375:
1443:
88:
190:
47:
815:
compares the use of a sliding timescale in comics to the way ageless figures in myths are depicted interacting with the contemporary world of the storyteller. When certain stories in comics, especially origin stories, are rewritten, they often retain key events but are updated to a contemporary time, such as with the comic book character Tony Stark, who invents his
252:
660:, or SORAS. Children unseen on screen for a time might reappear portrayed by an actor several years older than the original. Usually coinciding with a recast, this rapid aging is typically done to open up the character to a wider range of storylines, and to attract younger viewers. A recent example of this occurring is in the BBC's
405:
in New York City several times throughout a movie, but as it is extraordinarily expensive to close off Times Square, those scenes will likely be filmed all at once to reduce permit costs. Weather, the ambiance of natural light, cast and crew availability, or any number of other circumstances can also
536:
explanation that
Frasier was embarrassed about his father's lowbrow attitudes and thus claimed his death. This is a frequent occurrence in sitcoms, where networks may agree to continue a show, but only if a certain character is emphasized, leading other minor characters to be written out of the show
638:, many of Homer's "nods" are explicable as the consequences of the poem being retold and improvised by generations of oral poets. In the second case cited above, it is likely that two different versions are being conflated: one version with an embassy of three people, another with just two people.
392:
Many continuity errors are subtle, such as minor changes between shots (like the level of drink in a glass or the length of a cigarette); these minor errors often remain due to relative indifference to the final cut. While minor errors are often unnoticed by the average viewer, other errors may be
342:
on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production schedule. It is an inconspicuous job because if done well, none may ever notice. The script supervisor gathers numerous paperwork, photographs, and other documentation
414:
Film production companies use various techniques to prevent continuity errors. The first would be to film all the shots for a particular scene together and all shots of consecutive scenes together (if the scenes take place together, with no break between them in the film's timeline). This allows
814:
suggests that comic books use this technique to satisfy "the commercial need to keep certain characters going forever". This is also due to the fact that the authors have no need to accommodate the aging of their characters, which is also typical of most animated television shows. Kevin Wanner
765:
to describe excessive use of continuity). Often when fans do not agree with one of the events in a story (such as the death of a favorite character), they will choose to ignore the event in question so that their enjoyment of the franchise is not diminished. When the holder of the intellectual
426:
The third is to avoid shooting on location entirely but instead film everything on a studio set. This allows weather and lighting to be controlled (as the shooting is indoors), and for all clothing and sets to be stored in one place to be hauled out the next day from a secure location.
809:
Some fiction ignores continuity to allow characters to slow or stop the aging process, despite real-world markers like major social or technological changes. In comics this is sometimes referred to as a "floating timeline", where the fiction takes place in a "continuous present".
400:
In cinema, special attention must be paid to continuity because scenes are rarely shot in the order in which they appear in the final film. The shooting schedule is often dictated by location permit issues and other logistics. For example, a character may return to
684:. The first few seasons took place over the course of just a few months, but by that point, Lloyd looked much older than 10. In his remaining few appearances, special effects were used to make him look younger, or the scene took place years later.
418:
The second major technique is for costume designers, production designers, prop masters, and make-up artists to take instant photographs of actors and sets at the beginning and end of each day's shooting (once made possible by
330:
Continuity is particularly a concern in the process of film and television production due to the difficulty in rectifying errors after filming ends. Continuity can also apply to other art forms, such as novels, comics, and
752:
When continuity mistakes have been made, explanations are often proposed by either writers or fans to smooth over discrepancies. Fans sometimes make up explanations for such errors that may or may not be integrated into
347:. The gathered information and photographs usually regard factors both within the scene and the technical details of the production, including meticulous records of camera positioning and equipment settings. Film-based
434:
has helped alleviate the challenge of preventing continuity errors from reaching the final cut, as it is easier to "airbrush" the errant drink glass or cigarette than it once was, albeit still not necessarily trivial.
326:
is the consistency of the characteristics of people, plot, objects, and places seen by the audience over some period of time. It is relevant to many genres and forms of storytelling, especially if it is long-running.
507:
A plot error, or a plot hole as it is commonly known, reflects a failure in the consistency of the created fictional world. A character might state he was an only child, yet later mention a sibling. In the TV show
666:
series, in which
Mordred is initially played by a young child in Season 4, yet suddenly grows up into his late teens in time for the start of Season 5, with the rest of the characters aging by only three years.
