Knowledge (XXG)

Comédie-ballet

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to the form described above, in the 18th century some authors also applied it to other kinds of stage work, particularly a type of comic opera, usually in three or four acts, without spoken dialogue. This differed from
192:(another genre mixing opera and dance) in that it contained a continuous plot (rather than a different plot for each act) as well as frequently having comic or satirical elements. It was essentially the same as the 394:
Gaines 2002, p. 97. The original prose play used in the seven performances at Saint-Germain-en-Laye is now lost. In later Paris performances, it was replaced by another short play.
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on 23 February 1745. It consisted of a prologue and three acts, with the addition of an overture and three musical divertissements, one per act, composed by
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became almost completely outmoded but it still exercised a long-lasting influence on the use of music in French theatre. A late example of a genuine
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as part of a larger entertainment referred to as the "Ballet des Ballets". The play recycled musical episodes from several of Molière's earlier
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later contributed a sung courante for Act I, scene 3. Molière, Lully and Beauchamp collaborated on several more examples of
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After quarrelling with Lully, Molière retained the services of Beauchamp as choreographer. His one-act prose comedy
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is a genre of French drama which mixes a spoken play with interludes containing music and dance.
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Portions of this article are a translation of the equivalent page on the Italian Knowledge (XXG)
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Bartlet, M. Elisabeth C., "Comédie lyrique" and "Comédie-ballet", in Stanley, Sadie (ed.),
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which went well beyond the earlier examples of the genre.
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Comédie-ballet created by Molière-Charpentier-Beauchamp
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Even though scholars tend to limit the use of the term
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Comédies-ballets created by Molière-Lully-Beauchamp
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While performing in 431:Caruselli, Salvatore (ed.), 1419: 403:Powell 2000, pp. 215, 223. 1357: 322:La Comtesse d'Escarbagnas 202:André Cardinal Destouches 155:, which was performed at 137:In the 18th century, the 88:La Comtesse d'Escarbagnas 42:, performed in honour of 460:Powell, John S. (2000). 440:The Molière Encyclopedia 306:Le Bourgeois gentilhomme 290:Monsieur de Pourceaugnac 238:List of comédies-ballets 122:Marc-Antoine Charpentier 111:Le Bourgeois gentilhomme 69:Le Bourgeois gentilhomme 811:Theatre of ancient Rome 352:La Princesse de Navarre 198:Le carnaval et la folie 148:La princesse de Navarre 483:, II, pp. 668–69) 298:Les amants magnifiques 80:tragicomédie et ballet 1018:Theatre of the Absurd 16:Genre of French drama 993:Shakespearean comedy 791:Ancient Greek comedy 380:Gaines 2002, p. 394. 337:Le Malade imaginaire 258:La pastorale comique 161:Jean-Philippe Rameau 127:Le Malade imaginaire 101:La pastorale comique 196:. Examples include 78:of January 1671, a 60:Jean-Baptiste Lully 50:, the residence of 981:Comédie larmoyante 976:Sentimental comedy 971:Restoration comedy 934:Commedia dell'arte 806:Corral de comedias 227:Le piège de Méduse 214:Michel de la Barre 124:for the music for 1403:Theatrical genres 1398:Theatre of France 1385: 1384: 1163:Musical comedians 1126: 1125: 924:Comedy of manners 919:Comedy of humours 909:Boulevard theatre 897: 896: 801:Comédie-Italienne 796:Comédie-Française 763: 762: 426:978-0-19-522186-2 210:Antoine Dauvergne 1410: 1375: 1365: 1364: 1312:Self-referential 929:Comedy of menace 781: 774: 637: 516: 509: 502: 493: 404: 401: 395: 392: 381: 378: 97:comédies-ballets 56:Pierre Beauchamp 38:, with words by 1418: 1417: 1413: 1412: 1411: 1409: 1408: 1407: 1388: 1387: 1386: 1381: 1353: 1218: 1200:Animated sitcom 1122: 1088:Musical theatre 1038: 1032: 1008:Stand-up comedy 954:One-person show 944:Improvisational 893: 815: 759: 713:Science fiction 666: 626: 547:Comedy festival 525: 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Index

Les fâcheux
Molière
Louis XIV
Vaux-le-Vicomte
Nicolas Fouquet
Pierre Beauchamp
Jean-Baptiste Lully
Le Bourgeois gentilhomme
Psyché
La Comtesse d'Escarbagnas
Château de Saint-Germain-en-Laye
George Dandin
Marc-Antoine Charpentier
Le Malade imaginaire
La princesse de Navarre
Voltaire
Versailles
Jean-Philippe Rameau
hautes-contre
opéra-ballet
André Cardinal Destouches
Antoine Dauvergne
Michel de la Barre
Le piège de Méduse
Erik Satie
Les fâcheux
La pastorale comique
Le Sicilien
L'Amour médecin
George Dandin

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