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359:, 'lord of the common drink'), was elected by the participants. He would then assume control of the wine servants, and thus of the degree of wine dilution and how it changed during the party, and the rate of cup refills. The krater and how it was filled and emptied was thus the centerpiece of the
604:, in Peloponnesus. During the Classical period the volute-type continued to be very popular along with the calyx-type, and beside the Corinthian workshop an Attic one was probably active. Exquisite exemplars of both volute- and calyx-kraters come from Macedonian 4th century BC graves. Among them the
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on the interior to make the surface of the clay more impervious for holding water, and possibly for aesthetic reasons, since the interior could easily be seen. The exterior of kraters often depicted scenes from Greek life, such as the Attic Late 1 Krater, which was made between 760 and 735 B.C.E.
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until the end of the 4th century BC. Its shape and method of manufacture are similar to those of the column krater, but the handles are unique: to make each, the potter would have first made two side spirals ("volutes") as decorative disks, then attached a long thin slab of clay around them both
430:. They ranged in size from 35 centimetres (14 in) to 56 centimetres (22 in) in height and were usually thrown in three pieces: the body/ shoulder area was one, the base another, and the neck/ lip/ rim a third. The handles were pulled separately. They were studied by archaeologist
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According to most scholars ceramic kraters imitated shapes designed initially for metal vessels; these were common in antiquity, but survivals are very rare, as the metal was recyclable. Among the largest and most famous metal kraters in antiquity were one in the possession of the
472:-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul".
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forming a drum with flanged edges. This strip would then have been continued downward until the bottom of the handle, where the potter would have cut a U-shaped arch in the clay before attaching the handle to the body of the vase.
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227:, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a
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describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine,
857:"Tomris Bakir: Der Kolonnettenkrater in Korinth und Attika zwiscben 625 und 550 v. Chr. (Beiträge zur Archäologie 7.) Pp. 81; 16 plates. Würzburg: Konrad Triltsch Verlag, 1974. Paper"
623:, being 1.63 m in height and over 200 kg in weight. Others were in silver, which were too valuable and tempting to thieves to be buried in graves, and have not survived.
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Bell kraters were first made in the early 5th century, which meant that it came later than the three other krater types. This form of krater looks like an inverted
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592:. There are a few extant Archaic bronze kraters (or often only their handles), almost exclusively of the volute-type. Their main production centres were
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in black-figure style, though in fact almost always seen in red. The lower body is shaped like the calyx of a flower, and the foot is stepped. The
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This object was found among other funeral objects, and its exterior depicted a funeral procession to the gravesite.
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included the
Borghese Vase, both alone and together with other stone kraters, in several of his works.
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Ornamental stone kraters are known from
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and make sure that the symposium progressed smoothly and without drunken excess.
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These are among the largest of the kraters, supposedly developed by the potter
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Calyx-Krater by the painter of the Berlin Hydria depicting an
Amazonomachy
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Understanding Greek Vases: A Guide to Terms, Styles, and
Techniques
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should be able to diagnose the degree of inebriation of his fellow
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Multiple cultures, originating predominantly in Greece and exported
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Greek Art and
Archaeology: A New History, c. 2500 – c. 150 BCE
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The
Derveni krater: masterpiece of classical Greek metalwork
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Jacobsthal, Paul (1934). "The Nekyia Krater in New York".
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Andrew J. Clark; Maya Elston; Mary Louise Hart (2002).
40:"Cratera" redirects here. For the planarian genus, see
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in the seventh century BC, but was taken over by the
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potters. Its production was carried on by Greeks in
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64:Young rider crowned by a winged Nike (Victory), by
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509:with handles that are faced up. Bell kraters are
1036:, The National Gallery of Art, Washington, 2016.
1138:Mixing bowl with the exposure of baby Aegisthos
939:Athenian Vase Construction: A Potter's Analysis
824:Athenian Vase Construction: A Potter's Analysis
1018:Vix-Musée-du-Pays-Châtillonnais: Trésor-de-Vix
384:, black-figure column crater depicting swans,
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488:in the early 6th century BC, then adopted by
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1028:Grasselli, Margaret Morgan, Yuriko Jackall,
810:. New York: Thames & Hudson. p. 76.
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343:At the beginning of each symposium a
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756:"A Visual Glossary of Greek Pottery"
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327:) of wine and water in kraters.
193:) was a large two-handled type of
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615:of late Classical metalwork. The
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451:Cratère attique à figures rouges
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27:Large vase in Ancient Greece
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611:represents an exceptional
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1403:Perfume, oil, and wedding
873:10.1017/S0009840X00223226
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219:Pottery of ancient Greece
163:'mixing vessel',
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1584:Ancient Greek pot shapes
657:Ornamental stone kraters
517:like the other kraters.
418:This form originated in
365:'s authority. An astute
30:For the video game, see
936:Toby Schreiber (1999).