388:. In the first frame, Chaplin's character is seen carrying a trunk through a door, holding his hat behind him. In the immediately subsequent shot from the other side of the door, he is wearing the hat.
656:
The practice of accelerating the age of a television character (usually a child or teenager) in conflict with the timeline of a series and/or the real-world progression of time is popularly known as
514:, Frasier Crane's wife Lilith mentions Frasier's parents are both dead, and, in another episode, Frasier himself claims his father to have been a scientist. When the character was spun off into
393:
more noticeable, such as sudden drastic changes in the appearance of a character. Productions will aim to prevent such errors in continuity because they can affect the audience's
423:
cameras, now done with digital cameras and cell phones as well). This allows the various workers to check each day's clothing, set, props, and make-up against a previous day's.
464:
occurring in visual media such as film and television. Items of clothing change colors, shadows get longer or shorter, items within a scene change place or disappear, etc.
1250:
865:
869:
1211:"An Aston Martini, stirred not shaken, please Pennymoney / Site lists 007 continuity gaffes in new Bond film / Odd Corsas, corpses and capitals spotted in movie"
714:
shot of something else happening, followed by another shot of
Groucho. Each time, Groucho's hat changes, usually to something more outrageous than before (a
1296:
343:
which note a large quantity of detail for maintaining the continuity of the production; Some of the gathered documents can be sometimes assembled into the
795:
tinuity. Retcons sometimes clarify ambiguities or correct perceived errors. This is not to be confused with the continuance of a reality (continuality).
443:
Editing errors can occur when a character in a scene references a scene or incident that has not occurred yet, or of which they should not yet be aware.
741:
1157:
Méon, J. M. (2018). "Sons and
Grandsons of Origins: Narrative Memory in Marvel Superhero Comics". In Ahmed, Maaheen; Crucifix, Benoît (eds.).
1122:
1068:
1035:
849:
105:
60:
955:
1344:
1339:
1166:
448:
1199:
1095:
965:
355:; all of this is, ideally, all related shots can match, due to filming being split up over months in different sets and locations.
309:
291:
273:
233:
171:
74:
335:, though usually on a smaller scale; it also applies to fiction used by persons, corporations, and governments in the public eye.
152:
1289:
657:
489:
loses his hat in one room, but it is instantly back on his head as he enters the next room. Rather "loose" plots and a lack of
262:
124:
200:
109:
1260:
1467:
415:
actors to remain in costume, in character, and in the same location (and with the same weather, if shooting on location).
131:
928:
521:
30:
This article is about consistency throughout a single work of fiction. For a broader franchise of related works, see
630:
form are used, indicating more than two; but another dual verb appears at line 192 ("the two of them came forward").
138:
1446:
1282:
431:
1210:
623:
66:
599:
kills a minor character, Pylaimenes, in combat. Pylaimenes is later still alive to witness the death of his son.
1472:
736:
692:
Sometimes a work of fiction may deliberately employ continuity errors, usually for comedy. For example, in the
607:
452:(1963), where a scene of people climbing a slope at the start is seen from below and then replayed from above.
215:
120:
988:
553:
A Homeric nod (sometimes heard as 'Even Homer nods') is a term for a continuity error that has its origins in
394:
211:
98:
1418:
1334:
989:"How did MCU writers of 'Rogers: The Musical' know Cap's iconic catchphrase & those Avengers secrets?"
783:
771:
533:
374:
1235:
698:
672:
344:
1324:
1477:
1377:
730:
711:
681:
574:
420:
1428:
1027:
724:
635:
1055:, Palgrave Studies in Comics and Graphic Novels, New York: Palgrave Macmillan US, pp. 37–67,
266:
that states a
Knowledge editor's personal feelings or presents an original argument about a topic.
1231:
1138:
Wanner, Kevin J. (2018). "Authority Apart from Truth: Superhero Comic Book
Stories as Myths". In
859:
662:
644:
538:
490:
363:
31:
537:
with no further mention of the character's existence, while the emphasized character (usually a
145:
585:
There are numerous continuity errors in Homer that can be described as "nods", as for example:
1305:
1255:
1195:
1162:
1118:
1091:
1064:
1031:
961:
845:
804:
703:
561:
339:
1112:
1482:
1423:
1392:
1319:
1056:
767:
648:
that "Those oft are
Stratagems which Errors seem, Nor is it Homer Nods, but We that Dream."
