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to treat the studio and live versions as two separate entities, doing all of the overdubs separately, mix them separately and then tear our hair out when it came to mixing them together. But, after mucking about on my own for a few hours with different levels going to different tracks — and also selecting which of four separate amp feeds from the live gig I was going to use on one track — it worked very well. If you listen to the track, I think you'll spot the edit, but you'll also hear how well it works.
257:, who had previously recorded Costello songs such as "Hidden Shame". Ultimately, Cash never recorded the song. Costello reflected, "I sent it to him near the end of his life, and whether the song reached him or not or whether it didn't appeal to him, I hear it in his voice. I imagine John to be someone who could deliver the final lines of the song with authority, and it helped me write them to think of him singing them." Costello ultimately chose to record the song himself for
320:
Elvis
Costello had always loved the take and somehow wanted to use it on record; now he had an inspiration... "He said, 'I know this is crazy and it won't work, but let's make it not work.' ... Originally, when Elvis came up with the idea, I thought it was going to be a nightmare. You know, we'd have
303:
It's surprising how, by throwing away the clichéd way of doing things, you can do a really obvious thing, like turning up the guitar very loud, and that sounds original too. We've never had as loud an explosion on record as on 'Complicated Shadow,' and because it comes out of nothing it sounds like
655:
For this recording, Costello leaned closer to the country style that he originally wrote the song in, a style present on the "Cashbox" demo version. He explained, "The matters of the text needed to be held a little more closely to the chest than the rock 'n' roll version did." Elsewhere, he
652:. Though Costello was hesitant to rerecord a song, he determined, "About four people bought . The only people who remark on whether it's a good or a bad thing, or even whether I have recorded this song twice, are obviously people who are following my career very carefully."
340:" in July 1996. In some jurisdictions, the version that appeared on the single was the so-called "Cashbox" version, which was Costello's country-influenced demo of the song. In other locations, the standard studio recording with the Attractions was used.
286:
Originally, Costello had arranged the song in Cash's country style. Costello explained, "I think at first it probably sounded a little bit too much like a Johnny Cash song, and I didn't want to record it leaning that way with
2006:
270:. Costello explained in 1996, "If you go out there saying, 'I know what's right,' you'd better be right. describes that dilemma of taking justice into your own hands. We see it in the people in the
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wrote, "Why on earth Johnny Cash never bothered to record the brooding 'Complicated
Shadows' is something only his doctors must know" in a 1996 review; in a review of the 2001 reissue of
888:
684:, "The older Costello songs 'Hidden Shame' and 'Complicated Shadows' remain infectious, even in the staid acoustic versions presented here." In another review of the album
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commented, "The bluesy tune was originally written for Johnny Cash, but it's difficult to imagine the Man in Black doing it the kind of justice
Costello and company do."
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in 1996. Though initially more country-influenced in arrangement, the song was reworked by the band to be more rock-oriented. The final studio recording on
674:
The rerecording of "Complicated
Shadows" generally saw mixed critical reception, with reviewers often expressing a preference for the original recording.
304:
an original idea, whereas if you had it all the way through you wouldn't notice it. It's all light and shade and tension and release, everything in music.
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When the band attempted to capture this style in the studio, however, they failed to capture a satisfactory recording. As such, producer
236:. Since its release, the song has been lauded by critics. Costello rerecorded the song in its original arrangement in 2009 for his album
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cowboys with a conviction that suggests the author really is some saddlesore ex-rodeo jock rather than a bespectacled post-punk."
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and engineer Jon Jacobs stitched together a studio recording with sections from a live recording performed by the band at the
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Du Noyer, Paul (October 2001). "Geek mythology: Legendary lyricism from the unlikeliest rock 'n' roller in town".
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wrote, "Certainly the rollicking country strum lifts the song compared with the leaden rock arrangement on 1996's
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or Elvis
Costello to write anthems for its Mob family, they couldn't come up with anything as dead-on as Lowe's '
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Street, Andrew P. (October 10, 2009). "Critics Choice: Elvis
Costello - Secret, Profane & Sugarcane".
