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Frida
Forsgren. "Reading Beat and Being Beat in Oslo: The Reception and Inspiration of Beat Culture in Post-War Norway". In Veivo, Harri; James, Petra; Walczak-Delanois, Dorota (eds.).
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97:. Two years later, he became its managing director. Helander debuted as a screenwriter in 1952 with the film
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Helander was originally a publisher, but in 1949 he was employed as a literary consultant at
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16:Norwegian screenwriter and translator(1911–1962)
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225:Iversen, Gunnar (February 9, 2016).
284:Beat Literature in a Divided Europe
381:20th-century Norwegian translators
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227:"Jakten på 'Fiskerlivets farer'"
299:"Det store norske helteeposet"
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297:Barth, Morten (May 8, 2013).
286:. Leiden: Brill. p. 271.
188:. Genealogy Society of Norway
90:screenwriter and translator.
186:Slekt og Datas Gravminnebase
77:Screenwriter and translator
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182:"Colbjørn Henry Helander"
371:Norwegian screenwriters
257:"Colbjørn Helander død"
210:Lee, A. Robert (2018).
84:Colbjørn Henry Helander
346:Swedish Film Database
214:. London: Routledge.
376:Male screenwriters
153:Hans Nielsen Hauge
342:Colbjørn Helander
336:Colbjørn Helander
327:Colbjørn Helander
110:The Subterraneans
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49:(1962-01-13)
366:1962 deaths
361:1911 births
308:January 14,
267:January 14,
236:January 14,
192:January 14,
121:Filmography
107:'s novella
66:Nationality
355:Categories
168:References
129:Nødlanding
100:Nødlanding
95:Norsk Film
35:1911-09-07
303:Rushprint
231:Rushprint
88:Norwegian
69:Norwegian
344:at the
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331:IMDb
310:2023
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44:Died
29:Born
329:at
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