384:
95:
371:. Each three-dimensional performance direction of the Continuum playing surface can influence each patch point in the matrix. By defining formulas and placing them at points in the patching matrix, the user creates relationships between the finger touching the Continuum playing surface and the flow of sound from patch sources to patch destinations. The EaganMatrix is named after the Canadian composer
25:
263:
590:(2018). His Continuum solo in the opening of the first episode "conveys a sense of loneliness" and "a sense of vast space that the ocean is – similar to outer space." Throughout the series he used it "melodically, both for aggressive, distorted colors for the U Boat; and for softer flute-like timbres" and for "musical sound design textures for tension and suspense."
298:
The
Continuum also provides two additional parameters for the sound: it is able to transmit the finger pressure on the board as a MIDI value, as well as the finger's vertical position on the key. These parameters are independently programmable; a standard configuration is where position on the X-Axis
501:. Rahman was particularly impressed with the fact that the Continuum fingerboard could produce Carnatic/Hindustani classical music notes, which is a significant improvement over the piano. In August 2013, Rahman was seen using the Continuum in his song "Soz O Salam" in
270:
Sensors under the playing surface respond to finger position and pressure in three dimensions and provide pitch resolution of one-tenth cent along the length of the scale (the X dimension), allowing essentially continuous pitch control for
242:
playing surface measuring approximately 19 centimetres (7.5 in) high by either 137 centimetres (54 in) long for a full-size instrument, or 72 centimetres (28 in) long for a half-size instrument. The surface allows a
310:
Each recent revision has brought more features and sound diversity to the internal synthesizer in the
Continuum Fingerboard. As such, the instrument can now be considered both a controller and a stand-alone instrument.
326:
built-in, specifically designed for the
Continuum Fingerboard, called The EaganMatrix. The EaganMatrix uses a patching matrix to design synthesis algorithms. The patching matrix interconnects a variety of modules:
1261:
531:
185:
467:'s 2007 Third Dimension tour of North America featured the Continuum. He used the Continuum in a piece he composed for the Changing Notes Concert held in
1011:
789:
1128:
575:
411:(2011) features the Continuum in at least one song. It was a fixture of Rudess' live setup from 2005 to 2014, as seen on the concert DVD releases
199:
at the
University of Illinois, to control sound-producing algorithms on the Platypus audio signal processor and the Kyma/Capybara workstation.
138:
1266:
1103:
255:) for the full-size instrument, and 4610 cents (about 3.84 octaves) for the half-size instrument. The instrument has a response time of 0.33
35:
1154:
437:
218:
module. More recently, the
Continuum Fingerboard generates audio directly in addition to providing MIDI connections for MIDI modules,
54:
72:
1179:
1078:
671:
431:
215:
567:
used the
Continuum in two albums, Whatsnext? (2014) and Resolution (2016), that combine Turkish musical traditions with jazz.
544:
295:
or other scale to facilitate in-tune performance, with the amount and duration of the "rounding" controllable in real time.
1271:
207:
413:
356:
50:
594:
419:
407:
368:
986:
202:
In 1999, the first
Continuum Fingerboard was commercially sold. Until 2008, the Continuum Fingerboard provided
383:
196:
564:
539:
299:(lengthwise) on the instrument corresponds to pitch, position on the Y-Axis (widthwise) corresponds to a
482:
360:
328:
222:, and Kyma (the IEEE-1394 connection that was present on earlier models has been removed). An external
219:
831:
1204:
586:
336:
287:
to a note. A software "rounding" feature enables pitch to be quantized to the notes of a traditional
1209:
502:
323:
320:
227:
203:
189:
892:
866:
770:
735:
457:
364:
348:
441:. Since 2019, Rudess' live setup includes the ContinuuMini, a smaller version of the Continuum.
1005:
965:
610:
550:
487:
472:
425:
288:
1241:
1053:
940:
46:
915:
810:
762:
727:
676:
292:
276:
177:
1104:"Fuse Jazz Review: Mehmet Ali Sanlikol & whatsnext at Scullers – An Intoxicating Mix"
1026:
856:
307:. The Continuum is capable of polyphonic performance, with up to 16 simultaneous voices.