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Jaeger, Barbara (June 7, 1996). "This time, his songs are for himself". Bergen County Record. p. 8.
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299:-inflected style largely absent from the rest of the album. Costello commented on the new arrangement:
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Tomashoff, Craig (May 27, 1996). "All This
Useless Beauty: Elvis Costello & the Attractions".
278:." Because the song was intended for Cash, Costello wrote the lyrics in "semi-Biblical language."
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Considine, JD (June 1, 2009). "From opera arias to country weepers - Costello's got it covered".
399:"Complicated Shadows" attracted positive critical reception from music writers upon its release.
263:, an album which was originally intended to be a collection of songs Costello wrote for others.
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Collis, Clark (May 18, 1996). "All This
Useless Beauty: Elvis Costello and the Attractions".
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1129:"The Elvis Costello Song of the Week: The Last Song to Play at Your High School Reunion"
930:"The Other End of the Telescope - Elvis Costello / Elvis Costello & the Attractions"
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This version was then released as a single in April 2009, featuring the then-unreleased
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in May 1996. Although not released as a single, the song appeared on the B-side of "
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first wrote "Complicated
Shadows" with the intention to give it to country musician
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stated, "The best song here, "Complicated
Shadows," already did come out on 1996's
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edits together studio takes of the song with a live performance from a show at the
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praised how the song "opens quietly but literally builds to a scream", while the
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Rodgers, Jeffrey Pepper (August 2009). "Elvis Costello, song collector".
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was a "massive Elvis fan" and had previously used Costello's version of "
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Simon, Scott (June 13, 2009). "Elvis Costello gets a little bluegrass".
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commented, "I always wanted to record the version I heard in my head."
842:
Rooksby, Rikky (August 1996). "Elvis Costello & The Attractions".
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In 2009, Costello rerecorded "Complicated Shadows for his 2009 album,
295:, he and the Attractions re-arranged the song to have a slower, more
663:
reject "Dirty Rotten Shame" as the B-side. The song was a moderate
1170:"No Fairy Tale: Elvis Costello, 'Secret, Profane & Sugarcane'"
1576:
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Murray, Noel (June 2, 2009). "Secret, Profane & Sugarcane".
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in 1995. Jacobs explained the process in an interview in 1996:
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who kidnapped some local hooligan and beat him up, or in the
226:
Though not released as a single, it appeared as a B-side to "
904:"Jon Jacobs: Recording Elvis Costello & The Attractions"
788:
Du Noyer, Paul (June 1996). "The Elvis Costello Interview".
330:"Complicated Shadows" was released on Costello's 1996 album
2007:
The Very Best of Elvis Costello and The Attractions 1977–86
957:
Hollywood Shack Job: Rock Music in Film and on Your Screen
266:
Lyrically, the song tackles the subjects of vengeance and
291:." However, once Costello decided to revive the song for
405:
wrote of the track, "The song mainlines into a world of
230:" as well as on the soundtrack to the television series
2125:(What's So Funny 'Bout) Peace, Love, and Understanding
379:
concluded of the song's inclusion, "If the show hired
359:(What's So Funny 'Bout) Peace, Love, and Understanding
694:, in a more compelling rock form." More approvingly,
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367:. The song then appeared on the soundtrack album
370:The Sopranos: Music from the HBO Original Series
343:"Complicated Shadows" appeared in season one of
1317:Bachelor No. 2 or, the Last Remains of the Dodo
1103:"Elvis Costello: 'Secret & Profane' in NYC"
887:: CS1 maint: others in cite AV media (notes) (
807:Fay, Liam (July 24, 1996). "Eclectic warrior".
318:
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194:and recorded by Costello with his backing band
2043:The Best of Elvis Costello: The First 10 Years
1972:The Best of Elvis Costello and the Attractions
198:. The song appeared on Costello's 1996 album,
1965:Ten Bloody Marys & Ten How's Your Fathers
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2592:Song recordings produced by Geoff Emerick
2484:Lost on the River: The New Basement Tapes
1048:Aizlewood, John (June 1996). "Lonesome".
