Miss Clarissa Harlowe: The
1212:
1015:Eighteenth-Century Fiction
1006:30 (Summer 1998): 246β259.
999:32 (Spring 1999): 293β308.
997:Eighteenth-Century Studies
978:37 (Summer 1997): 595β614.
969:Eighteenth-Century Fiction
958:Eighteenth-Century Fiction
954:Is Clarissa Bourgeois Art?
947:Eighteenth-Century Fiction
891:Eighteenth-Century Fiction
873:Eighteenth-Century Fiction
864:16, no. 3 (1992): 130β152.
823:Eighteenth-Century Fiction
744:Eighteenth-Century Studies
732:(Oxford: Blackwell, 1982).
652:Eighteenth Century Fiction
29:
912:Review of English Studies
900:35 (Spring 1993): 79β102.
844:Modern Language Quarterly
837:Modern Language Quarterly
44:
32:Clarissa (disambiguation)
1025:. Frankfurt: Peter Lang.
938:36 (Spring 1995): 38β54.
921:24 (Fall 1994): 153β172.
914:45 (Aug. 1994): 389β396.
893:5 (April 1993): 217β238.
875:4 (April 1992): 257β263.
396:William Summers: Servant
134:In 2015, the BBC ranked
971:9 (Jan. 1997): 125β148.
885:Elizabeth W. Harries, "
862:Eighteenth-Century Life
802:Eighteenth-Century Life
774:Eighteenth-Century Life
689:Richardson Bibliography
1017:12 (Oct. 1999): 19β38.
832:105 (1990): 1083β1097.
498:Eneas Sweetland Dallas
399:Hannah Burton: Servant
368:Mrs. Moore: A widowed
195:
131:
960:10 (Oct. 1997): 1β14.
446:adapted the novel as
405:Dorcas Wykes: Servant
402:Betty Barnes: Servant
284:Secondary characters:
268:Robert Lovelace: The
189:
129:
691:by John A. Dussinger
664:10.3138/ecf.29.2.131
625:Keymer, Tom (2004).
30:For other uses, see
1040:on 7 December 2010.
985:64 (1997): 473β502.
949:10 (1997): 395β412.
925:Margaret Anne Doody
846:52 (1991): 153β169.
797:56 (1989): 311β326.
790:49 (1988): 267β285.
783:28 (1988): 443β459.
770:Margaret Anne Doody
766:53 (1986): 759β778.
746:16 (1983): 401β414.
739:15 (1982): 163β170.
448:a television series
236:demand satisfaction
41:
1191:Sentimental novels
1084:, pp. 95β116.
941:Mary Vermillion, "
825:2 (1990): 327β346.
807:Thomas O. Beebee,
450:in 1991, starring
332:Dr. H: A physician
196:
132:
119:by English writer
1186:Novels about rape
1171:Epistolary novels
1113:Project Gutenberg
1055:978-0-8204-5917-2
1051:978-3-906769-80-6
952:Daniel P. Gunn, "
867:Lois A. Chaber, "
839:51 (1990): 25β43.
753:13 (1984): 29β42.
708:14 (1972): 53β75.
701:42 (1972): 14β25.
254:Major characters:
121:Samuel Richardson
107:
106:
92:Publication place
58:Samuel Richardson
16:(Redirected from
1203:
1147:
1121:
1120:
1097:Clarissa Harlowe
1061:
1041:
1026:
988:Donnalee Frega,
905:Clarissa's Plots
903:Lois E. Bueler,
819:Protean Lovelace
804:14 (1990): 1β23.
728:Terry Eagleton,
676:
675:
647:
641:
640:
622:
613:
612:
600:
594:
591:
585:
584:
582:
580:
562:
556:
555:
553:
551:
536:
507:Forced seduction
492:
487:
486:
472:and Zoe Waites.
470:Richard Armitage
194:Clarissa Harlowe
117:epistolary novel
83:Publication date
76:Epistolary novel
49:
42:
21:
18:Clarissa Harlowe
1211:
1210:
1206:
1205:
1204:
1202:
1201:
1200:
1151:
1150:
1135:Clarissa (1991)
1118:
1102:Standard Ebooks
1092:
1087:
1059:
1029:
1020:
1009:Derek Taylor, "
963:Brian McCrea, "
684:
682:General sources
679:
649:
648:
644:
637:
624:
623:
616:
603:Bloom, Harold.
602:
601:
597:
592:
588:
578:
576:
564:
563:
559:
549:
547:
538:
537:
533:
529:
488:
481:
478:
440:
413:
408:
281:
262:title character
251:
154:
100:Media type
84:
35:
28:
23:
22:
15:
12:
11:
5:
1209:
1207:
1199:
1198:
1193:
1188:
1183:
1178:
1173:
1168:
1163:
1153:
1152:
1149:
1148:
1131:
1115:
1104:
1091:
1090:External links
1088:
1086:
1085:
1057:
1043:
1027:
1018:
1007:
1000:
993:
986:
979:
972:
961:
950:
939:
932:
922:
915:
908:
901:
894:
883:
876:
865:
858:
847:
840:
833:
826:
815:Jocelyn Harris
812:
805:
798:
791:
784:
777:
767:
760:
757:
754:
747:
740:
733:
726:
712:
709:
702:
694:
683:
680:
678:
677:
658:(2): 131β150.
