236:
1736:
164:, God, or unity." However, Demsey shows that though this meaning was of some importance, third relationships were much more "earthly", or rather historical, in origin. Mention should be made of his interests in Indian ragas during the early 1960s, the Trimurti of Vishnu, Brahma and Shiva may well have been an inherent reference in his chromatic third relations, tritone substitutes, and so on. In playing that style, Coltrane found it "easy to apply the harmonic ideas I had.... I started experimenting because I was striving for more individual development." He developed his
1508:
1237:
431:
481:
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The "Giant Steps" cycle is the culmination of
Coltrane's theories applied to a completely new chord progression. Coltrane uses the cycle in descending major third tonal transpositions in the opening bars and then ascending ii–V–I progressions separated by a major third in the second section of "Giant
1564:
Coltrane developed this modified chord progression for "Countdown", which is much more complex. At its core, "Countdown" is a variation of "Tune Up", but the harmonic substitutions occur rapidly and trick the listener into thinking that they are listening to a completely unrelated tune. The ii, V
2247:(The first eight bars of "Giant Steps" uses a shortened version that does not return to the I chord, and in "Countdown" the progression begins on ii each time.) The standard substitution can be found in several Coltrane compositions and arrangements recorded around this time. These include: "
225:
2286:
bass pattern with no chordal instrument instructed to play the chord changes. When
Coltrane's improvisation superimposes this progression over the ostinato bass, it is easy to hear how he used this concept for his more free playing in later years.
1310:
The changes below show
Coltrane's substitution of chord changes over "Tune Up". The ii–V–I progression from "Tune Up" still appears but is enhanced with several transition chords that lead to a more complex harmonic progression.
226:
488:
4346:
108:
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148:, cites a number of influences leading to Coltrane's development of these changes. After Coltrane's death it was proposed that his "preoccupation with...chromatic third-relations" was inspired by religion or
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and I remain, but in between are other chords (highlighted in yellow and blue) from the major thirds cycle centered around each I. Preceding the first chord of each major thirds cycle is its V chord.
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and E appear as the tonic pitches of three key areas on a larger level, the identity of the composition's tonal center can only be determined by the closure of the composition.
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279:(s). (highlighted yellow below) "Giant Steps" and "Countdown" may both have taken the inspiration for their augmented tonal cycles from "Have You Met Miss Jones?".
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50:
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Although "Giant Steps" and "Countdown" are perhaps the most famous examples, both of these compositions use slight variants of the standard
38:
variation using substitute chords over common jazz chord progressions. These substitution patterns were first demonstrated by jazz musician
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In the standard
Coltrane change cycle the ii–V–I is substituted with a progression of chords that cycle back to the V–I at the end. In a
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Steps". The second section is basically the inverse of the bridge section described in "Have You Met Miss Jones" above.
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Precisely because of this equidistancy, the roots of these three chords can produce a destabilizing effect; if C, A
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Yamaguchi, Masaya (2002). "A Creative
Approach to Multi-Tonic Changes: Beyond Coltrane's Harmonic Formula",
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composition "Tune Up". The chord changes are relatively simple, a straightforward application of the
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and D are spaced a major third apart. On the circle of fifths it appears as an equilateral triangle:
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76:". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation.
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The
Coltrane substitution, Coltrane changes, or Countdown formula, is as follows. Start with a
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1002:
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35:
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David Baker's Modern
Concepts in Jazz Improvisation: A Comprehensive Method for All Musicians
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during this period. In terms of the origin of this “sheets of sound” technique, saxophonist
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By rotating the triangle, all of the thirds cycles can be shown. Note that there are only
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A series of similar-sounding chord changes occurs in "Ondine", the first movement of
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in
Philadelphia. He explored contemporary techniques and theory. He also studied the
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Ascending/descending ii–V–I progression separated by a major third (tonal centers E
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2374:
Demsey, David (1991). "Chromatic Third
Relations in the Music of John Coltrane".
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and that each ii and V chord gets four beats and the I chord gets eight beats.
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54:(on "Limehouse Blues"). Coltrane continued his explorations on the 1960 album
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Play the chord progression for the "Have You Met Miss Jones?" bridge section
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a major influence on
Coltrane and his development of this signature style.
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1572:", also features two tonal centers a major third apart in its A section.
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Looking above at the marked chords from "Have You Met Miss Jones?", B
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The harmonic use of the chromatic third relation originated in the
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4256:
The Complete Columbia Recordings of Miles Davis with John Coltrane
2460:. Ann Arbor, Michigan: University of Michigan Press. p. 149.
2325:. Ann Arbor, Michigan: University of Michigan Press. p. 151.
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unique thirds cycles. This approach can be generalized; different
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1998:
This table shows which scales are used for the different chords:
285:"Have You Met Miss Jones?" B section chord progression (bridge):
4378:
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2578:, p.150. Ph.D., Diss., Princeton. Cited in Demsey (1991), p.148.
2248:
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Four-measure ii–V–I progression in C with Coltrane substitution
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3111:
2734:
2576:
Nineteenth-Century Chromatic Tonality: A Study in Chromaticism
144:
David Demsey, saxophonist and coordinator of jazz studies at
132:. Root movement by thirds is unusual in jazz, as the norm is
4203:
Evenings at the Village Gate: John Coltrane with Eric Dolphy
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429:
60:
and expanded on the substitution cycle in his compositions "
4059:
Thelonious Monk Quartet with John Coltrane at Carnegie Hall
2429:
Porter, Lewis; DeVito, Chris; Wild, David (26 April 2013).
243:
Other early appearances include the verse to the standard "
128:(either up or down by a major third interval), creating an
4298:
The Heavyweight Champion: The Complete Atlantic Recordings
1275:
The chord progression is a standard ii–V–I progression in
4235:
The Classic Quartet – Complete Impulse! Studio Recordings
585:
One substitutes two chords for each of the first three:
2725:"Giant Steps, Central Park West and Modulatory Cycles"
2524:
Christiansen, Corey (2007). "Coltrane-Style II–V–Is",
2259:"), "Exotica" (loosely based on the harmonic form of "
1001:
and may occur on any structural level, for example in
4565:
Before John Was a Jazz Giant: A Song of John Coltrane
68:", the latter of which is a reharmonized version of
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2353:. Milwaukee, Wisconsin: Hal Leonard. p. 145.
1090:will appear as different polygons on the diagram.
484:ii–V–I progression in C lasting only two measures
2693:"The Giant Steps Progression and Cycle Diagrams"
2592:. The University of Michigan Press. p. 147.