667:hit, reaching number 15 on the American
2534:Unfaithful Music & Disappearing Ink
1384:Magnolia: Music from the Motion Picture
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207:Costello originally wrote the song for
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2050:The Songs of Bacharach & Costello
387:' or Costello's 'Complicated Shadows.
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2082:(The Angels Wanna Wear My) Red Shoes
2005:
444:Elvis Costello & The Attractions
141:Elvis Costello & The Attractions
32:Elvis Costello & The Attractions
871:Elvis Costello and the Attractions
14:
2548:Now Ain't the Time for Your Tears
2147:I Can't Stand Up for Falling Down
902:Buskin, Richard (November 1996).
869:(European CD album liner notes).
1529:The Other End (Of the Telescope)
1285:Coming Up Close: A Retrospective
2587:Songs written by Elvis Costello
2096:(I Don't Want to Go to) Chelsea
2029:The Very Best of Elvis Costello
1859:Secret, Profane & Sugarcane
682:Secret, Profane & Sugarcane
649:Secret, Profane & Sugarcane
532:Secret, Profane & Sugarcane
239:Secret, Profane & Sugarcane
2526:Other works / related articles
2294:The Other End of the Telescope
1195:"Elvis Costello Chart History"
1127:Stewart, Gary; Gorman, David.
349:, giving it greater exposure.
338:The Other End of the Telescope
228:The Other End of the Telescope
159:The Other End of the Telescope
57:The Other End of the Telescope
16:Song written by Elvis Costello
1:
2238:Don't Let Me Be Misunderstood
634:"A Slow Drag with Josephine"
489:Jon Jacobs – engineer, mixing
1338:One More Drifter in the Snow
483:– producer, engineer, mixing
2347:Welcome to the Working Week
1398:Live at St. Ann's Warehouse
1101:Bautz, Mark (3 June 2009).
2608:
2175:From a Whisper to a Scream
1366:Queens of the Summer Hotel
1278:Everything's Different Now
960:. UNM Press. p. 134.
2463:Terror & Magnificence
2287:London's Brilliant Parade
2217:Everyday I Write the Book
2189:A Good Year for the Roses
1614:
1511:Going Through the Motions
1462:(Believed You Were) Lucky
954:Kubernik, Harvey (2006).
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615:
508:
486:Elvis Costello – producer
147:
2491:The Resurrection of Rust
2266:The Other Side of Summer
1483:That's Just What You Are
1423:Looking Over My Shoulder
554:April 18, 2009
2438:I Hope You're Happy Now
2089:Watching the Detectives
1803:All This Useless Beauty
866:All This Useless Beauty
730:Adult Alternative Songs
702:All this Useless Beauty
692:All This Useless Beauty
669:Adult Alternative Songs
661:All This Useless Beauty
429:All This Useless Beauty
333:All This Useless Beauty
293:All This Useless Beauty
260:All This Useless Beauty
217:All This Useless Beauty
201:All This Useless Beauty
186:" is a song written by
67:July 15, 1996
41:All This Useless Beauty
2224:The Only Flame in Town
1940:Live at Hollywood High
1912:Live at the El Mocambo
756:Toronto Globe and Mail
492:Bob Ludwig – mastering
323:
306:
2368:Stranger in the House
2140:Accidents Will Happen
1761:Blood & Chocolate
1457:featuring Aimee Mann)
877:. 1996. 9362-46198-2.
