Knowledge (XXG)

Closer to the Ground

Source đź“ť

38: 1766: 344: 306: 301: 339: 334: 329: 324: 296: 291: 286: 37: 415:. He complimented the rhythm section of Hoopes and Glenn, saying that they "lay down metronomic and/or shifting grooves" that produce "sunset-like colors on which Frith eviscerates and/or gently highlights with an array of engaging tremolo and reverberant effects". Coultas praised 367:
the improvisations are "groove-oriented" and have their roots in rock music. Melodies surface occasionally, but the trio focuses on "exploring the nexus of groove and mood" without remaining in one place for too long.
1502: 385:
are not repeated. Robson also praised Hoopes' "fascinating foil" to Frith's guitar, and in particular Glenn's "colours, accents and pared-down patterns ... that underwrite this odyssey".
1654: 1406: 1510: 363:
described Frith's ensemble as "a scrappy improvising trio" who "deftly" revisit many of Frith's musical endeavors in "a gritty, unified attack". He wrote that on
768: 1347: 1800: 931: 1546: 1230: 1570: 411:
Writing on the website In On The Corner, Kevin Coultas described the Fred Frith Trio as one of Frith's "most superlative" bands since
1237: 602:, January 13–15, 2018; mixed at Guerrilla Recording, Oakland, February 2018; mastered at Headless Buddha, Oakland, March 8, 2018. 1319: 1223: 1117: 1805: 1394: 1340: 1326: 1297: 245: 173: 1795: 1422: 1251: 1205: 1198: 1082: 404:
appears to be similar to their debut album, it turns out to be quite different with its tangle of "complex soundscapes" (
1019: 1014: 966: 191: 396:
said it picks up from where their first album left off. The trio's spontaneous arrangements lead to "chain reactions" (
1446: 1283: 1191: 1103: 1096: 1670: 1075: 776: 1622: 1578: 1518: 1163: 1029: 835: 381:
is "nearer to jazz heaven". He complimented Frith's "discipline and control", saying that there are no fillers,
1590: 924: 1399: 1156: 1089: 1750: 1739: 1466: 739: 389: 220: 1694: 1538: 1184: 17: 1790: 1717: 1634: 1614: 1290: 1170: 1138: 973: 665: 1769: 1699: 1490: 917: 599: 236: 85: 1177: 734: 228: 224: 105: 100: 1686: 1558: 1526: 1483: 1051: 715: 678: 877: 1354: 1131: 1124: 1602: 1595: 1551: 1531: 1046: 994: 428: 216: 160: 144: 50: 1459: 1675: 1627: 1583: 1495: 1265: 1110: 872: 808: 661: 632: 618: 583: 553: 416: 393: 360: 240: 153: 136: 419:
for producing "such a vital statement from a singular artist and his inventive crew".
1784: 1647: 1372: 1258: 1024: 1009: 1744: 1679: 1427: 1411: 1068: 1041: 1034: 980: 769:"CĂ©cile McLorin Salvant, Cory Smythe, Phronesis, Fred Frith, and The Lie Detectors" 382: 212: 131: 1642: 1607: 1454: 1439: 1434: 1415: 92: 1662: 1563: 1244: 987: 940: 612: 569: 235:, Jason Hoopes and Jordan Glenn. It is their second album and was recorded in 232: 149: 719: 682: 1471: 1001: 959: 952: 412: 1333: 898: 883: 710: 673: 373: 355: 315: 277: 1478: 903: 888: 840: 708:
Robson, Andy (November 2018). "Fred Frith Trio: Closer to the Ground".