518:, with instrument design and performance by Guillaume Bonneau, Christophe Duquesne, and
627:
514:
449:
332:
184:
developed by
Lippold Haken, a professor of Electrical and Computer Engineering at the
1255:
652:
571:
526:
492:
445:
396:
392:
244:
105:
1236:
1214:
602:
519:
372:
248:
94:
718:
Lippold Haken; Ed
Tellman; Patrick Wolfe (1998). "An Indiscrete Music Keyboard".
509:
464:
256:
181:
1247:
ContinuuCon, an annual
Continuum Fingerboard conference in Asheville and Paris
888:
622:
606:
556:
401:
344:
340:
284:
272:
1155:"Das Boot composer crafts a soundworld of war and 'self-proclaimed heroism'"
647:
642:
581:' tour, with the Full-size Continuum Fingerboard at his conductor's podium.
497:
352:
262:
195:
The Continuum Fingerboard was initially developed from 1983 to 1998 at the
584:
Composer and performer Matthias Weber used the Continuum in his score for
303:
shift, and position on the Z-Axis (vertically) corresponds to a change in
889:"A demonstration of the VlnVlaCelBass sound on the Continuum Fingerboard"
698:
637:
632:
598:
508:
The Continuum, ContinuuMini, EaganMatrix Module, and Osmose were used by
453:
304:
239:
753:
Scaletti, Carla (1989). "The Kyma/Platypus Computer Music Workstation".
1031:
941:"ECE Professor's instrument featured on world-renowned musician's tour"
861:
774:
739:
477:
468:
280:
223:
1129:"The magnificently geeky spectacle of 'Games of Thrones Live' at Xcel"
990:
799:. San Jose: International Computer Music Association. pp. 81–84.
300:
252:
766:
731:
916:"All Those Sounds From the Stage: Processed, and Not Always Pretty"
609:, Sally Sparks and Thereminists Rob Schwimmer, Andrew Levine, and
382:
261:
1027:"Dune: Part Two, Deeper into the Desert: The Sounds of the Dune"
211:
160:
156:
1246:
460:, both Calhoun and Reed used Continuum Fingerboards on stage.
18:
1180:"'Indiana Jones' movie to use professor's musical invention"
857:"Haken Continuum in-depth review, and what is The Matrix..?"
391:
A major proponent of the Continuum in contemporary music is
1079:"Exclusive: Meet Diablo III's Sound Team, Samples Included"
797:
Proceedings of the International Computer Music Conference
1054:"Indiana Jones and the incredible Continuum Fingerboard"
574:
both conducts the orchestra and plays Continuum in his '
538:
Composer and performer Derek Duke used the Continuum in
42:
788:
Lippold Haken; Radi Abdullah; Mark Smart (Oct 1992).
266:
An illustration of the Continuum Fingerboard's axes.
53:, and by adding encyclopedic content written from a
152:
147:
137:
132:
122:
114:
104:
87:
532:Indiana Jones and the Kingdom of the Crystal Skull
319:As of 2008, the Continuum Fingerboard has a new
435:. It was also used on Rudess' 2007 solo album
672:"NAMM: Continuum Fingerboard MIDI Controller"
8:
1262:Electric and electronic keyboard instruments
790:"The Continuum: A Continuous Music Keyboard"
593:Other musicians using the Continuum include
563:The Turkish-American composer and performer
485:". He also used it in his score of the film
395:, keyboardist of the progressive metal band
16:Music performance controller and synthesizer
1242:An article on the Continuum on Music Aloud
93:
84:
1025:Warner Bros. Entertainment (2024-05-03).
491:and in the track "Acid Darbari" from the
238:The Continuum features a touch-sensitive
73:Learn how and when to remove this message
663:
399:. Each Dream Theater studio album from
1010:: CS1 maint: archived copy as title (
1003:
279:, and allowing for the application of
275:effects and notes that are not in the
188:, and sold by Haken Audio, located in
34:contains content that is written like
7:
99:The full-size Continuum Fingerboard
14:
1077:Napolitano, Jayson (2012-05-09).
1153:Leon, Christopher (2019-07-15).
23:
1052:Eichmann, Lauren (2008-05-21).
964:Music Aloud (3 November 2010).
