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store and, after the death of her mother, living with her sister in the family home; González never married. During summers she would travel in Mexico, gaining artistic inspiration. She developed a reputation as an eccentric in her hometown, often giving performances at which she would sing, dance,
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or read poetry. Later in life, González recalled that her art received little attention from her family, and she said that her sister expressed little interest in her poetry. González died in Del Rio, and is buried in its Sacred Heart
Cemetery.
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González is best known for her "filigree art", which took the hallmark intricate metalwork of traditional
Mexican jewelry as its inspiration. Her first attempts at creating art involved carving shell stone from the
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134:, González was the third of the six children of Jesús González Galván and Julia Amezcua Saenz. She had four brothers, and a sister, Zaré, to whom she was especially close. The family immigrated to
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on paper or cardboard. Early drawings were in black on a white ground, sometimes with red, blue, or green ink added. During the last five years of her life she incorporated crayons and
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into her collection of tools, often using many more colors than before. She quite strongly believed that her inspiration was divine, and she incorporated many
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258:"Consuelo "Chelo" González Amezcua : Learn About The Artists : The Collection: The Anthony Petullo Collection of SELF-TAUGHT & OUTSIDER ART"
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in 1913. González received only six years of formal schooling, even though both of her parents were teachers. She wished to study art, and applied to
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into her work, which were always carefully planned out prior to execution. Otherwise her subjects were drawn largely from
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into elaborate designs, a practice which she began in 1956. Eight years later she turned to drawing, using a
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North
American Women Artists of the Twentieth Century: A Biographical Dictionary
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birth. She was one of a number of Texan women of
Mexican descent, including
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Several of her drawings are in the collection of the
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332:Jules Heller; Nancy G. Heller (19 December 2013).
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411:Chelo González Amezcua Papers, 1934-1976
360:"Artworks Search Results / American Art"
413:, from Texas Archival Resources Online.
232:MARIA-CRISTINA, GARCIA (15 June 2010).
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487:People from Piedras Negras, Coahuila
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467:20th-century American women artists
457:20th-century American women writers
299:Gerard C. Wertkin (2 August 2004).
122:, to gain notice as a folk artist.
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303:Encyclopedia of American Folk Art
23:Consuelo (Chelo) González Amezcua
383:Notable Hispanic American Women
206:Smithsonian American Art Museum
194:Marion Koogler McNay Art Museum
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462:20th-century American artists
234:"GONZALEZ AMEZCUA, CONSUELO"
452:20th-century American poets
120:Alicia Dickerson Montemayor
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492:People from Del Rio, Texas
16:Mexican/ Texan folk artist
386:. VNR AG. pp. 183–.
186:American of Mexican birth
146:for a scholarship to the
96:Consuelo González Amezcua
200:Collections and exhibits
132:Piedras Negras, Coahuila
116:Beatrice Valdez Ximénez
437:Women outsider artists
307:. Routledge. pp.
36:Piedras Negras, Mexico
502:Writers from Coahuila
497:Artists from Coahuila
380:Diane Telgen (1993).
148:Academy of San Carlos
447:American women poets
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517:Ballpoint pen art
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166:Pecos River
152:S. H. Kress
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130:Born in
81:Folk Art
74:Movement
136:Del Rio
112:Mexican
104:Chelito
65:Drawing
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140:Texas
100:Chelo
388:ISBN
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