304:, but were soon invited to join Braxton's new quartet, which initially included Wheeler. Circle played its final concert during the summer of 1971, and, for a time, the bassist and drummer played and recorded with both Braxton and Rivers, but eventually elected to join Rivers on a full-time basis, preferring the collective free improvisation of the trio format to Braxton's composition-oriented quartet.
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In the album liner notes, Holland described how birds would congregate each morning outside his London apartment and join with one another, "each declaring its freedom in song." He stated that, on the recording, his intent was to "share this same spirit with other musicians and communicate it to the
343:
emerged as a definitive statement of swinging free expression. It was, in essence, a return to the rugged discipline of early 1960s free improvising by working off melodic foundations using the 'time, no changes' principle to achieve greater control over that elusive quarry, freedom."
31:
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classics, incorporating a wide spectrum of '60s innovations.... This album is a basic requirement for any avant-garde jazz collection, and it's also one of the most varied and accessible introductions to the style one could hope for."
335:
Each piece on the album is "open form," with a theme stated at the beginning to set key, tempo, and mood. The players are then free to improvise in whatever direction they choose.
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and Barry
Altschul; "Braxton and Rivers, however, were chosen for the recording as better able to respond to the opportunist disjunctions offered within Holland's compositions."
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is unique in that it brought together
Holland and Altschul with both Braxton and Rivers as sidemen, the only occasion on which the two reed players recorded together.
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quartet. Circle began to show signs of splintering in early 1971: while in London, Braxton began focusing on his own compositions, recording
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Holland's compositions for this album had originally been performed live in New York City by a quintet including trumpeter
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the following year—Holland's debut as bandleader and fourth project for the label. The quartet features alto saxophonist
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of solo piano improvisations. Meanwhile, Holland and
Altschul began working in a trio with multi-instrumentalist
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1007:. Eric Thacker, Stuart Nicholson (1st ed.). London: Mansell Publishing (A Cassell imprint). p. 889.
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selected the album as part of its "Core
Collection," and gave it a rating of four stars (of a possible four).
537:, jazz critic Michael G. Nastos called the album Holland's "finest hour" and "definitive progressive music."
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Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar
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in April of that year. In August, Braxton joined the group, forming the short-lived
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Holland and
Altschul first played together during 1970 in a trio with pianist
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The
Essential Jazz Records, Volume 2: Modernism to Postmodernism
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The Miles Davis Lost
Quintet and Other Revolutionary Ensembles
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The Miles Davis Lost
Quintet and Other Revolutionary Ensembles
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The Miles Davis Lost
Quintet and Other Revolutionary Ensembles
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The Miles Davis Lost Quintet and Other Revolutionary Ensembles
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The Miles Davis Lost Quintet and Other Revolutionary Ensembles
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The Miles Davis Lost Quintet and Other Revolutionary Ensembles
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293:, while Corea turned toward more accessible music, recording
824:
New Musical Figurations: Anthony Braxton's Cultural Critique
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said the album "only gets more impressive as time passes."
940:(liner notes). Dave Holland Quartet. ECM Records. 1027 ST.
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Years given are for the recording(s), not first release.
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Quartet, recorded on 30 November 1972 and released on
867:. The University of Chicago Press. pp. 129–130.
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18:1973 studio album by the Dave Holland Quartet
1130:. USA: Random House/Rolling Stone. p. 105.
826:. University of Chicago Press. pp. 172–173.
909:"Conference of the Birds: Dave Holland Quartet"
897:. The University of Chicago Press. p. 130.
882:. The University of Chicago Press. p. 169.
811:. The University of Chicago Press. p. 105.
796:. The University of Chicago Press. p. 87.
781:. The University of Chicago Press. p. 83.
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975:(8th ed.). New York: Penguin. pp.
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289:with the members of Circle plus trumpeter
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570:All tracks are written by Dave Holland
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1178:"Tom Hull: Grade List: Dave Holland"
969:The Penguin Guide to Jazz Recordings
1908:Improvisations for Cello and Guitar
1460:'s Music Revelation Ensemble, 1993)
1152:"Dave Holland: Conference of Birds"
1128:The Rolling Stone Jazz Record Guide
558:The Rolling Stone Jazz Record Guide
468:The Rolling Stone Jazz Record Guide
161:Improvisations for Cello and Guitar
1111:Consumer Guide (48): 12 Sept. 1974
1034:"Conference of the Birds – Review"
14:
1993:Albums produced by Manfred Eicher
1473:The Great Concert of Cecil Taylor
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1649:Sam Rivers / Dave Holland Vol. 2
1344:Sam Rivers / Dave Holland Vol. 2
837:Whitehead, Kevin (13 May 2010).
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1920:Extended Play: Live at Birdland
196:Dave Holland Quartet chronology
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1:
1113:. Retrieved 18 October 2011.
1300:Dimensions & Extensions
1067:Nastos, Michael G. (1994).