680:wrote in a review of
504:"Complicated Shadows"
22:"Complicated Shadows"
2582:Elvis Costello songs
1926:Costello & Nieve
1845:The River in Reverse
1490:Choice in the Matter
987:Entertainment Weekly
875:Warner Bros. Records
546:"Dirty Rotten Shame"
418:Bergen County Record
402:The London Telegraph
376:Entertainment Weekly
2424:Jack of All Parades
2329:Complicated Shadows
1933:My Flame Burns Blue
1810:Painted from Memory
1747:Goodbye Cruel World
1391:Ultimate Collection
883:cite AV media notes
687:The Washington Post
627:Complicated Shadows
361:" in his 1988 show
184:Complicated Shadows
163:Complicated Shadows
2470:The Sweetest Punch
2280:13 Steps Lead Down
1782:The Juliet Letters
1775:Mighty Like a Rose
1345:@#%&*! Smilers
611:singles chronology
458:– piano, keyboards
395:Critical reception
170:"Distorted Angel"
143:singles chronology
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2322:Brilliant Mistake
1993:Girls Girls Girls
1698:This Year's Model
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1469:I Should've Known
1331:The Forgotten Arm
967:978-0-8263-3542-5
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1986:Out of Our Idiot
1958:Taking Liberties
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1838:The Delivery Man
1817:When I Was Cruel
1733:Imperial Bedroom
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1539:Related articles
1531:" ('Til Tuesday)
1464:" ('Til Tuesday)
1451:Time Stand Still
1446:" ('Til Tuesday)
1439:" ('Til Tuesday)
1432:" ('Til Tuesday)
1430:Love in a Vacuum
1425:" ('Til Tuesday)
1418:" ('Til Tuesday)
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351:Martin Bruestle
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152:"Little Atoms"
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1359:Mental Illness
1355:
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1298:
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983:"The Sopranos"
973:
966:
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920:
908:Sound on Sound
894:
853:
834:
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761:
745:
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709:
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638:
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623:
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612:
609:Elvis Costello
605:
604:
602:T Bone Burnett
599:
591:
590:
585:
579:
578:
567:
563:
562:
552:
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523:Elvis Costello
515:
514:
506:
505:
498:
495:
494:
493:
490:
487:
484:
472:
471:
465:
459:
453:
450:Elvis Costello
440:
437:
396:
393:
327:
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314:Beacon Theatre
283:
280:
251:Elvis Costello
247:
244:
221:Beacon Theatre
192:Elvis Costello
178:
177:
174:
173:
168:
155:
145:
144:
137:
136:
135:
134:
133:Elvis Costello
131:
124:
116:
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114:Elvis Costello
112:
104:
103:
98:
92:
91:
80:
76:
75:
65:
61:
60:
53:
45:
44:
35:
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24:
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15:
13:
10:
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6:
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3:
2:
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2479:
2478:
2477:For the Stars
2474:
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2397:
2396:Beyond Belief
2393:
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2197:
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2176:
2172:
2169:
2165:
2162:
2161:New Amsterdam
2158:
2155:
2154:High Fidelity
2151:
2148:
2144:
2141:
2137:
2134:
2133:Oliver's Army
2130:
2126:
2121:
2118:
2114:
2111:
2107:
2104:
2100:
2097:
2093:
2090:
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2058:
2052:
2051:
2047:
2045:
2044:
2040:
2038:
2037:
2033:
2031:
2030:
2026:
2023:
2022:
2018:
2016:
2015:
2014:Extreme Honey
2011:
2009:
2008:
2004:
2002:
2001:
1997:
1995:
1994:
1990:
1988:
1987:
1983:
1981:
1980:
1976:
1974:
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1969:
1967:
1966:
1962:
1960:
1959:
1955:
1954:
1952:
1948:
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1930:
1928:
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1923:
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1920:
1916:
1914:
1913:
1909:
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1896:
1895:
1891:
1889:
1888:
1887:Hey Clockface
1884:
1882:
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1877:
1875:
1874:
1873:Wise Up Ghost
1870:
1868:
1867:
1863:
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1796:Kojak Variety
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1709:
1707:
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1685:
1683:Studio albums
1681:
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1466:
1463:
1459:
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1342:
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1332:
1328:
1326:
1325:
1324:Lost in Space
1321:
1319:
1318:
1314:
1312:
1311:
1307:
1305:
1304:
1300:
1299:
1297:
1293:
1287:
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1280:
1279:
1275:
1273:
1272:
1268:
1266:
1265:
1261:
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1256:
1252:
1248:
1241:
1236:
1234:
1229:
1227:
1222:
1221:
1218:
1200:
1196:
1190:
1187:
1175:
1171:
1168:Zamula, Meg.
