Knowledge (XXG)

Continuum Fingerboard

Source đź“ť

384: 95: 371:. Each three-dimensional performance direction of the Continuum playing surface can influence each patch point in the matrix. By defining formulas and placing them at points in the patching matrix, the user creates relationships between the finger touching the Continuum playing surface and the flow of sound from patch sources to patch destinations. The EaganMatrix is named after the Canadian composer 25: 263: 590:(2018). His Continuum solo in the opening of the first episode "conveys a sense of loneliness" and "a sense of vast space that the ocean is – similar to outer space." Throughout the series he used it "melodically, both for aggressive, distorted colors for the U Boat; and for softer flute-like timbres" and for "musical sound design textures for tension and suspense." 298:
The Continuum also provides two additional parameters for the sound: it is able to transmit the finger pressure on the board as a MIDI value, as well as the finger's vertical position on the key. These parameters are independently programmable; a standard configuration is where position on the X-Axis
501:. Rahman was particularly impressed with the fact that the Continuum fingerboard could produce Carnatic/Hindustani classical music notes, which is a significant improvement over the piano. In August 2013, Rahman was seen using the Continuum in his song "Soz O Salam" in 270:
Sensors under the playing surface respond to finger position and pressure in three dimensions and provide pitch resolution of one-tenth cent along the length of the scale (the X dimension), allowing essentially continuous pitch control for
242:
playing surface measuring approximately 19 centimetres (7.5 in) high by either 137 centimetres (54 in) long for a full-size instrument, or 72 centimetres (28 in) long for a half-size instrument. The surface allows a
310:
Each recent revision has brought more features and sound diversity to the internal synthesizer in the Continuum Fingerboard. As such, the instrument can now be considered both a controller and a stand-alone instrument.
326:
built-in, specifically designed for the Continuum Fingerboard, called The EaganMatrix. The EaganMatrix uses a patching matrix to design synthesis algorithms. The patching matrix interconnects a variety of modules:
1261: 531: 185: 467:'s 2007 Third Dimension tour of North America featured the Continuum. He used the Continuum in a piece he composed for the Changing Notes Concert held in 1011: 789: 1128: 575: 411:(2011) features the Continuum in at least one song. It was a fixture of Rudess' live setup from 2005 to 2014, as seen on the concert DVD releases 199:
at the University of Illinois, to control sound-producing algorithms on the Platypus audio signal processor and the Kyma/Capybara workstation.
138: 1266: 1103: 255:) for the full-size instrument, and 4610 cents (about 3.84 octaves) for the half-size instrument. The instrument has a response time of 0.33 35: 1154: 437: 218:
module. More recently, the Continuum Fingerboard generates audio directly in addition to providing MIDI connections for MIDI modules,
54: 72: 1179: 1078: 671: 431: 215: 567:
used the Continuum in two albums, Whatsnext? (2014) and Resolution (2016), that combine Turkish musical traditions with jazz.
544: 295:
or other scale to facilitate in-tune performance, with the amount and duration of the "rounding" controllable in real time.
1271: 207: 413: 356: 50: 594: 419: 407: 368: 986: 202:
In 1999, the first Continuum Fingerboard was commercially sold. Until 2008, the Continuum Fingerboard provided
383: 196: 564: 539: 299:(lengthwise) on the instrument corresponds to pitch, position on the Y-Axis (widthwise) corresponds to a 482: 360: 328: 222:, and Kyma (the IEEE-1394 connection that was present on earlier models has been removed). An external 219: 831: 1204: 586: 336: 287:
to a note. A software "rounding" feature enables pitch to be quantized to the notes of a traditional
1209: 502: 323: 320: 227: 203: 189: 892: 866: 770: 735: 457: 364: 348: 441:. Since 2019, Rudess' live setup includes the ContinuuMini, a smaller version of the Continuum. 1005: 965: 610: 550: 487: 472: 425: 288: 1241: 1053: 940: 46: 915: 810: 762: 727: 676: 292: 276: 177: 1104:"Fuse Jazz Review: Mehmet Ali Sanlikol & whatsnext at Scullers – An Intoxicating Mix" 1026: 856: 307:. The Continuum is capable of polyphonic performance, with up to 16 simultaneous voices. 518:, with instrument design and performance by Guillaume Bonneau, Christophe Duquesne, and 627: 514: 449: 332: 184:
developed by Lippold Haken, a professor of Electrical and Computer Engineering at the
1255: 652: 571: 526: 492: 445: 396: 392: 244: 105: 1236: 1214: 602: 519: 372: 248: 94: 718:
Lippold Haken; Ed Tellman; Patrick Wolfe (1998). "An Indiscrete Music Keyboard".