2019:
1500:(with Tony Williams, 1965)
822:Radano, Ronald M. (1993).
1928:Reunion: Live in New York
1641:Dave Holland / Sam Rivers
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1424:(with Dave Holland, 1972)
1332:Dave Holland / Sam Rivers
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1126:Swenson, J., ed. (1985).
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617:"Conference of the Birds"
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312:Composition and recording
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179:Dave Holland / Sam Rivers
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1508:(with Larry Young, 1964)
540:Steve Huey, writing for
1849:The Art of Conversation
1625:Conference of the Birds
1421:Conference of the Birds
1074:All Music Guide to Jazz
938:Conference of the Birds
546:Conference of the Birds
534:All Music Guide to Jazz
409:All Music Guide to Jazz
341:Conference of the Birds
306:Conference of the Birds
238:Conference of the Birds
209:Conference of the Birds
170:Conference of the Birds
24:Conference of the Birds
1468:(and Don Pullen, 1975)
1003:Harrison, Max (2000).
936:Holland, Dave (1973).
273:, recording the album
1869:Uncharted Territories
1613:Music from Two Basses
548:"one of the all-time
1573:Where Fortune Smiles
708:Dave Holland Quartet
671:"Now Here (Nowhere)"
353:Professional ratings
324:, tenor saxophonist
286:The Complete Braxton
257:, and percussionist
253:, tenor saxophonist
1988:Dave Holland albums
1757:Dream of the Elders
893:Gluck, Bob (2016).
878:Gluck, Bob (2016).
863:Gluck, Bob (2016).
807:Gluck, Bob (2016).
792:Gluck, Bob (2016).
777:Gluck, Bob (2016).
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276:The Song of Singing
241:is an album by the
1998:ECM Records albums
1276:Fuchsia Swing Song
1158:. sputnikmusic.com
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1885:Without Deception
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1453:In the Name of...
737:, clarinet, flute
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449:(Core Collection)
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1789:What Goes Around
1697:The Razor's Edge
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1434:Bobby Hutcherson
1292:A New Conception
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694:
691:Total length:
684:
681:
677:
673:
670:
666:
662:
659:
655:
642:
629:
626:Total length:
619:
616:
612:
608:
605:
601:
597:
594:
590:
577:
571:
565:Track listing
564:
562:
560:
559:
554:
551:
547:
543:
538:
536:
535:
529:
527:
526:
516:
514:
511:
510:
506:
503:
502:
472:
470:
469:
465:
464:
460:
458:
457:
453:
452:
425:
423:
422:
418:
417:
413:
411:
410:
406:
405:
375:
373:
370:
369:
361:
358:Review scores
356:
347:
345:
342:
338:
333:
331:
327:
323:
322:Randy Brecker
318:
311:
309:
307:
303:
299:
296:
292:
291:Kenny Wheeler
288:
287:
282:
278:
277:
272:
264:
262:
260:
256:
252:
248:
244:
240:
239:
229:
220:
219:
215:
211:
210:
206:
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203:
199:
194:
190:
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180:
176:
172:
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167:
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162:
158:
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153:
149:
145:
142:
139:
137:
133:
129:
126:
124:
120:
108:
104:
101:
97:
93:
90:
88:
84:
81:New York City
78:
74:
70:
66:
55:
51:
46:
40:
36:
32:
27:
22:
16:
1942:
1926:
1918:
1913:Derek Bailey
1906:
1890:Kenny Barron
1883:
1877:Another Land
1875:
1867:
1859:
1854:Kenny Barron
1847:
1839:
1827:
1819:
1811:
1803:
1795:
1787:
1779:
1771:
1763:
1755:
1747:
1735:
1727:
1711:
1703:
1695:
1687:
1679:
1671:
1663:
1655:
1647:
1639:
1631:
1624:
1623:
1611:
1595:
1571:
1557:
1549:Dave Holland
1503:
1495:
1483:
1478:Cecil Taylor
1471:
1463:
1451:
1439:
1427:
1420:
1419:
1407:
1395:
1374:
1366:
1358:
1350:
1342:
1337:Dave Holland
1330:
1322:
1314:
1306:
1298:
1290:
1282:
1274:
1254:
1185:. Retrieved
1172:
1160:. Retrieved
1156:Sputnikmusic
1155:
1146:
1127:
1105:
1072:
1037:
1004:
968:
961:Brian Morton
937:
916:. Retrieved
912:
903:
894:
888:
879:
873:
864:
858:
846:. Retrieved
842:
832:
823:
817:
808:
802:
793:
787:
778:
772:
741:Dave Holland
595:"Four Winds"
569:
556:
555:
545:
539:
532:
530:
523:
522:
504:Sputnikmusic
466:
454:
419:
407:
340:
334:
330:Ralph Towner
328:, guitarist
319:
315:
305:
284:
274:
268:
243:Dave Holland
237:
236:
235:
216:
208:
207:
177:
169:
168:
159:
148:Dave Holland
45:Dave Holland
39:Studio album
15:
2003:1973 albums
1900:Live albums
1737:Phase Space
1602:Chick Corea
1586:Karl Berger
1582:John Surman
1446:Jason Moran
1441:Black Stars
1414:Andrew Hill
1402:Miles Davis
1083:M. Erlewine
918:12 December
913:ECM Records
848:12 December
695:19:34 39:24
606:"Q & A"
414:(favorable)
271:Chick Corea
1982:Categories
1933:Sam Rivers
1821:Pass It On
1729:Extensions
1718:Hank Jones
1713:The Oracle
1705:Triplicate
1673:Jumpin' In
1665:Life Cycle
1590:Stu Martin
1246:Sam Rivers
1047:Retrieved
1044:Rovi Corp.