481:
384:
520:, his father, a retired policeman named Martin, became a central character. Eventually, in
1413:
1382:
775:
754:
615:
545:) develops a more complete back story that ignores previous, more simplified backstories.
472:
379:
359:
348:
35:
1329:
639:
352:
1461:
693:
542:
626:
form to indicate that there are only two people going; at lines 185ff. verbs in the
1372:
1215:
1015:
883:
762:
707:
565:
476:
402:
1051:
Jeffery, Scott (2016), Jeffery, Scott (ed.), "The
Rhizome of Comic Book Culture",
766:
property discards all existing continuity and starts from scratch, it is known as
1053:
The
Posthuman Body in Superhero Comics: Human, Superhuman, Transhuman, Post/Human
17:
1191:
1083:
1060:
841:
811:
781:
A conflict with previously established facts is sometimes deliberate; this is a
557:
332:
87:
1351:
1139:
677:
529:
1387:
1367:
1111:
Goertz, Allie; Prescott, Julia; Oakley, Bill; Weinstein, Josh (2018-09-18).
740:(2012), and contains intentional plot inaccuracies such as the inclusion of
619:
502:
486:
770:. Fans call a less extreme literary technique that erases one episode the
642:
was inclined to give
Homeric nods the benefit of the doubt, saying in his
816:
715:
611:
596:
1144:
Irreverence and the Sacred: Critical Studies in the History of Religions
719:
516:
627:
582:("and yet I also become annoyed whenever the great Homer nods off").
569:
510:
1274:
218:. Statements consisting only of original research should be removed.
591:
554:
373:
1114:
100 Things The Simpsons Fans Should Know & Do Before They Die
993:
1278:
819:
armor in a different war depending on when the story is told.
485:. Here, in a supposedly smooth step from one room to another,
245:
183:
81:
40:
263:
personal reflection, personal essay, or argumentative essay
34:. For continuity as applied to a fictional universe, see
670:
The reverse can also happen. On the television program
446:
An example of an editing error can be seen in the film
269:
207:
1232:"When Continuity Counts, Call a Script Girl — Er, Guy"
957:
The Audience in Everyday Life: Living in a Media World
1188:
Script Supervising and Film Continuity, Third Edition
1088:
Superheroes!: Capes and Crusaders in Comics and Films
838:
Script Supervising and Film Continuity, Third Edition
1401:
1360:
1312:
622:; however, at line 182 the poet uses a verb in the
580:"et idem indignor quandoque bonus dormitat Homerus"
358:In comic books, continuity has also come to mean a
351:were once standard but have since been replaced by
112:. Unsourced material may be challenged and removed.
734:(2021) depicts events that happened in the film
702:, at the climax of the film, the camera shows a
836:Miller, Pat; Miller, Pat (December 1998).
922:
920:
410:Measures against continuity errors in the film
1290:
493:made most early films rife with such errors.
8:
864:: CS1 maint: multiple names: authors list (
757:; this has come to be colloquially known as
75:Learn how and when to remove these messages
1297:
1283:
1275:
868:) CS1 maint: numeric names: authors list (
1020:AHistory: An Unauthorized History of the
310:Learn how and when to remove this message
292:Learn how and when to remove this message
234:Learn how and when to remove this message
172:Learn how and when to remove this message
1161:. Palgrave Macmillan. pp. 203–204.
761:(a term originally coined by the author
722:hat, etc.). The fictional Broadway play
362:, sometimes said to be "set in the same
828:
1146:. Oxford University Press. p. 84.
927:Clayton-Millar, Kim (April 24, 2006).
857:
728:that first appeared in the miniseries
27:Consistency or continuity of narrative
1251:"Career Counselor: Script Supervisor"
7:
960:. New York: Routledge. p. 135.
338:Most film and TV productions have a
110:adding citations to reliable sources
1090:. Bloomsbury Academic. p. 22.
1159:Comics Memory: Archives and Styles
1026:(2nd ed.). Des Moines, Iowa:
532:, the inconsistency was given the
467:One of the earliest examples of a
25:
56:This article has multiple issues.
1442:
1441:
744:who did not appear in the film.
680:was played by 12-year-old actor
250:
188:
86:
45:
1249:Miller, Susan W. (2005-08-05).
710:speaking a line, followed by a
676:, the character of 10-year-old
658:Soap Opera Rapid Aging Syndrome
449:It's a Mad, Mad, Mad, Mad World
406:influence a shooting schedule.