509: 464: 256: 181: 1247:
ContinuuCon, an annual Continuum Fingerboard conference in Asheville and Paris
888: 622: 606: 556: 401: 344: 340: 284: 272: 1155:"Das Boot composer crafts a soundworld of war and 'self-proclaimed heroism'" 647: 642: 581:' tour, with the Full-size Continuum Fingerboard at his conductor's podium. 497: 352: 262: 195:
The Continuum Fingerboard was initially developed from 1983 to 1998 at the
584:
Composer and performer Matthias Weber used the Continuum in his score for
303:
shift, and position on the Z-Axis (vertically) corresponds to a change in
889:"A demonstration of the VlnVlaCelBass sound on the Continuum Fingerboard" 698: 637: 632: 598: 508:
The Continuum, ContinuuMini, EaganMatrix Module, and Osmose were used by
453: 304: 239: 753:
Scaletti, Carla (1989). "The Kyma/Platypus Computer Music Workstation".
1031: 941:"ECE Professor's instrument featured on world-renowned musician's tour" 861: 774: 739: 477: 468: 280: 223: 1129:"The magnificently geeky spectacle of 'Games of Thrones Live' at Xcel" 990: 799:. San Jose: International Computer Music Association. pp. 81–84. 300: 252: 766: 731: 916:"All Those Sounds From the Stage: Processed, and Not Always Pretty" 609:, Sally Sparks and Thereminists Rob Schwimmer, Andrew Levine, and 382: 261: 1027:"Dune: Part Two, Deeper into the Desert: The Sounds of the Dune" 211: 160: 156: 1246: 460:, both Calhoun and Reed used Continuum Fingerboards on stage. 18: 1180:"'Indiana Jones' movie to use professor's musical invention" 857:"Haken Continuum in-depth review, and what is The Matrix..?" 391:
A major proponent of the Continuum in contemporary music is
1079:"Exclusive: Meet Diablo III's Sound Team, Samples Included" 797:
Proceedings of the International Computer Music Conference
1054:"Indiana Jones and the incredible Continuum Fingerboard" 574:
both conducts the orchestra and plays Continuum in his '
538:
Composer and performer Derek Duke used the Continuum in
42: 788:
Lippold Haken; Radi Abdullah; Mark Smart (Oct 1992).
266:
An illustration of the Continuum Fingerboard's axes.
53:, and by adding encyclopedic content written from a 152: 147: 137: 132: 122: 114: 104: 87: 532:Indiana Jones and the Kingdom of the Crystal Skull 319:As of 2008, the Continuum Fingerboard has a new 435:. It was also used on Rudess' 2007 solo album 672:"NAMM: Continuum Fingerboard MIDI Controller" 8: 1262:Electric and electronic keyboard instruments 790:"The Continuum: A Continuous Music Keyboard" 593:Other musicians using the Continuum include 563:The Turkish-American composer and performer 485:". He also used it in his score of the film 395:, keyboardist of the progressive metal band 16:Music performance controller and synthesizer 1242:An article on the Continuum on Music Aloud 93: 84: 1025:Warner Bros. Entertainment (2024-05-03). 491:and in the track "Acid Darbari" from the 238:The Continuum features a touch-sensitive 73:Learn how and when to remove this message 663: 399:. Each Dream Theater studio album from 1010:: CS1 maint: archived copy as title ( 1003: 279:, and allowing for the application of 275:effects and notes that are not in the 188:, and sold by Haken Audio, located in 34:contains content that is written like 7: 99:The full-size Continuum Fingerboard 14: 1077:Napolitano, Jayson (2012-05-09). 