764:References
754:percussion
731:Sam Rivers
302:Sam Rivers
265:Background
255:Sam Rivers
218:Extensions
150:chronology
1485:Life Time
1368:Contrasts
1311:(1971–73)
1268:co-leader
1049:31 August
1019:, p. 554.
963:(2006) .
703:Personnel
682:"See-Saw"
348:Reception
339:writes: "
317:people."
96:free jazz
1944:Pathways
1797:Overtime
1749:Ones All
1429:Dialogue
1324:Crystals
1284:Contours
1182:Tom Hull
1079:Allmusic
1069:Ron Wynn
1039:Allmusic
722:clarinet
544:, calls
542:AllMusic
513:Tom Hull
372:AllMusic
136:Producer
100:post-bop
68:Recorded
53:Released
41: by
1967:Gateway
1939:, 2007)
1915:, 1971)
1892:, 2019)
1856:, 2014)
1836:, 2009)
1744:, 1991)
1724:, 1989)
1620:, 1971)
1608:, 1971)
1592:, 1970)
1492:, 1964)
1480:, 1969)
1448:, 2001)
1436:, 1965)
1416:, 1966)
1404:, 1964)
1376:Colours
1339:, 1975)
1316:Streams
1071:(ed.).
758:marimba
639:Side II
298:volumes
222:(1990)
213:(1972)
183:(1976)
174:(1973)
165:(1971)
130:1027 ST
58: (
47:Quartet
1962:Circle
1947:(2009)
1931:(with
1923:(2001)
1911:(with
1888:(with
1880:(2019)
1872:(2017)
1864:(2015)
1852:(with
1844:(2012)
1832:(with
1824:(2007)
1816:(2005)
1808:(2002)
1800:(2002)
1792:(2001)
1784:(2000)
1776:(1998)
1768:(1997)
1760:(1995)
1752:(1993)
1740:(with
1732:(1989)
1716:(with
1708:(1988)
1700:(1987)
1692:(1984)
1684:(1984)
1676:(1983)
1668:(1982)
1660:(1977)
1652:(1975)
1644:(1975)
1636:(1974)
1628:(1972)
1616:(with
1600:(with
1597:A.R.C.
1588:, and
1576:(with
1497:Spring
1488:(with
1476:(with
1444:(with
1432:(with
1412:(with
1409:Change
1400:(with
1389:others
1379:(1982)
1371:(1979)
1363:(1978)
1355:(1975)
1352:Sizzle
1347:(1975)
1335:(with
1327:(1974)
1319:(1973)
1303:(1967)
1295:(1966)
1287:(1965)
1279:(1964)
1264:leader
1187:9 July
1134:
1093:
1011:
983:
652:Length
587:Length
574:Side I
366:Rating
363:Source
281:Circle
106:Length
76:Studio
1861:Aziza
1841:Prism
1829:Hands
1360:Waves
1162:5 May
726:flute
649:Title
630:19:40
584:Title
123:Label
87:Genre
1935:and
1720:and
1604:and
1387:With
1308:Hues
1189:2020
1164:2018
1132:ISBN
1091:ISBN
1051:2010
1009:ISBN
981:ISBN
920:2023
850:2023
685:6:40
674:4:34
663:8:20
620:4:34
609:8:34
598:6:32
60:1973
56:1973
43:the
1805:Oh!
1087:350
977:653
843:NPR
645:No.
580:No.
531:In
507:5/5
295:two
247:ECM
128:ECM
1984::
1584:,
1580:,
1266:or
1262:As
1180:.
1154:.
1118:^
1089:.
1081:.
1077:.
1059:^
1042:.
1036:.
1024:^
995:^
979:.
971:.
967:.
959:;
946:^
928:^
911:.
841:.
756:,
752:–
743:–
733:–
724:,
720:,
716:–
679:3.
668:2.
657:1.
614:3.
603:2.
592:1.
261:.
115:38
111:39
98:,
94:,
1541:e
1534:t
1527:v
1456:(
1238:e
1231:t
1224:v
1191:.
1166:.
1140:.
1099:.
1053:.
1017:.
989:.
922:.
852:.
517:A
461:A
113::
62:)
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