636: 587: 557: 866: 803: 45: 609:
Myles Boisen – remastering (Guerrilla Recording, Headless Buddha)
913: 909: 677:. Vol. 86, no. 12. Maher Publications. p. 63. 243:
in Switzerland. It follows on from their first album,
606:
Scott Evans – recording engineer (Sharkbite Studios)
1732: 1709: 1386: 1364: 1311: 1275: 1215: 1148: 1060: 445: 437: 239:in January 2018, and released in September 2018 by 159: 143: 130: 114: 91: 80: 72: 57: 44: 30: 388:Reviewing the album for the German radio station 1511:Live in Trondheim, Berlin & Limoges, Vol. 2 925: 8: 321: 283: 1706: 1550:(with Lesli Dalaba, Eric Glick Rieman and 1361: 1145: 932: 918: 910: 656: 654: 652: 371:Andy Robson wrote in the British monthly, 256: 36: 27: 1690:(with Nicolas Humbert and Marc Parisotto) 830: 828: 826: 762: 760: 758: 575:Jason Hoopes – electric bass, double bass 465:"Alle Planmässigen Ziele Werden Erreicht" 836:"Fred Frith Trio – Closer to the Ground" 804:"Fred Frith Trio – Closer to the Ground" 798: 796: 794: 703: 701: 699: 434: 25:2018 studio album by Fred Frith Trio 666:"Fred Frith Trio: Closer to the Ground" 648: 733:Lippegaus, Karl (September 13, 2018). 1348:All Is Always Now – Live at The Stone 262: 7: 1547:Dalaba Frith Glick Rieman Kihlstedt 767:Coultas, Kevin (October 20, 2018). 624:Heike Liss – photography, cover art 1571:50th Birthday Celebration Volume 5 14: 323: 285: 1765: 1764: 578:Jordan Glenn – drums, percussion 342: 337: 332: 327: 322: 304: 299: 294: 289: 284: 249:that was released in June 2016. 1327:Stone, Brick, Glass, Wood, Wire 598:Recorded at Sharkbite Studios, 454:"Bones to Pick With Graveyards" 246:Another Day in Fucking Paradise 174:Another Day in Fucking Paradise 1506:(with François-Michel Pesenti) 627:Jonas Schoder – graphic design 438: 1: 1801:Albums produced by Fred Frith 1423:Live in Prague and Washington 1199:Field Days (The Amanda Loops) 1020:French Frith Kaiser Thompson 400:), and while on the surface 61:September 15, 2018 1192:Nowhere, Sideshow, Thin Air 427:All tracks composed by the 1822: 1671:Angels on the Edge of Time 1582:(with Carla Kihlstedt and 15: 1760: 1579:The Compass, Log and Lead 1030:Fred Frith Guitar Quartet 947: 538: 527: 516: 505: 494: 483: 472: 461: 450: 442: 270: 267: 167: 35: 1591:Duo (Victoriaville) 2005 572:– electric guitar, organ 509:"A Path Made By Walking" 16:For the 1971 album, see 1470:(with Bob Ostertag and 1395:With Friends Like These 1157:The Technology of Tears 1090:Cheap at Half the Price 531:"Love and Other Embers" 359:magazine, music critic 1806:Fred Frith Trio albums 1751:Step Across the Border 1740:Fred Frith discography 1231:Step Across the Border 740:Westdeutscher Rundfunk 520:"Betting on the World" 221:San Francisco Bay Area 1796:Intakt Records albums 1718:Friends & Enemies 1695:Laying Demons to Rest 1539:2 Gentlemen in Verona 1185:The Happy End Problem 882:at Intakt Records on 779:on September 25, 2020 406:komplexen Soundscapes 18:Joy