1164:
1161:
1156:
1155:The A.V. Club
1149:
1146:
1134:
1130:
1123:
1120:
1108:
1104:
1097:
1094:
1089:
1082:
1079:
1074:
1070:
1063:
1060:
1055:
1051:
1044:
1041:
1033:
1030:
1025:
1018:
1015:
1010:
1003:
1000:
988:
984:
981:Tucker, Ken.
977:
974:
969:
963:
959:
958:
950:
947:
935:
931:
924:
921:
909:
905:
898:
895:
890:
884:
876:
872:
868:
867:
860:
858:
854:
849:
845:
838:
835:
830:
823:
821:
819:
815:
810:
803:
800:
795:
791:
784:
781:
776:
772:
765:
762:
757:
750:
747:
740:
733:
731:
729:
723:
717:
715:Chart (2009)
714:
713:
707:
705:
703:
699:
698:
693:
689:
688:
683:
679:
678:
677:The A.V. Club
672:
670:
666:
662:
657:
653:
651:
650:
633:
628:
624:
619:
618:
614:
610:
606:
603:
600:
597:
592:
589:
586:
584:
580:
568:
564:
553:
549:
545:
542:
537:
534:
533:
524:
520:
512:
507:
502:
496:
491:
488:
485:
482:
481:Geoff Emerick
479:
478:
477:
476:
469:
466:
463:
460:
457:
454:
451:
448:
447:
446:
445:
438:
436:
434:
431:, meanwhile,
430:
426:
425:
420:
419:
414:
413:
408:
404:
403:
394:
392:
386:
382:
378:
377:
372:
371:
366:
365:
360:
356:
352:
348:
347:
341:
339:
335:
334:
325:
322:
317:
315:
311:
310:Geoff Emerick
305:
300:
298:
294:
290:
281:
279:
277:
273:
269:
264:
262:
261:
256:
252:
245:
243:
241:
240:
235:
234:
229:
224:
222:
218:
214:
210:
205:
203:
202:
197:
193:
189:
185:
169:
164:
160:
156:
151:
150:
146:
142:
138:
132:
130:
129:Geoff Emerick
127:
126:
125:
122:
117:
113:
110:
109:Songwriter(s)
105:
102:
99:
97:
93:
81:
77:
66:
62:
58:
54:
51:
46:
43:
42:
33:
29:
20:
2553:
2546:
2539:
2532:
2514:
2507:
2489:
2482:
2475:
2468:
2461:
2410:Shipbuilding
2328:
2196:Sweet Dreams
2048:
2041:
2034:
2027:
2019:
2012:
1998:
1991:
1984:
1977:
1970:
1963:
1956:
1950:Compilations
1938:
1931:
1924:
1917:
1910:
1892:
1885:
1878:
1871:
1864:
1857:
1850:
1843:
1836:
1829:
1822:
1815:
1808:
1801:
1794:
1789:Brutal Youth
1787:
1780:
1773:
1766:
1759:
1752:
1745:
1738:
1731:
1724:
1717:
1710:
1705:Armed Forces
1703:
1696:
1689:
1673:Bruce Thomas
1671:
1664:
1657:
1651:
1642:
1635:
1628:
1625:
1556:Michael Penn
1476:Stupid Thing
1416:Voices Carry
1396:
1389:
1382:
1376:Other albums
1364:
1357:
1350:
1343:
1336:
1329:
1322:
1315:
1308:
1301:
1283:
1276:
1271:Welcome Home
1269:
1264:Voices Carry
1262:
1255:'Til Tuesday
1202:. Retrieved
1198:
1189:
1177:. Retrieved
1173:
1163:
1154:
1148:
1136:. Retrieved
1132:
1122:
1110:. Retrieved
1106:
1096:
1087:
1081:
1072:
1068:
1062:
1053:
1049:
1043:
1032:
1023:
1017:
1008:
1002:
990:. Retrieved
986:
976:
956:
949:
937:. Retrieved
933:
928:Mills, Ted.