2282:") the standard substitution is implied over an
1739:The structure of "Giant Steps" as shown on the
1518:Play this "Countdown" excerpt chord progression
1036:
239:Ravel, Ondine from 'Gaspard de la Nuit', bar 67
231:Ravel, Ondine from 'Gaspard de la Nuit', bar 67
4175:The Olatunji Concert: The Last Live Recording
4168:The Complete 1961 Village Vanguard Recordings
3384:
3123:
2746:
2561:
2559:
1561:piece, each chord gets two beats per change.
1247:Play this "Tune Up" excerpt chord progression
8:
4495:Chasing Trane: The John Coltrane Documentary
2625:Nettles, Barrie & Graf, Richard (1997).
2267:", and on the bridge of his arrangement of "
3812:Selflessness: Featuring My Favorite Things
3391:
3377:
3369:
3130:
3116:
3108:
2828:
2753:
2739:
2731:
2646:Coltrane - A Player's Guide to His Harmony
2251:" (a reharmonization of Charlie Parker's "
2709:"John Coltrane - Harmonic Substitutions"
2344:
2342:
2255:"), "Satellite" (based on the standard "
2002:
843:
479:
201:Thesaurus of Scales and Melodic Patterns
48:(on the track "Three Little Words") and
4182:Live at the Half Note: One Down, One Up
3875:Both Directions at Once: The Lost Album
3468:John Coltrane with the Red Garland Trio
2648:. New Albany, Indiana: Jamey Aebersold.
2627:The Chord Scale Theory and Jazz Harmony
2313:
4038:The Complete 1957 Riverside Recordings
3939:Miles Davis and the Modern Jazz Giants
2711:, "Extending the Coltrane Changes" by
1536:
1265:
1103:These are the first eight bars of the
459:
51:Cannonball Adderley Quintet in Chicago
3482:Cattin' with Coltrane and Quinichette
2727:, Michael Leibson, ThinkingMusic.ca.
2542:. Alfred Publishing. pp. 92–93.
1111:, which is extremely common in jazz.
7:
4488:The World According to John Coltrane
4016:Miles Davis Quintet at Peacock Alley
2655:John Coltrane Plays Coltrane Changes
152:, with three equal key areas having
4189:Offering: Live at Temple University
4105:Live at the Village Vanguard Again!
3847:The Africa/Brass Sessions, Volume 2
756:a major chord on C and also E and A
271:", after which Coltrane named his "
156:significance representing a "magic
4066:Thelonious Monk with John Coltrane
3904:Miles: The New Miles Davis Quintet
3716:Duke Ellington & John Coltrane
2513:www.opus28.co.uk/jazzarticles.html
2321:Porter, Lewis (January 28, 2000).
275:", by incorporating modulation by
84:The changes serve as a pattern of
14:
4554:John W. Coltrane Cultural Society
3526:Kenny Burrell & John Coltrane
2590:John Coltrane: His Life and Music
2458:John Coltrane: His Life and Music
2323:John Coltrane: His Life and Music
1017:. When arranged according to the
864:This also may begin on C, as on "
4312:The Major Works of John Coltrane
3737:John Coltrane and Johnny Hartman
2719:"Giant Steps (in minute detail)"
1537:Problems playing this file? See
1522:
1266:Problems playing this file? See
1251:
1072:
1027:
460:Problems playing this file? See
445:
4347:To the Beat of a Different Drum
4277:Dial Africa: The Savoy Sessions
4196:A Love Supreme: Live in Seattle
3758:The John Coltrane Quartet Plays
2657:. Milwaukee: Hal Leonard Corp.
2609:The Jazz Style of John Coltrane
2509:"Coltrane's Substitution Tunes"
2351:John Coltrane plays Giant steps
2263:"), Coltrane's arrangement of "
136:root movement, such as ii-V-I.
4147:Live Trane: The European Tours
4084:"Live" at the Village Vanguard
2493:(sheet music). New York City:
2280:What Is This Thing Called Love
1:
4326:Ken Burns Jazz: John Coltrane
4270:Countdown: The Savoy Sessions
3232:Electroacoustic improvisation
2673:Annual Review of Jazz Studies
2376:Annual Review of Jazz Studies
762:, both a major third from C.
4481:The Church of Saint Coltrane
2435:. Routledge. pp. 103–.
2274:In "Fifth House" (based on "
1568:An earlier Coltrane piece, "
1015:twelve equidistant semitones
3981:Miles & Monk at Newport
3974:Someday My Prince Will Come
2432:The John Coltrane Reference
1612:Coltrane substitution cycle
1594:Coltrane substitution cycle
582:) preceding the tonic (I).
146:William Paterson University
4623:
3099:List of chord progressions
2699:), Dan Adler, DanAdler.com
2653:Yamaguchi, Masaya (2003).
578:with the dominant chord (V
4333:The Last Giant: Anthology
4228:The Best of John Coltrane
3406:
3152:
3096:
2574:Proctor, Gregory (1978).
2565:Demsey (1991), p.146-147.
1611:
1593:
168:style while playing with
28:chromatic third relations
4002:Jazz at the Plaza Vol. I
3666:Coltrane Plays the Blues
2703:"Augmented Scale Theory"
2607:Baker, David N. (1990).
261:Have You Met Miss Jones?
24:Coltrane Matrix or cycle
4263:The Prestige Recordings
2957:Tadd Dameron turnaround
2487:Till the Clouds Roll By
1009:. The standard Western
504:lasting four measures:
245:Till the Clouds Roll By
197:Granoff School of Music
4549:5893 Coltrane asteroid
3461:Wheelin' & Dealin'
3052:Montgomery-Ward bridge
3032:Royal road progression
2927:Montgomery-Ward bridge
2588:Porter, Lewis (1999).
2456:Porter, Lewis (2000).
2349:Demsey, David (1996).
1744:
1511:
1240:
1052:
1021:, it looks like this:
861:
750:dominant seventh chord
497:
434:
240:
232:
214:'s 1908 piano suite,
116:and are noted for the
4126:Afro Blue Impressions
3911:'Round About Midnight
2997:Borrowed (contrafact)
2611:. Alfred Publishing.
2538:Baker, David (1990).
2239:Standard substitution
1738:
1510:
1239:
847:
483:
476:Coltrane substitution
433:
238:
230:
4098:New Thing at Newport
4029:Thelonious Monk
3162:Backdoor progression
3088:Irregular resolution
2866:Backdoor progression
2507:Lyon, Jason (2007).
2297:Tritone substitution
251:. The bridge of the
36:harmonic progression
16:Harmonic progression
4249:The Coltrane Legacy
4242:Coltrane for Lovers
2715:, LucasPickford.com
2403:Ruhlmann, William.