of Cooking (band) 1678:, Gianni Gebbia and 1658:(with ARTE Quartett) 1635:The Art of Memory II 1615:The Stone: Issue Two 1291:Freedom in Fragments 1238:Middle of the Moment 1171:The Previous Evening 1139:Guitar Solos / Fifty 899:Closer to the Ground 890:Closer to the Ground 879:Closer to the Ground 868:Closer to the Ground 844:. September 15, 2018 402:Closer to the Ground 379:Closer to the Ground 365:Closer to the Ground 258:Professional ratings 208:Closer to the Ground 183:Closer to the Ground 31:Closer to the Ground 1700:Susana Santos Silva 1618:(with Chris Cutler) 1542:(with Chris Cutler) 1514:(with Chris Cutler) 1491:Live Improvisations 1450:(with Henry Kaiser) 1224:The Top of His Head 600:Oakland, California 476:"In the Grip of It" 259: 237:Oakland, California 86:Oakland, California 84:Sharkbite Studios, 76:January 13–15, 2018 1447:Who Needs Enemies? 906:(list of releases) 498:"Stars Like Trees" 257: 225:experimental music 106:free improvisation 101:Experimental music 1778: 1777: 1728: 1727: 1721:with Henry Kaiser 1687:Cut Up the Border 1623:The Sugar Factory 1559:What Leave Behind 1527:Traffic Continues 1519:The Art of Memory 1484:Ferdinand Richard 1382: 1381: 1307: 1306: 894:at Intakt Records 664:(December 2018). 594:Sound and artwork 549: 548: 351: 350: 204: 203: 200: 199: 1813: 1768: 1767: 1707: 1666:(with John Zorn) 1638:(with John Zorn) 1574:(with John Zorn) 1522:(with John Zorn) 1407:Voice of America 1362: 1252:Rivers and Tides 1146: 1132:Clearing Customs 1125:To Sail, to Sail 934: 927: 920: 911: 854: 853: 851: 849: 832: 821: 820: 818: 816: 800: 789: 788: 786: 784: 775:. Archived from 773:In On The Corner 764: 753: 752: 750: 748: 730: 724: 723: 705: 694: 693: 691: 689: 670: 658: 440: 435: 398:Kettenreaktionen 347: 346: 345: 341: 340: 336: 335: 331: 330: 326: 325: 309: 308: 307: 303: 302: 298: 297: 293: 292: 288: 287: 260: 231:group featuring 229:free improvising 169: 168: 126: 125: 121: 68: 66: 40: 28: 1821: 1820: 1816: 1815: 1814: 1812: 1811: 1810: 1781: 1780: 1779: 1774: 1756: 1724: 1705: 1655:The Big Picture 1603:Ironic Universe 1596:Anthony Braxton 1552:Carla Kihlstedt 1532:Ensemble Modern 1378: 1360: 1303: 1271: 1211: 1149:Music for Dance 1144: 1056: 995:Fred Frith Trio 943: 938: 863: 858: 857: 847: 845: 834: 833: 824: 814: 812: 802: 801: 792: 782: 780: 766: 765: 756: 746: 744: 732: 731: 727: 707: 706: 697: 687: 685: 668: 662:Margasak, Peter 660: 659: 650: 645: 596: 566: 550: 429:Fred Frith Trio 425: 353:In a review in 343: 338: 333: 328: 305: 300: 295: 290: 255: 217:Fred Frith Trio 195: 186: 177: 161:Fred Frith Trio 123: 119: 118: 110: 64: 62: 53: 51:Fred Frith Trio 26: 21: 12: 11: 5: 1819: 1817: 1809: 1808: 1803: 1798: 1793: 1783: 1782: 1776: 1775: 1773: 1772: 1761: 1758: 1757: 1755: 1754: 1747: 1742: 1736: 1734: 1730: 1729: 1726: 1725: 1723: 1722: 1713: 1711: 1704: 1703: 1691: 1683: 1676:Lindsay Cooper 1667: 1659: 1651: 1639: 1631: 1628:Evelyn Glennie 