Knowledge

Contemplating the Engine Room

Source 📝

393: 388: 383: 378: 373: 217:
is structured in several musical groups of threes to reflect the story's trio of protagonists. Each of the 15 tracks represents part of a day in the lives of the three men in the engine room of a large naval vessel. According to Watt, the boilerman is D. Boon. The fireman is George Hurley and Watt is
248:
Watt experimented with sounds that could not normally be achieved with a live three-piece band, at one point "rollin' marbles around on a bass drumhead and beatin' on it with our hands to get the sound of thunder." The songs are separated with nautical noises such as crashing waves, foghorns, and
230:
The opening track, "In the Engine Room," starts just before dawn and it ends 24 hours later with "Shore Duty". It is essentially the story of a guy who has run away from a farm town, joined the Navy, and found a crew that has built a routine together. When their ship pulls into a port for shore
29: 201:
Watt's father joined the navy when he was 17 and retired when he was 37. He served aboard nuclear vessels, and died from cancer when he was 51. Watt was originally from Virginia, but his parents divorced during the Viet Nam War, and Watt and his mother remained in California.
244:
as well as stories that Watt's dad would tell when he came back from being at sea. “The Bluejacket’s Manual” compares punk rock to boot camp. Watt has compared his father's experience of leaving a farm town to the Minutemen bursting open and getting away from arena rock.
225:
I just had to get it out. I owed it to D. Boon, the Minutemen, Georgie, all the SST cats. Because it's sad what happened to the Minutemen. Fucking fucked up. But the work we did is why I get to make these records. I wanted to make a big valentine to that, to say, 'Thank
818: 580: 442:
praised it as "a meditation on the meaning of work, friendship and the quest for adventure" while admitting that it can be a challenging work, "tough sailing" at times. Mark Athitakis of
456:
was less complimentary saying that what Watt isn't "is a compelling artist. He can't sing at all, can't write much, and still pretends the bass solo is a viable musical form."
205:
Watt formed the Minutemen with his best friend, guitarist D. Boon, and drummer George Hurley, and they toured until Boon's death in a car wreck in Arizona in 1985.
234:
The collection is a bass-driven opera which begins and ends with the same bass figure. The lyrics and music contain countless nautical references, and elements of
170:. Released in 1997, the album is a punk rock song cycle that uses navy life as an extended metaphor for both Watt's family history and his first band, the 828: 587: 704: 983: 249:
ship's bells. Watt also played the whole album with the top bass string detuned from E to D to push himself out of his comfort zone.
1289: 1021: 912: 138: 1046: 1114: 174:. The album was greeted with a positive response. The cover art features a picture of Watt's father in his Navy uniform. 1078: 1073: 268: 1279: 552: 240: 976: 851: 497: 1129: 1231: 1159: 1098: 1007: 529:"Q&A: Mike Watt; Former Minutemen bassist discusses new solo album, 'Contemplating the Engine Room'" 430:
said of Watt's punk rock opera "Against all logic, it succeeds, more or less brilliantly" Matt Diehl of
120: 1284: 1274: 1241: 1190: 1144: 856: 528: 402: 1195: 1093: 28: 1154: 1124: 969: 609: 1236: 1185: 916: 890: 438: 414: 221:
Watt was a bit intimidated to make such an overtly personal album but he felt that he had to.
1063: 943: 881: 465: 453: 171: 163: 90: 1210: 1139: 1068: 762: 447: 443: 235: 97: 1246: 1134: 1119: 1028: 332: 317: 195: 1268: 1200: 1088: 823: 614: 557: 432: 427: 364: 231:
leave, they get drunk, and the boilerman sleepwalks, falls in the water, and drowns.
1252: 885: 85: 938: 1215: 757: 636: 57: 726: 1149: 1083: 326: 191: 671: 992: 632: 182:
In July 1997, Watt posted on his personal website, "I'm gonna call the band
167: 159: 107: 62: 41: 190:
is boat talk for engine room crew." The album features Watt as the singer,
1205: 788: 474:
Contemplating the Engine Room: Live in Long Beach ‘98 – Five Man Opera
1164: 705:"MIKE WATT PONDERS MINUTEMEN WHILE 'CONTEMPLATING THE ENGINE ROOM'" 939:"BLACK FRIDAY 2017 > Mike Watt - Contemplating The Engine Room" 36: 1169: 965: 961: 198:. It was produced by Watt and engineered by Bobby Seifert. 913:"Picks and Pans Review: Contemplating the Engine Room" 436:
called it Watt's "most personal, affecting work yet."
