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312:, conducted by Emmanuel Leducq-Barome. A reviewer noted: "Even in its most lyrical, expansive moments, there’s nothing pretty about Schnittke’s Concerto for Piano and String Orchestra, with its seasick microtonal lurches, pounding non-minimalist repetitions, and tortured baroque allusions". A collection of three piano concertos by Schnittke was released in 2006, played by
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I found the desired somnambulistic security in the approach to triteness in form and dynamics—and in the immediate avoidance of the same, where everything—unable to create the balance between "sunshine" and "storm clouds"—shatters finally into a thousand pieces. The Coda consists of dream-like soft
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Elsewhere, he explained that his twin intentions in the
Concerto were to "avoid" and "approach banality in form and dynamics." In the context of this work, banality did not imply connections to pop music, but to "a certain flow of monotonous rhythms , passive succession of repeated chords," and an
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A solitary piano begins in a pensive mood, followed by note clusters, "grinding" unison passages and jazzy elements, among others, often coming as a surprise. The end offers soft lyrical piano playing and "ghostly murmurings" from the strings. The climax quotes a
Russian Orthodox chant.
324:. A reviewer summarised that the music "overturns conventions and expectations with astonishing facility". A 2008 recording combined the Concerto with piano music, played by Victoria Lyubitskaya with the Russian State Academy Symphonic Orchestra conducted by
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181:, Schnittke also continued his use of Christian motifs throughout his works from the 1970s, including the Concerto for Piano and String Orchestra. Initially, he contemplated subtitling it "Variations Not On a Theme."
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in 1979, and premiered in
Leningrad that year. The unconventional work is in a single movement with contrasting sections. It is one of Schnittke's most often performed works. It is also known as Schnittke's
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While
Schnittke's earlier piano concerto from 1960 and a later one for piano four-hands from 1988 adhere to the traditional concerto structure in different contrasting
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overall feeling of "excess," particularly in dramatically vital moments. Schnittke also described various points of the
Concerto as sounding like "shadowy webs of
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Schnittke composed three concertos for piano and instruments, the
Concerto for Piano and String Orchestra being the second in chronology.
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In a 1997 recording, the
Concerto appears with a violin concerto and a violin sonata by Schnittke, played by
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recollections of all that came before. Only at the end does a new uncertainty arise—maybe not without hope?
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Moderato · Andante · Maestoso · Allegro · Tempo di valse · Moderato · Maestoso · Moderato · Tempo primo
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Alfred
Schnittke - Concerto for Piano and String Orchestra (1979) I Daniil Trifonov, piano (2022)
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Alfred
Schnittke - Concerto for Piano and String Orchestra (1979) Adam Kosmieja, piano (2014)
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According to Peter J. Schmelz, the work's use of blues music parallels similar usage in
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Sonic
Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR
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671:(in Russian). Saratov: Саратовская государственная консерватория имени Л.В. Собинова.
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and the Virtuosi di Kuhmo. The Concerto was recorded, combined with Shostakovich's
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on 10 December 1979 in a concert by the Philharmonic Society, with members of the
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In 1979, the year of the Concerto's creation, Schnittke developed interests in
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Not to be confused with Alfred Schnittke's Piano Concerto from 1960.
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Demchenko, Alexander (2015). "Три взгляда из XXI столетия".
224:, who was also its dedicatee. Krainev premiered the work in
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Concerto for Cello and Orchestra en forme de pas de trois
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A typical performance takes approximately 28 minutes.
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Schnittke described the concerto in conversation with
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633:. Bloomington, Indiana: Indiana University Press.
648:Ivashkin, Alexander (2014). "Каталог сочинений".
310:Chamber Orchestra of the Kaliningrad Philharmonic
520:"Alfred Schnittke (1934-1998) / Piano Concertos"
220:Schnittke composed the concerto for the pianist
209:energy," "surrealistic shreds of sunrise from
1050:How Czar Peter the Great Married Off His Moor
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270:. The duration is given as 23 minutes.
129:Concerto for Piano and String Orchestra
27:Concerto for Piano and String Orchestra
878:Symphony No. 5 (Concerto Grosso No. 4)
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652:(in Russian). Moscow: Классика-ХХI.
16:1979 composition by Alfred Schnittke
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318:Rundfunk-Sinfonieorchester Berlin
1190:Compositions by Alfred Schnittke
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1160:
824:Historia von D. Johann Fausten
1:
686:Kislitsyna, Anna (May 2018).
239:It was published in 1982 by
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717:Schmelz, Peter J. (2020).
631:An Alfred Schnittke Reader
524:musicweb-international.com
518:Morgan, Dan (April 2009).
66:19 December 1979
20:
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1066:Story of an Unknown Actor
992:Requiem of Reconciliation
806:
650:Беседы с Альфредом Шнитке
31:
1122:The Master and Margarita
1010:Adventures of a Dentist
723:Oxford University Press
279:Bernd Alois Zimmermann
230:Leningrad Philharmonic
213:church music," and a "
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117:Leningrad Philharmonic
83:Leningrad Philharmonia
941:Violin Concerto No. 4
926:Concerto Grosso No. 3
921:Concerto Grosso No. 1
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1150:Zero-based numbering
1106:The Story of Voyages
809:List of compositions
302:First Piano Concerto
241:Sovietsky kompozitor
1034:Belorussian Station
627:Ivashkin, Alexander
205:," "false burst of
172:Alexander Demchenko
1140:Curse of the ninth
831:Life with an Idiot
704:on 28 October 2022
545:"Alfred Schnittke"
234:Alexander Dmitriev
186:Alexander Ivashkin
101:Alexander Dmitriev
81:Great Hall of the
1185:1979 compositions
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732:978-0-19-754125-8
695:Temple University
678:978-5-94841-198-9
659:978-5-89817-385-2
576:classicstoday.com
428:, pp. 63–64.
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841:Orchestral music
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402:Schmelz 2020
340:
306:Yakov Kasman
304:, played by
298:Ralf Gothóni
295:
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250:and 2009 by
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207:Prokofievian
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135:composed by
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91:Russian SFSR
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1145:Polystylism
1026:The Seagull
1002:Film scores
966:Vocal music
914:Concertante
862:St. Florian
816:Stage works
244: [
175: [
1179:Categories
1114:Dead Souls
1058:The Ascent
708:28 October
607:3 November
581:3 November
555:3 November
529:28 October
469:28 October
352:References
314:Ewa Kupiec
292:Recordings
200:polyphonic
107:Performers
70:1979-12-19
53:28 minutes
40:Dedication
1018:Commissar
264:movements
226:Leningrad
97:Conductor
87:Leningrad
1166:Category
1098:Farewell
1090:Air Crew
974:Nagasaki
463:Sikorski
316:and the
308:and the
252:Sikorski
211:Orthodox
158:Kabbalah
78:Location
58:Premiere
50:Duration
764:YouTube
753:YouTube
620:Sources
163:I Ching
148:History
68: (
1125:(1994)
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1109:(1983)
1101:(1983)
1093:(1980)
1085:(1979)
1077:(1978)
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1029:(1972)
1021:(1967)
1013:(1965)
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603:. 2022
551:. 2022
465:. 2022
203:canons
166:, and
160:, the
1042:Agony
702:(PDF)
691:(PDF)
332:Notes
258:Music
248:]
215:blues
179:]
131:is a
727:ISBN
710:2022
673:ISBN
654:ISBN
635:ISBN
609:2022
583:2022
557:2022
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154:yoga
127:The
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