1619: 1611: 1599: 1587: 1584:Stevie Wishart 1575: 1567: 1555: 1543: 1535: 1523: 1515: 1507: 1503:Helter Skelter 1499: 1496:Tim Hodgkinson 1487: 1475: 1467:Attention Span 1463: 1451: 1443: 1431: 1419: 1403: 1390: 1388: 1387:Collaborations 1384: 1383: 1380: 1379: 1377: 1376: 1368: 1366: 1359: 1358: 1351: 1344: 1337: 1330: 1323: 1315: 1313: 1309: 1308: 1305: 1304: 1302: 1301: 1294: 1287: 1279: 1277: 1273: 1272: 1270: 1269: 1266:Eye to Ear III 1262: 1255: 1248: 1241: 1234: 1227: 1219: 1217: 1216:Music for Film 1213: 1212: 1210: 1209: 1202: 1195: 1188: 1181: 1174: 1167: 1160: 1152: 1150: 1143: 1142: 1135: 1128: 1121: 1114: 1107: 1100: 1093: 1086: 1079: 1072: 1064: 1062: 1058: 1057: 1055: 1054: 1049: 1044: 1038: 1037: 1032: 1027: 1022: 1017: 1015:Duck and Cover 1012: 1006: 1005: 998: 991: 984: 977: 970: 963: 956: 948: 945: 944: 939: 937: 936: 929: 922: 914: 908: 907: 895: 886: 875: 873:Intakt Records 862: 861:External links 859: 856: 855: 822: 809:Intakt Records 790: 754: 735:"Preview Jazz" 725: 695: 647: 646: 644: 641: 633:Intakt Records 629: 628: 625: 622: 619:Intakt Records 616: 610: 607: 595: 592: 584:Intakt Records 580: 579: 576: 573: 565: 562: 554:Intakt Records 547: 546: 543: 540: 536: 535: 532: 529: 525: 524: 521: 518: 514: 513: 510: 507: 503: 502: 499: 496: 492: 491: 488: 485: 481: 480: 477: 474: 470: 469: 466: 463: 459: 458: 455: 452: 448: 447: 444: 441: 433: 424: 421: 417:Intakt Records 394:Karl Lippegaus 361:Peter Margasak 349: 348: 319: 311: 310: 281: 273: 272: 269: 265: 264: 254: 251: 241:Intakt Records 202: 201: 198: 197: 188: 179: 165: 164: 157: 156: 154:Intakt Records 147: 141: 140: 134: 128: 127: 116: 112: 111: 109: 108: 103: 97: 95: 89: 88: 82: 78: 77: 74: 70: 69: 59: 55: 54: 49: 42: 41: 33: 32: 24: 13: 10: 9: 6: 4: 3: 2: 1818: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1788: 1786: 1771: 1763: 1762: 1759: 1753: 1752: 1748: 1746: 1743: 1741: 1738: 1737: 1735: 1731: 1720: 1719: 1715: 1714: 1712: 1708: 1701: 1697: 1696: 1692: 1689: 1688: 1684: 1681: 1677: 1673: 1672: 1668: 1665: 1664: 1660: 1657: 1656: 1652: 1649: 1648:ARTE Quartett 1645: 1644: 1640: 1637: 1636: 1632: 1629: 1625: 1624: 1620: 1617: 1616: 1612: 1609: 1605: 1604: 1600: 1597: 1593: 1592: 1588: 1585: 1581: 1580: 1576: 1573: 1572: 1568: 1565: 1561: 1560: 1556: 1553: 1549: 1548: 1544: 1541: 1540: 1536: 1533: 1529: 1528: 1524: 1521: 1520: 1516: 1513: 1512: 1508: 1505: 1504: 1500: 1497: 1493: 1492: 1488: 1485: 1481: 1480: 1476: 1473: 1469: 1468: 1464: 1461: 1457: 1456: 1452: 1449: 1448: 1444: 1441: 1437: 1436: 1432: 1429: 1425: 1424: 1420: 1417: 1413: 1409: 1408: 1404: 1401: 1397: 1396: 1392: 1391: 1389: 1385: 1375: 1374: 1370: 1369: 1367: 1365:Composer only 1363: 1357: 1356: 1352: 1350: 1349: 1345: 1343: 1342: 1338: 1336: 1335: 1331: 1329: 1328: 1324: 1322: 1321: 1320:Live in Japan 1317: 1316: 1314: 1310: 1300: 1299: 1295: 1293: 1292: 1288: 1286: 1285: 1281: 1280: 1278: 1276:Composer only 1274: 