1224: 1178: 1107: 1056: 1038: 999: 106: 96: 84: 68: 56: 48: 35: 21: 472:was re-released on vinyl with a companion album 637:"the making of "contemplating the engine room"" 223: 522: 520: 518: 977: 8: 876: 874: 581:"Mike Watt Contemplating the Engine Room..." 370: 446:called it "jaw-dropping" and a "post-punk " 984: 970: 962: 782: 780: 627: 625: 553:"Mike Watt: Contemplating The Engine Room" 491: 489: 343: 27: 18: 812: 810: 751: 749: 747: 665: 663: 661: 659: 657: 546: 544: 542: 485: 698: 696: 694: 692: 349: 7: 756:Athitakis, Mark (October 31, 1997). 725:Athitakis, Mark (31 October 1997). 186:in honor of engine room folk - the 16:1997 studio album by Mike Watt 14: 527:Chonin, Neva (27 November 1997). 372: 257:All tracks composed by Mike Watt 184:mike watt and the black gang crew 817:Diehl, Matt (October 21, 1997). 391: 386: 381: 376: 371: 213:Considered a "punk rock opera", 852:"Contemplating the Engine Room" 819:"Contemplating The Engine Room" 703:Fortunato, John (3 June 2009). 551:Krewson, John (29 March 2002). 886:"Consumer Guide: Turkey Shoot" 1: 1115:The Crew of the Flying Saucer 1015:Contemplating the Engine Room 579:Kot, Greg (17 October 1997). 470:Contemplating the Engine Room 215:Contemplating The Engine Room 155:Contemplating the Engine Room 130:Contemplating the Engine Room 22:Contemplating the Engine Room 1022:The Secondman's Middle Stand 787:McMahan, Tim (29 Oct 1998). 295:"In The Bunk Room/Navy Wife" 139:The Secondman's Middle Stand 1074:Mike Watt and the Secondmen 1306: 1079:Mike Watt + The Missingmen 795:. www.lazy-i.com "lazyeye" 672:""Mike Watt & Masina"" 315: 304:"Wrapped Around The Screw" 789:"Contemplating Mike Watt" 586:. Chicago. Archived from 357: 354: 301:"Breaking The Choke Hold" 114: 26: 323:Mike Watt - vocals, bass 1290:Columbia Records albums 670:Drvo, Izniknami Badem. 269:The Bluejackets' Manual 1130:The Jom and Terry Show 464:For the November 2017 298:"Crossing The Equator" 228: 194:on guitar and drummer 1232:Minutemen discography 1160:Jumpstarted Plowhards 1099:Il Sogno del Marinaio 1047:"Ring Spiel" Tour '95 641:Mike Watt's Hoot Page 286:"No One Says Old Man" 1242:New Alliance Records 1145:The Hand to Man Band 1008:Ball-Hog or Tugboat? 857:Entertainment Weekly 610:"Q&A: Mike Watt" 403:Entertainment Weekly 345:Professional ratings 261:"In The Engine Room" 121:Ball-Hog or Tugboat? 1094:Unknown Instructors 919:. November 24, 1997 884:(1 December 1998). 346: 280:"Black Gang Coffee" 1196:J Mascis + The Fog 1155:Big Walnuts Yonder 1125:The Pair of Pliers 590:on October 9, 2015 344: 1262: 1261: 1237:The Reactionaries 1186:The Reactionaries 891:The Village Voice 882:Christgau, Robert 498:"AllMusic Review" 496:McLeod, Kembrew. 424: 423: 415:The Village Voice 151: 150: 147: 146: 1297: 1280:Mike Watt albums 1225:Related articles 986: 979: 972: 963: 956: 955: 953: 951: 944:Record Store Day 935: 929: 928: 926: 924: 909: 903: 902: 900: 898: 878: 869: 868: 866: 864: 850:Woodard, Josef. 847: 841: 840: 838: 836: 831:on July 26, 2008 827:. Archived from 814: 805: 804: 802: 800: 784: 775: 774: 772: 770: 753: 742: 741: 739: 737: 722: 716: 715: 713: 711: 700: 687: 686: 684: 682: 667: 652: 651: 649: 647: 635:(22 July 1997). 