2261:I Can't Get Started
752:preceding and thus
286:
86:chord substitutions
32:multi-tonic changes
4592:Chord substitution
4587:Chord progressions
4539:Philadelphia house
4045:Thelonious Himself
3861:Dear Old Stockholm
3840:Interstellar Space
3652:My Favorite Things
3291:Jazz improvisation
3237:Free improvisation
3222:Constant structure
3202:Chord-scale system
3022:Passamezzo moderno
2982:Andalusian cadence
2912:Andalusian cadence
2891:Passamezzo moderno
2791:Constant structure
2762:Chord progressions
1745:
1512:
1283:. Assume that the
1241:
1109:ii–V–I progression
1003:chord progressions
993:Major thirds cycle
862:
498:
435:
284:
263:" (1937) predated
241:
233:
217:Gaspard de la nuit
180:considers pianist
90:ii–V–I progression
4574:
4573:
4400:Central Park West
4319:Jupiter Variation
4154:Bye Bye Blackbird
4140:The European Tour
4133:The Paris Concert
3854:First Meditations
3519:Standard Coltrane
3366:
3365:
3197:Call and response
3105:
3104:
3082:Pachelbel's Canon
3017:Passamezzo antico
2965:
2964:
2932:Passamezzo antico
2886:Sixteen-bar blues
2851:V–IV–I turnaround
2846:ii–V–I turnaround
2629:. Advance Music,
2467:978-0-472-08643-6
2442:978-1-135-09794-3
2332:978-0-472-08643-6
2257:How High the Moon
2234:
2233:
1994:
1993:
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1527:
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1499:
1256:
1229:
1228:
988:
987:
840:
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744:
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574:
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502:ii–V–I turnaround
471:
470:
450:
228:
205:Nicolas Slonimsky
187:Coltrane studied
172:and with pianist
4614:
4607:Jazz terminology
4517:Coltrane changes
4512:List of sessions
4091:Live at Birdland
3895:Miles Davis
3673:Coltrane's Sound
3633:Bags & Trane
3512:Settin' the Pace
3393:
3386:
3379:
3370:
3353:Twelve-bar blues
3212:Coltrane changes
3132:
3125:
3118:
3109:
3037:"Rhythm" changes
3007:Coltrane changes
2907:'50s progression
2876:Twelve-bar blues
2860:
2859:
2829:
2804:
2755:
2748:
2741:
2732:
2668:
2649:
2640:Weiskopf, Walt;
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2302:Circle of thirds
2245:Coltrane changes
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2012:Change in scale
2003:
1990:
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1741:circle of fifths
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1094:Musical examples
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1019:circle of fifths
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822:
814:
813:
806:
801:
800:
767:
766:
761:
760:
688:
678:
665:
655:
654:
647:
641:
640:
628:
590:
589:
570:
562:
554:
546:
538:
509:
508:
495:
494:
493:
491:
452:
451:
432:
425:
414:
409:
404:
403:
396:
391:
390:
382:
381:
374:
369:
361:
350:
345:
340:
339:
332:
327:
326:
318:
317:
310:
305:
300:
299:
292:
287:
283:
229:
134:circle of fifths
115:
114:
113:
111:
45:Bags & Trane
26:, also known as
20:Coltrane changes
4622:
4621:
4617:
4616:
4615:
4613:
4612:
4611:
4597:Jazz techniques
4577:
4576:
4575:
4570:
4522:Sheets of sound
4500:
4468:
4442:Moment's Notice
4366:
4221:Alternate Takes
4208:
4112:Live in Seattle
4071:
4027:
4021:
3995:At Newport 1958
3893:
3887:
3868:Stellar Regions
3693:
3685:
3680:The Avant-Garde
3617:
3609:
3588:
3580:
3419:
3411:
3402:
3397:
3367:
3362:
3358:Upper structure
3301:Melodic pattern
3148:
3136:
3106:
3101:
3092:
3068:Aeolian harmony
3056:
2961:
2895:
2871:Eight-bar blues
2857:
2856:
2824:
2818:
2803:(Roman-numeral)
2802:
2764:
2759:
2689:
2665:
2652:
2639:
2619:
2606:
2603:
2601:Further reading
2598:
2597:
2587:
2586:
2582:
2573:
2569:
2564:
2557:
2550:
2537:
2536:
2532:
2523:
2519:
2506:
2502:
2490:
2480:
2479:
2475:
2468:
2455:
2454:
2450:
2443:
2428:
2427:
2423:
2413:
2411:
2405:"John Coltrane"
2402:
2401:
2397:
2390:
2373:
2372:
2368:
2361:
2348:
2347:
2340:
2333:
2320:
2319:
2315:
2310:
2293:
2241:
2221:
2220:
2215:
2214:
2201:
2200:
2193:
2192:
2187:
2186:
2170:
2169:
2164:
2163:
2139:
2138:
2131:
2130:
2125:
2124:
2108:
2107:
2094:
2093:
2086:
2085:
2080:
2079:
2055:
2054:
2047:
2046:
2041:
2040:
1988:
1982:
1981:
1973:
1972:
1966:
1961:
1955:
1954:
1948:
1942:
1941:
1932:
1927:
1919:
1913:
1912:
1904:
1903:
1897:
1892:
1884:
1873:
1868:
1862:
1861:
1855:
1849:
1848:
1839:
1755:
1754:
1749:
1748:
1725:
1720:
1712:
1706:
1705:
1698:
1697:
1691:
1685:
1684:
1675:
1664:
1659:
1653:
1652:
1646:
1640:
1639:
1630:
1619:
1578:
1556:
1551:
1550:
1549:
1548:
1547:
1544:
1543:
1535:
1533:
1532:
1531:
1530:
1523:
1520:
1513:
1507:
1494:
1489:
1481:
1470:
1461:
1460:
1454:
1448:
1447:
1438:
1433:
1425:
1416:
1415:
1409:
1403:
1402:
1395:
1394:
1388:
1377:
1308:
1297:
1292:
1291:
1290:
1289:
1288:
1273:
1272:
1264:
1262:
1261:
1260:
1259:
1252:
1249:
1242:
1236:
1223:
1215:
1207:
1199:
1191:
1183:
1175:
1167:
1159:
1101:
1096:
1088:interval cycles
1062:
1061:
1056:
1055:
1051:
1048:
1040:
1039:
1011:chromatic scale
995:
983:
976:
969:
962:
955:
948:
936:
926:
913:
902:
901:
895:
888:
887:
876:
853:
851:
850:
849:
831:
820:
811:
810:
804:
798:
797:
758:
757:
739:
732:
725:
716:
707:
698:
686:
676:
663:
652:
651:
645:
638:
637:
626:
581:
568:
560:
552:
544:
536:
489:
487:
486:
485:
478:
467:
466:
458:
456:
455:
454:
453:
446:
443:
436:
430:
423:
412:
407:
401:
400:
394:
388:
387:
379:
378:
372:
367:
359:
348:
343:
337:
336:
330:
324:
323:
315:
314:
308:
303:
297:
296:
290:
253:Richard Rodgers
223:
174:Thelonious Monk
166:sheets of sound
142:
130:augmented triad
109:
107:
106:
105:
82:
17:
12:
11:
5:
4620:
4618:
4610:
4609:
4604:
4599:
4594:
4589:
4579:
4578:
4572:
4571:
4569:
4568:
4561:
4559:Tribute albums
4556:
4551:
4546:
4544:Dix Hills home
4541:
4536:
4530:
4527:Alice Coltrane
4524:
4519:
4514:
4508:
4506:
4502:
4501:
4499:
4498:
4491:
4484:
4476:
4474:
4470:
4469:
4467:
4466:
4459:
4452:
4445:
4438:
4431:
4424:
4417:
4410:
4403:
4396:
4389:
4382:
4374:
4372:
4368:
4367:
4365:
4364:
4357:
4350:
4343:
4336:
4329:
4322:
4315:
4308:
4301:
4294:
4287:
4280:
4273:
4266:
4259:
4252:
4245:
4238:
4231:
4224:
4216:
4214:
4210:
4209:
4207:
4206:
4199:
4192:
4185:
4178:
4171:
4164:
4157:
4150:
4143:
4136:
4129:
4122:
4115:
4108:
4101:
4094:
4087:
4079:
4077:
4073:
4072:
4070:
4069:
4062:
4055:
4048:
4041:
4033:
4031:
4023:
4022:
4020:
4019:
4012:
4005:
3998:
3991:
3984:
3977:
3970:
3963:
3956:
3949:
3942:
3935:
3928:
3921:
3914:
3907:
3899:
3897:
3889:
3888:
3886:
3885:
3878:
3871:
3864:
3857:
3850:
3843:
3836:
3829:
3822:
3815:
3808:
3805:Alice Coltrane
3796:
3789:
3782:
3775:
3768:
3761:
3754:
3751:A Love Supreme
3747:
3740:
3733:
3726:
3719:
3712:
3705:
3697:
3695:
3687:
3686:
3684:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3629:
3621:
3619:
3611:
3610:
3608:
3607:
3600:
3592:
3590:
3582:
3581:
3579:
3578:
3571:
3568:The Last Trane
3564:
3557:
3550:
3543:
3536:
3529:
3522:
3515:
3508:
3501:
3494:Tommy Flanagan
3485:
3478:
3471:
3464:
3457:
3450:
3443:
3440:Tenor Conclave
3436:
3423:
3421:
3413:
3412:
3407:
3404:
3403:
3398:
3396:
3395:
3388:
3381:
3373:
3364:
3363:
3361:
3360:
3355:
3350:
3349:
3348:
3343:
3333:
3328:
3323:
3318:
3316:Rhythm changes
3313:
3308:
3303:
3298:
3293:
3288:
3287:
3286:
3276:
3271:
3266:
3261:
3256:
3251:
3246:
3245:
3244:
3234:
3229:
3224:
3219:
3214:
3209:
3204:
3199:
3194:
3189:
3184:
3179:
3174:
3169:
3167:Bar-line shift
3164:
3159:
3153:
3150:
3149:
3137:
3135:
3134:
3127:
3120:
3112:
3103:
3102:
3097:
3094:
3093:
3091:
3090:
3085:
3075:
3070:
3064:
3062:
3058:
3057:
3055:
3054:
3049:
3044:
3039:
3034:
3029:
3024:
3019:
3014:
3009:
3004:
2999:
2994:
2992:"Bird" changes
2989:
2984:
2979:
2973:
2971:
2967:
2966:
2963:
2962:
2960:
2959:
2954:
2949:
2944:
2934:
2929:
2924:
2919:
2914:
2909:
2903:
2901:
2897:
2896:
2894:
2893:
2888:
2883:
2880:"Bird" changes
2873:
2868:
2863:
2853:
2848:
2843:
2837:
2835:
2826:
2820:
2819:
2817:
2816:
2811:
2806:
2798:
2793:
2788:
2783:
2778:
2772:
2770:
2766:
2765:
2760:
2758:
2757:
2750:
2743:
2735:
2729:
2728:
2722:
2716:
2706:
2700:
2688:
2687:External links
2685:
2684:
2683:
2669:
2663:
2650:
2637:
2623:
2617:
2602:
2599:
2596:
2595:
2580:
2567:
2555:
2548:
2530:
2517:
2500:
2473:
2466:
2448:
2441:
2421:
2395:
2388:
2366:
2359:
2338:
2331:
2312:
2311:
2309:
2306:
2305:
2304:
2299:
2292:
2289:
2265:But Not for Me
2240:
2237:
2236:
2235:
2232:
2231:
2228:
2225:
2210:
2209:
2206:
2197:
2182:
2181:
2178:
2175:
2159:
2158:
2155:
2152:
2148:
2147:
2144:
2135:
2120:
2119:
2116:
2113:
2103:
2102:
2099:
2090:
2075:
2074:
2071:
2068:
2064:
2063:
2060:
2051:
2036:
2035:
2032:
2029:
2025:
2024:
2021:
2018:
2014:
2013:
2010:
2007:
1996:
1995:
1992:
1991:
1986:
1978:
1969:
1964:
1959:
1951:
1946:
1938:
1935:
1930:
1925:
1922:
1917:
1909:
1900:
1895:
1890:
1887:
1882:
1879:
1876:
1871:
1866:
1858:
1853:
1845:
1842:
1836:
1835:
1833:
1830:
1827:
1825:
1823:
1820:
1818:
1815:
1812:
1810:
1808:
1805:
1803:
1800:
1797:
1795:
1793:
1790:
1788:
1785:
1782:
1780:
1778:
1775:
1773:
1770:
1767:
1733:
1732:
1729:
1728:
1723:
1718:
1715:
1710:
1702:
1694:
1689:
1681:
1678:
1673:
1670:
1667:
1662:
1657:
1649:
1644:
1636:
1633:
1628:
1625:
1622:
1616:
1615:
1613:
1610:
1607:
1605:
1602:
1599:
1597:
1595:
1592:
1589:
1577:
1574:
1552:
1534:
1521:
1516:
1515:
1514:
1505:
1504:
1503:
1502:
1501:
1498:
1497:
1492:
1487:
1484:
1479:
1476:
1473:
1468:
1465:
1457:
1452:
1444:
1441:
1436:
1431:
1428:
1423:
1420:
1412:
1407:
1399:
1391:
1386:
1383:
1380:
1374:
1373:
1371:
1369:
1366:
1364:
1361:
1359:
1357:
1355:
1353:
1351:
1349:
1346:
1344:
1342:
1339:
1337:
1334:
1332:
1330:
1328:
1326:
1324:
1322:
1319:
1307:
1304:
1293:
1285:time signature
1263:
1250:
1245:
1244:
1243:
1234:
1233:
1232:
1231:
1230:
1227:
1226:
1221:
1218:
1213:
1210:
1205:
1202:
1197:
1194:
1189:
1186:
1181:
1178:
1173:
1170:
1165:
1162:
1156:
1155:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1100:
1097:
1095:
1092:
1080:
1079:
1078:
1077:
1046:
1035:
1034:
1033:
1032:
994:
991:
990:
989:
986:
985:
980:
978:
973:
971:
966:
964:
959:
957:
952:
950:
945:
943:
940:
939:
934:
932:
929:
924:
921:
919:
916:
911:
908:
906:
898:
893:
884:
882:
879:
842:
841:
838:
837:
834:
829:
826:
823:
818:
815:
807:
802:
793:
792:
789:
787:
784:
781:
779:
776:
773:
771:
746:
745:
742:
741:
736:
734:
729:
727:
722:
720:
713:
711:
704:
702:
695:
693:
690:
689:
684:
682:
679:
674:
671:
669:
666:
661:
658:
656:
648:
643:
634:
632:
629:
623:
622:
619:
617:
614:
612:
610:
608:
606:
604:
602:
600:
598:
596:
593:
579:
576:
575:
572:
571:
566:
563:
558:
555:
550:
547:
542:
539:
533:
532:
530:
527:
525:
522:
520:
517:
515:
512:
477:
474:
473:
472:
469:
468:
457:
444:
439:
438:
437:
428:
427:
426:
421:
418:
415:
410:
405:
397:
392:
384:
375:
370:
365:
362:
357:
354:
351:
346:
341:
333:
328:
320:
311:
306:
301:
293:
193:Dennis Sandole
182:Hasaan Ibn Ali
141:
138:
81:
78:
42:on the albums
15:
13:
10:
9:
6:
4:
3:
2:
4619:
4608:
4605:
4603:
4602:John Coltrane
4600:
4598:
4595:
4593:
4590:
4588:
4585:
4584:
4582:
4567:
4566:
4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4534:
4533:Ravi Coltrane
4531:
4528:
4525:
4523:
4520:
4518:
4515:
4513:
4510:
4509:
4507:
4503:
4497:
4496:
4492:
4490:
4489:
4485:
4483:
4482:
4478:
4477:
4475:
4473:Documentaries
4471:
4464:
4460:
4457:
4453:
4450:
4446:
4443:
4439:
4436:
4432:
4429:
4425:
4422:
4418:
4415:
4411:
4408:
4404:
4401:
4397:
4394:
4390:
4387:
4383:
4380:
4376:
4375:
4373:
4369:
4363:
4362:
4361:Trane's Modes
4358:
4356:
4355:
4354:Trane's Blues
4351:
4349:
4348:
4344:
4342:
4341:
4337:
4335:
4334:
4330:
4328:
4327:
4323:
4321:
4320:
4316:
4314:
4313:
4309:
4307:
4306:
4302:
4300:
4299:
4295:
4293:
4292:
4288:
4286:
4285:
4281:
4279:
4278:
4274:
4272:
4271:
4267:
4265:
4264:
4260:
4258:
4257:
4253:
4251:
4250:
4246:
4244:
4243:
4239:
4237:
4236:
4232:
4230:
4229:
4225:
4223:
4222:
4218:
4217:
4215:
4211:
4205:
4204:
4200:
4198:
4197:
4193:
4191:
4190:
4186:
4184:
4183:
4179:
4177:
4176:
4172:
4170:
4169:
4165:
4163:
4162:
4158:
4156:
4155:
4151:
4149:
4148:
4144:
4142:
4141:
4137:
4135:
4134:
4130:
4128:
4127:
4123:
4121:
4120:
4119:Live in Japan
4116:
4114:
4113:
4109:
4107:
4106:
4102:
4100:
4099:
4095:
4093:
4092:
4088:
4086:
4085:
4081:
4080:
4078:
4074:
4068:
4067:
4063:
4061:
4060:
4056:
4054:
4053:
4049:
4047:
4046:
4042:
4040:
4039:
4035:
4034:
4032:
4030:
4024:
4018:
4017:
4013:
4011:
4010:
4006:
4004:
4003:
3999:
3997:
3996:
3992:
3990:
3989:
3985:
3983:
3982:
3978:
3976:
3975:
3971:
3969:
3968:
3964:
3962:
3961:
3957:
3955:
3954:
3950:
3948:
3947:
3943:
3941:
3940:
3936:
3934:
3933:
3929:
3927:
3926:
3922:
3920:
3919:
3915:
3913:
3912:
3908:
3906:
3905:
3901:
3900:
3898:
3896:
3890:
3884:
3883:
3879:
3877:
3876:
3872:
3870:
3869:
3865:
3863:
3862:
3858:
3856:
3855:
3851:
3849:
3848:
3844:
3842:
3841:
3837:
3835:
3834:
3830:
3828:
3827:
3823:
3821:
3820:
3816:
3814:
3813:
3809:
3806:
3802:
3801:
3797:
3795:
3794:
3790:
3788:
3787:
3783:
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3668:
3667:
3663:
3661:
3660:
3656:
3654:
3653:
3649:
3647:
3646:
3645:Coltrane Jazz
3642:
3639:
3635:
3634:
3630:
3628:
3627:
3623:
3622:
3620:
3616:
3612:
3606:
3605:
3604:Coltrane Time
3601:
3599:
3598:
3594:
3593:
3591:
3587:
3583:
3577:
3576:
3572:
3570:
3569:
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3523:
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3516:
3514:
3513:
3509:
3507:
3506:
3502:
3499:
3498:Kenny Burrell
3495:
3491:
3490:
3486:
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3483:
3479:
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3472:
3470:
3469:
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3437:
3434:
3430:
3429:
3425:
3424:
3422:
3418:
3414:
3410:
3405:
3401:
3400:John Coltrane
3394:
3389:
3387:
3382:
3380:
3375:
3374:
3371:
3359:
3356:
3354:
3351:
3347:
3344:
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3329:
3327:
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3319:
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3314:
3312:
3309:
3307:
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3302:
3299:
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3294:
3292:
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3285:
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3257:
3255:
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3247:
3243:
3240:
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3235:
3233:
3230:
3228:
3225:
3223:
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3213:
3210:
3208:
3205:
3203:
3200:
3198:
3195:
3193:
3190:
3188:
3185:
3183:
3180:
3178:
3175:
3173:
3170:
3168:
3165:
3163:
3160:
3158:
3155:
3154:
3151:
3147:
3146:improvisation
3143:
3140:
3133:
3128:
3126:
3121:
3119:
3114:
3113:
3110:
3100:
3095:
3089:
3086:
3083:
3079:
3076:
3074:
3071:
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3066:
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3063:
3059:
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3018:
3015:
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3008:
3005:
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2998:
2995:
2993:
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2988:
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2975:
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2972:
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2958:
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2905:
2904:
2902:
2898:
2892:
2889:
2887:
2884:
2881:
2877:
2874:
2872:
2869:
2867:
2864:
2862:
2861:VII–V cadence
2854:
2852:
2849:
2847:
2844:
2842:
2839:
2838:
2836:
2834:
2830:
2827:
2821:
2815:
2812:
2810:
2809:Rewrite rules
2807:
2805:
2799:
2797:
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2773:
2771:
2767:
2763:
2756:
2751:
2749:
2744:
2742:
2737:
2736:
2733:
2726:
2723:
2721:, SongTrellis
2720:
2717:
2714:
2710:
2707:
2705:, Javier Arau
2704:
2701:
2698:
2694:
2691:
2690:
2686:
2682:
2681:0-8108-5005-2
2678:
2674:
2670:
2666:
2664:0-634-03864-8
2660:
2656:
2651:
2647:
2643:
2638:
2636:
2635:3-89221-056-X
2632:
2628:
2624:
2620:
2618:0-7692-3326-0
2614:
2610:
2605:
2604:
2600:
2591:
2584:
2581:
2577:
2571:
2568:
2562:
2560:
2556:
2551:
2549:0-7390-2907-X
2545:
2541:
2534:
2531:
2527:
2526:Guitar Player
2521:
2518:
2514:
2510:
2504:
2501:
2496:
2489:
2488:
2483:
2477:
2474:
2469:
2463:
2459:
2452:
2449:
2444:
2438:
2434:
2433:
2425:
2422:
2410:
2406:
2399:
2396:
2391:
2389:0-8108-2478-7
2385:
2381:
2377:
2370:
2367:
2362:
2360:0-7935-6345-3
2356:
2352:
2345:
2343:
2339:
2334:
2328:
2324:
2317:
2314:
2307:
2303:
2300:
2298:
2295:
2294:
2290:
2288:
2285:
2281:
2277:
2272:
2270:
2269:Body and Soul
2266:
2262:
2258:
2254:
2250:
2246:
2238:
2229:
2226:
2212:
2211:
2207:
2198:
2184:
2183:
2179:
2176:
2161:
2160:
2156:
2153:
2150:
2149:
2145:
2136:
2122:
2121:
2117:
2114:
2105:
2104:
2100:
2091:
2077:
2076:
2072:
2069:
2066:
2065:
2061:
2052:
2038:
2037:
2033:
2030:
2027:
2026:
2022:
2019:
2016:
2015:
2011:
2008:
2005:
2004:
2001:
2000:
1999:
1987:
1979:
1970:
1965:
1960:
1952:
1947:
1939:
1936:
1931:
1926:
1923:
1918:
1910:
1901:
1896:
1891:
1888:
1883:
1880:
1877:
1872:
1867:
1859:
1854:
1846:
1843:
1838:
1837:
1834:
1831:
1828:
1826:
1824:
1821:
1819:
1816:
1813:
1811:
1809:
1806:
1804:
1801:
1798:
1796:
1794:
1791:
1789:
1786:
1783:
1781:
1779:
1776:
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1771:
1768:
1766:
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1762:
1761:
1760:
1742:
1737:
1724:
1719:
1716:
1711:
1703:
1695:
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1682:
1679:
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1668:
1663:
1658:
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1637:
1634:
1629:
1626:
1623:
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1614:
1608:
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1603:
1600:
1598:
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1590:
1588:
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1583:
1582:
1575:
1573:
1571:
1566:
1562:
1555:
1542:
1540:
1519:
1493:
1488:
1485:
1480:
1477:
1474:
1469:
1466:
1458:
1453:
1445:
1442:
1437:
1432:
1429:
1424:
1421:
1413:
1408:
1400:
1392:
1387:
1384:
1381:
1376:
1375:
1372:
1370:
1367:
1365:
1362:
1360:
1358:
1356:
1354:
1352:
1350:
1347:
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1343:
1340:
1338:
1335:
1333:
1331:
1329:
1327:
1325:
1323:
1320:
1318:
1317:
1314:
1313:
1312:
1305:
1303:
1296:
1286:
1282:
1278:
1271:
1269:
1248:
1222:
1219:
1214:
1211:
1206:
1203:
1198:
1195:
1190:
1187:
1182:
1179:
1174:
1171:
1166:
1163:
1158:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1137:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1117:
1114:
1113:
1112:
1110:
1106:
1098:
1093:
1091:
1089:
1085:
1075:
1071:
1070:
1069:
1068:
1067:
1049:Demsey (1991)
1045:
1030:
1026:
1025:
1024:
1023:
1022:
1020:
1016:
1012:
1008:
1004:
1000:
992:
981:
979:
974:
972:
967:
965:
960:
958:
953:
951:
946:
944:
942:
941:
935:
933:
930:
925:
922:
920:
917:
912:
909:
907:
899:
894:
885:
883:
880:
875:
874:
871:
870:
869:
867:
856:
846:
835:
830:
827:
824:
819:
816:
808:
803:
795:
794:
790:
788:
785:
782:
780:
777:
774:
772:
769:
768:
765:
764:
763:
755:
751:
737:
735:
730:
728:
723:
721:
719:
714:
712:
710:
705:
703:
701:
696:
694:
692:
691:
685:
683:
680:
675:
672:
670:
667:
662:
659:
657:
649:
644:
635:
633:
630:
625:
624:
620:
618:
615:
613:
611:
609:
607:
605:
603:
601:
599:
597:
594:
592:
591:
588:
587:
586:
583:
567:
564:
559:
556:
551:
548:
543:
540:
535:
534:
531:
528:
526:
523:
521:
518:
516:
513:
511:
510:
507:
506:
505:
503:
492:
482:
475:
465:
463:
442:
422:
419:
416:
411:
406:
398:
393:
385:
376:
371:
366:
363:
358:
355:
352:
347:
342:
334:
329:
321:
312:
307:
302:
294:
289:
288:
282:
281:
280:
278:
274:
270:
266:
262:
258:
257:jazz standard
254:
250:
246:
237:
221:
219:
218:
213:
212:Maurice Ravel
208:
206:
202:
198:
194:
190:
185:
183:
179:
175:
171:
167:
163:
159:
155:
154:numerological
151:
147:
139:
137:
135:
131:
127:
123:
119:
112:
103:
99:
95:
91:
87:
79:
77:
75:
71:
67:
63:
59:
58:
53:
52:
47:
46:
41:
40:John Coltrane
37:
33:
29:
25:
21:
4563:
4516:
4493:
4486:
4479:
4371:Compositions
4359:
4352:
4345:
4340:Living Space
4338:
4331:
4324:
4317:
4310:
4303:
4296:
4289:
4284:Feelin' Good
4282:
4275:
4268:
4261:
4254:
4247:
4240:
4233:
4226:
4219:
4213:Compilations
4201:
4194:
4187:
4180:
4173:
4166:
4159:
4152:
4145:
4138:
4131:
4124:
4117:
4110:
4103:
4096:
4089:
4082:
4064:
4057:
4052:Monk's Music
4050:
4043:
4036:
4014:
4007:
4000:
3993:
3986:
3979:
3972:
3965:
3958:
3951:
3946:Kind of Blue
3944:
3937:
3930:
3923:
3916:
3909:
3902:
3880:
3873:
3866:
3859:
3852:
3845:
3838:
3831:
3824:
3817:
3810:
3800:Cosmic Music
3798:
3791:
3784:
3779:Kulu SĂ© Mama
3777:
3770:
3763:
3756:
3749:
3742:
3735:
3728:
3721:
3714:
3707:
3702:Africa/Brass
3700:
3678:
3671:
3664:
3659:Olé Coltrane
3657:
3650:
3643:
3638:Milt Jackson
3631:
3624:
3602:
3595:
3573:
3566:
3559:
3554:Black Pearls
3552:
3547:The Believer
3545:
3538:
3531:
3524:
3517:
3510:
3503:
3487:
3480:
3473:
3466:
3459:
3452:
3445:
3438:
3433:Tadd Dameron
3426:
3346:Tadd Dameron
3211:
3177:Bird changes
3047:Tadd-Dameron
3006:
2796:Double tonic
2672:
2654:
2645:
2626:
2608:
2589:
2583:
2575:
2570:
2539:
2533:
2525:
2520:
2503:
2497:. p. 3.
2486:
2482:Kern, Jerome
2476:
2457:
2451:
2431:
2424:
2412:. Retrieved
2408:
2398:
2379:
2375:
2369:
2350:
2322:
2316:
2273:
2253:Confirmation
2244:
2242:
1997:
1746:
1579:
1567:
1563:
1553:
1545:
1309:
1294:
1279:and then in
1274:
1102:
1083:
1081:
1053:
1037:
999:Romantic era
996:
863:
747:
584:
577:
499:
265:Tadd Dameron
247:" (1917) by
242:
215:
209:
200:
186:
160:", or, "the
150:spirituality
143:
126:major thirds
124:movement by
83:
70:Eddie Vinson
55:
49:
43:
31:
27:
23:
19:
18:
4428:Impressions
4421:Giant Steps
4161:Newport '63
4076:Live albums
3988:Basic Miles
3772:Meditations
3730:Impressions
3626:Giant Steps
3428:Mating Call
3409:Discography
3331:Syncopation
3274:Jam session
3254:Harmolodics
3182:Block chord
3172:Bebop scale
3078:Ground bass
2947:IV–V–iii–vi
2769:Terminology
2713:David Baker
2528:Jun; 41, 6.
2495:T. B. Harms
2414:21 December
1576:Giant Steps
1105:Miles Davis
1007:key changes
1005:or through
868:", giving:
866:Giant Steps
277:major third
249:Jerome Kern
195:and at the
170:Miles Davis
62:Giant Steps
57:Giant Steps
4581:Categories
4393:Blue Train
4291:Gold Coast
4009:1958 Miles
3953:Jazz Track
3932:Milestones
3882:Blue World
3819:Transition
3786:Expression
3597:Blue Train
3575:Two Tenors
3336:Turnaround
3311:Polyrhythm
3296:Lead sheet
3279:Jazz chord
3227:Contrafact
3157:Avoid note
2814:Turnaround
2695:, (155 KB
2642:Ray Ricker
2308:References
2151:Am → D → G
2067:Am → D → G
1539:media help
1268:media help
754:tonicizing
462:media help
178:Odean Pope
140:Influences
94:supertonic
4435:Lazy Bird
4407:Countdown
4305:High Step
3765:Ascension
3586:Blue Note
3505:Lush Life
3475:Soultrane
3454:Interplay
3207:Chordioid
3187:Blue note
2952:Romanesca
2937:I–V–vi–IV
2922:vi–ii–V–I
2825:of chords
2823:By number
2801:Notation
2278:", i.e. "
2276:Hot House
1753:, G, B, E
1570:Lazy Bird
1306:Countdown
748:Notice a
273:Lazy Bird
269:Lady Bird
255:song and
66:Countdown
4449:Mr. P.C.
3967:Steamin'
3925:Relaxin'
3833:Infinity
3826:Sun Ship
3744:Crescent
3709:Coltrane
3691:Impulse!
3615:Atlantic
3533:Stardust
3489:The Cats
3447:Coltrane
3417:Prestige
3269:Jam band
3073:Chaconne
2987:Backdoor
2858:♭
2841:I–IV–V–I
2644:(1991).
2484:(1967).
2409:AllMusic
2291:See also
2284:ostinato
2222:♯
2216:♯
2202:♭
2194:♭
2188:♭
2171:♯
2165:♯
2140:♭
2132:♭
2126:♭
2109:♯
2095:♭
2087:♭
2081:♭
2056:♭
2048:♭
2042:♭
1983:♯
1974:♯
1956:♭
1943:♭
1914:♯
1905:♯
1863:♭
1850:♭
1756:♭
1750:♭
1707:♯
1699:♭
1686:♭
1654:♭
1641:♭
1462:♭
1449:♭
1417:♭
1404:♭
1396:♭
1063:♭
1057:♭
1047:—
1041:♭
903:♭
889:♭
812:♭
799:♭
759:♭
653:♭
639:♭
402:♭
389:♭
380:♭
338:♭
325:♭
316:♭
298:♭
207:(1947).