1268: 1267: 1263: 1261: 1260: 1259:Eye to Ear II 1256: 1254: 1253: 1249: 1247: 1246: 1242: 1240: 1239: 1235: 1233: 1232: 1228: 1226: 1225: 1221: 1220: 1218: 1214: 1208: 1207: 1203: 1201: 1200: 1196: 1194: 1193: 1189: 1187: 1186: 1182: 1180: 1179: 1175: 1173: 1172: 1168: 1166: 1165: 1161: 1159: 1158: 1154: 1153: 1151: 1147: 1141: 1140: 1136: 1134: 1133: 1129: 1127: 1126: 1122: 1120: 1119: 1118:Eleventh Hour 1115: 1113: 1112: 1108: 1106: 1105: 1101: 1099: 1098: 1094: 1092: 1091: 1087: 1085: 1084: 1080: 1078: 1077: 1073: 1071: 1070: 1066: 1065: 1063: 1061:Studio albums 1059: 1053: 1050: 1048: 1045: 1043: 1040: 1039: 1036: 1033: 1031: 1028: 1026: 1025:Death Ambient 1023: 1021: 1018: 1016: 1013: 1011: 1010:The Orckestra 1008: 1007: 1004: 1003: 999: 997: 996: 992: 990: 989: 985: 983: 982: 978: 976: 975: 974:Skeleton Crew 971: 969: 968: 964: 962: 961: 957: 955: 954: 950: 949: 946: 942: 935: 930: 928: 923: 921: 916: 915: 912: 905: 901: 900: 896: 893: 891: 887: 885: 881: 880: 876: 874: 870: 869: 865: 864: 860: 848:September 15, 843: 842: 837: 831: 829: 827: 823: 815:September 15, 811: 810: 805: 799: 797: 795: 791: 778: 774: 770: 763: 761: 759: 755: 742: 741: 736: 729: 726: 721: 717: 713: 712: 704: 702: 700: 696: 684: 680: 676: 675: 667: 663: 657: 655: 653: 649: 642: 640: 638: 634: 626: 623: 620: 617: 614: 611: 608: 605: 604: 603: 601: 593: 591: 589: 585: 577: 574: 571: 568: 567: 563: 561: 559: 555: 544: 542:"Up in Smoke" 541: 537: 533: 530: 526: 522: 519: 515: 511: 508: 504: 500: 497: 493: 489: 487:"Ruhebereich" 486: 482: 478: 475: 471: 467: 464: 460: 456: 453: 449: 436: 432: 430: 423:Track listing 422: 420: 418: 414: 409: 407: 403: 399: 395: 391: 386: 384: 380: 376: 375: 369: 366: 362: 358: 357: 320: 318: 317: 313: 312: 282: 280: 279: 275: 274: 266: 263:Review scores 261: 252: 250: 248: 247: 242: 238: 234: 230: 226: 222: 218: 214: 210: 209: 194: 193: 189: 185: 184: 180: 176: 175: 171: 170: 166: 162: 158: 155: 151: 148: 146: 142: 139:(Switzerland) 138: 135: 133: 129: 117: 113: 107: 104: 102: 99: 98: 96: 94: 90: 87: 83: 79: 75: 71: 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 1749: 1745:Fred Records 1716: 1710:Compilations 1693: 1685: 1680:Lars Hollmer 1669: 1661: 1653: 1641: 1633: 1621: 1613: 1601: 1589: 1577: 1569: 1557: 1545: 1537: 1525: 1517: 1509: 1501: 1489: 1477: 1465: 1460:RenĂ© Lussier 1453: 1445: 1433: 1428:Chris Cutler 1421: 1412:Bob Ostertag 1405: 1400:Henry Kaiser 1393: 1371: 1353: 1346: 1341:Storytelling 1339: 1332: 1325: 1318: 1298:Back to Life 1296: 1289: 1282: 1264: 1257: 1250: 1243: 1236: 1229: 1222: 1204: 1197: 1190: 1183: 1176: 1169: 1162: 1155: 1137: 1130: 1123: 1116: 1109: 1102: 1095: 1088: 1081: 1074: 1069:Guitar Solos 1067: 1042:Aksak Maboul 1035:Maybe Monday 1000: 993: 986: 981:Keep the Dog 979: 972: 965: 958: 951: 897: 889: 878: 867: 846:. Retrieved 839: 813:. Retrieved 807: 781:. Retrieved 777:the original 772: 745:. Retrieved 738: 728: 709: 