821:Toby Schreiber (1999).
299:), originates from the
1464:Funerary and religious
942:. Getty. p. 137.
908:. Getty. p. 105.
827:. Getty. p. 138.
806:Neer, Richard (2012).
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426:where it is typically
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330:Pottery kraters were
213:Further information:
199:Ancient Greek pottery
1058:at Wikimedia Commons
861:The Classical Review
855:Cook, R. M. (1977).
190:[ˈkraː.teːr]
169:[kraː.tɛ̌ːr]
118:Circum-Mediterranean
720:Visual arts portal
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391:BC, Museum of the
103:A vaseform of the
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1236:Greek vase shapes
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1133:Euphronios Krater
1107:Amphiaraos Krater
1054:Media related to
1004:Barr-Sharrar B.,
949:978-0-89236-465-7
915:978-0-89236-599-9
834:978-0-89236-465-7
617:Vix bronze crater
449:& Euxitheos,
209:Form and function
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1243:Wine vessels
1168:Bell Kraters
1117:Warrior Vase
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953:. Retrieved
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838:. Retrieved
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733:Wine tasting
682:Neoclassical
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35:(video game)
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1455:Stirrup jar
706:Wine portal
674:Medici Vase
501:Bell krater
371:symposiasts
367:symposiarch
362:symposiarch
345:symposiarch
223:At a Greek
75:BC, in the
1578:Categories
1410:Alabastron
1265:Karkhesion
1194:Vix Krater
867:(1): 139.
767:2017-09-28
739:References
636:Vix Krater
582:Polycrates
511:red-figure
447:Euphronios
389: 550
380:Manner of
105:Bronze Age
73: 420
45:(flatworm)
1558:Epinetron
1415:Aryballos
1387:Tableware
1260:Kantharos
889:161746370
881:0009-840X
424:Athenians
225:symposium
147:romanized
1507:Calathus
1476:Lekythos
1430:Lekythos
1394:Pinakion
1366:Cookware
1331:Hydriske
1290:Oenochoe
692:See also
672:and the
667:Pentelic
513:and not
259:), or a
256:amphorai
109:Iron Age
107:and the
84:Material
1563:Luchnos
1537:Stamnos
1502:Amphora
1495:Storage
1310:Skyphos
1300:Psykter
1280:Lakaina
1270:Kyathos
1250:Amphora
1093:Kraters
1056:Kraters
992:1522820
678:Baroque
602:Corinth
588:to the
586:Croesus
580:tyrant
486:Laconia
468:psykter
462:Exekias
420:Corinth
316:
284:Odyssey
274:kylikes
247:amphora
242:kyathoi
231:kyathos
161:
149::
92:Created
87:Ceramic
43:Cratera
1532:Situla
1527:Pithos
1522:Pelike
1486:Phiale
1471:Kernos
1445:Pelike
1440:Lydion
1357:Krater
1336:Kalpis
1326:Hydria
1305:Rhyton
1295:Pelike
1285:Mastos
1255:Kotyle
1174:
990:
946:
912:
887:
879:
831:
791:κράσις
789:Entry
670:Marble
621:krater
606:gilded
594:Sparta
578:Samian
553:Volute
529:Column
494:Apulia
482:volute
455:Louvre
411:kelébe
397:Athens
332:glazed
322:mixing
308:κράσις
302:krasis
245:), an
180:crātēr
153:krātḗr
140:κρᾱτήρ
130:crater
126:krater
77:Louvre
53:Krater
33:Krater
1599:Vases
1546:Other
1517:Lebes
1512:Chuta
1450:Pyxis
1420:Askos
1378:Lebes
1373:Chuta
1352:Dinos
1275:Kylix
1030:et al
988:JSTOR
885:S2CID
780:IX.10
598:Argos
541:Calyx
490:Attic
403:Forms
382:Lydos
339:Usage
296:κρασί
290:krasi
279:Homer
263:kylix
174:Latin
115:Place
957:2013
944:ISBN
923:2013
910:ISBN
877:ISSN
842:2013
829:ISBN
680:and
600:and
565:Bell
507:bell
313:lit.
217:and
203:wine
195:vase
186:IPA:
165:IPA:
159:lit.
1032:.,
980:doi
869:doi
795:LSJ
793:at
665:of
281:'s
269:pl.
251:pl.
237:pl.
197:in
128:or
1580::
986:.
974:.
883:.
875:.
865:27
863:.
859:.
758:.
747:^
596:,
434:.
395:,
386:c.
353:,
311:,
271::
253::
239::
184:,
176::
172:;
156:,
144:,
136::
124:A
70:c.
68:,
1228:e
1221:t
1214:v
1085:e
1078:t
1071:v
994:.
982::
976:5
959:.
925:.
891:.
871::
844:.
770:.
414:)
347:(
325:'
319:'
305:(
293:(
267:(
249:(
235:(
132:(
47:.
37:.
20:)
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