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Clyde Hurley

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piano to trumpet and worked with local bands. He attended Texas Christian University in Fort Worth from 1932 to 1936 (playing for all four years in the school jazz band) and joined the Ben Pollack Orchestra in 1937 when it was touring Texas. He moved to California with the band and in the spring of 1939 joined the Glenn Miller Orchestra. With Miller Hurley was recorded playing perhaps the orchestra's most famous solo, the one for trumpet on Miller's "In the Mood." Hurley also took other fine solos, including appearances on Miller recordings of "Stardust," "Glen Island Special" (a tune written by Texan Eddie Durham), and "Rug Cutter's Swing," as well as on "One O'Clock Jump," recorded at Carnegie Hall in 1939. In 1940 Hurley left Miller to join the Tommy Dorsey Orchestra, and the next year he signed on with the Artie Shaw Orchestra. During the rest of the 1940s he worked in Hollywood. He worked in the NBC television studios in the 1950s and later freelanced for various television, film, record, and radio companies. He was seen in many films, including The Five Pennies (1959) and The Gene Krupa Story (1959). Hurley died in Fort Worth on August 14, 1963. He was survived by a wife and two sons.
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with territory bands and then was discovered by Ben Pollack (who was traveling through Texas) in 1937. After a year with Pollack, Hurley settled in Los Angeles to become a studio musician. However, Glenn Miller signed him up in 1939 and, during his year with Miller, Hurley was a key soloist as can be heard on the bandleader's Carnegie Hall concert and his studio recordings. The trumpeter spent time in the big bands of Tommy Dorsey (1940-1941) and Artie Shaw (1941) and then freelanced in the studios, most notably for MGM (1944-1949) and NBC (1950-1955). Hurley also played in Dixieland groups in the '50s including Matty Matlock's Rampart Street Paraders and on a heated (and fortunately recorded) live set from the Club Hangover in 1954 with Ralph Sutton and Edmond Hall. Clyde Hurley, a fine trumpeter with a fat tone and a hard-driving style, led two recording dates resulting in four numbers for Keynote in 1946 and five for Crown in 1950.
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38619 Tarrant County, Fort Worth, Texas, Clyde L. Hurley Jr., Male, September 3, 1916, Father: Clyde L. Hurley, Fort Worth, Texas, White, Age 20, Born: McKinney, Texas, Telegraph Operator, Mother: Esther Brown, Fort Worth, Texas, White, Age 19, Gorman, Texas, Housewife, Born at 8:30pm in Fort Worth,
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Other Fort Worth musicians include ... tenor saxophonist and vocalist Tex Beneke ... and trumpeter Clyde Hurley (born September 3, 1916). ... most famously on "In the Mood" in 1939 when Hurley, who had studied music at Texas Christian University in Fort Worth, performed the tune's memorable trumpet
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Name: Mr Clyde Lanham Hurley Junior; Birth Date: 3 Sep 1916; Birth Place: Fort Worth, Texas; Gender: Male; Race: White; Residence: Fort Worth, Tarrant, Texas; Father: Clyde L Hurley; Mother: Esther Brown; Age at Death: 46; Death Date: 14 Aug 1963; Death Place: Fort Worth, Tarrant, Texas, USA; Cause
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On April 20, 1940, Hurley was listed in the census as living with his then wife, Katherine Ann Foster (b. June 7, 1917, d. September 3, 1994) at 4114 Prescott Ave., Dallas, Texas, the house of his in-laws. Hurley had two sons: Clyde Lanham Hurley III (b. 1937, d. 2022); and Lawrence Foster Hurley
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Although his name is now quite obscure, Clyde Hurley took a trumpet solo that has been heard dozens of times by the average American; the familiar chorus on Glenn Miller's "In the Mood." Hurley originally taught himself to play by soloing along with Louis Armstrong records. He started out working
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Jazz trumpeter Clyde Lanham Hurley, Jr., was born in Fort Worth on September 3, 1916. He was the son of Clyde L. and Esther B. (Temple) Hurley. He first studied music with his mother, who was a professional pianist and vocalist. Influenced by early Louis Armstrong recordings, Hurley switched from