686:. Retrieved 672: 630: 597: 581: 551: 426: 410: 405: 401: 397: 387: 378: 372: 370: 364: 354: 352: 314: 276: 244: 213:studio album 207: 206: 205: 190: 182: 181: 172: 46:Studio album 22: 1791:2018 albums 1643:Still Urban 1608:Janet Feder 1455:Nous Autres 1440:Lol Coxhill 1435:French Gigs 1416:Phil Minton 1312:Live albums 783:November 3, 747:October 31, 743:(in German) 688:October 29, 1785:Categories 1663:Late Works 1564:Toychestra 1245:Eye to Ear 1206:Propaganda 1178:Accidental 1083:Speechless 1052:Naked City 988:Cosa Brava 941:Fred Frith 643:References 621:– producer 615:– producer 613:Fred Frith 570:Fred Frith 233:Fred Frith 211:is a 2018 163:chronology 150:Fred Frith 65:2018-09-15 1472:John Zorn 1002:Henry Now 960:Art Bears 953:Henry Cow 720:1368-0021 683:0012-5768 631:Sources: 582:Sources: 564:Personnel 552:Sources: 413:Henry Cow 253:Reception 1770:Category 1355:Woodwork 1334:Impur II 1284:Pacifica 1104:Clearing 1097:Quartets 1047:Material 967:Massacre 884:Bandcamp 711:Jazzwise 674:DownBeat 374:Jazzwise 356:DownBeat 316:Jazzwise 278:DownBeat 145:Producer 73:Recorded 58:Released 48: by 1733:Related 1479:Dropera 1076:Gravity 904:Discogs 892:reviews 841:Discogs 637:Discogs 588:Discogs 558:Discogs 215:by the 196:(2021) 187:(2018) 178:(2016) 63: ( 1698:(with 1674:(with 1646:(with 1626:(with 1606:(with 1594:(with 1562:(with 1530:(with 1494:(with 1482:(with 1458:(with 1438:(with 1426:(with 1410:(with 1398:(with 1164:Allies 1111:Prints 718:  681:  446:Length 271:Rating 268:Source 223:based 137:Intakt 115:Length 81:Studio 1373:Impur 669:(PDF) 443:Title 390:WDR 3 383:licks 377:that 132:Label 93:Genre 1414:and 850:2018 817:2018 785:2018 749:2018 716:ISSN 690:2018 679:ISSN 545:6:18 534:7:34 523:2:39 512:6:49 501:5:55 490:6:23 479:4:56 468:5:06 457:5:16 227:and 219:, a 192:Road 902:at 871:at 439:No. 408:). 1787:: 838:. 825:^ 806:. 793:^ 771:. 757:^ 737:. 714:. 698:^ 671:. 651:^ 639:. 635:, 590:. 586:, 560:. 556:, 539:9. 528:8. 517:7. 506:6. 495:5. 484:4. 473:3. 462:2. 451:1. 431:. 392:, 152:, 124:56 120:50 1702:) 1682:) 1650:) 1630:) 1610:) 1598:) 1586:) 1566:) 1554:) 1534:) 1498:) 1486:) 1474:) 1462:) 1442:) 1430:) 1418:) 1402:) 933:e 926:t 919:v 852:. 819:. 787:. 751:. 722:. 692:. 122:: 67:) 20:.

Index

Joy of Cooking (band)
An aerial photograph of a country side, with the letters "Fred Frith Trio" at the center top, "Fred Frith Jason Hoopes Jordan Glenn" at the center bottom, and "Closer to the Ground" at the center right
Studio album
Fred Frith Trio
Oakland, California
Genre
Experimental music
free improvisation
Label
Intakt
Producer
Fred Frith
Intakt Records
Fred Frith Trio
Another Day in Fucking Paradise
Road
studio album
Fred Frith Trio
San Francisco Bay Area
experimental music
free improvising
Fred Frith
Oakland, California
Intakt Records
Another Day in Fucking Paradise
DownBeat
Jazzwise
DownBeat
Peter Margasak
Jazzwise

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