442:. Prokosch and Lang are locked in a conflict over the correct interpretation of Homer's work, an impasse exacerbated by the difficulty of communication between the German director, French script writer, and American producer. Francesca acts as interpreter, mediating all conversations. When Paul sides with Prokosch against Lang by suggesting that Odysseus actually left home because of his wife's infidelity, Camille's suspicions of her husband's servility are confirmed. She deliberately allows him to find her in Prokosch's embrace, and in the ensuing confrontation she implies that her respect for him has turned to contempt because he has bartered her to Prokosch. He denies this suggestion, offering to sever his connection with the film and leave Capri; but she will not recant and leaves for Rome with the producer. After a car crash in which Camille and Prokosch are killed, Paul prepares to leave Capri and return to the theater. Lang continues to work on the film.
435:. As the first discussions are completed, Prokosch invites the crew to join him at his villa, offering Camille a ride in his two-seat sportscar. Camille looks to Paul to decline the offer, but he submissively withdraws to follow by taxi, leaving Camille and Prokosch alone. Paul does not catch up with them until 30 minutes later, explaining that he was delayed by a traffic accident. Camille grows uneasy, secretly doubting his honesty and suspecting that he is using her to cement his ties with Prokosch. Her misgivings are heightened when she sees Paul grope Prokosch's secretary, Francesca. Back at their apartment, Paul and Camille discuss the subtle uneasiness that has come between them in the first few hours of the project, and Camille suddenly announces to her bewildered husband that she no longer loves him.
547:
This provided the film's opening scene, filmed by Godard as a typical mockery of the cinema business with tame nudity. The scene was shot after Godard considered the film finished, at the insistence of the
American co-producers. In the film, Godard cast himself as Lang's assistant director, and characteristically has Lang expound many of Godard's
546:
if she would portray the female lead. However the
Italian actress reportedly turned up an hour late, "staring out the window like she wasn't interested at all". Finally, Bardot was chosen because of the producer's insistence that the profits might be increased by displaying her famously sensual body.
656:
called the film "luxuriant" but wrote that Godard "could put his talents to more intelligent and illuminating use"; according to
Crowther, who is unclear about the motivations of the main characters, "Mr. Godard has attempted to make this film communicate a sense of the alienation of individuals in
638:
Godard admitted his tendency to get actors to improvise dialogue "during the peak moment of creation" often baffled them. "They often feel useless," he said. "Yet they bring me a lot... I need them, just as I need the pulse and colours of real settings for atmosphere and creation."
757:, an online journal that is concerned with the relationship between architecture and film, released an issue that discussed how space is used in this scene. The issue highlights how Jean-Luc Godard uses this constricted space to explore Paul and Camille's declining relationship.
568:
Godard admitted to changing the original novel, "but with full permission" of
Moravia, the original writer. Among his changes were focusing the action to only a few days and changing the writer character from being "silly and soft. I've made him more American—something like a
31:
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island. In a sequence, the characters played by
Piccoli and Bardot wander through their apartment alternately arguing and reconciling. Godard filmed the scene as an extended series of
2030:
418:
Paul Javal, a young French playwright who has found commercial success in Rome, accepts an offer from vulgar
American producer Jerry Prokosch to rework the script for German director
691:, the film has an approval rating of 92% based on 65 reviews, with an average score of 8.6/10. The site's critical consensus reads: "This powerful work of essential cinema joins '
747:
2154:
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753:
The extended apartment sequence that occurs in the film, where Paul and
Camille's marriage unravels, has been praised by critics and scholars. In February 2012,
559:, on the film. Bardot visibly reads a book about Fritz Lang that was written by Moullet, and Rozier made the documentary short about the making of the film
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Hawkins, Robert F. (16 June 1963). "Godard's Ghost, Roman-Style: Analytic Break
Complex Pattern One Man's Method".
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Hoping to rekindle
Camille's love, Paul convinces her to accept Prokosch's invitation to join them for filming in
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this complex modern world. And he has clearly directed to get a tempo that suggests irritation and ennui."
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approached Godard to discuss a possible collaboration; Godard suggested an adaptation of
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784:'s list of the 100 greatest foreign-language films, as voted on by 209 film critics from 43 countries.