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After gaining experience working locally, Hurley was heard by bandleader Ben Pollack when the drummer was passing through Texas. Hurley joined Pollack in 1938 (taking a solo on his record "So Unexpectedly"). However, he left the band when it toured Los Angeles the following year so that he could
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records. His talent was encouraged and nurtured by his mother, Esther Brown Hurley, who had a career in the early days of Texas radio traveling by train from Fort Worth to stations in San Antonio and Houston where she sang and played piano live. He studied music at the
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was touring through Texas he heard Hurley and invited him to join his orchestra where Hurley soloed on "So Unexpectedly". After a year with Pollack, while on tour in Los Angeles, Hurley left to become a studio musician. Hurley was playing with
614:, 1940; Dallas, Dallas, Texas; roll T627_4172, page 20B, line 79, enumeration district 255-22, Family History film 005458086, National Archives film number T627. Retrieved on April 25, 2015. 456:, 1920; Fort Worth Ward 11, Tarrant, Texas; roll T625_1849, page 5A, line 2, enumeration district 144, Family History film 757, National Archives film number 757. Retrieved on 2015-02-15. 27: 240:", "Slip Horn Jive" and "Tuxedo Junction." After a difference of opinion with Miller over the style of music the band was playing, Hurley left Miller in May 1940 to work with 216:
During the time he was with Miller, Hurley was one of the key soloists. He appeared on the band's studio recordings and live performances throughout America, including
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in Fort Worth from 1932 to 1936 where he participated in the school's jazz band. He began his career working with territory bands. In 1937, while drummer/band-leader
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After his stint with Shaw, he did freelance work for the movie studios. In 1941, he played the trumpet track for the classic
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sent for him to join the Miller band on its Glen Island Casino opening in May 1939, the year following fellow Fort Worthian
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become a studio musician, one of many notable Pollack "discoveries" that eventually deserted him for more lucrative work...
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describes Hurley as "a fine trumpeter with a fat tone and a hard-driving style". He died of a
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Advertisement for Selmer instruments. New York, 25th, Sep - 20th, November, 1939.
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at the Club Hangover. His studio work in the 1950s included sessions with
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Moonlight Serenade: a bio-discography of the Glenn Miller Civilian Band
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Calendar editor: Ron Hearn. 1979–2005. Last Updated August 20, 2005.
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The Trumpet Kings: The Players who Shaped the Sound of Jazz Trumpet
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Self-taught, he learned to play the trumpet by playing along with
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Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s
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cartoon "Boogie Woogie Bugle Boy of Company B." He worked for
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joining Miller's band. Beneke recommended Hurley to Miller.
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from 1950 to 1955. During the late 1950s, Hurley played in