1153:Leon, Christopher (2019-07-15). 23: 1052:Eichmann, Lauren (2008-05-21). 964:Music Aloud (3 November 2010). 939:Eichmann, Lauren (2007-06-13). 895:from the original on 2021-12-21 869:from the original on 2021-12-21 452:and whilst he was working with 448:, who uses it in his work with 545:StarCraft II: Wings of Liberty 214:connections to control a MIDI 1: 1127:Kamnetz, Darin (2017-02-20). 226:generator permits control of 208:Kyma sound design workstation 1267:Continuous pitch instruments 1102:Garelick, Jon (2014-10-04). 542:game soundtracks, including 1203:Murphy, Bill (2011-07-21). 914:Ratliff, Ben (2009-04-25). 357:waveguide physical modeling 228:analog modular synthesizers 1288: 966:"127 Hours – Music Review" 525:The Continuum was used by 1178:Kim, Peter (2008-03-05). 495:-nominated soundtrack of 420:Chaos in Motion 2007-2008 408:A Dramatic Turn of Events 206:connections to control a 92: 505:@ MTV (India) Season 3. 481:and the new version of " 432:Breaking the Fourth Wall 133:Technical specifications 832:"Haken Audio Continuum" 761:(2). MIT Press: 23–38. 726:(1). MIT Press: 30–48. 579:Live Concert Experience 570:Composer and performer 353:modal physical modeling 755:Computer Music Journal 720:Computer Music Journal 540:Blizzard Entertainment 388: 267: 186:University of Illinois 178:performance controller 855:loopop (2018-02-26). 483:Mile Sur Mera Tumhara 387:A Continuum in action 386: 349:spectral manipulation 265: 220:software synthesizers 170:Continuum Fingerboard 88:Continuum Fingerboard 55:neutral point of view 1272:Keyboard instruments 475:" in the 2009 movie 444:Another advocate is 315:Built-in synthesizer 289:equal-tempered scale 204:IEEE-1394 (FireWire) 1210:Electronic Musician 699:"Dr. Lippold Haken" 565:Mehmet Ali Sanlıkol 471:, and in the song " 324:digital synthesizer 190:Champaign, Illinois 47:promotional content 920:The New York Times 458:Metal Machine Trio 389: 268: 49:and inappropriate 551:World of Warcraft 529:for his score to 512:for his score to 426:Live at Luna Park 379:Continuum players 166: 165: 128:Half size: $ 3390 126:Full size: $ 5290 83: 82: 75: 1279: 1225: 1224: 1222: 1221: 1200: 1194: 1193: 1191: 1190: 1175: 1169: 1168: 1166: 1165: 1159:cutcommonmag.com 1150: 1144: 1143: 1141: 1140: 1135:. pp. 12/20 1124: 1118: 1117: 1115: 1114: 1099: 1093: 1092: 1090: 1089: 1074: 1068: 1067: 1065: 1064: 1049: 1043: 1042: 1040: 1039: 1022: 1016: 1015: 1009: 1001: 999: 998: 989:. Archived from 983: 977: 976: 974: 973: 961: 955: 954: 952: 951: 936: 930: 929: 927: 926: 911: 905: 904: 902: 900: 885: 879: 878: 876: 874: 852: 846: 845: 843: 842: 827: 821: 820: 818: 817: 807: 801: 800: 794: 785: 779: 778: 750: 744: 743: 715: 709: 708: 706: 705: 695: 689: 688: 686: 685: 668: 463:Indian composer 361:kinetic modeling 197:CERL Sound Group 153:External control 97: 85: 78: 71: 67: 64: 58: 36:an advertisement 27: 26: 19: 1287: 1286: 1282: 1281: 1280: 1278: 1277: 1276: 1252: 1251: 1233: 1228: 1219: 1217: 1202: 1201: 1197: 1188: 1186: 1184:DailyIllini.com 1177: 1176: 1172: 1163: 1161: 1152: 1151: 1147: 1138: 1136: 1126: 1125: 1121: 1112: 1110: 1101: 1100: 1096: 1087: 1085: 1076: 1075: 1071: 1062: 1060: 1051: 1050: 1046: 1037: 1035: 1024: 1023: 1019: 1002: 996: 994: 987:"Archived copy" 985: 984: 980: 971: 969: 963: 962: 958: 949: 947: 938: 937: 933: 924: 922: 913: 912: 908: 898: 896: 891:. Haken Audio. 