786:; they're still focused on somewhat unorthodox melodies, anchored by an incredibly tight rhythm section and some guitar pyrotechnics. The band is clearly tighter and more comfortable with strong melodies, but with the exception of the omission of sub-30 second goof offs like 'Coffee Mug' and 'Weinerschnitzel', there is little that will alienate old fans. The production, by way of Stevenson (who has been producing one excellent sounding record after another at his Blasting Room studio) is the best yet, with every instrument clear and not one dominating. The common description of 'pop-hardcore' is still undisputed."
535:. Stevenson wrote "One More Day" about the death of his father, who he had taken in and cared for throughout the last year of his life: "He and I always had a terrible relationship. We spent a good part of my adult life being somewhat estranged from each other. He became ill and I took care of him for a little while. And then he died. That song is just about his and my relationship. Just to get that out of me and not holding it inside anymore, is a huge relief for me Every single time I hear that song, it just freaks me out. I've never, ever written a song that's freaked me out that much."
780:" Aubin Paul of Punknews.org gave the album four and a half stars out of five, complimenting the band's ability to work in more mature subject matter while still maintaining the childish and self-deprecating humor that "is almost impossible to find anything but endearing and sympathetic." He particularly praised the band's musical abilities and Stevenson's production skills, saying that "Musically, the band hasn't changed drastically since 1982's
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was a longtime fan of the band, and his enthusiasm for working with them was a major factor in their decision to sign to the label. Stevenson commented that "If you've got the owner of the label saying he wants to put out a record by what is probably his favorite band of all time, that's rad. That's
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before them, the
Descendents' overall sound tends to be interchangeable, in the best possible way, with previous efforts. Why mess with a good thing? For instance, among these 14 tracks, 'Nothing with You' can be compared to 'Clean Sheets,' while 'Cool to Be You' and 'Mass Nerder' are anthems à la
31:
421:, and Aukerman's vocals were recorded over the instrumental tracks. However, these recordings were not released for another two years. Stevenson explained that the gap of eight years between Descendents albums was due to the band members having children and to his father's death.
366:. Aukerman contributed occasional songwriting and backing vocals, and in 1995 decided to return to music. The members decided to operate as two bands, working with Aukerman as the Descendents and with Price as All. Both bands signed to
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was recorded with
Aukerman in 2002, but its release was delayed until 2004. The band switched from Epitaph to Fat Wreck Chords partly due to the enthusiasm of label head
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in 1996. Following the album's supporting tours
Aukerman had returned to his science career, though he recorded backing vocals for All's 1998 album
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from the album's sessions: "Here with Me", "I Quit", and "Alive". "Nothing with You" was released to radio the same day.
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address topics including love and relationships, sociopolitical commentary, the death of parents,
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in 2001, a double live album that included a
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the best possible position for a band to be in." The album was preceded by the
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formats, with a cover illustration drawn by Chris Shary depicting the band's
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1311:. Friday Morning Quarterback Album Report, Incorporated. Archived from
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became the fourth
Descendents release to chart, reaching #143 on the
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became the fourth
Descendents release to chart, reaching #143 on the
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1634:"Descendents Album & Song Chart History: Independent Albums"
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The album cover, illustrated by Chris Shary, depicts the band's
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1570:. Vol. 20, no. 5. SPIN Media, LLC. pp. 105, 107.
253:. It was their first album of new studio material since 1996's
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1609:"Descendents Album & Song Chart History: Billboard 200"
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rated it four stars out of five, commenting that "Like the
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Jason
Livermore – recording and mix engineer, mastering
503:'Merican" addresses positive and negative aspects of
1582:"Descendents: Charts & Awards: Billboard Albums"
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767:and #6 amongst independent albums. Al Campbell of
1462:Travers, Paul (March 27, 2004). "Rated: Albums".
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1248:: CS1 maint: others in cite AV media (notes) (
776:'I'm Not a Loser' and 'I Don't Want to Grow Up.
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463:followed on March 23 and was released in both
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1485:"Review - Descendents - Cool To Be You LP/CD"
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1543:Abowitz, Richard (May 13, 2004). "New CDs".
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1947:"Ride the Wild" / "It's a Hectic World"
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330:. The remaining members—bassist
1434:Ballard, Ben (April 30, 2004).
1483:Hiller, Joachim (March 2004).
1193:Paul, Aubin (March 23, 2004).
1158:Rachel Woliansky – photography
1155:Stacie Stevenson – photography
1149:Jeff Hagedorn – design, layout
1146:Rodger Deuerlein – photography
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1:
1560:Richardson, Sean (May 2004).
1514:"Descendents: Cool to Be You"
370:and the Descendents released
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1951:"Clean Sheets" / "Coolidge"
1549:. No. 948. p. 74.