97:needs additional citations for
64:or discuss these issues on the
1230:Stamberg, Susan (2008-02-21).
935:. Independent News & Media
884:"Charlie Chaplin : Films"
1:
1209:Gillan, Audrey (2008-11-10).
1186:Miller, Pat (December 1998).
1117:(in Arabic). Triumph Books.
688:Deliberate continuity errors
1061:10.1057/978-1-137-54950-1_3
954:Bird, S. Elizabeth (2003).
606:9.165-93 three characters,
214:the claims made and adding
1499:
802:
500:
460:Visual errors are instant
29:
1437:
618:set out on an embassy to
564:for it was coined by the
121:"Continuity" fiction
1142:; Johnson, Greg (eds.).
360:set of contiguous events
914:Book XIII Lines 643-659
430:The advent of advanced
395:suspension of disbelief
1419:Retroactive continuity
389:
378:A continuity error in
272:by rewriting it in an
1236:National Public Radio
929:"Soaps' rising stars"
382:'s 1914 comedy short
377:
1468:Continuity (fiction)
905:Book V Lines 576-579
742:Scott Lang / Ant-Man
682:Malcolm David Kelley
541:, as in the case of
106:improve this article
1263:on February 3, 2009
1028:Mad Norwegian Press
748:Dealing with errors
725:Rogers: The Musical
652:Aging discrepancies
636:Homeric scholarship
799:Ageless characters
645:Essay on Criticism
539:breakout character
491:continuity editing
390:
274:encyclopedic style
261:is written like a
199:possibly contains
32:Fictional universe
1455:
1454:
1447:Superhero fiction
1306:Superhero fiction
1256:Los Angeles Times
1124:978-1-64125-109-9
1070:978-1-137-54950-1
1037:978-0-9759446-6-0
851:978-0-240-80294-7
805:Floating timeline
791:active change in
562:proverbial phrase
370:Continuity errors
340:script supervisor
320:
319:
312:
302:
301:
294:
244:
243:
236:
201:original research
182:
181:
174:
156:
79:
18:Continuity errors
16:(Redirected from
1490:
1445:
1444:
1393:Comic book death
1299:
1292:
1285:
1276:
1271:
1269:
1268:
1259:. Archived from
1245:
1243:
1242:
1226:
1224:
1223:
1205:
1173:
1172:
1154:
1148:
1147:
1135:
1129:
1128:
1108:
1102:
1101:
1080:
1074:
1073:
1048:
1042:
1041:
1012:
1006:
1005:
1003:
1002:
985:
979:
978:
976:
974:
951:
945:
944:
942:
940:
924:
915:
912:
906:
903:
897:
894:
888:
887:
880:
874:
873:
863:
855:
833:
482:The Property Man
385:The Property Man
349:Polaroid cameras
315:
308:
297:
290:
286:
283:
277:
254:
253:
246:
239:
232:
228:
225:
219:
216:inline citations
192:
191:
184:
177:
170:
166:
163:
157:
155:
114:
90:
82:
71:
49:
48:
41:
21:
1498:
1497:
1493:
1492:
1491:
1489:
1488:
1487:
1473:Style (fiction)
1458:
1457:
1456:
1451:
1433:
1397:
1383:Secret identity
1356:
1308:
1303:
1266:
1264:
1248:
1240:
1238:
1229:
1221:
1219:
1208:
1202:
1185:
1182:
1180:Further reading
1177:
1176:
1169:
1156:
1155:
1151:
1137:
1136:
1132:
1125:
1110:
1109:
1105:
1098:
1082:
1081:
1077:
1071:
1050:
1049:
1045:
1038:
1014:
1013:
1009:
1000:
998:
987:
986:
982:
972:
970:
968:
953:
952:
948:
938:
936:
926:
925:
918:
913:
909:
904:
900:
895:
891:
882:
881:
877:
856:
852:
835:
834:
830:
825:
807:
801:
750:
696:' classic film
690:
654:
551:
505:
499:
473:Charlie Chaplin
462:discontinuities
458:
441:
412:
380:Charlie Chaplin
372:
353:digital cameras
316:
305:
304:
303:
298:
287:
281:
278:
270:help improve it
267:
255:
251:
240:
229:
223:
220:
205:
193:
189:
178:
167:
161:
158:
115:
113:
103:
91:
50:
46:
39:
36:Canon (fiction)
28:
23:
22:
15:
12:
11:
5:
1496:
1494:
1486:
1485:
1480:
1475:
1470:
1460:
1459:
1453:
1452:
1450:
1449:
1438:
1435:
1434:
1432:
1431:
1426:
1421:
1416:
1411:
1405:
1403:
1399:
1398:
1396:
1395:
1390:
1385:
1380:
1375:
1370:
1364:
1362:
1358:
1357:
1355:
1354:
1349:
1348:
1347:
1337:
1332:
1327:
1322:
1316:
1314:
1310:
1309:
1304:
1302:
1301:
1294:
1287:
1279:
1273:
1272:
1246:
1227:
1206:
1200:
1181:
1178:
1175:
1174:
1168:978-3319917450
1167:
1149:
1130:
1123:
1103:
1096:
1075:
1069:
1043:
1036:
1030:. p. 13.
