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rectangular openings, with guards). The archways that correspond to the false transepts end at a cornice that mark the beginning of the vaulted ceiling. A high-choir exists on the extreme nave opposite the main altar. Among various retables in gilded woodwork, is the one on the side of the epistole, which have characteristics that
Joanino, framed by an investment of figurative azulejo tile that is equally Joanino in character.
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last one occupied by the belfry. The central part, corresponds to the nave, and there are three sections per floor (with the doorways on the ground floor decorated in archways) and surmounted by a cut frontispiece with decorated tympanum. There is an inscription on the archway entrance to the left part of the church, that reads
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On the same floor as the facade are two porticos that provided access to the primitive convent. To the right lateral facade there is a rectangular corp, one-storey in height, with three sections, decorated in cornice. The left lateral facade (behind the military entranceway the compound) are elements
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The principal facade includes to bell towers and is divided into three floors decorated in cornice. The towers, are delimited by a central section with pilasters, corresponding to the lateral corps and surmounted by bulbous copulas over octagonal base. There are four sections on all floors, with the
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In 2016, the municipal council and
Ministry of National Defense signed a memorandum of intent to integrate the structure into the Revive (Reabilitação de Património e Turismo), a program to requalify 30 public buildings in advance states of degradation, but elevated heritage value, being stated that
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The church of the old
Convent of Carmo comprises a single nave to a narrower chancel, covered in a vaulted ceiling, and two lateral bodies marked by two chapels. Access the convent and the pulpits are provided from the false transepts. The lateral chapels are surmounted by cornice topped by
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The convent was transferred to the Lay
Carmelites in 1836, as a consequence of the extinction of the religious orders in Portugal, and owing to the intervention of António de Ávila (later Duke of Ávila e Bolama) the convent was spared, even as other liberals wished to destroy the building.
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The church is since 2021 the headquarters of the Horta's Sacred Art Museum, a museum that holds the largest collection of sacred art in the Azores, with a collection of objects dated since the 13th until the early 20th century, having in display a fine collection of
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The building evolved considerably throughout the years, primarily due to reconstruction, following several earthquakes that struck Faial over the years. It also affected the churchyard, situated over the centre of town, which was restored, rebuilt and expanded.
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To promote the convent, D. Helena de Boim donated her possessions to the Order of the
Brothers of Mount Carmel, and lands alongside the chapel in order to begin construction of the monastery, and later the church.
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Much of the construction resulted from the earthquake that struck the island in 1926. A similar earthquake rocked the islands of the central group on 9 July 1998, provoking destruction in the areas of
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its role had changed significantly, and continued in the possession of the
Ministry of Defense to the present, functioning as a military post, thereby affecting its use as a tourist landmark.
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The church and convent is situated in a courtyard consisting of a large rectangular platform, whose principal access (almost to the front of the principal facade) is along the
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291:), D. Helena de Boim decided to create a hospice, in order to lodge Carmelite friars, that included round-trips through the kingdom to the States of Brazil and Maranhão.
260:, but was damaged during several earthquakes. After the expulsion of the religious orders the convent began a slow decline, and was eventually expropriated by the
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Its construction began in the 17th century, specifically in 1652, under the influence of D. Helena de Boim, wife of the captain-major
Francisco Gil da Silveira.
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A year later, the convent passed into the possession of the
Portuguese State, who installed a garrison and barracks. By the time of the
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A view of the vaulted archways of the cloister of the former-Convent of Carmo, annexed alongside the Church of Nossa
Senhora do Carmo
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256:. For several centuries it was one of the several convents that dotted the urban area of the island of
525:"Quartel e convento transformados em hotéis de cinco estrelas na Horta e em Moura - Açoriano Oriental"
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At the time of its extinction, there were 12 sisters and three studying form admission to the order.
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443:(in Portuguese), Lisbon, Portugal: SIPA – Sistema de Informação para o Património Arquitectónico
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563:(in Portuguese) (1 ed.), Angra do Heroísmo (Azores), Portugal, 2003, pp. 117–118,
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and others in the context of local religious institutions and private collections,
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it will reopen as a 5 star Hotel, with the opening scheduled for around 2022.
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After the construction of a chapel, dedicated to the invocation of
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Convento de Nossa
Senhora do Carmo (IPA.00025448/PT072002080033)
513:(in Portuguese), Horta (Azores), Portugal: Tribuna das Ilhas
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DRC, ed. (3 March 1999), "71.11.149 Igreja do Carmo",
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561:Guia do Património Cultura dos Açores, Faial
582:: CS1 maint: location missing publisher (
493:Inventário do Património Imóvel dos Açores
379:(a staircase of large cobblestone rises).
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16:Convent, Church, Museum in Horta, Portugal
601:Buildings and structures in Horta, Azores
264:as an administrative post and garrison.
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437:Noé, Paula (2007), SIPA (ed.),
363:, sacred furniture, liturgical
76:Hotel, in the future (Convent)
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507:Gomes, Devin, Tribuna (ed.),
546:Museum official website (pt)
74:Sacred Art's Museum (Church)
510:Uma semana de boas noticias
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361:portuguese tiles (Azulejo)
318:, and destroying homes in
322:(Lombega), Flamengos and
285:Nossa Senhora da Boa Nova
168:38.5387333°N 28.6288278°W
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611:Our Lady of Mount Carmel
529:www.acorianooriental.pt
262:Portuguese Armed Forces
173:38.5387333; -28.6288278
606:Convents in the Azores
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391:of the old cloister.
289:Our Lady of Good News
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357:gilded woodcarvings
324:Praia do Almoxarife
252:archipelago of the
196:Portuguese Republic
164: /
99:Architectural style
66:General information
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377:Travessa do Carmo
367:and furnishings.
226:Convento do Carmo
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202:Technical details
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531:. Archived from
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159:28°37′43.78″W
156:38°32′19.44″N
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371:Architecture
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308:Pedro Miguel
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242:municipality
234:civil parish
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187:17th century
125:Town or city
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171: /
146:Coordinates
595:Categories
399:References
353:sculptures
304:Ribeirinha
250:Portuguese
222:Portuguese
447:1 January
365:jewellery
578:citation
207:Material
139:Portugal
115:Location
108:Rocaille
554:Sources
350:Flemish
268:History
248:in the
230:convent
210:Masonry
135:Country
103:Baroque
85:Convent
567:
316:Cedros
254:Azores
238:Matriz
184:Opened
119:Matriz
93:Museum
89:Church
71:Status
404:Notes
312:Salão
258:Faial
246:Horta
192:Owner
129:Horta
56:Horta
584:link
565:ISBN
449:2017
385:1838
314:and
216:The
81:Type
244:of
236:of
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287:(
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.