923:
911:. Retrieved
907:
897:
865:
847:
844:Making Music
843:
837:
828:
808:
802:
793:
789:
783:
774:
770:
764:
755:
749:
727:
701:
695:
691:
685:
681:
675:
673:
660:
658:
654:
647:
645:
626:
530:
497:2009 version
474:
473:
462:Bruce Thomas
443:
442:
432:
428:
422:
416:
410:
400:
398:
374:
368:
364:Almost Grown
362:
346:The Sopranos
344:
342:
331:
329:
319:
307:
302:
292:
285:
272:West Country
265:
258:
249:
237:
233:The Sopranos
231:
225:
216:
206:
199:
183:
181:
162:
101:Warner Bros.
39:
2403:Almost Blue
2339:Other songs
2231:Green Shirt
2117:Radio Radio
2036:Cruel Smile
1904:Live albums
1726:Almost Blue
1712:Get Happy!!
1666:Pete Thomas
1659:Steve Nieve
1637:Pete Thomas
1630:Steve Nieve
1619:Discography
1561:Jules Shear
1546:Discography
1521:Other songs
1295:Solo albums
1179:11 February
1138:11 February
1133:Trunkworthy
1112:11 February
992:11 February
939:11 February
913:11 February
596:Producer(s)
468:Pete Thomas
456:Steve Nieve
355:David Chase
268:vigilantism
255:Johnny Cash
209:Johnny Cash
121:Producer(s)
2577:1996 songs
2571:Categories
2375:Girls Talk
2273:Sulky Girl
2252:Blue Chair
2245:I Want You
2103:Pump It Up
1247:Aimee Mann
1204:21 October
741:References
620:"Go Away"
588:Hear Music
558:2009-04-18
475:Production
246:Background
71:1996-07-15
2024:(bootleg)
1497:Long Shot
1199:Billboard
809:Hot Press
728:Billboard
720:position
439:Personnel
407:John Ford
381:Nick Lowe
282:Recording
223:in 1995.
190:musician
2382:Riot Act
2259:Veronica
2168:Clubland
2000:2½ Years
1880:Look Now
1852:Momofuku
1831:Il Sogno
1566:The Both
1303:Whatever
934:AllMusic
811:: 30–32.
551:Released
276:LA riots
188:new wave
64:Released
2060:Singles
1979:The Man
1504:Save Me
1408:Singles
1352:Charmer
671:chart.
636:(2010)
631:(2009)
622:(2008)
556: (
470:– drums
326:Release
172:(1996)
167:(1996)
154:(1996)
69: (
2509:G.B.H.
2501:Scores
2075:Alison
1024:People
964:
708:Charts
566:Length
541:B-side
519:Single
464:– bass
412:People
79:Length
50:A-side
28:Single
1824:North
1768:Spike
1719:Trust
1026:: 30.
1011:: A9.
583:Label
161:" / "
96:Label
1455:Rush
1206:2020
1181:2023
1140:2023
1114:2023
1107:SPIN
1075:: 4.
994:2023
962:ISBN
941:2023
915:2023
889:link
790:Mojo
718:Peak
297:rock
2308:She
1453:" (
1088:NPR
1073:182
1054:117
848:125
775:200
734:15
725:US
704:."
521:by
30:by
2573::
2315:45
1197:.
1172:.
1131:.
1105:.
1071:.
1052:.
985:.
932:.
906:.
885:}}
881:{{
873:.
856:^
846:.
817:^
794:31
792:.
773:.
629:"
575:54
391:"
373:.
242:.
204:.
165:"
88:43
2447:"
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1655::
1600:e
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1239:e
1232:t
1225:v
1208:.
1183:.
1157:.
1142:.
1116:.
1090:.
1069:Q
1056:.
1050:Q
996:.
970:.
943:.
917:.
891:)
850:.
831:.
796:.
777:.
758:.
625:"
573::
571:2
560:)
433:Q
424:Q
389:'
182:"
157:"
86::
84:4
73:)
59:"
55:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.