887: 886: 882: 872: 870: 854: 853: 849: 840: 838: 829: 828: 824: 815: 813: 809: 808: 804: 792: 787: 786: 782: 767:10.2307/3680038 752: 751: 747: 732:10.2307/3681043 717: 716: 712: 703: 701: 697: 696: 692: 683: 681: 677:Harmony Central 670: 669: 665: 661: 619: 595:John Paul Jones 577:Game of Thrones 381: 369:shape generator 317: 277:chromatic scale 236: 224:control voltage 174:Haken Continuum 127: 118:c. 2002–present 100: 79: 68: 62: 59: 40: 28: 24: 17: 12: 11: 5: 1285: 1283: 1275: 1274: 1269: 1264: 1254: 1253: 1250: 1249: 1244: 1239: 1232: 1231:External links 1229: 1227: 1226: 1195: 1170: 1145: 1119: 1094: 1069: 1044: 1017: 978: 956: 931: 906: 880: 847: 822: 802: 780: 745: 710: 690: 662: 660: 657: 656: 655: 650: 645: 640: 635: 630: 628:Ondes Martenot 625: 618: 615: 611:GrĂ©goire Blanc 515:Dune: Part Two 450:Lucibel Crater 380: 377: 316: 313: 247:range of 9350 235: 234:Specifications 232: 164: 163: 154: 150: 149: 145: 144: 141: 135: 134: 130: 129: 124: 120: 119: 116: 112: 111: 108: 102: 101: 98: 90: 89: 81: 80: 63:September 2024 51:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1284: 1273: 1270: 1268: 1265: 1263: 1260: 1259: 1257: 1248: 1245: 1243: 1240: 1238: 1235: 1234: 1230: 1216: 1212: 1211: 1206: 1199: 1196: 1185: 1181: 1174: 1171: 1160: 1156: 1149: 1146: 1134: 1133:citypages.com 1130: 1123: 1120: 1109: 1105: 1098: 1095: 1084: 1083:Destructo.com 1080: 1073: 1070: 1059: 1055: 1048: 1045: 1034: 1033: 1028: 1021: 1018: 1013: 1007: 993:on 2013-10-29 992: 988: 982: 979: 968:. Music Aloud 967: 960: 957: 946: 942: 935: 932: 921: 917: 910: 907: 894: 890: 884: 881: 868: 864: 863: 858: 851: 848: 837: 833: 830:Lumma, Carl. 826: 823: 812: 811:"Haken Audio" 806: 803: 798: 791: 784: 781: 776: 772: 768: 764: 760: 756: 749: 746: 741: 737: 733: 729: 725: 721: 714: 711: 700: 694: 691: 679: 678: 673: 667: 664: 658: 654: 653:ROLI Seaboard 651: 649: 646: 644: 641: 639: 636: 634: 631: 629: 626: 624: 621: 620: 616: 614: 612: 608: 604: 600: 596: 591: 589: 588: 582: 580: 578: 573: 572:Ramin Djawadi 568: 566: 561: 559: 558: 553: 552: 547: 546: 541: 536: 534: 533: 528: 527:John Williams 523: 521: 517: 516: 511: 506: 504: 500: 499: 494: 493:Academy Award 490: 489: 484: 480: 479: 474: 470: 466: 461: 459: 455: 451: 447: 446:Sarth Calhoun 442: 440: 439: 438:The Road Home 434: 433: 428: 427: 422: 421: 416: 415: 410: 409: 404: 403: 398: 397:Dream Theater 394: 393:Jordan Rudess 385: 378: 376: 374: 370: 366: 362: 358: 354: 350: 346: 342: 338: 334: 330: 325: 322: 314: 312: 308: 306: 302: 296: 294: 290: 286: 282: 278: 274: 264: 260: 258: 254: 250: 246: 241: 233: 231: 229: 225: 221: 217: 213: 210:, as well as 209: 205: 200: 198: 193: 191: 187: 183: 179: 175: 171: 162: 158: 155: 151: 146: 142: 140: 136: 131: 125: 121: 117: 113: 110:Lippold Haken 109: 107: 103: 96: 91: 86: 77: 74: 66: 56: 52: 48: 44: 38: 37: 32:This article 30: 21: 20: 1218:. Retrieved 