98:
162:(Keyboard Practice), they were subsequently collected into a single volume in 1731 with the same name, which Bach himself chose to label his Opus 1. Unlike the earlier sets of suites, Bach originally intended to publish seven Partitas, advertising in the spring of 1730 upon the publication of the fifth Partita that the promised collected volume would contain two more such pieces. The plan was then revised to include a total of eight works: six Partitas in Part I (1731) and two larger works in Part II (1735), the
87:
31:
409:
170:. The second of these is an eleven-movement partita, the largest such keyboard work Bach ever composed, and may in fact be the elusive "seventh partita" mentioned in 1730. The Overture in the French style was originally written in C minor, but was transposed a half step down for publication to complete the tonal scheme of Parts I and II as described below.
140:
Suites. This title, however, is a publishing convenience; there is nothing particularly German about the
Partitas. In comparison with the two earlier sets of suites, the Partitas are by far the most free-ranging in terms of structure. Unlike the English Suites, for example, wherein each opens with a
1243:
1236:
1229:
1037:
745:
1427:
1077:
1257:
102:
184:
major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B
210:). Thus this sequence of tonalities customary for 18th-century keyboard compositions is complete, beginning with the first letter of his name (B in German is Bach's "home" key of B
1763:
1843:
1253:
1105:
66:
in 1731, the first of his works to be published under his own direction. They were, however, among the last of his keyboard suites to be composed, the others being the six
1783:
1906:
1440:
1799:
1369:
1147:
1936:
1355:
1941:
1316:
1695:
1682:
1648:
1635:
1550:
1537:
1007:
730:
1946:
1708:
1603:
1590:
1563:
1418:
775:
Philipp Spitta, Johann
Sebastian Bach: his work and influence on the music of Germany, 1685-1750, Volume 3 (Novello and company, limited, 1899) p. 156.
1384:
949:
945:
1967:
1738:
1350:
1301:
1972:
1899:
1721:
1675:
1668:
1661:
1628:
1621:
1583:
1576:
1530:
1523:
1504:
1360:
1336:
1331:
1326:
1321:
1311:
1306:
1296:
1291:
190:
to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). This key sequence continues into
167:
75:
1125:
1495:
1488:
1481:
356:
315:
272:
97:
117:
that Bach composed, and are the most technically demanding of the three. They were composed between 1725 and 1730 or 1731. As with the
1792:
971:
1154:
1913:
1776:
1410:
1341:
1210:
1000:
1836:
1821:
930:
1055:
1042:
1743:
1732:
1374:
201:
504:
1856:
735:
477:
67:
1221:
1977:
1863:
1748:
1277:
993:
740:
71:
1816:
1379:
1109:
1460:
447:
1757:
532:
61:
1921:
1173:
590:
1513:
1465:
1432:
1389:
1262:
1200:
1017:
122:
56:
1827:
964:
1883:
1470:
1402:
1286:
1088:
1082:
1066:
390:
118:
1769:
1072:
1060:
704:
698:
624:
620:
192:
86:
49:
30:
670:
584:
483:
1138:
692:
608:
128:
In keeping with a nineteenth-century naming tradition that labelled Bach's first set of Suites
1195:
926:
423:
288:
1394:
1113:
1100:
680:
596:
471:
435:
302:
197:
163:
158:
717:
658:
630:
578:
510:
459:
453:
417:
323:
244:
146:
142:
101:
Autograph manuscript (1725) of
Allegro for solo harpsichord from first version of Bach's
1893:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
960:
664:
648:
614:
560:
522:
516:
498:
489:
465:
441:
408:
396:
954:
1961:
1164:
811:
674:
642:
636:
538:
429:
114:
52:
145:, the Partitas feature a number of different opening styles including an ornamental
1205:
1180:
566:
544:
652:
572:
368:
17:
686:
602:
347:
256:
248:
91:
746:
List of compositions by Johann
Sebastian Bach printed during his lifetime
280:
252:
90:
Title page of the first partita, printed in 1726 by
Balthasar Schmid of
372:
364:
306:
150:
39:
1428:
Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
156:
Although each of the
Partitas was published separately under the name
925:(second ed.), New York and London: Routledge, pp. 321–345,
412:
Close of final Gigue from
Partita No. 6, BWV 830, first edition, 1731
331:
260:
985:
393:(Lyrichord Discs, 2000) first recorded the partitas on clavichord.