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Le dinosaure et le bébé, dialogue en huit parties entre Fritz Lang et Jean-Luc Godard
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theories and opinions. Godard also employed the two "forgotten" New Wave filmmakers,
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In 2012, Godard's film ranked 21st on critic's poll and 44th on director's poll in
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French journalist Antoine de Gaudemar made a one-hour documentary in 2009 about
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Paul's wife, Camille Javal, joins him on the first day of the project at
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was filmed in Italy where it is set, with location shooting at the
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Archer, Eugene (27 September 1964). "France's Far Out Filmmaker".
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2011:
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1068:"Contempt movie review & film summary (1997) | Roger Ebert"
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The song "Theme de Camille", which was originally composed for
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called Contempt "one of the great films about making a movie."
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A still from the film was used as the official poster for the
603:, in natural light and in near real-time. The cinematographer
719:) using footage from Jacques Rozier's earlier documentaries
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as "the greatest work of art produced in postwar Europe."
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Trailer of the Film That Will Never Exist: "Phony Wars"
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Letter in Motion to Gilles Jacob and Thierry Frémaux
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1433:is available for free viewing and download at the
948:"Anna Karina: 2 or 3 things we now know about her"
1270:"Official poster for the 69th Festival de Cannes"
1455:
576:Half the film's budget went on Bardot's fee.
8:
1895:"Anticipation, ou: l'amour en l'an 2000" in
1023:1001 Movies You Must See Before You Die 2012
530:as the leads; they refused. Ponti suggested
764:, is used as a main theme in the 1995 film
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29:
20:
1410:Raoul Coutard talks about the filming of
1300:"The 100 Greatest Foreign Language Films"
1026:. Octopus Publishing Group. p. 419.
621:, Godard was also directly influenced by
2155:Films about film directors and producers
1247:Mehruss Jon Ahi and Armen Karaoghlanian
1020:Schneider, Steven Jay (1 October 2012).
2170:Films based on works by Alberto Moravia
1183:"The Top 50 Greatest Films of All Time"
805:
794:List of films featuring fictional films
1879:Les plus belles escroqueries du monde
1619:One Plus One (Sympathy for the Devil)
1000:
998:
879:
877:
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1595:Two or Three Things I Know About Her
907:by Renaud Soyer, BoxOfficeStory.com
823:British Board of Film Classification
780:In 2018 the film ranked 60th on the
1747:JLG/JLG – Self-Portrait in December
1097:"Brilliance And Bardot, All in One"
635:, released earlier the same year.
376:, based on the 1954 Italian novel
225:Compagnia Cinematografica Champion
14:
2175:Films directed by Jean-Luc Godard
885:"Very little left for production"
1304:British Broadcasting Corporation
35:French theatrical release poster
2180:Films scored by Georges Delerue
1836:All the Boys Are Called Patrick
1181:Christie, Ian (1 August 2012).
973:"Things You Need to Know About
2185:Films scored by Piero Piccioni
2150:English-language Italian films
1739:Les Enfants jouent Ă la Russie
1148:Il Ă©tait une fois... Le MĂ©pris
748:100 greatest films of all time
713:Il Ă©tait une fois... Le MĂ©pris
1:
2165:Films based on Italian novels
2145:English-language French films
350:1,597,870 admissions (France)
2260:German-language French films
2225:1960s Italian-language films
1997:Ten Minutes Older: The Cello
1886:"Montparnasse-Levallois" in
1419:Rafferty on 40th anniversary
891:. 14 August 1963. p. 5.
717:A Film and Its Era: Contempt
607:also shot some of the other
490:as Lang's assistant director
422:'s screen adaptation of the
16:1963 film by Jean-Luc Godard
2215:1960s German-language films
2205:1960s French-language films
1995:"Dans le noir du temps" in
1852:Charlotte and Her Boyfriend
2281:
2245:Italian multilingual films
1397:: The Story of a Marriage"
611:films, including Godard's
273:20 December 1963
2240:French multilingual films
2160:Films about screenwriters
2021:"The Bridge of Sighs" in
2012:"Les Trois DĂ©sastres" in
1946:A Letter to Freddy Buache
1723:Germany Year 90 Nine Zero
1493:
1477:
775:2016 Cannes Film Festival
262:29 October 1963
56:
40:
28:
2235:1960s multilingual films
1980:The French as Seen by...
1405:The Criterion Collection
920:Moravia, Albert (1954).
905:, box office information
591:studios in Rome and the
372:written and directed by
2230:Italian satirical films
981:Spectacular Attractions
735:Le dinosaure et le bébé
538:, whom Godard refused.