939:Eichmann, Lauren (2007-06-13).
895:from the original on 2021-12-21
869:from the original on 2021-12-21
452:and whilst he was working with
448:, who uses it in his work with
545:StarCraft II: Wings of Liberty
214:connections to control a MIDI
1:
1127:Kamnetz, Darin (2017-02-20).
226:generator permits control of
208:Kyma sound design workstation
1267:Continuous pitch instruments
1102:Garelick, Jon (2014-10-04).
542:game soundtracks, including
1203:Murphy, Bill (2011-07-21).
914:Ratliff, Ben (2009-04-25).
357:waveguide physical modeling
228:analog modular synthesizers
1288:
966:"127 Hours – Music Review"
525:The Continuum was used by
1178:Kim, Peter (2008-03-05).
495:-nominated soundtrack of
420:Chaos in Motion 2007-2008
408:A Dramatic Turn of Events
206:connections to control a
92:
505:@ MTV (India) Season 3.
481:and the new version of "
432:Breaking the Fourth Wall
133:Technical specifications
832:"Haken Audio Continuum"
761:(2). MIT Press: 23–38.
726:(1). MIT Press: 30–48.
579:Live Concert Experience
570:Composer and performer
353:modal physical modeling
755:Computer Music Journal
720:Computer Music Journal
540:Blizzard Entertainment
388:
267:
186:University of Illinois
178:performance controller
855:loopop (2018-02-26).
483:Mile Sur Mera Tumhara
387:A Continuum in action
386:
349:spectral manipulation
265:
220:software synthesizers
170:Continuum Fingerboard
88:Continuum Fingerboard
55:neutral point of view
1272:Keyboard instruments
475:" in the 2009 movie
444:Another advocate is
315:Built-in synthesizer
289:equal-tempered scale
204:IEEE-1394 (FireWire)
1210:Electronic Musician
699:"Dr. Lippold Haken"
565:Mehmet Ali Sanlıkol
471:, and in the song "
324:digital synthesizer
190:Champaign, Illinois
47:promotional content
920:The New York Times
458:Metal Machine Trio
389:
268:
49:and inappropriate
551:World of Warcraft
529:for his score to
512:for his score to
426:Live at Luna Park
379:Continuum players
166:
165:
128:Half size: $ 3390
126:Full size: $ 5290
83:
82:
75:
1279:
1225:
1224:
1222:
1221:
1200:
1194:
1193:
1191:
1190:
1175:
1169:
1168:
1166:
1165:
1159:cutcommonmag.com
1150:
1144:
1143:
1141:
1140:
1135:. pp. 12/20
1124:
1118:
1117:
1115:
1114:
1099:
1093:
1092:
1090:
1089:
1074:
1068:
1067:
1065:
1064:
1049:
1043:
1042:
1040:
1039:
1022:
1016:
1015:
1009:
1001:
999:
998:
989:. Archived from
983:
977:
976:
974:
973:
961:
955:
954:
952:
951:
936:
930:
929:
927:
926:
911:
905:
904:
902:
900:
885:
879:
878:
876:
874:
852:
846:
845:
843:
842:
827:
821:
820:
818:
817:
807:
801:
800:
794:
785:
779:
778:
750:
744:
743:
715:
709:
708:
706:
705:
695:
689:
688:
686:
685:
668:
463:Indian composer
361:kinetic modeling
197:CERL Sound Group
153:External control
97:
85:
78:
71:
67:
64:
58:
36:an advertisement
27:
26:
19:
1287:
1286:
1282:
1281:
1280:
1278:
1277:
1276:
1252:
1251:
1233:
1228:
1219:
1217:
1202:
1201:
1197:
1188:
1186:
1184:DailyIllini.com
1177:
1176:
1172:
1163:
1161:
1152:
1151:
1147:
1138:
1136:
1126:
1125:
1121:
1112:
1110:
1101:
1100:
1096:
1087:
1085:
1076:
1075:
1071:
1062:
1060:
1051:
1050:
1046:
1037:
1035:
1024:
1023:
1019:
1002:
996:
994:
987:"Archived copy"
985:
984:
980:
971:
969:
963:
962:
958:
949:
947:
938:
937:
933:
924:
922:
913:
912:
908:
898:
896:
891:. Haken Audio.