158:triangle
120:unusual
98:dominant
88:for the
80:Function
34:) are a
4505:Related
4414:Equinox
4386:Alabama
3960:Workin'
3918:Cookin'
3723:Ballads
3306:Outside
3284:So What
3259:Harmony
3217:Comping
3192:Cadenza
3061:Related
3027:Ragtime
3012:Omnibus
2970:By name
2878: (
2786:Changes
2781:Cadence
2382:: 158.
2227:B major
2208:ii-V-I
2180:ii-V-I
2177:B major
2157:ii-V-I
2154:G major
2146:ii-V-I
2115:B major
2073:ii-V-I
2070:G major
2031:G major
2020:B major
1281:C major
1277:D major
1099:Tune Up
189:harmony
162:trinity
118:tonally
74:Tune Up
64:" and "
4529:(wife)
4463:Ogunde
3803:(with
3694:albums
3636:(with
3618:albums
3589:albums
3492:(with
3431:(with
3420:albums
3341:ii-V-I
3249:Groove
3142:theory
3002:Circle
2776:Bridge
2679:
2661:
2633:
2615:
2546:
2464:
2439:
2386:
2357:
2329:
2185:Fm → B
2123:Fm → B
2006:Chords
1962:
1928:
1893:
1869:
1721:
1660:
1490:
1434:
408:
368:
344:
304:
4535:(son)
4456:Naima
3561:Bahia
3540:Dakar
3326:Swing
3321:Scale
3042:Stomp
2917:FolĂa
2833:Three
2511:, in
2491:(PDF)
2230:ii-V
2219:m → F
2205:major
2168:m → F
2143:major
2098:major
2059:major
2028:D → G
2009:Scale
1759:, B)
191:with
102:tonic
4379:26-2
4026:With
3892:With
3496:and
3264:Head
3242:List
3144:and
3139:Jazz
2941:list
2900:Four
2677:ISBN
2675:12.
2659:ISBN
2631:ISBN
2613:ISBN
2544:ISBN
2462:ISBN
2437:ISBN
2416:2018
2384:ISBN
2355:ISBN
2327:ISBN
2249:26-2
2118:V-I
2101:V-I
2062:V-I
2034:V-I
1084:four
1013:has
854:Play
490:Play
267:'s "
122:root
110:Play
72:'s "
30:and
2977:50s
2697:PDF
2271:".
2191:→ E
2174:→ B
2129:→ E
2112:→ B
2084:→ E
2045:→ E
1287:is
1060:, G
984:P4
740:P4
203:by
4583::
3793:Om
2558:^
2407:.
2378:.
2341:^
2023:I
1937:Fm
1878:Am
1844:Fm
1829:ii
1814:ii
1799:ii
1784:ii
1769:ii
1669:Am
1601:ii
1443:Dm
1382:Em
1348:ii
1321:ii
1196:Dm
1164:Em
1140:ii
1121:ii
982:╲╱
977:m3
975:╲╱
970:P4
968:╲╱
963:m3
961:╲╱
956:P4
954:╲╱
949:m3
947:╲╱
836:C
791:I
738:╲╱
733:m3
731:╲╱
726:P4
724:╲╱
718:m3
715:╲╱
709:P4
706:╲╱
700:m2
697:╲╱
631:Dm
621:I
595:ii
541:Dm
514:ii
417:Gm
353:Em
220:.
104:)
4465:"
4461:"
4458:"
4454:"
4451:"
4447:"
4444:"
4440:"
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4430:"
4426:"
4423:"
4419:"
4416:"
4412:"
4409:"
4405:"
4402:"
4398:"
4395:"
4391:"
4388:"
4384:"
4381:"
4377:"
3807:)
3640:)
3500:)
3435:)
3392:e
3385:t
3378:v
3131:e
3124:t
3117:v
3084:)
3080:(
2943:)
2939:(
2882:)
2754:e
2747:t
2740:v
2667:.
2621:.
2552:.
2515:.
2470:.
2445:.
2418:.
2392:.
2380:5
2363:.
2335:.
2213:C
2199:E
2162:C
2137:E
2106:F
2092:E
2078:B
2053:E
2039:B
2017:B
1989:│
1980:F
1977:m
1971:C
1967:│
1953:E
1949:│
1940:B
1933:│
1924:B
1920:│
1911:F
1908:m
1902:C
1898:│
1889:G
1885:│
1881:D
1874:│
1860:E
1856:│
1847:B
1840:│
1832:V
1822:I
1817:V
1807:I
1802:V
1792:I
1787:V
1777:I
1772:V
1743:.
1726:│
1717:B
1713:│
1704:F
1696:E
1692:│
1683:B
1680:G
1676:│
1672:D
1665:│
1651:E
1647:│
1638:B
1635:G
1631:│
1627:D
1624:B
1620:│
1609:I
1604:V
1591:I
1554:4
1541:.
1495:│
1486:C
1482:│
1478:G
1475:E
1471:│
1467:B
1459:A
1455:│
1446:E
1439:│
1430:D
1426:│
1422:A
1414:G
1410:│
1401:D
1393:B
1389:│
1385:F
1378:│
1368:I
1363:V
1341:I
1336:V
1295:4
1270:.
1224:│
1220:C
1216:│
1212:C
1208:│
1204:G
1200:│
1192:│
1188:D
1184:│
1180:D
1176:│
1172:A
1168:│
1160:│
1150:I
1145:V
1131:I
1126:V
937:│
931:C
927:│
923:G
918:E
914:│
910:B
900:A
896:│
892:7
886:E
881:C
877:│
860:.
832:│
828:G
825:E
821:│
817:B
809:A
805:│
796:E
786:V
783:I
778:V
775:I
770:V
687:│
681:C
677:│
673:G
668:E
664:│
660:B
650:A
646:│
642:7
636:E
627:│
616:V
580:7
569:│
565:C
561:│
557:C
553:│
549:G
545:│
537:│
529:I
524:I
519:V
496:.
464:.
424:│
420:C
413:│
399:G
395:│
386:D
383:m
377:A
373:│
364:D
360:│
356:A
349:│
335:G
331:│
322:D
319:m
313:A
309:│
295:B
291:│
259:"
100:–
96:–
92:(
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