397:The recording sessions for
322:In 1987 Descendents singer
222:Released: February 10, 2004
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437:. Label head and musician
433:the Descendents signed to
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1785:I Don't Want to Grow Up
186:Hypercaffium Spazzinate
81:February and April 2002
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407:Fort Collins, Colorado
157:Descendents chronology
94:Fort Collins, Colorado
1992:"Like The Way I Know"
1338:descendentsonline.com
1279:descendentsonline.com
1778:Milo Goes to College
1468:. No. 998. UK:
1348:on February 11, 2010
1104:Additional musicians
783:Milo Goes to College
544:Professional ratings
411:Wilmington, Delaware
382:. All also released
271:had returned to his
98:Wilmington, Delaware
1983:"That's The Breaks"
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881:"Dog and Pony Show"
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429:For the release of
96:; Planet of Sound,
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1986:"Baby Doncha Know"
1884:Two Things at Once
1869:Compilation albums
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1141:Artwork and design
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833:"Nothing with You"
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219:"Nothing with You"
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1968:"Nothing With You
1315:on March 22, 2013
1289:on March 24, 2010
1238:. 2004. FAT672-2.
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403:The Blasting Room
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1472:. p. 56.
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1977:"Who We Are"
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1419:February 16,
1417:. Retrieved
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1384:February 16,
1382:. Retrieved
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1317:. Retrieved
1313:the original
1303:
1293:February 16,
1291:. Retrieved
1287:the original
1278:
1275:"Interviews"
1226:(CD liner).
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1205:September 8,
1203:. Retrieved
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1094:mix engineer
1051:Karl Alvarez
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851:Karl Alvarez
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517:Walt Whitman
509:Otis Redding
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388:in 2000 and
383:
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356:Dave Smalley
348:Cruz Records
334:, guitarist
332:Karl Alvarez
328:biochemistry
321:
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279:, guitarist
277:Karl Alvarez
273:biochemistry
264:
263:. Following
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166:
50:Studio album
15:
2065:2004 albums
2007:Discography
1956:I'm the One
1930:Spazzhazard
1837:Live albums
1762:David Nolte
1704:Descendents
1643:January 31,
1618:January 31,
1593:January 31,
1493:(in German)
1352:February 3,
1342:Descendents
1319:October 31,
1283:Descendents
1228:Descendents
1055:bass guitar
1009:"Dry Spell"
895:"Blast Off"
533:Vietnam War
477:graph paper
419:overdubbing
413:, and were
385:Problematic
379:Mass Nerder
247:Descendents
56:Descendents
41:graph paper
2054:Categories
2029:Only Crime
2019:Black Flag
1989:"Nightage"
1980:"Suffrage"
1754:Ray Cooper
1490:Ox-Fanzine
1171:References
1119:Production
1110:Chad Price
650:Ox-Fanzine
531:, and the
497:flatulence
364:Chad Price
293:Chad Price
70:2004-03-23
1877:Bonus Fat
1562:"Reviews"
1518:Pitchfork
1404:"Review:
1369:"Review:
1195:"Review:
1098:mastering
1033:Personnel
998:Stevenson
970:Stevenson
817:"Talking"
806:Writer(s)
763:Billboard
662:Pitchfork
539:Reception
493:nerdiness
475:drawn on
310:Billboard
267:, singer
245:band the
243:punk rock
140:(FAT-672)
39:drawn on
2039:The Last
1923:'Merican
1916:Sessions
1845:Liveage!
1587:Allmusic
1528:April 9,
1522:Archived
1497:April 9,
1465:Kerrang!
1447:April 9,
1413:Allmusic
1378:Allmusic
1371:'Merican
1335:"F.A.Q."
1128:Fat Mike
1090:producer
1012:Aukerman
984:Aukerman
956:Aukerman
937:"Maddie"
912:Aukerman
909:"Dreams"
898:Aukerman
867:Merican"
836:Aukerman
769:Allmusic
612:Kerrang!
563:AllMusic
445:'Merican
439:Fat Mike
415:produced
301:Fat Mike
168:'Merican
146:Producer
78:Recorded
63:Released
52: by
2013:Filmage
1940:Singles
926:Alvarez
884:Alvarez
870:Alvarez
773:Ramones
521:slavery
457:B-sides
425:Release
204:Singles
190:(2016)
181:(2004)
172:(2004)
68: (
1891:Somery
1792:Enjoy!
1162:
1073:guitar
1064:vocals
981:"Tack"
809:Length
667:7.1/10
557:Rating
554:Source
527:, the
515:, and
495:, and
483:Themes
362:, and
116:Length
86:Studio
1086:drums
1025:36:26
865:'
803:Title
655:10/10
206:from
133:Label
105:Genre
1645:2010
1620:2010
1595:2010
1567:Spin
1530:2024
1499:2024
1470:EMAP
1449:2024
1421:2010
1386:2010
1354:2010
1321:2016
1295:2010
1250:link
1207:2010
1045:Band
1015:2:43
1001:3:03
987:2:21
973:3:33
959:2:47
945:3:06
929:2:24
915:2:56
901:2:27
887:2:28
873:1:51
855:1:51
839:2:29
825:2:27
746:Spin
605:8/10
467:and
350:and
54:the
2024:All
1909:Fat
1901:EPs
1799:All
1666:at
1441:IGN
1006:14.
992:13.
978:12.
964:11.
950:10.
799:No.
765:200
600:IGN
405:in
344:All
312:200
289:All
2056::
1636:.
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1242:{{
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751:A−
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469:LP
465:CD
449:EP
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43:.
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