2210:French satirical films
2005:Tribute to Eric Rohmer
1430:Le MĂ©pris 1963 Trailer
1225:. 2012. Archived from
1223:British Film Institute
1056:from December 19, 1964
952:British Film Institute
508:Italian film producer
362:
2135:1960s satirical films
1988:Histoire(s) du cinéma
1897:The Oldest Profession
1877:"Le Grand escroc" in
1861:The Seven Deadly Sins
1659:Every Man for Himself
1415:from webofstories.com
617:(1960). According to
107:Georges de Beauregard
1978:"Le Dernier mot" in
1213:"Directors' top 100"
536:Marcello Mastroianni
466:as Jeremiah Prokosch
2250:1960s Italian films
2220:Italian drama films
2195:Films shot in Italy
2098:Groupe Dziga Vertov
2066:Le Parti des choses
2023:Bridges of Sarajevo
1868:"The New World" in
1787:Goodbye to Language
1259:(15 February 2012).
727:Le Parti des Choses
562:Le Parti des Choses
472:as Francesca Vanini
222:Les Films Concordia
2255:1960s French films
2200:French drama films
2190:Films set in Italy
2085:(1972 documentary)
2077:(2010 documentary)
2069:(1964 documentary)
2061:(1963 documentary)
1931:Here and Elsewhere
1828:Une femme coquette
1820:Operation Concrete
1707:Keep Your Right Up
1675:First Name: Carmen
1507:A Woman Is a Woman
1423:The New York Times
1357:TCM Movie Database
1229:on 9 February 2016
1193:on 12 October 2013
1101:The New York Times
1048:The New York Times
1007:The New York Times
868:The New York Times
653:The New York Times
643:Critical reception
627:Volker Schlöndorff
623:Jean-Daniel Pollet
619:Jonathan Rosenbaum
522:) in which he saw
2140:CinemaScope films
2112:
2111:
1904:"Caméra-oeil" in
1805:
1804:
1763:In Praise of Love
1306:. 29 October 2018
1257:Interiors Journal
1218:Sight & Sound
1187:Sight & Sound
1033:978-1-84403-733-9
983:. 7 February 2013
743:Sight & Sound
731:André S. Labarthe
685:review aggregator
669:Sight & Sound
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246:Interfilm (Italy)
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1906:Far from Vietnam
1844:A Story of Water
1579:Masculin FĂ©minin
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1280:on 21 April 2016
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1627:Joy of Learning
1555:A Married Woman
1531:The Carabineers
1523:Le petit soldat
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2104:Bibliography
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2029:
2022:
2013:
2003:
1996:
1986:
1979:
1970:
1969:"Armide" in
1960:
1952:
1944:
1937:
1929:
1921:
1914:
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1888:Paris vu par
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1643:Tout Va Bien
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1547:Bande Ă part
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1515:Vivre sa vie
1513:
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1381:
1378:Il disprezzo
1377:
1373:
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1351:
1340:
1329:
1308:. Retrieved
1294:
1282:. Retrieved
1278:the original
1273:
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1243:
1231:. Retrieved
1227:the original
1216:
1207:
1195:. Retrieved
1191:the original
1186:
1176:
1164:
1159:
1147:
1142:
1130:. Retrieved
1120:
1116:
1109:
1099:
1089:
1077:. Retrieved
1071:
1061:
1050:movie review
1047:
1042:
1022:
1015:
1006:
985:. Retrieved
980:
974:
967:
955:. Retrieved
951:
942:
925:
922:Il disprezzo
921:
915:
902:
897:
888:
867:
861:
847:
840:
828:. Retrieved
821:
815:
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734:
729:(1964), and
726:
720:
716:
712:
708:
706:
682:
677:
676:referred to
667:
666:
660:Film critic
659:
651:
646:
637:
632:Méditerranée
630:
612:
608:
584:
583:
575:
567:
560:
544:Monica Vitti
532:Sophia Loren
519:
515:Il disprezzo
513:
507:
470:Giorgia Moll
464:Jack Palance
437:
430:
423:
417:
408:Giorgia Moll
400:Jack Palance
383:
379:Il disprezzo
377:
365:) is a 1963
357:
356:
355:
290:Running time
270: (Italy)
151:Giorgia Moll
141:Jack Palance
86:Il disprezzo
84:
76:(uncredited)
50:
18:
2090:Redoubtable
1870:Ro.Go.Pa.G.