629: 620: 619: 606: 600: 599: 597: 595: 576: 570: 569: 567: 565: 548: 537: 536: 524: 513: 512: 510: 508: 493: 466:Record Store Day 454:Robert Christgau 426:John Krewson of 396: 395: 394: 390: 389: 385: 384: 380: 379: 375: 374: 347: 292:"Liberty Calls!" 289:"Fireman Hurley" 241:The Sand Pebbles 238:'s naval novel, 116: 115: 80: 79: 75: 31: 19: 1305: 1304: 1300: 1299: 1298: 1296: 1295: 1294: 1265: 1264: 1263: 1258: 1220: 1211:Porno for Pyros 1174: 1140:Floored by Four 1103: 1052: 1034: 995: 990: 960: 959: 949: 947: 937: 936: 932: 922: 920: 911: 910: 906: 896: 894: 880: 879: 872: 862: 860: 849: 848: 844: 834: 832: 816: 815: 808: 798: 796: 786: 785: 778: 768: 766: 755: 754: 745: 735: 733: 724: 723: 719: 709: 707: 702: 701: 690: 680: 678: 669: 668: 655: 645: 643: 631: 630: 623: 608: 607: 603: 593: 591: 584:Chicago Tribune 578: 577: 573: 563: 561: 550: 549: 540: 526: 525: 516: 506: 504: 495: 494: 487: 482: 462: 392: 387: 382: 377: 342: 320: 314: 277:"The Boilerman" 255: 236:Richard McKenna 218:the machinist. 211: 180: 142: 133: 124: 77: 73: 72: 52:October 6, 1997 44: 17: 12: 11: 5: 1303: 1301: 1293: 1292: 1287: 1282: 1277: 1267: 1266: 1260: 1259: 1257: 1256: 1249: 1247:clenchedwrench 1244: 1239: 1234: 1228: 1226: 1222: 1221: 1219: 1218: 1213: 1208: 1203: 1198: 1193: 1188: 1182: 1180: 1176: 1175: 1173: 1172: 1167: 1162: 1157: 1152: 1147: 1142: 1137: 1135:The Real Oh My 1132: 1127: 1122: 1120:The Black Gang 1117: 1111: 1109: 1105: 1104: 1102: 1101: 1096: 1091: 1086: 1081: 1076: 1071: 1066: 1060: 1058: 1054: 1053: 1051: 1050: 1042: 1040: 1036: 1035: 1033: 1032: 1029:Hyphenated-man 1025: 1018: 1011: 1003: 1001: 997: 996: 991: 989: 988: 981: 974: 966: 958: 957: 930: 904: 870: 842: 806: 776: 743: 731:Salon Magazine 717: 688: 676:Omnium Records 653: 621: 601: 571: 538: 514: 484: 483: 481: 478: 461: 458: 422: 421: 418: 410: 409: 406: 398: 397: 368: 360: 359: 356: 352: 351: 341: 338: 337: 336: 333:Stephen Hodges 330: 324: 318:The Black Gang 313: 310: 309: 308: 305: 302: 299: 296: 293: 290: 287: 284: 281: 278: 275: 274:"Pedro Bound!" 272: 265: 262: 254: 251: 210: 207: 196:Stephen Hodges 179: 176: 149: 148: 145: 144: 135: 126: 112: 111: 104: 103: 100: 94: 93: 88: 82: 81: 70: 66: 65: 60: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1302: 1291: 1288: 1286: 1283: 1281: 1278: 1276: 1273: 1272: 1270: 1255: 1254: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1230: 1229: 1227: 1223: 1217: 1214: 1212: 1209: 1207: 1204: 1202: 1201:Ciccone Youth 1199: 1197: 1194: 1192: 1191:Bootstrappers 1189: 1187: 1184: 1183: 1181: 1177: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1112: 1110: 1108:Project bands 1106: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1061: 1059: 1055: 1049: 1048: 1044: 1043: 1041: 1037: 1031: 1030: 1026: 1024: 1023: 1019: 1017: 1016: 1012: 1010: 1009: 1005: 1004: 1002: 1000:Studio albums 998: 994: 987: 982: 980: 975: 973: 968: 967: 964: 946: 945: 940: 934: 931: 918: 914: 908: 905: 893: 892: 887: 883: 877: 875: 871: 859: 858: 853: 846: 843: 830: 826: 825: 824:Rolling Stone 820: 813: 811: 807: 794: 790: 783: 781: 777: 765: 764: 759: 752: 750: 748: 744: 732: 728: 727:""Mike Watt"" 721: 718: 706: 699: 697: 695: 693: 689: 677: 673: 666: 664: 662: 660: 658: 654: 642: 638: 634: 628: 626: 622: 617: 616: 615:Rolling Stone 611: 605: 602: 589: 585: 582: 575: 572: 560: 559: 558:The A.V. Club 554: 547: 545: 