1215:NewBay Media 1208: 1205:"Amon Tobin" 1198: 1187:. Retrieved 1183: 1173: 1162:. Retrieved 1158: 1148: 1137:. Retrieved 1132: 1122: 1111:. Retrieved 1108:ArtsFuse.org 1107: 1097: 1086:. Retrieved 1082: 1072: 1061:. Retrieved 1058:ECE Illinois 1057: 1047: 1036:. Retrieved 1030: 1020: 995:. Retrieved 991:the original 981: 970:. Retrieved 959: 948:. Retrieved 945:ECE Illinois 944: 934: 923:. Retrieved 919: 909: 897:. Retrieved 883: 871:. Retrieved 860: 850: 839:. Retrieved 835: 825: 814:. Retrieved 805: 796: 783: 758: 754: 748: 723: 719: 713: 702:. Retrieved 693: 682:. Retrieved 680:. 2004-01-26 675: 666: 603:Randy Kerber 592: 585: 583: 576: 569: 562: 555: 549: 543: 537: 530: 524: 520:Edmund Eagan 513: 507: 496: 486: 476: 462: 443: 436: 430: 424: 418: 412: 406: 400: 390: 373:Edmund Eagan 318: 309: 297: 269: 251:(about 7.79 237: 201: 194: 173: 169: 167: 148:Input/output 106:Manufacturer 69: 60: 45:by removing 41:Please help 33: 1237:Haken Audio 899:22 November 836:KeyboardMag 510:Hans Zimmer 503:Coke Studio 465:A.R. Rahman 365:granulation 345:waveshaping 216:synthesizer 182:synthesizer 176:is a music 1256:Categories 1220:2013-11-28 1189:2008-04-06 1164:2017-07-20 1139:2017-12-06 1113:2016-06-19 1088:2014-05-18 1063:2008-05-21 1038:2024-05-07 997:2013-08-08 972:2010-11-03 950:2008-04-06 925:2010-04-30 841:2009-07-08 816:2013-11-25 704:2008-04-06 684:2009-07-08 659:References 623:Trautonium 607:Amon Tobin 557:Diablo III 405:(2005) to 402:Octavarium 341:modulation 329:oscillator 293:just scale 285:pitch bend 273:portamento 43:improve it 648:Eigenharp 643:EMS VCS 3 498:127 Hours 456:. In the 305:amplitude 143:16 voices 139:Polyphony 1006:cite web 893:Archived 867:Archived 638:Theremin 633:Therevox 617:See also 599:Lou Reed 587:Das Boot 473:Rehna Tu 454:Lou Reed 240:neoprene 1032:YouTube 873:16 July 862:YouTube 775:3680038 740:3681043 478:Delhi-6 469:Chennai 321:modular 281:vibrato 253:octaves 773:  738:  554:, and 429:, and 367:, and 333:filter 301:timbre 793:(PDF) 771:JSTOR 736:JSTOR 488:Kadal 414:Score 337:delay 249:cents 245:pitch 123:Price 115:Dates 1012:link 901:2013 875:2019 212:MIDI 180:and 168:The 161:AES3 157:MIDI 763:doi 728:doi 283:or 172:or 1258:: 1213:. 1207:. 1182:. 1157:. 1131:. 1106:. 1081:. 1056:. 1029:. 1008:}} 1004:{{ 943:. 918:. 865:. 859:. 834:. 795:. 769:. 759:13 757:. 734:. 724:22 722:. 674:. 613:. 605:, 601:, 597:, 560:. 548:, 535:. 522:. 423:, 417:, 375:. 363:, 359:, 355:, 351:, 347:, 343:, 339:, 335:, 331:, 291:, 259:. 257:ms 230:. 192:. 159:, 1223:. 1192:. 1167:. 1142:. 1116:. 1091:. 1066:. 1041:. 1014:) 1000:. 975:. 953:. 928:. 903:. 877:. 844:. 819:. 777:. 765:: 742:. 730:: 707:. 687:. 76:) 70:( 65:) 61:( 57:. 39:.

Index

an advertisement
improve it
promotional content
external links
neutral point of view
Learn how and when to remove this message

Manufacturer
Polyphony
MIDI
AES3
performance controller
synthesizer
University of Illinois
Champaign, Illinois
CERL Sound Group
IEEE-1394 (FireWire)
Kyma sound design workstation
MIDI
synthesizer
software synthesizers
control voltage
analog modular synthesizers
neoprene
pitch
cents
octaves
ms

portamento

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