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New York: Da Capo paperback. 692:Glenn Miller Orchestra members 625:Born On This Day - September 3 318:Glenn Miller and His Orchestra 1: 509:. University of Texas Press. 397:Standard Certificate of Birth 316:Simon, George Thomas (1980). 380:of death: Coronary occlusion 546:. Hal Leonard Corporation. 708: 427:"Hurley, Clyde Lanham, Jr" 331:Schuller, Gunther (1991). 259:from 1944 to 1949 and for 194:Texas Christian University 25: 647:American male trumpeters 623:Big Band Database Plus: 157:Clyde Lanham Hurley, Jr. 682:20th-century trumpeters 267:groups, recording with 38:Background information 301:Flower, John (1972). 612:United States census 503:(December 3, 2009). 454:United States census 364:Certificate of Death 167:era. He was born in 642:American trumpeters 226:Hotel Pennsylvania 177:coronary occlusion 587:978-1-55935-147-8 230:Paramount Theatre 169:Fort Worth, Texas 151: 150: 138:Glenn Miller Band 76:Fort Worth, Texas 57:Fort Worth, Texas 53:September 3, 1916 699: 616: 615: 607: 601: 599: 568: 562: 561: 534: 525: 524: 497: 491: 490: 484: 482: 467: 458: 457: 449: 443: 442: 436: 434: 422: 416: 415: 409: 407: 401: 392: 383: 382: 376: 374: 368: 360: 244:and then joined 122: 79: 71: 60: 52: 50: 30: 16: 707: 706: 702: 701: 700: 698: 697: 696: 632: 631: 619: 609: 608: 604: 600:Tape 2, side A. 588: 572:Gilliland, John 570: 569: 565: 554: 536: 535: 528: 517: 499: 498: 494: 480: 478: 469: 468: 461: 451: 450: 446: 432: 430: 424: 423: 419: 405: 403: 399: 394: 393: 386: 372: 370: 366: 362: 361: 354: 350: 298: 289: 189:Louis Armstrong 185: 154: 120: 74: 73: 69: 68:August 14, 1963 55: 54: 48: 46: 33: 21: 12: 11: 5: 705: 703: 695: 694: 689: 684: 679: 674: 669: 664: 659: 654: 649: 644: 634: 633: 630: 629: 618: 617: 602: 586: 563: 552: 526: 515: 492: 459: 444: 417: 384: 351: 349: 346: 345: 344: 329: 314: 297: 294: 288: 285: 184: 181: 153:Musical artist 152: 149: 148: 131: 127: 126: 123: 117: 116: 111: 107: 106: 103: 99: 98: 85: 81: 80: 72:(aged 46) 66: 62: 61: 44: 40: 39: 35: 34: 31: 23: 22: 19: 13: 10: 9: 6: 4: 3: 2: 704: 693: 690: 688: 685: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 643: 640: 639: 637: 627: 626: 621: 620: 613: 606: 603: 597: 593: 589: 583: 580:(audiobook). 579: 578: 573: 567: 564: 560: 555: 553:9780879306403 549: 545: 544: 539: 533: 531: 527: 523: 518: 516:9780292778870 512: 508: 507: 502: 501:Dave Oliphant 496: 493: 489: 476: 472: 466: 464: 460: 455: 448: 445: 441: 428: 421: 418: 414: 398: 395:"004478201". 391: 389: 385: 381: 365: 359: 357: 353: 347: 342: 341:0-19-507140-9 338: 334: 330: 327: 326:0-306-80129-9 323: 319: 315: 312: 311:0-87000-161-2 308: 304: 300: 299: 295: 293: 286: 284: 282: 278: 274: 270: 269:Matty Matlock 266: 262: 258: 254: 249: 247: 243: 239: 235: 231: 227: 223: 219: 218:Carnegie Hall 214: 212: 208: 204: 203:Paul Whiteman 199: 195: 190: 182: 180: 178: 174: 170: 166: 162: 158: 147: 143: 139: 135: 132: 128: 124: 118: 115: 112: 108: 104: 100: 97: 93: 89: 86: 82: 77: 67: 63: 58: 45: 41: 36: 29: 24: 17: 624: 605: 576: 566: 557: 542: 520: 505: 495: 486: 481:February 16, 479:. 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Retrieved 332: 317: 302: 290: 273:Ralph Sutton 253:Walter Lantz 250: 242:Tommy Dorsey 215: 207:Glenn Miller 186: 156: 155: 142:Tommy Dorsey 125:c. 1937–1955 121:Years active 70:(1963-08-14) 20:Clyde Hurley 672:1963 deaths 667:1916 births 538:Scott Yanow 471:Scott Yanow 400:(Microfilm) 367:(Microfilm) 292:(b. 1941). 281:Paul Weston 277:Edmond Hall 238:In The Mood 198:Ben Pollack 173:Scott Yanow 163:during the 134:Ben Pollack 130:Formerly of 636:Categories 348:References 246:Artie Shaw 222:Cafe Rouge 211:Tex Beneke 146:Artie Shaw 110:Instrument 102:Occupation 49:1916-09-03 265:Dixieland 248:in 1941. 234:John Best 161:trumpeter 596:31611854 574:(1994). 540:(2001). 228:and the 165:big band 105:Musician 88:big band 296:Sources 114:Trumpet 594:  584:  550:  513:  413:Texas. 339:  324:  309:  287:Family 183:Career 84:Genres 78:, U.S. 59:, U.S. 522:solo. 205:when 96:swing 592:OCLC 582:ISBN 548:ISBN 511:ISBN 483:2015 435:2015 408:2015 375:2015 337:ISBN 322:ISBN 307:ISBN 275:and 92:jazz 65:Died 43:Born 261:NBC 257:MGM 224:in 638:: 590:. 556:. 529:^ 519:. 485:. 473:. 462:^ 437:. 410:. 387:^ 377:. 355:^ 220:, 144:, 140:, 136:, 94:, 90:, 598:. 343:. 328:. 313:. 51:) 47:(

Index

Man with glasses and a bow tie, holding a trumpet looking down toward another man out of the frame.
Fort Worth, Texas
Fort Worth, Texas
big band
jazz
swing
Trumpet
Ben Pollack
Glenn Miller Band
Tommy Dorsey
Artie Shaw
trumpeter
big band
Fort Worth, Texas
Scott Yanow
coronary occlusion
Louis Armstrong
Texas Christian University
Ben Pollack
Paul Whiteman
Glenn Miller
Tex Beneke
Carnegie Hall
Cafe Rouge
Hotel Pennsylvania
Paramount Theatre
John Best
In The Mood
Tommy Dorsey
Artie Shaw

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