543: 539: 534: 533:Rolling Stone 530: 523: 521: 519: 515: 503: 499: 492: 490: 486: 479: 477: 475: 471: 467: 459: 457: 455: 451: 449: 445: 441: 440: 435: 434: 433:Rolling Stone 429: 428:The A.V. Club 419: 417: 416: 412: 411: 407: 405: 404: 400: 399: 369: 367: 366: 365:Rolling Stone 362: 361: 353: 350:Review scores 348: 339: 334: 331: 328: 325: 322: 321: 319: 311: 306: 303: 300: 297: 294: 291: 288: 285: 282: 279: 276: 273: 270: 266: 263: 260: 259: 258: 253:Track listing 252: 250: 246: 243: 242: 237: 232: 227: 222: 219: 216: 208: 206: 203: 199: 197: 193: 189: 185: 177: 175: 173: 169: 165: 161: 157: 156: 141: 140: 136: 132: 131: 127: 123: 122: 118: 117: 113: 109: 105: 101: 99: 95: 92: 89: 87: 83: 71: 67: 64: 61: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1253:We Jam Econo 1251: 1045: 1027: 1020: 1014: 1013: 1006: 948:. Retrieved 942: 933: 921:. Retrieved 907: 895:. Retrieved 889: 861:. Retrieved 855: 845: 833:. Retrieved 829:the original 822: 797:. Retrieved 792: 767:. Retrieved 761: 734:. Retrieved 730: 720: 708:. Retrieved 679:. Retrieved 675: 644:. Retrieved 640: 613: 604: 592:. Retrieved 588:the original 583: 574: 562:. Retrieved 556: 532: 505:. Retrieved 502:AllMusic.com 501: 473: 469: 463: 452: 437: 431: 425: 413: 401: 363: 307:"Shore Duty" 256: 247: 239: 233: 229: 224: 220: 214: 212: 204: 200: 187: 183: 181: 154: 153: 152: 137: 129: 128: 119: 37:Studio album 1285:Rock operas 1275:1997 albums 1216:The Stooges 1179:Other bands 1039:Live albums 897:24 February 758:"Mike Watt" 283:"Topsiders" 264:"Red Bluff" 1269:Categories 1057:Main bands 950:October 4, 923:October 4, 793:The Reader 769:October 4, 633:Watt, Mike 480:References 460:Live album 327:Nels Cline 316:See also: 192:Nels Cline 188:black gang 178:Background 110:chronology 1064:Minutemen 993:Mike Watt 340:Reception 312:Personnel 172:Minutemen 168:Mike Watt 164:Minutemen 162:opera by 160:punk rock 108:Mike Watt 102:Mike Watt 42:Mike Watt 1206:Hellride 1069:Firehose 835:March 8, 329:- guitar 166:veteran 98:Producer 91:Columbia 49:Released 39: by 799:12 June 736:12 June 710:12 June 681:12 June 646:12 June 594:12 June 564:12 June 507:12 June 448:Ulysses 335:- drums 143:(2004) 134:(1997) 125:(1995) 1165:Fitted 1089:Banyan 917:People 863:May 3, 439:People 358:Rating 355:Source 69:Length 763:Salon 444:Salon 226:you.' 209:Album 158:is a 86:Label 58:Genre 1170:mssv 952:2019 925:2019 899:2019 865:2019 837:2019 801:2017 771:2019 738:2017 712:2017 683:2017 648:2017 596:2017 566:2017 509:2017 450:."" 63:Punk 1150:CUZ 1084:Dos 1271:: 941:. 915:. 888:. 873:^ 854:. 821:. 809:^ 791:. 779:^ 760:. 746:^ 729:. 691:^ 674:. 656:^ 639:. 624:^ 612:. 555:. 541:^ 531:. 517:^ 500:. 488:^ 476:. 468:, 420:C+ 408:B+ 78:08 74:50 985:e 978:t 971:v 954:. 927:. 901:. 867:. 839:. 803:. 773:. 740:. 714:. 685:. 650:. 618:. 598:. 568:. 535:. 511:. 271:" 267:" 76::

Index


Studio album
Mike Watt
Genre
Punk
Label
Columbia
Producer
Mike Watt
Ball-Hog or Tugboat?
The Secondman's Middle Stand
punk rock
Minutemen
Mike Watt
Minutemen
Nels Cline
Stephen Hodges
Richard McKenna
The Sand Pebbles
The Bluejackets' Manual
The Black Gang
Nels Cline
Stephen Hodges
Rolling Stone
Entertainment Weekly
The Village Voice
The A.V. Club
Rolling Stone
People
Salon

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.