284:
264:
85:
346:
Praeambulum, Allemande, Corrente, Sarabande, Tempo di
Minuetto,
327:
125:, the autograph manuscript of the Partitas is no longer extant.
1225:
989:
45:
59:, published individually beginning in 1726, then together as
103:
sixth sonata for obbligato harpsichord and violin, BWV 1019a
1148:
Ueber Johann
Sebastian Bachs Leben, Kunst und Kunstwerke
1078:
Canonic Variations on "Vom Himmel hoch da komm' ich her"
450:(TELDEC Telefunken-Decca, 1960, SAWT9913-B SAWT9914-B)
27:
Collection of keyboard works by Johann Sebastian Bach
1873:
1809:
1453:
1270:
1124:
1026:
438:(Deutsche Harmonia Mundi, 1964–70 and Virgin, 1986)
216:) and ending with the last letter (H in German is B
113:The six partitas for keyboard form the last set of
1342:Eight Short Preludes and Fugues, BWV 553–560
915:, Wiener Urtext Edition, Schott/Universal Edition
1900:Concerto transcriptions, BWV 592–596 and 972–987
1317:Fantasia and Fugue in G minor ("Great"), BWV 542
1307:Toccata and Fugue in D minor ("Dorian"), BWV 538
1800:Capriccio on the departure of a beloved brother
1370:Prelude (Toccata) and Fugue in E major, BWV 566
1337:Prelude and Fugue in E minor ("Wedge"), BWV 548
1375:Fantasia ("Pièce d'Orgue") in G major, BWV 572
222:) while including both A and C along the way.
136:the Partitas are sometimes referred to as the
1937:List of compositions by Johann Sebastian Bach
1356:Toccata, Adagio and Fugue in C major, BWV 564
1237:
1056:Picander's 1728–29 cycle of cantata librettos
1001:
783:
781:
8:
1942:List of fugal works by Johann Sebastian Bach
305:, Allemande, Corrente, Sarabande, Burlesca,
895:
883:
871:
859:
847:
835:
787:
731:Works for keyboard by Johann Sebastian Bach
1947:List of concertos by Johann Sebastian Bach
1244:
1230:
1222:
1008:
994:
986:
1385:Passacaglia and Fugue in C minor, BWV 582
1278:Fugue in G minor, BWV 131a
950:International Music Score Library Project
495:Siegbert Rampe (EMI Music Germany, 2000)
407:
96:
29:
1160:(Vol. I: 1873; Vol. II: 1880)
911:Bach, J.S. (2004), Klaus Engler (ed.),
756:
1739:Fantasia and Fugue in C minor, BWV 906
1351:Fantasia and Fugue in C minor, BWV 562
1302:Fantasia and Fugue in C minor, BWV 537
1038:Printed during the composer's lifetime
196:(1735) with the two larger works: the
1505:Overture in the French style, BWV 831
1466:English Suites, BWV 806–811
1461:Inventions and Sinfonias, BWV 772–801
1361:Toccata and Fugue in D minor, BWV 565
1332:Prelude and Fugue in C minor, BWV 546
1327:Prelude and Fugue in B minor, BWV 544
1322:Prelude and Fugue in A minor, BWV 543
1312:Toccata and Fugue in F major, BWV 540
1297:Prelude and Fugue in D major, BWV 532
1292:Prelude and Fugue in C major, BWV 531
955:Essay by Yo Tomita on Bach's Partitas
917:(contains detailed preface by Engler)
178:The tonalities of the six Partitas (B
168:Overture in the French style, BWV 831
76:Overture in the French style, BWV 831
7:
1471:French Suites, BWV 812–817
1380:Fugue in G minor ("Little"), BWV 578
798:
763:
468:(Archiv, 1985 and Hänssler, 1998–99)
1443:Wo Gott der Herr nicht bei uns hält
200:, a seventh down (E to F), and the
1793:Aria variata alla maniera italiana
1514:Well-Tempered Clavier, BWV 846–893
972:University of California, Berkeley
965:"Program notes on Bach's partitas"
720:Partita no.2 (Naxos Records, 2011)
283:, Allemande, Courante, Sarabande,
25:
357:Partita No. 6 in E minor, BWV 830
340:Partita No. 5 in G major, BWV 829
316:Partita No. 4 in D major, BWV 828
296:Partita No. 3 in A minor, BWV 827
273:Partita No. 2 in C minor, BWV 826
204:, an augmented fourth up (F to B
1968:Suites by Johann Sebastian Bach
1844:Prelude, Fugue and Allegro in E
1744:Toccatas, BWV 910–916
1476:Partitas, BWV 825–830
1412:Great Eighteen Chorale Preludes
1211:Johann Sebastian Bach Institute
923:The Keyboard Music of J.S. Bach
569:(BWV 825), (EMI Classics, 1950)
492:(Deutsche Harmonia Mundi, 1993)
456:(Philips, 1978 and NaĂŻve, 2001)
1110:Bach-Gesellschaft edition
816:Yo Tomita's personal web space
1:
812:"J.S. Bach: The Six Partitas"
34:Title page of Clavier-Ăśbung I
1973:Compositions for harpsichord
1733:Chromatic Fantasia and Fugue
202:Overture in the French style
1857:Prelude in C minor, BWV 999
1390:Concertos, BWV 592–597
921:Schulenberg, David (2006),
736:English Suites, BWV 806-811
707:(Luxembourg Classics, 2024)
550:Giulia Nuti (Arcana, 2024)
528:Martin Gester (Ligia, 2015)
68:English Suites, BWV 806-811
1994:
1907:KlavierbĂĽchlein W. F. Bach
1864:Fugue in G minor, BWV 1000
1764:Harpsichord solo concertos
741:French Suites, BWV 812-817
109:in sixth partita, BWV 830.
72:French Suites, BWV 812-817
48:825–830, are a set of six
1932:
1837:Suite in C minor, BWV 997
1822:Suite in E minor, BWV 996
1817:Suite in G minor, BWV 995
1191:
1887:: Prelude and Fugue in E
1421:Sei gegrĂĽĂźet, Jesu gĂĽtig
661:(Verbier Festival, 2008)
399:(Resonus Classics, 2018)
105:, later incorporated as
1752:, BWV 933–938
913:6 Partiten, BWV 825–830
367:, Allemande, Corrente,
326:, Allemande, Courante,
1922:Twelve Little Preludes
1174:Bach-Werke-Verzeichnis
1067:Clavier-Ăśbung III
695:(Piano Classics, 2017)
599:(Decca Classics, 1985)
547:(Music and Arts, 2020)
462:(Harmonia Mundi, 1985)
413:
371:, Sarabande, Tempo di
110:
94:
35:
1263:Johann Sebastian Bach
1201:Neue Bachgesellschaft
1157:Johann Sebastian Bach
1061:Clavier-Ăśbung II
946:Partitas for keyboard
667:(Sony, 2008 and 2009)
486:(L'Oiseau-Lyre, 1992)
411:
100:
89:
57:Johann Sebastian Bach
33:
1436:, BWV 1090–1120
1287:Sonatas, BWV 525–530
1083:The Musical Offering
1051:Clavier-Ăśbung I
591:Jean Louis Steuerman
541:(Sono Luminus, 2016)
525:(Musica Omnia, 2013)
1914:Notebook A. M. Bach
1770:Goldberg Variations
1750:Six Little Preludes
1434:Neumeister chorales
1073:Goldberg Variations
1054:(1726–1730; 1731);
1045:Gott ist mein König
810:Tomita, Yo (2002).
