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Contemplating the Engine Room

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is structured in several musical groups of threes to reflect the story's trio of protagonists. Each of the 15 tracks represents part of a day in the lives of the three men in the engine room of a large naval vessel. According to Watt, the boilerman is D. Boon. The fireman is George Hurley and Watt is
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Watt experimented with sounds that could not normally be achieved with a live three-piece band, at one point "rollin' marbles around on a bass drumhead and beatin' on it with our hands to get the sound of thunder." The songs are separated with nautical noises such as crashing waves, foghorns, and
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The opening track, "In the Engine Room," starts just before dawn and it ends 24 hours later with "Shore Duty". It is essentially the story of a guy who has run away from a farm town, joined the Navy, and found a crew that has built a routine together. When their ship pulls into a port for shore
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Watt's father joined the navy when he was 17 and retired when he was 37. He served aboard nuclear vessels, and died from cancer when he was 51. Watt was originally from Virginia, but his parents divorced during the Viet Nam War, and Watt and his mother remained in California.
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as well as stories that Watt's dad would tell when he came back from being at sea. “The Bluejacket’s Manual” compares punk rock to boot camp. Watt has compared his father's experience of leaving a farm town to the Minutemen bursting open and getting away from arena rock.
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I just had to get it out. I owed it to D. Boon, the Minutemen, Georgie, all the SST cats. Because it's sad what happened to the Minutemen. Fucking fucked up. But the work we did is why I get to make these records. I wanted to make a big valentine to that, to say, 'Thank
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praised it as "a meditation on the meaning of work, friendship and the quest for adventure" while admitting that it can be a challenging work, "tough sailing" at times. Mark Athitakis of
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was less complimentary saying that what Watt isn't "is a compelling artist. He can't sing at all, can't write much, and still pretends the bass solo is a viable musical form."
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Watt formed the Minutemen with his best friend, guitarist D. Boon, and drummer George Hurley, and they toured until Boon's death in a car wreck in Arizona in 1985.
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The collection is a bass-driven opera which begins and ends with the same bass figure. The lyrics and music contain countless nautical references, and elements of
181:. Released in 1997, the album is a punk rock song cycle that uses navy life as an extended metaphor for both Watt's family history and his first band, the 839: 598: 715: 994: 260:
ship's bells. Watt also played the whole album with the top bass string detuned from E to D to push himself out of his comfort zone.
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said of Watt's punk rock opera "Against all logic, it succeeds, more or less brilliantly" Matt Diehl of
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Watt was a bit intimidated to make such an overtly personal album but he felt that he had to.
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leave, they get drunk, and the boilerman sleepwalks, falls in the water, and drowns.
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In July 1997, Watt posted on his personal website, "I'm gonna call the band
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is boat talk for engine room crew." The album features Watt as the singer,
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Contemplating the Engine Room: Live in Long Beach ‘98 – Five Man Opera
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called it Watt's "most personal, affecting work yet."
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Index

Contemplating The Engine Room

Studio album
Mike Watt
Genre
Punk
Label
Columbia
Producer
Mike Watt
Ball-Hog or Tugboat?
The Secondman's Middle Stand
punk rock
Minutemen
Mike Watt
Minutemen
Nels Cline
Stephen Hodges
Richard McKenna
The Sand Pebbles
The Bluejackets' Manual
The Black Gang
Nels Cline
Stephen Hodges
Rolling Stone
Entertainment Weekly
The Village Voice
The A.V. Club
Rolling Stone
People

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