642:
636:978-0521390231
635:
614:
595:
586:
557:
530:
528:
525:
524:
523:
516:
509:
504:
494:
493:
477:
474:
456:Saskia Wickham
439:
436:
412:
409:
407:
406:
403:
400:
397:
394:
390:Joseph Leman:
388:
385:
382:
379:
376:
373:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
336:
333:
330:
327:
324:
321:
318:
315:
312:
309:
306:
303:
300:
297:
294:
291:
287:
280:
279:
276:
273:
266:
257:
250:
247:
153:
150:
105:
104:
101:
97:
96:
93:
89:
88:
85:
82:
79:
78:
73:
69:
68:
65:
61:
60:
55:
51:
50:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1208:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1158:
1156:
1146:
1141:
1137:
1136:
1132:
1130:
1126:
1125:
1116:
1114:
1110:
1109:
1105:
1103:
1099:
1098:
1094:
1093:
1089:
1083:
1079:
1075:
1071:
1067:
1066:
1058:
1056:
1052:
1048:
1044:
1039:
1035:
1034:
1028:
1024:
1019:
1016:
1012:
1008:
1005:
1001:
998:
994:
991:
987:
984:
980:
977:
973:
970:
966:
962:
959:
955:
951:
948:
944:
940:
937:
933:
930:
926:
923:
920:
916:
913:
909:
906:
902:
899:
895:
892:
888:
884:
881:
877:
874:
870:
866:
863:
859:
856:
852:
848:
845:
841:
838:
834:
831:
827:
824:
820:
816:
813:
810:
806:
803:
799:
796:
792:
789:
785:
782:
778:
775:
771:
768:
765:
761:
758:
755:
752:
748:
745:
741:
738:
734:
731:
727:
724:
723:Phillip Harth
720:
716:
713:
710:
707:
703:
700:
696:
695:
693:
692:
690:
681:
673:
669:
665:
661:
657:
653:
646:
643:
638:
632:
628:
621:
619:
615:
610:
606:
599:
596:
590:
587:
574:
573:
568:
561:
558:
546:
542:
535:
532:
526:
522:
521:
517:
515:
514:
510:
508:
505:
503:
499:
496:
495:
491:
490:Novels portal
485:
480:
475:
473:
471:
467:
463:
461:
457:
453:
449:
445:
437:
435:
433:
428:
426:
421:
417:
410:
404:
401:
398:
395:
393:
389:
386:
383:
380:
377:
374:
371:
367:
364:
361:
358:
355:
352:
349:
346:
343:
340:
337:
334:
331:
328:
325:
322:
319:
316:
313:
310:
307:
304:
301:
298:
295:
292:
289:
288:
286:
285:
277:
274:
271:
267:
263:
259:
258:
256:
255:
248:
246:
243:
241:
237:
232:
228:
224:
220:
216:
212:
208:
204:
200:
193:
188:
184:
182:
177:
173:
169:
165:
161:
159:
151:
149:
147:
143:
142:
137:
128:
124:
122:
118:
114:
113:
102:
98:
94:
90:
86:
80:
77:
74:
70:
66:
62:
59:
56:
52:
48:
43:
37:
33:
19:
1134:
1123:
1107:
1095:
1081:
1077:
1073:
1069:
1065:Haoqiu Zhuan
1063:
1062:Hou, Jian. "
1060:(in Chinese)
1038:the original
1032:
1022:
1014:
1003:
996:
989:
982:
975:
968:
957:
946:
935:
928:
918:
911:
904:
897:
890:
879:
872:
861:
850:
849:Tom Keymer,
843:
836:
829:
822:
808:
801:
794:
787:
780:
773:
763:
750:
743:
736:
729:
718:
705:
698:
688:
685:
655:
651:
645:
626:
608:
598:
589:
577:. Retrieved
572:The Guardian
570:
560:
548:. Retrieved
534:
518:
511:
501:
464:
460:Sean Pertwee
441:
432:Clara Barton
429:
420:Harold Bloom
415:
414:
283:
282:
253:
252:
244:
233:
229:
225:
221:
217:
213:
209:
205:
201:
197:
178:
174:
170:
166:
162:
155:
152:Plot summary
145:
141:The Guardian
139:
135:
133:
110:
109:
108:
36:
1161:1748 novels
466:BBC Radio 4
425:Lady Echlin
370:gentlewoman
1155:Categories
715:Leo Braudy
609:BookBrowse
550:8 December
249:Characters
672:164525320
527:Citations
452:Sean Bean
192:abducting
158:libertine
144:included
1129:LibriVox
1108:Clarissa
1078:Clarissa
1070:Clarissa
575:. London
502:Clarissa
476:See also
416:Clarissa
411:Response
146:Clarissa
136:Clarissa
112:Marriage
64:Language
392:Servant
270:villain
181:brothel
95:Britain
67:English
1142:
1049:
721:, ed.
670:
633:
579:7 June
458:, and
265:death.
115:is an
54:Author
1004:SNNTS
855:Doody
737:Novel
668:S2CID
240:Trent
103:Print
72:Genre
1140:IMDb
1076:and
1047:ISBN
830:PMLA
631:ISBN
581:2020
552:2015
442:The
87:1748
1138:at
1111:at
1100:at
1068:yu
1013:",
983:ELH
976:SEL
967:",
945:",
889:",
871:",
821:",
817:, "
795:ELH
781:SEL
764:ELH
660:doi
545:BBC
444:BBC
1157::
1053:,
956:"
666:.
656:29
654:.
617:^
607:.
569:.
543:.
462:.
454:,
1042:.
674:.
662::
639:.
611:.
583:.
554:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.