887:
886:
882:
872:
870:
854:
853:
849:
840:
838:
829:
828:
824:
815:
813:
809:
808:
804:
792:
787:
786:
782:
767:10.2307/3680038
752:
751:
747:
732:10.2307/3681043
717:
716:
712:
703:
701:
697:
696:
692:
683:
681:
677:Harmony Central
670:
669:
665:
661:
619:
595:John Paul Jones
577:Game of Thrones
381:
369:shape generator
317:
277:chromatic scale
236:
224:control voltage
174:Haken Continuum
127:
118:c. 2002–present
100:
79:
68:
62:
59:
40:
28:
24:
17:
12:
11:
5:
1285:
1283:
1275:
1274:
1269:
1264:
1254:
1253:
1250:
1249:
1244:
1239:
1232:
1231:External links
1229:
1227:
1226:
1195:
1170:
1145:
1119:
1094:
1069:
1044:
1017:
978:
956:
931:
906:
880:
847:
822:
802:
780:
745:
710:
690:
662:
660:
657:
656:
655:
650:
645:
640:
635:
630:
628:Ondes Martenot
625:
618:
615:
611:Grégoire Blanc
515:Dune: Part Two
450:Lucibel Crater
380:
377:
316:
313:
247:range of 9350
235:
234:Specifications
232:
164:
163:
154:
150:
149:
145:
144:
141:
135:
134:
130:
129:
124:
120:
119:
116:
112:
111:
108:
102:
101:
98:
90:
89:
81:
80:
63:September 2024
51:external links
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1284:
1273:
1270:
1268:
1265:
1263:
1260:
1259:
1257:
1248:
1245:
1243:
1240:
1238:
1235:
1234:
1230:
1216:
1212:
1211:
1206:
1199:
1196:
1185:
1181:
1174:
1171:
1160:
1156:
1149:
1146:
1134:
1133:citypages.com
1130:
1123:
1120:
1109:
1105:
1098:
1095:
1084:
1083:Destructo.com
1080:
1073:
1070:
1059:
1055:
1048:
1045:
1034:
1033:
1028:
1021:
1018:
1013:
1007:
993:on 2013-10-29
992:
988:
982:
979:
968:. Music Aloud
967:
960:
957:
946:
942:
935:
932:
921:
917:
910:
907:
894:
890:
884:
881:
868:
864:
863:
858:
851:
848:
837:
833:
830:Lumma, Carl.
826:
823:
812:
811:"Haken Audio"
806:
803:
798:
791:
784:
781:
776:
772:
768:
764:
760:
756:
749:
746:
741:
737:
733:
729:
725:
721:
714:
711:
700:
694:
691:
679:
678:
673:
667:
664:
658:
654:
653:ROLI Seaboard
651:
649:
646:
644:
641:
639:
636:
634:
631:
629:
626:
624:
621:
620:
616:
614:
612:
608:
604:
600:
596:
591:
589:
588:
582:
580:
578:
573:
572:Ramin Djawadi
568:
566:
561:
559:
558:
553:
552:
547:
546:
541:
536:
534:
533:
528:
527:John Williams
523:
521:
517:
516:
511:
506:
504:
500:
499:
494:
493:Academy Award
490:
489:
484:
480:
479:
474:
470:
466:
461:
459:
455:
451:
447:
446:Sarth Calhoun
442:
440:
439:
438:The Road Home
434:
433:
428:
427:
422:
421:
416:
415:
410:
409:
404:
403:
398:
397:Dream Theater
394:
393:Jordan Rudess
385:
378:
376:
374:
370:
366:
362:
358:
354:
350:
346:
342:
338:
334:
330:
325:
322:
314:
312:
308:
306:
302:
296:
294:
290:
286:
282:
278:
274:
264:
260:
258:
254:
250:
246:
241:
233:
231:
229:
225:
221:
217:
213:
210:, as well as
209:
205:
200:
198:
193:
191:
187:
183:
179:
175:
171:
162:
158:
155:
151:
146:
142:
140:
136:
131:
125:
121:
117:
113:
110:Lippold Haken
109:
107:
103:
96:
91:
86:
77:
74:
66:
56:
52:
48:
44:
38:
37:
32:This article
30:
21:
20:
1218:. Retrieved
1215:NewBay Media
1208:
1205:"Amon Tobin"
1198:
1187:. Retrieved
1183:
1173:
1162:. Retrieved
1158:
1148:
1137:. Retrieved
1132:
1122:
1111:. Retrieved
1108:ArtsFuse.org
1107:
1097:
1086:. Retrieved
1082:
1072:
1061:. Retrieved
1058:ECE Illinois
1057:
1047:
1036:. Retrieved
1030:
1020:
995:. Retrieved
991:the original
981:
970:. Retrieved
959:
948:. Retrieved
945:ECE Illinois
944:
934:
923:. Retrieved
919:
909:
897:. Retrieved
883:
871:. Retrieved
860:
850:
839:. Retrieved
835:
825:
814:. Retrieved
805:
796:
783:
758:
754:
748:
723:
719:
713:
702:. Retrieved
693:
682:. Retrieved
680:. 2004-01-26
675:
666:
603:Randy Kerber
592:
585:
583:
576:
569:
562:
555:
549:
543:
537:
530:
524:
520:Edmund Eagan
513:
507:
496:
486:
476:
462:
443:
436:
430:
424:
418:
412:
406:
400:
390:
373:Edmund Eagan
318:
309:
297:
269:
251:(about 7.79
237:
201:
194:
173:
169:
167:
148:Input/output
106:Manufacturer
69:
60:
45:by removing
41:Please help
33:
1237:Haken Audio
899:22 November
836:KeyboardMag
510:Hans Zimmer
503:Coke Studio
465:A.R. Rahman
365:granulation
345:waveshaping
216:synthesizer
182:synthesizer
176:is a music
1256:Categories
1220:2013-11-28
1189:2008-04-06
1164:2017-07-20
1139:2017-12-06
1113:2016-06-19
1088:2014-05-18
1063:2008-05-21
1038:2024-05-07
997:2013-08-08
972:2010-11-03
950:2008-04-06
925:2010-04-30
841:2009-07-08
816:2013-11-25
704:2008-04-06
684:2009-07-08
659:References
623:Trautonium
607:Amon Tobin
557:Diablo III
405:(2005) to
402:Octavarium
341:modulation
329:oscillator
293:just scale
285:pitch bend
273:portamento
43:improve it
648:Eigenharp
643:EMS VCS 3
498:127 Hours
456:. In the
305:amplitude
143:16 voices
139:Polyphony
1006:cite web
893:Archived
867:Archived
638:Theremin
633:Therevox
617:See also
599:Lou Reed
587:Das Boot
473:Rehna Tu
454:Lou Reed
240:neoprene
1032:YouTube
873:16 July
862:YouTube
775:3680038
740:3681043
478:Delhi-6
469:Chennai
321:modular
281:vibrato
253:octaves
773:
738:
554:, and
429:, and
367:, and
333:filter
301:timbre
793:(PDF)
771:JSTOR
736:JSTOR
488:Kadal
414:Score
337:delay
249:cents
245:pitch
123:Price
115:Dates
1012:link
901:2013
875:2019
212:MIDI
180:and
168:The
161:AES3
157:MIDI
763:doi
728:doi
283:or
172:or
1258::
1213:.
1207:.
1182:.
1157:.
1131:.
1106:.
1081:.
1056:.
1029:.
1008:}}
1004:{{
943:.
918:.
865:.
859:.
834:.
795:.
769:.
759:13
757:.
734:.
724:22
722:.
674:.
613:.
605:,
601:,
597:,
560:.
548:,
535:.
522:.
423:,
417:,
375:.
363:,
359:,
355:,
351:,
347:,
343:,
339:,
335:,
331:,
291:,
259:.
257:ms
230:.
192:.
159:,
1223:.
1192:.
1167:.
1142:.
1116:.
1091:.
1066:.
1041:.
1014:)
1000:.
975:.
953:.
928:.
903:.
877:.
844:.
819:.
777:.
765::
742:.
730::
707:.
687:.
76:)
70:(
65:)
61:(
57:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.