699:Christian Zacharias
166:, BWV 971, and the
1414:, BWV 651–668
1406:, BWV 645–650
1398:, BWV 599–644
1252:Compositions for
1177:(1950; 1990; 1998)
1106:Four-part chorales
898:, pp. 340–345
886:, pp. 337–340
874:, pp. 333–337
862:, pp. 330–333
850:, pp. 326–330
838:, pp. 324–326
671:Vladimir Ashkenazy
585:Tatiana Nikolayeva
484:Christophe Rousset
414:
380:Notable recordings
232:Partita No. 1 in B
111:
95:
36:
1978:1731 compositions
1955:
1954:
1885:Clavier-Ăśbung III
1830:
1786:
1779:
1724:
1722:No. 24 in B minor
1717:
1704:
1691:
1678:
1676:No. 12 in F minor
1671:
1664:
1657:
1644:
1631:
1624:
1612:
1599:
1586:
1584:No. 16 in G minor
1579:
1577:No. 10 in E minor
1572:
1559:
1546:
1533:
1526:
1498:
1491:
1484:
1441:Chorale fantasia
1404:SchĂĽbler Chorales
1366:
1347:
1283:
1258:keyboard and lute
1219:
1218:
1196:Bach Gesellschaft
1089:SchĂĽbler Chorales
683:(Noromusic, 2012)
633:(Ongaku, 1996–97)
575:(Sony 1957, 1980)
531:Mireille Lagacé (
507:(Supraphon, 1984)
424:Ralph Kirkpatrick
74:, as well as the
16:(Redirected from
1985:
1925:
1916:
1909:
1902:
1895:
1892:
1891:
1866:
1859:
1852:
1849:
1848:
1839:
1826:
1782:
1775:
1758:Italian Concerto
1720:
1714:
1713:
1707:
1701:
1700:
1694:
1688:
1687:
1681:
1674:
1669:No. 6 in D minor
1667:
1662:No. 5 in D major
1660:
1654:
1653:
1647:
1641:
1640:
1634:
1629:No. 2 in C minor
1627:
1622:No. 1 in C major
1620:
1609:
1608:
1602:
1596:
1595:
1589:
1582:
1575:
1569:
1568:
1562:
1556:
1555:
1549:
1543:
1542:
1536:
1531:No. 2 in C minor
1529:
1524:No. 1 in C major
1522:
1494:
1487:
1480:
1419:Chorale partita
1364:
1345:
1281:
1265:
1246:
1239:
1232:
1223:
1114:New Bach Edition
1101:The Art of Fugue
1020:
1010:
1003:
996:
987:
982:
980:
978:
969:
948:: Scores at the
935:
916:
899:
896:Schulenberg 2006
893:
887:
884:Schulenberg 2006
881:
875:
872:Schulenberg 2006
869:
863:
860:Schulenberg 2006
857:
851:
848:Schulenberg 2006
845:
839:
836:Schulenberg 2006
833:
827:
826:
824:
822:
807:
801:
796:
790:
788:Schulenberg 2006
785:
776:
773:
767:
761:
681:Andres Carciente
645:(Nonesuch, 2003)
639:(Hyperion, 1997)
621:Maria JoĂŁo Pires
505:Zuzana Růžičková
472:Huguette Dreyfus
436:Gustav Leonhardt
237:
236:
221:
220:
215:
214:
209:
208:
198:Italian Concerto
193:Clavier-Ăśbung II
189:
188:
183:
182:
164:Italian Concerto
21:
1993:
1992:
1988:
1987:
1986:
1984:
1983:
1982:
1958:
1957:
1956:
1951:
1928:
1919:
1912:
1905:
1898:
1889:
1888:
1882:
1875:
1869:
1862:
1855:
1846:
1845:
1842:
1835:
1805:
1784:Gould recording
1711:
1710:
1698:
1697:
1685:
1684:
1651:
1650:
1638:
1637:
1606:
1605:
1593:
1592:
1566:
1565:
1553:
1552:
1540:
1539:
1449:
1266:
1261:
1250:
1220:
1215:
1187:
1186:
1129:
1120:
1119:
1028:
1022:
1016:
1014:
976:
974:
967:
961:Moroney, Davitt
959:
942:
933:
920:
910:
907:
902:
894:
890:
882:
878:
870:
866:
858:
854:
846:
842:
834:
830:
820:
818:
809:
808:
804:
797:
793:
786:
779:
774:
770:
762:
758:
754:
727:
718:Judicael Perroy
714:
659:Martha Argerich
631:Sergey Schepkin
609:Wolfgang RĂĽbsam
593:(Philips, 1984)
587:(Melodija 1981)
581:(Philips, 1972)
579:Friedrich Gulda
557:
511:Pascal Dubreuil
460:Kenneth Gilbert
454:Blandine Verlet
418:Wanda Landowska
406:
397:Menno van Delft
391:Richard Troeger
387:
382:
234:
233:
228:
218:
217:
212:
211:
206:
205:
186:
185:
180:
179:
176:
132:and the second
84:
28:
23:
22:
18:Clavier-Ăśbung I
15:
12:
11:
5:
1991:
1989:
1981:
1980:
1975:
1970:
1960:
1959:
1953:
1952:
1950:
1949:
1944:
1939:
1933:
1930:
1929:
1927:
1926:
1917:
1910:
1903:
1896:
1879:
1877:
1871:
1870:
1868:
1867:
1860:
1853:
1850:major, BWV 998
1840:
1833:
1832:
1831:
1819:
1813:
1811:
1807:
1806:
1804:
1803:
1796:
1789:
1788:
1787:
1780:
1766:
1761:
1754:
1746:
1741:
1736:
1728:
1727:
1726:
1725:
1718:
1705:
1692:
1679:
1672:
1665:
1658:
1645:
1632:
1625:
1615:
1614:
1613:
1600:
1587:
1580:
1573:
1560:
1547:
1534:
1527:
1517:
1509:
1508:
1501:
1500:
1499:
1492:
1485:
1473:
1468:
1463:
1457:
1455:
1451:
1450:
1448:
1447:
1438:
1430:
1425:
1416:
1408:
1400:
1392:
1387:
1382:
1377:
1372:
1367:
1358:
1353:
1348:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1299:
1294:
1289:
1284:
1274:
1272:
1268:
1267:
1251:
1249:
1248:
1241:
1234:
1226:
1217:
1216:
1214:
1213:
1208:
1203:
1198:
1192:
1189:
1188:
1185:
1184:
1178:
1169:
1161:
1152:
1143:
1134:
1133:
1131:
1122:
1121:
1118:
1117:
1093:
1033:
1032:
1030:
1024:
1023:
1015:
1013:
1012:
1005:
998:
990:
984:
983:
957:
952:
941:
940:External links
938:
937:
936:
931:
918:
906:
903:
901:
900:
888:
876:
864:
852:
840:
828:
802:
791:
777:
768:
755:
753:
750:
749:
748:
743:
738:
733:
726:
723:
722:
721:
713:
710:
709:
708:
702:
696:
690:
684:
678:
668:
665:Murray Perahia
662:
656:
649:Gianluca Luisi
646:
640:
634:
628:
618:
615:Risto Lauriala
612:
606:
600:
594:
588:
582:
576:
570:
564:
561:Rosalyn Tureck
556:
553:
552:
551:
548:
542:
536:
529:
526:
523:Peter Watchorn
520:
517:Benjamin Alard
514:
508:
502:
499:Masaaki Suzuki
496:
493:
490:Andreas Staier
487:
481:
475:
469:
466:Trevor Pinnock
463:
457:
451:
445:
442:Martin Galling
439:
433:
427:
421:
420:(1935 or 1936)
405:
404:On harpsichord
402:
401:
400:
394:
386:
383:
381:
378:
377:
376:
361:
360:
352:
351:
343:
342:
336:
335:
320:
319:
311:
310:
299:
298:
292:
291:
277:
276:
268:
267:
263:I, Menuet II,
241:
240:
238:major, BWV 825
227:
224:
175:
172:
123:English Suites
83:
80:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1990:
1979:
1976:
1974:
1971:
1969:
1966:
1965:
1963:
1948:
1945:
1943:
1940:
1938:
1935:
1934:
1931:
1924:
1923:
1918:
1915:
1911:
1908:
1904:
1901:
1897:
1894:
1886:
1881:
1880:
1878:
1872:
1865:
1861:
1858:
1854:
1851:
1841:
1838:
1834:
1829:
1825:
1824:
1823:
1820:
1818:
1815:
1814:
1812:
1808:
1802:
1801:
1797:
1795:
1794:
1790:
1785:
1781:
1778:
1774:
1773:
1772:
1771:
1767:
1765:
1762:
1760:
1759:
1755:
1753:
1751:
1747:
1745:
1742:
1740:
1737:
1735:
1734:
1730:
1729:
1723:
1719:
1716:
1706:
1703:
1693:
1690:
1680:
1677:
1673:
1670:
1666:
1663:
1659:
1656:
1646:
1643:
1633:
1630:
1626:
1623:
1619:
1618:
1616:
1611:
1601:
1598:
1588:
1585:
1581:
1578:
1574:
1571:
1561:
1558:
1548:
1545:
1535:
1532:
1528:
1525:
1521:
1520:
1518:
1516:
1515:
1511:
1510:
1507:
1506:
1502:
1497:
1493:
1490:
1486:
1483:
1479:
1478:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1458:
1456:
1452:
1446:
1444:
1439:
1437:
1435:
1431:
1429:
1426:
1424:
1422:
1417:
1415:
1413:
1409:
1407:
1405:
1401:
1399:
1397:
1396:OrgelbĂĽchlein
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1362:
1359:
1357:
1354:
1352:
1349:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1279:
1276:
1275:
1273:
1269:
1264:
1259:
1255:
1247:
1242:
1240:
1235:
1233:
1228:
1227:
1224:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1193:
1190:
1182:
1179:
1176:
1175:
1170:
1167:
1166:
1165:Bach-Jahrbuch
1162:
1159:
1158:
1153:
1150:
1149:
1144:
1141:
1140:
1136:
1135:
1132:
1127:
1123:
1115:
1112:(1851-1899);
1111:
1108:(1765–1787);
1107:
1103:
1102:
1097:
1094:
1091:
1090:
1085:
1084:
1079:
1075:
1074:
1069:
1068:
1063:
1062:
1057:
1053:
1052:
1047:
1046:
1040:
1039:
1035:
1034:
1031:
1025:
1019:
1011:
1006:
1004:
999:
997:
992:
991:
988:
973:
966:
962:
958:
956:
953:
951:
947:
944:
943:
939:
934:
928:
924:
919:
914:
909:
908:
904:
897:
892:
889:
885:
880:
877:
873:
868:
865:
861:
856:
853:
849:
844:
841:
837:
832:
829:
817:
813:
806:
803:
800:
795:
792:
789:
784:
782:
778:
772:
769:
765:
760:
757:
751:
747:
744:
742:
739:
737:
734:
732:
729:
728:
724:
719:
716:
715:
711:
706:
705:Tingshuo Yang
703:
700:
697:
694:
691:
688:
685:
682:
679:
676:
672:
669:
666:
663:
660:
657:
654:
650:
647:
644:
643:Richard Goode
641:
638:
637:Angela Hewitt
635:
632:
629:
626:
625:DGG 447 894-2
622:
619:
616:
613:
611:(Naxos, 1992)
610:
607:
604:
601:
598:
597:András Schiff
595:
592:
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
559:
558:
554:
549:
546:
543:
540:
539:Jory Vinikour
537:
534:
530:
527:
524:
521:
519:(Alpha, 2010)
518:
515:
513:(Ramée, 2008)
512:
509:
506:
503:
500:
497:
494:
491:
488:
485:
482:
480:(Erato, 1988)
479:
476:
474:(Denon, 1986)
473:
470:
467:
464:
461:
458:
455:
452:
449:
446:
443:
440:
437:
434:
431:
430:Helmut Walcha
428:
425:
422:
419:
416:
415:
410:
403:
398:
395:
392:
389:
388:
385:On clavichord
384:
379:
374:
370:
366:
363:
362:
359:
358:
354:
353:
349:
345:
344:
341:
338:
337:
333:
330:, Sarabande,
329:
325:
322:
321:
318:
317:
313:
312:
308:
304:
301:
300:
297:
294:
293:
290:
286:
282:
279:
278:
275:
274:
270:
269:
266:
262:
258:
254:
250:
246:
243:
242:
239:
230:
229:
225:
223:
203:
199:
195:
194:
173:
171:
169:
165:
161:
160:
159:Clavier-Ăśbung
154:
152:
148:
144:
139:
135:
131:
126:
124:
120:
116:
108:
104:
99:
93:
88:
81:
79:
77:
73:
69:
65:
63:
62:Clavier-Ăśbung
58:
54:
51:
47:
43:
42:
32:
19:
1920:
1884:
1798:
1791:
1768:
1756:
1749:
1731:
1512:
1503:
1475:
1442:
1433:
1420:
1411:
1403:
1395:
1206:Bach Archive
1181:Bach Digital
1172:
1171:Schmieder's
1163:
1156:
1146:
1137:
1099:
1095:
1087:
1081:
1071:
1065:
1059:
1050:
1049:
1044:
1036:
1027:Music /
1021:publications
975:. Retrieved
922:
912:
891:
879:
867:
855:
843:
831:
819:. Retrieved
815:
805:
794:
771:
759:
689:(Sony, 2014)
617:(Alba, 1992)
567:Dinu Lipatti
545:Colin Tilney
448:Karl Richter
355:
339:
314:
295:
271:
231:
226:Six partitas
191:
177:
157:
155:
137:
133:
129:
127:
112:
106:
70:and the six
60:
40:
37:
1876:collections
1777:discography
1709:No. 22 in B
1696:No. 18 in G
1683:No. 13 in F
1604:No. 22 in B
1591:No. 21 in B
1130:scholarship
1116:(1954–2007)
977:26 November
766:, p. v
701:(MDG, 2021)
653:OnClassical
605:(EMI, 1991)
573:Glenn Gould
501:(BIS, 2001)
432:(EMI, 1962)
55:written by
1962:Categories
1649:No. 4 in C
1636:No. 3 in C
1564:No. 7 in E
1551:No. 4 in C
1538:No. 3 in C
1445:, BWV 1128
1365:(doubtful)
1346:(doubtful)
1282:(doubtful)
1183:(2010–...)
1168:(1904–...)
1096:After 1750
932:0415974003
905:References
821:31 October
693:Yuan Sheng
687:Igor Levit
655:, 2005–07)
603:Maria Tipo
478:Scott Ross
245:Praeludium
174:Tonalities
1423:, BWV 768
1155:Spitta's
1145:Forkel's
1126:Biography
799:Bach 2004
764:Bach 2004
712:On guitar
563:(1949/50)
348:Passepied
324:Ouverture
289:Capriccio
257:Sarabande
249:Allemande
92:Nuremberg
1890:♭
1847:♭
1712:♭
1699:♯
1686:♯
1652:♯
1639:♯
1607:♭
1594:♭
1567:♭
1554:♯
1541:♯
1454:Keyboard
1139:Nekrolog
1104:(1751);
1086:(1747);
1080:(1747);
1076:(1741);
1070:(1739);
1064:(1735);
1048:(1708);
1043:cantata
725:See also
555:On piano
533:Calliope
303:Fantasia
281:Sinfonia
253:Corrente
235:♭
219:♮
213:♭
207:♮
187:♭
181:♭
147:Overture
107:Corrente
50:keyboard
41:Partitas
1828:Bourrée
1617:Book 2
1519:Book 1
1128: /
677:, 2010)
627:, 1995)
535:, 2015)
375:, Gigue
373:Gavotta
365:Toccata
350:, Gigue
334:, Gigue
309:, Gigue
307:Scherzo
285:Rondeau
151:Toccata
143:prelude
141:strict
134:French,
130:English
82:History
1363:
1344:
1280:
1151:(1802)
1142:(1754)
1092:(1748)
1029:lyrics
929:
444:(1964)
426:(1958)
332:Menuet
261:Menuet
149:and a
138:German
119:French
115:suites
53:suites
1874:Mixed
1715:minor
1702:minor
1689:major
1655:minor
1642:major
1610:minor
1597:major
1570:major
1557:minor
1544:major
1496:No. 6
1489:No. 4
1482:No. 2
1271:Organ
1254:organ
968:(PDF)
752:Notes
675:Decca
265:Gigue
1810:Lute
1018:Bach
979:2020
927:ISBN
823:2015
328:Aria
121:and
38:The
1260:by
369:Air
46:BWV
1964::
1256:,
1098::
1058:;
1041::
970:.
963:.
814:.
780:^
287:,
259:,
255:,
251:,
247:,
153:.
78:.
44:,
1245:e
1238:t
1231:v
1009:e
1002:t
995:v
981:.
825:.
673:(
651:(
623:(
64:I
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