1007:
980:
966:
946:
916:
907:
898:
896:Lines 358-359.
889:
875:
850:
827:
826:
824:
821:
803:Main article:
800:
797:
749:
746:
689:
686:
653:
650:
640:Alexander Pope
632:
631:
600:
550:
547:
501:Main article:
498:
495:
457:
454:
440:
439:Editing errors
437:
411:
408:
371:
368:
318:
317:
300:
299:
258:
256:
249:
242:
241:
196:
194:
187:
180:
179:
94:
92:
85:
80:
54:
53:
51:
44:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1495:
1484:
1481:
1479:
1476:
1474:
1471:
1469:
1466:
1465:
1463:
1448:
1440:
1439:
1436:
1430:
1427:
1425:
1422:
1420:
1417:
1415:
1412:
1410:
1407:
1406:
1404:
1400:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1374:
1371:
1369:
1366:
1365:
1363:
1361:Plot elements
1359:
1353:
1350:
1346:
1343:
1342:
1341:
1338:
1336:
1333:
1331:
1328:
1326:
1323:
1321:
1318:
1317:
1315:
1311:
1307:
1300:
1295:
1293:
1288:
1286:
1281:
1280:
1277:
1262:
1258:
1257:
1252:
1247:
1237:
1233:
1228:
1218:
1217:
1212:
1207:
1203:
1201:0-240-80294-2
1197:
1193:
1189:
1184:
1183:
1179:
1170:
1164:
1160:
1153:
1150:
1145:
1141:
1134:
1131:
1126:
1120:
1116:
1115:
1107:
1104:
1099:
1097:9781845115692
1093:
1089:
1085:
1079:
1076:
1072:
1066:
1062:
1058:
1054:
1047:
1044:
1039:
1033:
1029:
1025:
1021:
1017:
1016:Parkin, Lance
1011:
1008:
996:
995:
990:
984:
981:
969:
967:0-415-94259-4
963:
959:
958:
950:
947:
934:
930:
923:
921:
917:
911:
908:
902:
899:
893:
890:
885:
879:
876:
871:
867:
861:
853:
847:
843:
839:
832:
829:
822:
820:
818:
813:
806:
798:
796:
794:
790:
787:, as it is a
786:
785:
779:
777:
773:
769:
764:
760:
756:
747:
745:
743:
739:
738:
733:
732:
727:
726:
721:
717:
713:
709:
705:
701:
700:
695:
694:Marx Brothers
687:
685:
683:
679:
675:
674:
668:
665:
664:
659:
651:
649:
647:
646:
641:
637:
629:
625:
621:
617:
613:
609:
605:
601:
598:
594:
593:
588:
587:
586:
583:
581:
577:
576:
571:
567:
563:
559:
556:
548:
546:
544:
543:Frasier Crane
540:
535:
531:
527:
523:
519:
518:
513:
512:
504:
496:
494:
492:
488:
484:
483:
478:
474:
470:
465:
463:
456:Visual errors
455:
453:
451:
450:
444:
438:
436:
433:
428:
424:
422:
416:
409:
407:
404:
398:
396:
387:
386:
381:
376:
369:
367:
365:
361:
356:
354:
350:
346:
341:
336:
334:
328:
325:
314:
311:
296:
293:
285:
275:
271:
265:
264:
259:This article
257:
248:
247:
238:
235:
227:
217:
213:
209:
203:
202:
197:This article
195:
186:
185:
176:
173:
165:
162:December 2008
154:
151:
147:
144:
140:
137:
133:
130:
126:
123: –
122:
118:
117:Find sources:
111:
107:
101:
100:
95:This article
93:
89:
84:
83:
78:
76:
69:
68:
63:
62:
57:
52:
43:
42:
37:
33:
19:
1408:
1373:Supervillain
1265:. Retrieved
1261:the original
1254:
1239:. Retrieved
1220:. Retrieved
1216:The Guardian
1214:
1187:
1158:
1152:
1143:
1133:
1113:
1106:
1087:
1084:Kaveney, Roz
1078:
1052:
1046:
1023:
1019:
1010:
999:. Retrieved
997:. 2022-01-04
992:
983:
973:December 12,
971:. Retrieved
956:
949:
939:December 17,
937:. Retrieved
932:
910:
901:
892:
878:
837:
831:
808:
792:
788:
782:
780:
772:reset button
763:Craig Hinton
758:
751:
737:The Avengers
735:
729:
723:
708:Groucho Marx
697:
691:
671:
669:
661:
655:
643:
633:
603:
590:
584:
579:
573:
552:
525:
515:
509:
506:
480:
469:visual error
468:
466:
461:
459:
447:
445:
442:
429:
425:
417:
413:
403:Times Square
399:
391:
383:
357:
337:
329:
323:
322:In fiction,
321:
306:
288:
279:
260:
230:
221:
198:
168:
159:
149:
142:
135:
128:
116:
104:Please help
99:verification
96:
72:
65:
59:
58:Please help
55:
1478:Narratology
1192:Focal Press
1140:Urban, Hugh
842:Focal Press
812:Roz Kaveney
774:. See also
575:Ars Poetica
549:Homeric nod
534:retroactive
497:Plot errors
471:appears in
345:story bible
333:video games
1462:Categories
1409:Continuity
1402:Continuity
1378:Superpower
1352:Kamishibai
1340:Television
1335:Television
1267:2008-12-21
1241:2008-12-21
1222:2008-12-21
1022:Doctor Who
1001:2024-03-12
823:References
759:fanwanking
716:Napoleonic
678:Walt Lloyd
634:In modern
530:Ted Danson
524:featuring
522:an episode
324:continuity
224:March 2013
208:improve it
132:newspapers
61:improve it
1429:Crossover
1388:Alter ego
1368:Superhero
860:cite book
768:rebooting
699:Duck Soup
620:Achilleus
503:Plot hole
487:the Tramp
212:verifying
67:talk page
1345:American
1086:(2008).
1024:universe
1018:(2007).
817:Iron Man
720:Prussian
612:Odysseus
597:Menelaos
421:Polaroid
364:universe
282:May 2015
1483:Phrases
933:Tonight
731:Hawkeye
718:hat, a
712:cutaway
608:Phoinix
572:in his
555:Homeric
517:Frasier
268:Please
206:Please
146:scholar
1424:Reboot
1325:Novels
1320:Comics
1198:
1165:
1121:
1094:
1067:
1034:
964:
848:
784:retcon
663:Merlin
628:plural
614:, and
570:Horace
560:. The
526:Cheers
511:Cheers
479:movie
148:
141:
134:
127:
119:
1414:Canon
1313:Media
789:retro
776:fanon
755:canon
604:Iliad
592:Iliad
568:poet
566:Roman
528:star
153:JSTOR
139:books
1330:Film
1196:ISBN
1163:ISBN
1119:ISBN
1092:ISBN
1065:ISBN
1032:ISBN
994:Syfy
975:2009
962:ISBN
941:2009
870:link
866:link
846:ISBN
704:shot
673:Lost
624:dual
616:Aias
558:epic
477:1914
125:news
1057:doi
793:con
706:of
602:In
589:In
475:'s
432:CGI
366:."
210:by
108:by
1464::
1253:.
1234:.
1213:.
1194:.
1190:.
1063:,
991:.
931:.
919:^
862:}}
858:{{
844:.
840:.
778:.
610:,
595:,
578::
397:.
70:.
1298:e
1291:t
1284:v
1270:.
1244:.
1225:.
1204:.
1171:.
1127:.
1100:.
1059::
1040:.
1004:.
977:.
943:.
886:.
872:)
854:.
313:)
307:(
295:)
289:(
284:)
280:(
276:.
237:)
231:(
226:)
222:(
204:.
175:)
169:(
164:)
160:(
150:·
143:·
136:·
129:·
102:.
77:)
73:(
38:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
