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The portrait shares the same textural schemes and design of several other works by
Reynolds. The allusion to the classical era is apparent in both the clothing worn by the two aristocrats, and their choice of weapon.
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at an approaching animal. Distantly in the background, a river, a clump of trees, and a meadow can be seen. Further back, at the skyline mountain peaks can be seen below thick grey clouds.
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clothing; their hunted prey lies close to their feet. Their facial expressions, coupled with Sydney's eagerness and poise, suggest that they are both preparing to loose an
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However, the use of the bow for recreational use was, at the time, coming back into revival, and so this may not have been too uncommon when
Reynolds created the work.
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107:(1732–1774), a diplomat. Reynolds began the work in 1769, and completed it the next year. In 1769 Reynolds had become the first president of the new
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was the more popular choice of weapon at the time. These two bow-wielding men can be seen in the clearing of a forest. They are both garbed in
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228:"The Archers saved for the Nation - A first for Tate's new Collection Fund – Press Release"
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purchased the painting for more than £2.5 million, equivalent to US$ 4.4 million.
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238.7 cm × 184.2 cm (94.0 in × 72.5 in)
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undertaken between 1769 and 1770. The artwork depicts the two
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206:"Colonel Acland and Lord Sydney: The Archers 1769"
576:Cenotaph to the Memory of Sir Joshua Reynolds
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185:"Colonel Acland and Lord Sydney: The Archers"
123:The work portrays the two men holding each a
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365:Colonel Acland and Lord Sydney: The Archers
89:Colonel Acland and Lord Sydney: The Archers
24:Colonel Acland and Lord Sydney: The Archers
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333:David Garrick Between Tragedy and Comedy
396:Lady Cockburn and Her Three Eldest Sons
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349:Portrait of the Marquess of Rockingham
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427:Lady Elizabeth Delmé and Her Children
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551:Society of Artists of Great Britain
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614:Collection of the Tate galleries
475:Sarah Siddons as the Tragic Muse
92:is an oil-on-canvas painting by
467:Cupid Untying the Zone of Venus
451:Captain George K. H. Coussmaker
569:Memoirs of Sir Joshua Reynolds
325:Portrait of Margaret Desenfans
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491:Portrait of Maria Fitzherbert
459:Portrait of Banastre Tarleton
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604:Portraits by Joshua Reynolds
16:Painting by Joshua Reynolds
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357:Portrait of Elizabeth Kerr
103:(1746–1778; at right) and
341:Portrait of John Burgoyne
111:. In September 2005, the
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373:Portrait of Joseph Banks
101:Colonel John Dyke Acland
317:Portrait of Robert Orme
499:Portrait of Lord Moira
634:Paintings about death
556:Royal Academy of Arts
435:The Ladies Waldegrave
483:The Age of Innocence
419:Lady Caroline Howard
266:Sir Joshua Reynolds
94:Sir Joshua Reynolds
42:Sir Joshua Reynolds
619:Paintings of deer
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535:Theophila Gwatkin
523:Elizabeth Johnson
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529:Frances Reynolds
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579:(1836 painting)
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537:(niece, model)
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109:Royal Academy
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59:Oil on canvas
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624:Birds in art
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381:Blinking Sam
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256:The Art Fund
235:. Retrieved
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209:. Retrieved
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188:. Retrieved
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127:, while the
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76:Tate Britain
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546:Grand Style
517:Mary Palmer
438:(1780–1781)
412: 1776
389: 1775
368:(1769–1770)
105:Lord Sydney
98:aristocrats
598:Categories
541:Wick House
250:References
64:Dimensions
309:Paintings
166:Citations
51:1769–1770
583:The Club
531:(sister)
525:(sister)
519:(sister)
211:5 August
190:5 August
119:Analysis
72:Location
510:Related
129:shotgun
561:statue
502:(1790)
494:(1788)
478:(1784)
470:(1784)
462:(1782)
454:(1782)
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430:(1779)
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399:(1775)
376:(1773)
360:(1769)
352:(1768)
344:(1766)
336:(1761)
328:(1757)
320:(1756)
237:15 May
226:Tate.
133:archer
80:London
56:Medium
38:Artist
443:Thaïs
147:Notes
137:arrow
239:2020
232:Tate
213:2007
192:2007
113:Tate
48:Year
125:bow
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409:c.
386:c.
230:.
174:^
153:a.
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384:(
294:e
287:t
280:v
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