1859:"Sloth" in
1603:La Chinoise
1480:Filmography
1399:, essay by
1132:18 December
1079:23 February
1073:Roger Ebert
987:28 December
909:(in French)
746:magazine's
662:Roger Ebert
553:Luc Moullet
540:Anna Karina
510:Carlo Ponti
494:Linda Veras
390:. It stars
342:$ 1 million
294:101 minutes
194:(France/US)
116:Uncredited:
112:Carlo Ponti
100:Produced by
61:Directed by
2265:Fritz Lang
2125:1963 films
2119:Categories
1962:Meetin' WA
1651:Number Two
1563:Alphaville
1499:Breathless
1310:10 January
1197:8 December
850:(Alex Cox)
800:References
614:Breathless
504:Production
478:as himself
476:Fritz Lang
420:Fritz Lang
404:Fritz Lang
370:drama film
347:Box office
277:1963-12-20
266:1963-10-29
209:Production
156:Fritz Lang
90:1954 novel
2058:Paparazzi
1810:Short and
1699:King Lear
1691:DĂ©tective
1683:Hail Mary
1374:Le mépris
1251:Le mépris
1117:Le MĂ©pris
975:Le MĂ©pris
903:Le MĂ©pris
848:Le MĂ©pris
755:Interiors
722:Paparazzi
589:CinecittĂ
524:Kim Novak
433:CinecittĂ
363:Le MĂ©pris
361:(French:
316:Languages
299:Countries
211:companies
175:Edited by
51:Le MĂ©pris
2082:One P.M.
1611:Week-end
1539:Contempt
1412:Contempt
1395:Contempt
1389:catalog)
1387:WorldCat
1382:Contempt
1363:Contempt
1352:Contempt
1346:AllMovie
1341:Contempt
1330:Contempt
1284:30 March
1233:11 April
1121:Contempt
957:15 March
816:Contempt
788:See also
762:Contempt
737:(1967).
725:(1963),
709:Contempt
697:physique
695:' with '
687:website
678:Contempt
585:Contempt
549:New Wave
358:Contempt
243:(France)
185:Music by
129:Starring
81:Based on
24:Contempt
2050:Related
1812:segment
1667:Passion
1487:Feature
1355:at the
928:].
889:Variety
855:YouTube
830:20 July
683:On the
672:critic
580:Filming
573:type."
425:Odyssey
331:Italian
325:English
275: (
264: (
2042:(2023)
2034:(2014)
2026:(2014)
2017:(2013)
2008:(2010)
2000:(2002)
1991:(1998)
1983:(1988)
1974:(1987)
1965:(1986)
1957:(1985)
1949:(1982)
1934:(1976)
1926:(1972)
1918:(1969)
1909:(1967)
1900:(1965)
1891:(1964)
1882:(1963)
1873:(1962)
1864:(1962)
1855:(1958)
1847:(1958)
1839:(1957)
1831:(1955)
1823:(1955)
1798:(2018)
1790:(2014)
1782:(2010)
1774:(2004)
1766:(2001)
1758:(1996)
1750:(1995)
1742:(1993)
1734:(1993)
1726:(1991)
1718:(1990)
1710:(1987)
1702:(1987)
1694:(1985)
1686:(1985)
1678:(1983)
1670:(1982)
1662:(1980)
1654:(1975)
1646:(1972)
1638:(1969)
1630:(1969)
1622:(1968)
1614:(1967)
1606:(1967)
1598:(1967)
1590:(1966)
1582:(1966)
1574:(1965)
1566:(1965)
1558:(1964)
1550:(1964)
1542:(1963)
1534:(1963)
1526:(1963)
1518:(1962)
1510:(1961)
1502:(1960)
1274:Cannes
1030:
934:360548
932:
767:Casino
750:list.
703:Legacy
406:, and
339:Budget
328:German
322:French
305:France
46:French
1421:from
924:[
818:(AA)"
597:Capri
498:Siren
496:as a
440:Capri
386:) by
308:Italy
2014:3X3D
1971:Aria
1335:IMDb
1312:2021
1286:2016
1235:2018
1199:2013
1170:IMDb
1153:IMDb
1134:2023
1081:2024
1028:ISBN
989:2017
959:2016
930:OCLC
832:2015
693:meta
625:and
555:and
534:and
526:and
446:Cast
414:Plot
1403:at
1366:at
1344:at
1333:at
1168:at
1151:at
1052:by
853:on
782:BBC
733:'s
650:of
629:'s
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92:by
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1376:=
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1070:.
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1136:.
1119:(
1115:"
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961:.
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814:"
715:(
382:(
279:)
268:)
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